Thailand - To deliver clear, intelligible sound for sporting events, live performances and more, Mahajak Development Co recently deployed a networked AV system at Ratchaburi Provincial Stadium.
With over 10,000 seats, Ratchaburi Provincial Stadium is Thailand’s premier live event facility for sporting events, performances and more. The venue recently hired Mahajak Development to upgrade their existing sound system with a comprehensive Harman Professional Solutions networked AV system.
“The customer requested an audio system that could deliver crystal-clear sound during speeches, live performances and other live events,” says Pongsakorn Kanchanachayphoom, project director, Mahajak Development Co. “Mounting a speaker on the roof of the stadium proved to be a bit of a challenge, as it needed to be specifically positioned for maximum impact throughout the seating area. But after careful and precise measurements we were able to achieve the desired result.”
Mahajak Development equipped the stadium with JBL PD566 full-range loudspeakers to deliver clear, intelligible sound with broad, even coverage. Mahajak Development selected JBL AWC129 all-weather coaxial loudspeakers for their compact, weather-resistant design and high SPL capabilities. JBL LSR305 studio monitors were installed in the control room to deliver neutral, accurate sound for critical listening.
The system is powered by Crown DCi 2|600N, DCi 2|1250N and DSi 2000 amplifiers, which were selected for their unparalleled efficiency and advanced digital signal processing capabilitie
South Africa - The Little Theatre, based at the University of South Africa in Pretoria, has upgraded to a grandMA3 light console as the theatre moves into its dance season, hosting various performances from ballet to contemporary.
“Although our previous console served us well, it was over nine years old,” explains technical manager Leon Rossouw. “We were having issues with updating fixture libraries and the start-up time for the console was time-consuming. Software updates were no longer rolled out as the console had been discontinued a few years back already and some of the hardware was also giving me major hassles.”
In 2010, the Little Theatre decided to focus on promoting theatres in schools and youth groups instead of being a money generating playhouse. While their main clientele consists of private dance studios, schools and drama groups they also host various performing art competitions and Eisteddfods. A number of live acts and production companies use the theatre for music videos, live performances and album launches. Apart from that, the theatre has hosted some of Unisa’s most prolific colloquiums, book launches, seminars, debates and other events.
“As the Little Theatre rarely host shows that run for more than a week, and from time to time even run three separate shows in the same week, there is not much room for things to go wrong or break down,” says Rossouw, who with theatre manager Jan Steyn is the only permanent staff at the venue.
Leon confesses that he was a complete newbie to the MA platform. “Even when I ha
UK - Italia Conti Academy is one of the world’s most recognisable names when it comes to performing arts education for secondary school and further education students.
When Triple E were approached to supply ModTruss for one of the school’s recent productions it was an opportunity to support the young performers in more ways than one.
Despite the short lead time of a month, Triple E worked with the school’s production team to provide a bespoke platform, stairs and handrails which formed a centrepiece of the stage set for the production of Life’s Just a Bowl of Conti’s for a one week run at Rhoda McGraw Theatre in Woking, Surrey.
Amy Stevenson, production and stage manager at Italia Conti Academy comments, “We pride ourselves on the teaching and the production values here at Italia Conti and we only wanted the best for our students for their show. We already have Triple E tracking installed in our main theatre at the academy. So it made sense to approach Triple E to see if they could help with our staging for the recent production at the theatre in Woking.”
“Italia Conti’s requirement was for a large staging structure with access from on stage and off stage. With this in mind it made sense to use ModTruss for the structure because of its modular capabilities and being able to incorporate 12” ModTruss, 6” ModTruss and ModPanels.” explains Lucy Edelstein.
The overall stage set was well received by both the academy and the audience. “It was great working with Lucy - an old contact of mine from RADA days.
South Africa - Having congregated in the Barnyard Theatre in Rivonia, and filling the venue to its maximum capacity, the CRC Church started a 10-month project to build a new 6,000-seater church in Fourways.
DWR Distribution supplied and installed lighting, audio and AV equipment for the church which opened earlier this year, ranging from a grandMA3 compact console, 64 Robe lighting fixtures, an Absen DWP3.9mm screen, Prolyte trussing, L-Acoustics Kara System and a DiGiCo SD12.
The CRC Church led by Pastor At Boshoff, already has two branches in Bloemfontein, a massive auditorium in Pretoria and 90 satellite meeting points where services are broadcast each week.
“Pastor At is a focused man,” says Robert Izzett of DWR, who headed the install. “He is very straight, honest and doesn’t mince his words.”
While the CRC buildings are similar to each other, they are not exactly the same. Having supplied the previous locations, DWR could come up with a solution to meet the technical needs of the Fourways branch. While the church will ultimately seat 6 000 people, the system has been set out in phases and a basic infrastructure has been put in place for future growth.
DWR and the Install Crew, who assisted with the installation, were part of the project from the onset.
The first striking feature when entering the auditorium is the wedge shape and steeply raked seats leading down to the main stage, where the focus is a large high-resolution screen comprising of 336 panels of Absen DWR P3.9mm.
Complimenting the curves of the
UK - Blitz has completed its installation of a new radio mic system for the West End musical production of The Phantom of the Opera.
Last weekend, Blitz’s theatre sound team installed a Sennheiser radio mic system at the production’s home of Her Majesty’s Theatre, London.
Blitz has supported producers Cameron Mackintosh Ltd in delivering The Phantom of the Opera since the show opened in 1986 and holds the crown for the longest serving sound provider to the same musical production in the same location in the West End.
The production has also used Sennheiser radio mics since the show began with this installation being the fourth generation of Sennheiser wireless to be instated. The new equipment included EM 6000 Digital Receivers with SK 6212 Digital Mini-Bodypacks and a Wavetool Audio Monitoring Software system.
Martyn Hunt, head of theatre at Blitz comments: “Blitz has worked with The Phantom of the Opera for 33 years and is always looking to make sure we are evolving when it comes to sound production. Such a renowned and successful musical deserves the very latest in sound technology, and we know that this latest investment with the Sennheiser installation will do just that.
“At Blitz we are passionate about our growing involvement with the theatre industry. We are thrilled to be able to bring our extensive expertise to this area and continue to serve the community after all these years.”
USA - Towson University in Maryland has created an inclusive learning environment situated near the area’s prominent educational, community and cultural resources. From theatre to dance and music, the university’s performing arts programmes produce over 200 student and professional performances each year.
Needing performance venues which can keep up with the busy production schedule, they called up Pennsylvania-based Illuminated Integration to renovate the 500-seat Howard J. Kaplan Concert Hall with a new lighting system including Chalice 70W recessed downlights from Altman Lighting.
“We were initially brought onto the project as the antiquated lighting system in the concert hall had failed from a controls perspective, and they had decided to convert the entire space to LED as well,” begins Mike Birardi, lead design creative, Illuminated Integration. “The targets in doing this were to reduce energy and maintenance costs while improving the overall illumination of the space without losing the architectural design aesthetics. We really tried to give them a solution that could do all those things for better performance with lower maintenance and more energy-efficient usage.”
Working with Towson University for the first time, Birardi and the team at Illuminated Integration began researching the most beneficial lighting technologies.
“Form-factor was a big challenge because we had to find a lighting technology that could fit the existing openings in the ceiling for the downlights,” continues Birardi. “We also wanted a technology
UK - Harlequin Floors has been picked to supply dance flooring to the English National Ballet’s new home in London City Island. The new location aims to bring world-class ballet to the widest possible audience and officially opened its doors last night (12 September).
The building has been designed by award-winning architects Glenn Howells Architects and combines top training, fitness, rehab and teaching facilities, seven stage-sized rehearsal studios and a unique theatre size production studio with five-storey fly tower unrivalled in the UK.
With funding from the Arts Council England’s Capital Large Grants programme and the National Lottery, the £3m investment brings both the English National Ballet and English National Ballet School together under one roof for the first time.
Harlequin installed over 1900sq.m of Harlequin Activity sprung floor and Harlequin Cascade vinyl surface and 200sq.m of Harlequin Standfast vinyl performance surface. An additional set of Harlequin Liberty sprung floor panels were also supplied for touring use.
Melissa Chapman, group marketing manager at Harlequin Floors, says: “We are delighted to have been chosen by the English National Ballet to supply and install our world-class performance floors in their new home.
“For over 40 years Harlequin has worked closely with the dance community and experts in biomechanics to develop a range of sprung and vinyl performance floors designed to meet the unique needs of dancers.
“Our range of performance flooring helps to provide an optimal environment
South Africa - The Roodepoort Theatre has seen various transformations since opening its doors in 1981, but one of the most recent has been the investment of an L-Acoustics ARCS WiFo system supplied and installed by DWR Distribution earlier this year.
Initially presenting opera and symphony performances, today the Roodepoort Theatre is a dynamic and diverse receiving house that plays host to an array of shows ranging from ballets to musicals, revues, dramas, dance competitions, bands and live recordings.
Over the years the theatre has stayed abreast with the latest lighting equipment, while aesthetic renovations, including new seats and flooring, have created a fresh and modern look. The new L-Acoustics system enables the theatre to offer a professional service to external companies making use of their facilities and a quality experience for the audience.
“The venue accommodates 328 people and has steeply raked seating and a large stage,” says Chris Pugh from DWR Distribution. “The flown configuration consists of two ARCS Wide and four ARCS Focus with four SB18M subs. Side-fills are comprised of two X8, while four 5XT do front-fill duty. LA4X and LA12X amplifiers power the entire system. The result is a smooth and beautiful sounding system.”
Technical manager Melony Eksteen says: “Growing up in a typical coloured community, our greatest resource as kids was the richness of our imagination and creativity. I remember always being drawn to ‘behind the scenes kinda work’ as we fearlessly undertook to build modelling ramps
UK - PLASA Show 2020 is moving to London Olympia's Grand Hall, PLASA has announced. A scheduling change has also been made, with the 2020 event taking place on 6-8 September 2020.
The Grand Hall is the largest exhibition space at Olympia and the Show's move highlights its return to form since returning to west London in 2016. PLASA reports that the event has grown year-on-year both in terms of exhibitor and visitor numbers, and this latest decision has been taken to ensure the ability for future expansion of the show.
Sophie Atkinson, PLASA head of events, comments: “With the exciting redevelopment happening at Olympia over the next few years the opportunity has arisen for us to move the PLASA Show to the Grand Hall from 2020 onwards. This is a great opportunity for the show as it allows us to ensure all exhibitors are on a single floor and gives a greater number of stands more rigging height above them.”
PLASA MD, Peter Heath, adds: “Moving to the Grand Hall gives huge potential for the show to continue its growth, allowing the chance for exhibitors to take larger spaces as well as being able to welcome more new exhibitors. The reinvigoration we have seen for the show since we returned to our spiritual home of West London combined with the huge popularity of our PLASA Focus events has provided us with this opportunity. With this new location within one of the most prestigious events centres in London, we can ensure a sustainable fu
Canada - At a time when the background noise in audio is all about 3D sound and immersive experiences, arguably an extravagance suited to famous concert halls and exotic experimental music, it is contrary to the flow that a d&b audiotechnik Soundscape system is being applied at a church in Calgary, Alberta.
Thriving it may be, yet the pastoral team at First Assembly, Calgary is not prone to moments of irrational exuberance or wanton financial profligacy. For them Soundscape provided an entirely affordable solution to a seemingly intractable issue between acoustics, worship and sound reinforcement.
Justin Wells, First Assembly’s technical director, saw it as an uncomfortable divide between parts of their congregation and the heart of music worship. “Music is a huge part of what we do and within our church we have highly skilled musicians. For people who come for that, it has the potential to be inspiring. For our Sanctuary, what we sought was an audio system that could place everyone in the sweet-spot of the sound image, something that could reach those sat at the periphery of our 240° fan shaped room and give them that inclusive experience.”
Wells and executive pastor Shane Penney called upon the services of Sapphire Sound, an audio, video and multimedia specialist headquartered in Abbotsford, British Columbia with a permanent office in Calgary. “We had worked with the Church on a number of things in the past,” explains Ben Burrell of Sapphire. “Lighting upgrades, small pieces of kit here and there, that sort of thing - but this w
UK - Southwest London venue Under the Bridge has benefited from the installation of a new LED wall as well as lighting and audio upgrades at its premises.
“Since Under the Bridge launched in 2011, we’ve taken great pride being one of the UK’s most unique and technically-advanced, mid-sized, multi-purpose venues for hire,” says creative manager, Alan Tenenbaum. “With approximately 100 confirmed events scheduled to host for the remainder of 2019, we’re excited to share this production upgrade with our clients and audiences. The upgrade puts our intimate venue in a class of its own, beyond comparison.”
The 3.9mm pixel-pitch LED screen from Absen supports a video resolution higher than Full HD (1080p), making it ideal for presentations, image projections and video content.
The venue also has a new LED lighting rig, expanding the existing stock to offer more intelligent lighting, including LED spots and Fresnels. Under the Bridge has specified Claypaky’s new wash and beam fixtures, the B-EYE K25 and Mini B, as well as 14 of Ayrton's Mistral S spot luminaire. Dimming is via an Avolites 24 way dimmer (48 way patchable).
On the audio front, the AV team have improved facilities with a Shure Axient Digital wireless system and high-performance RF with better command and control for visiting sound engineers.
USA - Harman Professional Solutions celebrated the grand opening of The Reach at the John F. Kennedy Centre for the Performing Arts in Washington DC.
The opening of The Reach marks the first new construction at The Kennedy Centre since its opening in 1971, and is comprised of three contiguous pavilions creating 72,000sq.ft of interior space, 4.6 acres of green space and gardens, and a pedestrian bridge over Rock Creek Parkway that connects the Kennedy Centre to Washington, DC’s other memorials.
The centre describes The Reach as “a home for non-traditional programming with an emphasis on active participation and access. The open, informal spaces of the new expansion draw visitors directly into the creative process and inspire new connections and collaborations between creators of multiple genres and disciplines.”
“We are very proud of our decades-old relationship with The Kennedy Centre that has helped the world’s most celebrated artists deliver incredible performances through our audio products," says Dinesh Paliwal, president and CEO of Harman. "Congratulations to president Deborah Rutter, the board of trustees and the Kennedy Centre staff for reaching a new milestone in their pivotal role of showcasing the very best of the performing arts, across the nation and around the world."
As the official ‘sound of the Kennedy Centre’, Harman provided JBL Professional loudspeakers, Crown amplifiers, Soundcraft mixers, Martin lighting and AMX control system products to ensure patrons enjoy the highest quality multimedia experiences at Th
India - AM Integrated and Crescendo AV recently outfitted The Piano Man Jazz Club in Gurugram with a complete Harman Professional Solutions sound reinforcement system.
The Piano Man Jazz Club is a full-service restaurant, bar and music venue founded in 2015 by classically-trained pianist and entrepreneur Arjun Sagar Gupta. The first location in Delhi was so successful, Gupta decided to open a second location in the bustling city of Gurugram. In addition to being one of the few venues in India that showcases live jazz music, The Piano Man Jazz Club also features diverse acts from young singer-songwriters to international brass bands.
The venue hired AM Integrated and Crescendo AV to design and integrate end-to-end Harman Professional audio and lighting systems, including solutions by JBL, AKG, Soundcraft and Martin Professional.
“We wanted premium audio solutions that would provide unique experiences for our artists and guests,” explains Gupta. “We chose Harman for its wide range of loudspeakers, superior quality of end-to-end solutions and their extensive service support network. Getting a rich and warm sound can be a challenge, but Harman delivered a comprehensive live entertainment system without compromising any of our ideals.”
The Piano Man Jazz Club Gurugram is a wide, oval-shaped venue - a design that was chosen specifically to achieve a close and intimate seating arrangement around the stage. This design posed a unique set of acoustic challenges when it came to implementing a front-of-house speaker system.
Finland - Established in 1872 in Helsinki, the Finnish National Theatre is the oldest Finnish-speaking professional theatre in the country. Its current venue was built in 1902 and the combination of Alcons Audio Q series and L series pro-ribbon loudspeakers means the 900-capacity main stage enjoys quality sound and coverage, without impacting on its historic decor.
The horseshoe-shaped auditorium has three balconies, providing a challenge to projecting seamless, high quality sound to every seat. This was solved when sound and lighting specialists Electro Waves installed an Alcons QR series pro-ribbon system several years ago. This comprised L-C-R arrays of QR36 modular line-source array columns with QM36 modular line-source LMF array extensions. QB363 modular low-frequency array columns were added to the centre cluster, all powered and controlled by Alcons Sentinel3 and Sentinel10 amplified loudspeaker controllers.
The system proved successful, but recently the theatre wanted to further extend the vocal coverage of its productions. To achieve this, two new centre clusters of seven LR7/120 wide dispersion, micro line array modules each were installed to complement the QB363s. The existing centre array QR36 loudspeakers were re-deployed to enhance the coverage of the front left and right of the second balconies. Both of the two LR7 arrays were powered by additional Sentinel3’s.
The main arrays are 6m tall, comprising 36 6,5" mid-bass and 12 pcs of 18" pro-ribbon drivers each.
"The system was performing very well, but more extended coverage wa
Australia - After its closure in 2017, Darlinghurst’s Midnight Shift club has been resurrected by Universal Hotels using Prolights fixtures.
Universal Hotels, a Sydney-based hospitality group owned and operated by the Kospetas family, picked up the 1000sq.m building last June for a reported $12m and have relaunched it as Universal, a rebranded music venue and LGBTIQA+ safe place.
“Universal is an evolution of the Midnight Shift, rather than a revolution,” explains owner Jim Kospetas, who plans to respect the special role that the venue has played for the LGBTIQA+ community and continue its long-held legacy of inclusivity.
Kospetas contacted Show Technology with a brief requiring “masses of beams and good sight lines throughout the venue”.
Tim Macfie of TDM Productions was chosen to design the lighting system. “They wanted someone who could meet the needs of all markets,” he explains. “As it’s a really tough time in Sydney for nightlife, we needed to look at ways to multifunction the space. Consequently, it was crucial to bring the lighting up to a world class level from a production point of view.”
Macfie was keen to create lines of symmetry in the room whilst keeping the three circular trusses that the Midnight Shift was known for. Hence the initial refurb saw the entire roof stripped out and a new mothergrid installed. The truss circles were relocated within the venue and a new stage truss established.
At either end of the room are four Prolights Starkbar1000 powerful and zoomable LED moving battens which can
Bahrain - Event design, technical and scenic production specialist Maestra Group has opened a base in Bahrain and announced a new partnership with the Ritz-Carlton resort and its 43,000sq.ft conference and exhibition facility.
As the resort’s exclusive event partner, Maestra will oversee all technical aspects of the new Arena facility, which offers a full set-up and capacity for large banquet receptions and global conferences.
Maestra’s Tom Clements comments: “We are extremely excited about this new venture and to be involved in such a high profile and incredibly well-designed event space. For Maestra Group, this is a logical expansion of our work in Dubai, and it will also be the first step in some strategic expansion plans for Maestra Group in the Middle East.”
“As Bahrain becomes a global destination for premiere conferences and events in the region, it’s our pleasure to partner with Maestra and unveil a new conference facility complemented with our signature Ritz-Carlton brand service we’re known for globally,” says Bernard de Villèle, general manager of The Ritz-Carlton, Bahrain. “With modern interiors and high-tech capabilities, The Arena stands to be one of the sought-after venues in the region and a perfect addition to the resorts already existing portfolio.”
The new venue is designed to host all types and styles of gatherings and events, including conferences, trade shows, car launches, seminars, music concerts, exhibitions and more.
Maestra Bahrain will include a core project management and technical team
South Africa - Joburg Theatre’s longstanding technical crew, headed by Enos Ramoroko, have taken delivery of new equipment to complement their busy theatre situated on Braamfontein Hill.
DWR Distribution delivered 20 Vari-Lite VL2600 Spots and four Robert Juliat Cyrano followspots to be used in the Mandela Theatre, while the audio in the Lesedi Theatre has been upgraded to an L-Acoustics ARCS Wide and Focus (WiFo) system.
“The Vari-Lite VL 2600 Spots met our needs for an LED spot,” says Enos Ramoroko, head of technical at Joburg Theatre. “The full blade shutters will be very useful for theatre applications.”
The crew are planning to use the new fixtures on productions like Sarafina, and this year’s annual pantomime, Jack and the Beanstalk.
“The Mandela Theatre’s followspots, which have probably stood the test of time for around 30 years, have been replaced by four Robert Juliat Cyranos,” says Kevin Stannett from DWR.
“We are very happy for Enos and his team, who have always been amazing to work with,” says Stannett. “I think Johan Tshiwo who handles all maintenance at the theatre, will be pleased to have fewer repairs on his hands.”
Formerly known as The Fringe, the Lesedi Theatre venue caters for 251 patrons and is used for smaller type shows such as comedy and children productions, plus music. “The Lesedi is a small and intimate theatre and the new audio system offers smooth and even coverage from the front to the back of the theatre,” says Chris Pugh from DWR who headed the install
USA - With five floors and four stages, Kid Rock’s Big Ass Honky Tonk and Rock ’n’ Roll Steakhouse is the largest and most advanced entertainment venue on Nashville’s always-crowded Broadway.
Thanks to a comprehensive audio installation from QSC, the sound from multiple live acts on different floors is audiophile-grade. “The entire venue holds about 2,000 guests, with up to 600 in the main room and mezzanine,” says lead sound engineer Josh Hastick. “During busy seasons, all four stages are going at once, and we host as many as 16 bands, each with a four-hour set, in a business day.” That kind of turnover requires equal measures of flexibility and predictability from a P.A. system, which Hastick says that “QSC delivers in spades”.
The stage in their main room is flanked by three KLA12 active line array cabinets per side, complemented by four KW181 active subwoofers. Monitor mixes feed eight K10.2 powered loudspeakers on the stage, with an additional KW181 for the drum riser.
Between the main floor and the surrounding mezzanine, 16 AC-6ST surface-mount satellite speakers are deployed on delays time-aligned with the mains; these are driven by multiple CXD4.3 power amplifiers. Still more K10.2 and K12.2 speakers are strategically placed as fills, along with an extra KW181 to deliver thumping bass to the balcony crowd.
The third and fourth floor levels at Kid Rock’s, as well as the expansive rooftop bar, are all autonomous clubs-within-the-club. Their three performance stages are identically configured with E112 main loudspeak
Costa Rica - Colegio Humboldt is an international school in San José, Costa Rica, that serves preschool through secondary students. The school was founded in 1912 by Germans and emphasises a German-based education, Humboldt is also known for its profusion of extra-curricular activities. The school recently built a new performing arts space to further its programme, Auditorio Humboldt, a multi-purpose auditorium outfitted with Elation Professional luminaires.
Auditorio Humboldt is a modern, 238-capacity space where students conduct recitals and perform all manner of dance, music, theatre and debate. It houses top-of-the-line AV equipment with specialised technical personnel to provide support.
Elation dealer and distributor for Costa Rica, Darko Lighting of San José, completed the lighting project. They supplied, designed and installed new stage and architectural lighting systems for the auditorium, along with a decorative stretched ceiling, working in cooperation with architectural company Rojas Arquitectos.
The auditorium’s new stage lighting system includes 16 Fuze PAR Z175 fixtures. For flexibility of positioning, the system also includes four moving heads, Fuze Wash Z350s, a single-source PAR automated yoke wash luminaire with 120W RGBW COB LEDs and 7° to 55° zoom.
Associate director of Darko Lighting, Gabriel Zalkindas Jarovisky, specified the lighting system for the auditorium. “Quality, performance and price were all determining factors in the choice to go with these products,” he stated. “The lighting system is also quit
USA - Professional AV systems integrator Sound Designs has completed the design of a new sound system for St. Mary of the Assumption Catholic Church in Hockessin, Delaware. With roots that can be traced back to the 1700s, the current church was built in the 1960s with transepts forming its T-shaped layout and wooden pews facing a centre sanctuary stage area. With a large congregation, the church holds two daily mass services and six weekend services.
A number of contractors were invited to bid for the project, with Sound Designs’ Community E Series solution being chosen as the preferred design. John Dezell from Sound Designs explains: “Some proposed hanging array loudspeakers, but this would have disrupted the visual aesthetics of the space and blocked views of the recently installed stained glass windows. With a high, beamed ceiling and reflective surfaces we needed a system that would provide excellent pattern control and aesthetically merge with the architecture.
“We consulted with Community’s technical applications team and decided that slim column line source loudspeakers provided the best solution. Demonstrations were arranged on-site and at the Grand Opera House in Wilmington. The sound quality and coverage of the E Series loudspeakers were outstanding and we were subsequently awarded the contract.”
The loudspeaker system is primarily used for live vocal reinforcement with periodic programme audio and, occasionally, instrument microphones are deployed. The main system consists of two column arrays, each comprising two ENT-FR high pe
The Netherlands - Philips Stadion, home to PSV in Eindhoven, is the first venue in the world to install ArenaMatch DeltaQ loudspeaker line arrays and ArenaMatch Utility loudspeakers from Bose Professional.
Audio, video and lighting sales and rental firm Bazelmans AV completed the installation of the Bose loudspeakers at the 35,000-capacity stadium in time for kick off of the team’s first game of the second half of the season early this year.
"The design of the sound system was made especially for Philips Stadion,” says Wiljan Bazelmans, commercial director for Bazelmans AV, which is headquartered in Veldhoven. The combination of the latest Bose Professional loudspeakers, power amplifiers and signal processors enables Philips Stadion to play high-quality music via loudspeaker arrays while at the same time delivering clearly audible voice announcements to every seat in the venue.
The new Bose Professional ArenaMatch line of loudspeakers is designed to deliver improved sound quality, consistency, vocal clarity and flexibility to outdoor venues such as sports stadiums, arenas, outdoor entertainment centres and elsewhere. Bose Professional announced the launch of ArenaMatch to coincide with the unveiling of the installation at Philips Stadion. The one-off collaboration with Bose Professional was made possible by an alliance between Heijmans, ABC Finance, Bazelmans AV and PSV.
Philips Stadion commercial director Frans Janssen remarks, "The design of the sound system was made especially for the Philips Stadion. The sound boxes and equipment are o
Russia - Recent years have seen the Russian Orthodox church expand its programme of church building. At Moscow’s Khodynka Field, worshippers at the new Church Of Saint Sergius of Radonezh were distracted by having problems hearing services, but Yamaha’s VXL Series slim line array speakers have solved the issue.
Khodynka Field, a few kilometres north-west of Moscow city centre, saw the first Russian flight in 1910 and quickly became the city’s first commercial airport. Finally closing to aviation in the early 2000s, since then the site has been redeveloped as housing, offices, sports venues and open spaces for Moscow’s expanding population.
Located at the end of one of the former airport runways, the Church Of Saint Sergius of Radonezh was opened in 2017 to honour one of the Russian Orthodox Church's most highly venerated saints, as well as the many airmen and women who had flown from Khodynka Field.
Russian Orthodox services are conducted entirely in melodic chants or singing, to create a sense of calmness and to express the true nature and purpose of the words. The church originally had no sound reinforcement system, but it quickly became obvious that churchgoers were clustering in the centre to hear services properly, distracting them from their worship.
The monks who run the church looked for a solution to spread the sound more evenly throughout the church and Roman Belyaev, of Moscow-based AV specialists iProjector, suggested four Yamaha VXL1W-16 slim line array speakers. Three PA2120 amplifiers were chosen to power the VXLs, with
UK - HK Audio’s Linear series of loudspeakers have been specified as part of the sound system at Nightrain, a new live music venue in Bradford.
Founded by Bradford trio Chris Dove, Andy Kettle and Keith Tempest, the club transformed the former Yates and Arena sports bar on Queensgate into a 400 capacity venue that plugs the gap between smaller venues and larger ones, such as St George’s Hall. Nightrain, named after a Guns N’ Roses song, is set to host a diverse selection of live acts every week-end and select weekdays, welcoming local as well as touring acts. The venue is also open throughout the day as a bar and games room.
Mike Smith and Brian Glover of Sound Alliance were commissioned to design and install an in-house sound and lighting system capable of satisfying the most demanding acts.
Having themselves relied on a variety of solutions from German manufacturer HK Audio for many years, Mike and Brian arranged for all three directors of Nightrain to accompany them to the demo theatre of JHS, HK Audio’s Leeds based UK distributor to explore options.
The facility to directly compare various system configurations at JHS proved invaluable and ultimately sealed the deal. Consequently the decision was reached to opt for a ground stacked active system flanking either side of the stage, using enclosures from HK Audio’s Linear series.
Each front of house stack comprises two Linear L SUB 4000A subs augmented by an L SUB 1800A sub, with an L5 112 FA taking care of mid/high duties, using L5TU1 tilt units to angle the tops for optimum
Hungary - The open-air theatre in Nyíregyháza recently upgraded their stage lighting capabilities with Prolights.
Located in the heart of the city of Nyíregyháza, the 1,000-seat theatre has been a key attraction in the area since 1955. Previously fitted with halogen fixtures, the renovation focussed on re-invigorating the space throughout and upgrading the technology to reduce running costs, increase energy efficiency and increase light output.
The new stage lighting system contains 20 Prolights Eclipse HD2 TU fixtures that were chosen for their brightness, even beam and clean shutter cuts, along with 20 Prolights full colour LED fixtures which provide a dramatically higher lumen level than their halogen predecessors. Both ellipsoidal fixtures were chosen for their versatility, broad functionality options and outstanding output levels and completed the reinvigoration of the space.
To complete the package, four Prolights Sunrise fixtures were installed; the theatre opted for the LED blinders as they could equal the brightness of traditional fixtures.