France - The Amphithéâtre de la Verrière, located in Aix-en-Provence, recently added Robert Juliat Dalis 863 Access lighting fixtures to its in-house inventory. These LED battens can be used to illuminate a cyclorama, or as front of stage lighting.
Located inside the Cité du Livre, the Amphithéâtre de la Verrière is a 450-seat multi-purpose hall. Jean-Marie Albaladejo, technical director of L'Amphithéâtre, was looking for an LED solution to replace old luminaires and provide effective low-angle lighting. Until now, this had been problematic in this amphitheatre-shaped venue, with an audience that sits very close to the stage.
"We are already equipped with many long-standing Robert Juliat luminaires, so it was only natural that we should turn to the same brand with confidence to find an appropriate solution, and choose LED sources that are more energy efficient," says Jean-Marie Albaladejo.
"TEXEN (Robert Juliat’s distributor for the area) presented us with Dalis 860 cyclorama fixture as a first step. This fixture has a proven record as very effective with a high quality of light and an extremely wide colour palette. However, our budgetary constraints made Dalis 860 inaccessible. TEXEN then advised us of a very interesting alternative, the Dalis Access 863 model.
"The Dalis Access 863 beam is very precise and the colour rendering is perfect, with great evenness on the cyclorama,” continues Jean-Marie Albaladejo. “It is a fixture that we can also use as a footlight to illuminate artists or various speakers. We are completely sati
The Netherlands - Robe’s new Esprite LED moving lights made their live debut in The Netherlands at the high-profile AMF event staged in the Johan Cruijff ArenA, a showcase concluding five days of electronic music conference sessions, debates and live events related to the 2019 Amsterdam Dance Event (ADE).
The production design for AMF - with 40,000 visitors and high-energy sets from David Guetta, Armin van Buuren, Tiësto, Dimitri Vegas & Like Mike, Alesso, Don Diablo, Timmy Trumpet and many more - was created by Maarten Hoogland from organiser ALDA, who is also the overall production manager and Andre Beekmans from creative visual design practice, The Art of Light.
The look featured a series of ‘crosses’ and other large geometrically-shaped video pieces flown 360 degrees round the 40,000 capacity (for this event) Ajax stadium, and involved approximately 1000 lighting fixtures. Around half of these were Robe, supplied by a combination of Flashlight (the over-stage fixtures) and The Purple Group (lighting around the ArenA).
Andre and his team at The Art of Light have lit AMF from the very first edition in 2013, and in this time the show has developed a signature lighting design which is used as a base, with different variations and ideas introduced to make each year’s set up distinctive and different.
The centre of the arena was filled with eight long trusses (lengthways orientated) which were sub-hung with 40 x shorter moving trusses on 80 Cyberhoist axes, all rigged with lights. These flew in and out at strategic moments through t
UK - On 5 November, Bristol-based specialist installer Stage Electrics marked 40 years in business with a staff party held at Bristol Zoo.
The company was formed in 1979 by a group of theatre lighting and sound equipment enthusiasts and has since grown from three staff to over 120 whilst amassing an impressive portfolio of sales and installations.
Offering a range of services, including installation, product sales and testing, inspection and maintenance services, Stage Electrics has a sales team of over 20, including a field sales team. Its export business has also seen significant growth in recent years.
“We tailored our service to suit our customers, who all have differing needs,” explains sales director, Anna Western. “Some clients like to see their contact person on a regular basis, while others like to have someone available on the end of the phone. We also offer a huge range of products from special effects, trussing, staging and sound, to lighting and control. We hold around £1.2m of sales stock, so we can guarantee next day delivery, which is vitally important.”
Stage Electrics also manufactures a range of cables, IWBs, panels and racks, custom-building for its own projects, as well as selling one-offs to its customers.
“It’s all about getting our customers what they want, when they want it,” Western continues. “To facilitate that, we don’t operate on an exclusive basis with any manufacturer - we want to be completely unbiased in our recommendations and make sure we always provide the right product from rig
USA - Premier Productions’ stellar 2019 Worship Tour is running across the USA this fall. Earlier this year, Seth Jackson was approached by Josh Chambless of Premier Productions to create a unifying design for a tour that would feature three of worship music’s most prominent groups: Casting Crowns, Elevation Worship and Hillsong Worship. Multiple Dove Award nominees all, and in two case Dove and Grammy winners, each band has its own distinct look on stage, created by its own talented production team.
Jackson’s mission was to come up with a design that would pull together each band’s stage persona, while still presenting a smoothly flowing and harmoniously balanced look on stage.
Working with his partner Nate Alves, Jackson met this challenge, creating a sweeping panorama that embraces the visuals of each band, while also projecting a unified image that is unique to the tour. Included in the rig that he used to accomplish this feat are 21 Chauvet Professional Maverick MK3 Spot fixtures supplied by Bandit Lites.
“The MK3s are the workhorse of the rig,” said Jackson. “We are relying on them for illumination one minute, and graphics the next.”
Jackson is also using the high output MK3 Maverick Spot fixtures as follow spots. “It was terribly important to each artist to be able to see and respond to the crowd. Follow spots would be too blinding,” he said. “There was no way, short of just having everything turned on, that we could pull off this show without a legion of follow spots. The course we selected with the MK3s was muc
Belgium - Painting with Light (PWL), working for television producers Dedsit, supplied lighting and video content design, creation and control for De Battle – a co-production between Belgium’s SBS and Netherlands broadcaster, RTL – which was recorded at the Pop Up Theatre in Puurs.
The TV series is billed as ‘the next level of studio entertainment’. Four celebrity contestants, divided into two Belgian and Dutch teams faced brain-teasing quizzes, gravity-defying stunts – from drifting cars to traversing a high wire plus a host of manual dexterity and physical exercise skill tasks – testing them to the max in front of a live audience.
Studio 100’s Pop Up Theatre includes eight moving seating tribunes to fit 1600 people and eight remote-controlled LED screens which can be moved into any position and configuration.
These large moving assets enabled the production team to build the multiple locations needed within the venue to stage the different challenges. The speed at which these turnarounds were possible enabled series director Kevin Houben to achieve the results he needed for all four episodes that were recorded during two intense weeks.
PWL’s creative director Luc Peumans designed lighting for each different scenario, utilising the substantial ‘house’ lighting rig in the Pop Up Theatre (also home of the 40-45 musical spectacular, as a base, and adding around 140 moving lights).
Luc’s extensive experience as a lighting and visual designer in television and theatre was a huge asset to the production as was
USA - Brown Note Productions, a full service production company based in Thornton, Colorado, has purchased a large fleet of Elation Professional IP-rated outdoor lighting fixtures and immediately had the gear out on a fall run of music festivals.
“We chose to go with IP rated fixtures to be part of the solution for our industry,” stated Ryan Knutson, president of Brown Note Productions. “With the changing climate and the desire to be outdoors listening and seeing your favourite performers, the stakes in the game have changed. The visual designs now call for non-traditional stage layouts to complement the artists’ performances. These visual platforms require lighting and other production technology to be directly exposed to the elements.”
Knutson says that Brown Note’s historical approach was to bag fixtures with bulky, expensive weather domes but that was not an optimal solution. “With the shrinking labour budgets and build times on these shows, adding in extra gear means more time, more trucks, more crew, more everything. We know that this is not sustainable.”
Brown Note’s acquisition includes Elation’s 50,000-lumen Proteus Maximus, a full featured LED profile framing fixture; Proteus Rayzor 760, a compact IP65-rated LED wash luminaire with SparkLED background illumination system; Protron Eclypse hybrid LED luminaires; and variable white DTW Blinder 700 IP LED blinders. “With this combo of lights we can do most events with an all IP-rated system giving our clients the full show rain or shine,” Knutson stated.
USA - This year at LDI, TMB’s signature hospitality will be offered in a revised booth setting.
The 80-plus products and growing ProPlex Devices and Drives range now features new ProPlex Software V2, a real step forward in Node and RDM management. While still ProPlex user-friendly, the new software allows management of all ProPlex IQ Nodes with one powerful, yet simple to use, and easy to navigate, system. Allowing effective, yet surprisingly simple, management of even the largest lighting networks, the many features and benefits of ProPlex Software V2 are legion. Hands-on demos will be available for everyone.
Also new to the ProPlex range is the GBS Network Selector, a unique Ethernet source selector offering instantaneous selection of up to two of four input sources. Intended primarily as a lighting console switcher, the GBS Network Selector is ideal for redundant backup connection, preventing any networking delays when switching sources.
New additions to the Pro Cables range of quality cables, connectors, and assemblies include the new ProPlex Cat 5e Ultra, combining renowned ProPlex reliability and performance with both improved data integrity and class-leading noise protection. With reduced transmission degradation and full Gigabit performance up to 90 meters, plus many more improvements, ProPlex Cat 5e Ultra proves that perfection can be improved.
The new ProPlex RG-11 12G coax video cable is designed for ultra-high definition video in touring applications, with enhanced flexibility, crush resistance, and overall durability, making i
USA - Las Vegas will be the first US exhibition for Robe’s new Esprite LED profile moving light. This will be shown alongside other new Robe technologies including Tetra 2.
This year’s live show presents the next chapter in Robe’s Return to The Future trilogy, inspired by classic movie moments and a bit of car geekery
In addition to Esprite and Tetra2, Robe showcases several other new and current product ranges.
Esprite is the first in a new series of Robe luminaires that will feature fully replaceable / transferable white source LED engines. This high-performance luminaire can potentially replace old and entire fleets of workhorse discharge fixtures. Offering a cost-effective and easily changeable LED engine, Robe has eliminated the white source problems of unpredictable life and performance inconsistency.
Design innovations include a new cooling system that removes any airflow over the optics, resulting in reduced residue deposits and vastly extending the periods between cleaning.
Tetra2 (from Tetragnatha) is a new linear bar fixture that builds on Robe’s Spiider and Tarrantula LED technology.
Utilising the same LEDs, with an ultra-tight 4.5° beam from each of the 18 pixels, these can be combined to produce a bright, highly defined "sheet" of light or Svoboda-style light curtain and fixtures can be positioned end-to-end for longer seamless curtains of light or washing effects.
Other current and popular Robe technologies featuring on the booth will include the SilverScan, the T1 Family (T1 Profile, T1 Prof
USA - Rock band Sum 41 embarked on their US and Canadian Order In Decline Tour with a JRLX touring lighting package onboard. Lighting designer Nick Stabile of Helm Projects specified a rig of Elation Professional Dartz 360s, ACL BAR 360s, Cuepix WW2 Blinders, and GLP JDC1 Strobes.
Nick Stabile Explains, “Sum 41 has moved past their pop-punk days. Their set is a lot of straightforward rock - quick and heavy songs with slow and beautiful moments peppered in. There is a lot of dynamism in the show, so I needed a lighting rig that was super punchy, yet able to accommodate the more theatrical points in the show.
“The fixtures I selected are small, yet powerful and multifaceted. The Cuepix WW2s have been my go-to for years now for stage blinders. The ACL BAR 360s can give me utter madness on stage for those crazy moments -and pixels. But it is the Dartz 360s that are really the workhorse fixtures for me. The options onboard the Dartz are a must for all of the looks and changes that this show requires and they are an incredibly reliable fixture.”
Jason Reberski, CEO of JRLX notes, “The Elation Dartz 360 has been a great addition to our inventory – It has the intensity to directly compete with (and in some cases even outperform) traditional lamp-source beam fixtures, but with all of the benefits of colour mixing, overlaying prisms, frost, and 360 rotation, and an LED source.”
Nick Continues, “The GLP JDC1s are intense. I use them as colour-blinders, strobes, and pixel fixtures and really get a lot of looks out of them.”
Taiwan - The 3201 Multi Hall in the Taiwan Traditional Theatre Centre (TTTC) at the National Centre for Traditional Arts (NCFTA) in Taipei became the first theatre in the country to use moving heads and be equipped with all-LED lighting with the installation of a complement of Claypaky and ADB products.
The NCFTA’s mission is to cultivate talents in the traditional arts and to conduct investigation, research, conservation, transmission and development of the traditional arts. The GuoGuang Opera Company, Taiwan Bangzi Opera Company, National Chinese Orchestra Taiwan and Taiwan Music Institute operate under its authority. NCFTA oversees the TTTC, which is also known as the Xiqu Centre of Taiwan.
The Multi Hall is a small venue seating about 130 people. It hosts traditional Chinese and Taiwanese opera and Palmadrama (Taiwanese hand-puppet theatre) as well as press conferences and speaking engagements. The Multi Hall offers performing groups and others a well-equipped, cost-effective theatre space with a reduced need for technical equipment rentals and technical staffing.
Taipei-based Acropro worked with Xiqu on the installation as part of a renovation of the Multi Hall. The new lighting complement featured five Claypaky Axcor Profile 400HCs, six Claypaky A.leda B-EYE K10s and an ADB Eurodim Twin Tech dimmer cabinet. Two years ago NCFTA purchased 40 Claypaky Scenius Profiles for the Main Hall of Xiqu.
“Claypaky lighting instruments are always stable, reliable and of excellent quality,” says Huai-min Jen, section chief of NCFTA. “They are a
USA - City Theatrical will be launching and demonstrating new technology in Booth 435 at the LDI Show 2019.
Nominated as an LDI Show 2019 Best Debuting Product, City Theatrical’s newest QolorFLEX 5x2.5A 900MHz/2.4GHz Multiverse Dimmers will be launching at the show. Available in dual band 900MHz/2.4GHz (P/N 5942) or 2.4GHz band only (P/N 5943), this new product is a constant voltage, five-output dimmer that can be controlled wirelessly with Multiverse wireless DMX/RDM technology or with wired DMX.
City Theatrical will also be presenting new QolorFLEX 2x2.5A Multiverse Dimmers and Multiverse Receiver Cards. The QolorFLEX 2x2.5A Multiverse Dimmers (P/N 5916 for 2.4GHz band or P/N 5917 for 900MHz band) are tiny two-channel low voltage dimmers, each with a Multiverse wireless DMX receiver built in. These receiver/dimmers are designed to be mounted in the smallest spaces, such as props, costumes, wands, and candles.
Other live demonstrations by City Theatrical will include LDI Show 2018 Best Debuting Product award winner Multiverse Transmitter with its ability to broadcast up to ten universes of DMX data from a single transmitter, QolorFLEX NuNeon as an incredibly flexible and bright alternative to traditional neon lighting, QolorPIX Pixel Controlled LED Tape for plug and play pixel control, QolorPoint Wireless LED Uplighters for high quality wireless event lighting, and Lightwright 6 software for entertainment lighting data management.
June Abernathy, 30-year spotlight operator veteran and author of The Spotlight Operator’s Handbook,
USA - Wireless LED lighting manufacturer Astera will exhibiting on the stand of its exclusive USA distributor, Inner Circle Distribution, on Booth 1205.
V11, a major upgrade of the flexible AsteraApp, is launched at the show; there will be a preview of the new Wireless PixelBar wall washer to be launched in 2020 and Astera will show its popular Titan Tube range of LED battens – Helios, Titan & Hyperion Tube – together with all their accessories.
Other flagship products will include the AX1 PixelTube, the AX3 LightDrop, the AX5 TriplePAR and the AX10 SpotMax.
The AsteraApp offers quick and intuitive control of complex lighting setups and a range of fully customizable programmes and effects.
New in V11 is Layer Effects. This gives full control over all the pixels in the Astera fixtures which can be used to create fluid, kinetic effects.
This works on rows or ‘bars’ of pixels which can be selected and have various parameters adjusted like the size and position of the bar, which can then be assigned colours and effects.
Another feature of V11 is Optional New Targets: this displays the targets as a list, so users can see the previous effects sent to each target and edit it directly from there, allowing a new and fully optimized workflow. Even parameters like brightness can be changed directly in the Targets list.
The AsteraApp is designed to work seamlessly with other control methods and can be used to set up DMX addresses and CRMX control footprints. Astera’s IR remote can be used to send App commands to single li
USA - Entertainment lighting and video specialist ADJ will use LDI 2019 to unveil multiple additions across its product range. These will include a new series of LED video panels, a Hydro Series IP65-rated moving head wash and a high power moving head beam fixture, as well as LED-powered follow spot and strobe fixtures.
ADJ’s new ‘VS’ Vision Series of LED video panels offers a versatile modular solution that has been developed to make life easier for video professionals installing LED walls on either a temporary or permanent basis. Each model in the range features four individual modules, which are front and rear serviceable, making it ideal for both temporary hanging and permanent wall mounting. The modules are all mounted to the same frame, allowing panels of different resolutions to be used together and meaning that the same rigging bar and road case can be used for all VS models.
The Hydro Series is ADJ’s flagship IP65-rated moving head range, offering lighting professionals high quality, yet affordable, fixtures that are sealed from liquid, humidity, dust and dirt. LDI 2019 will see the official debut of the new Hydro Wash X19, which is the latest model to join the range.
LDI 2019 will also see the official unveiling of the latest addition to ADJ’s Vizi Series of moving head fixtures. The new Vizi Beam 12RX is a high-powered unit designed to generate crisp mid-air beam effects at concerts, dance events and in large nightclubs.
The Focus Series is ADJ’s range of compact LED-powered moving head fixtures. The new Focus Spot 5Z
USA - The popular Focus Spot Two compact moving head fixture from ADJ has been upgraded. With increased brightness thanks to a new 100W LED engine, the Focus Spot 2X model inherits all of the award-winning features of the original fixture alongside the addition of a second six-facet prism to give lighting designers even more creative potential.
ADJ’s Focus Series is a range of LED-powered moving head luminaires designed to offer the best possible combination of brightness, feature-set and build quality in the small-to-medium class. Since its launch in 2016, the series has proven immensely popular with both lighting designers and installers looking for compact, potent and reliable fixtures for events and installations. It has also been a big hit in the mobile entertainment market, with the Focus Spot Two winning the Pro Mobile magazine award for Lighting Product of the Year in 2018.
The new Focus Spot 2X features a 100W cool white LED light-source - increased from 75W, is highly efficient and offers an operational life of approximately 50,000 hours. The light output from the LED is concentrated through an advanced optical system to create a seriously impressive beam that is capable of cutting through ambient light to generate striking mid-air effects and impactful surface projections.
As an added bonus, the Focus Spot 2X is also equipped with a separate 3W UV LED. This is independently controllable and means that the fixture can also be used to bathe a stage or venue with atmosphere-enhancing ultraviolet light.
The Focus Spot 2X features mu
USA - The new Maverick Storm 1 Spot just introduced by Chauvet Professional, will be showcased at the company’s LDI booth (9370).
The Maverick Storm 1 Spot delivers a flat even field of light with variable CMY + CTO colour mixing to create a wide palette of colours. Creative featuress include its 8° to 48° zoom angle and field angle, 16-bit dimming for smooth control of fades, five-facet motorized and rotating prism, animation wheel, iris for beam control, and independently controlled light and medium frosts.
In keeping with its flexible design, the versatile Maverick Storm 1 Spot offers a wide array of gobo options. The fixture has seven glass rotating and indexable gobos on Wheel 1 and nine metal static gobos on Wheel 2.
Compact enough to allow easy installation on any rig (it weighs in at just 38.19 kg or 84.2 lbs.), the Maverick Storm 1 Spot is powerful enough to punch through the light from other fixtures or video panels on stage. The fixture’s 32,000 lumen source and illuminance of up to 28,829 lux (at 5 meters) ensure that it can makes its presence known on stage even during daylight hours.
A user-friendly fixture, Maverick Storm 1 Spot offers a variety of control options, including DMX, RDM, WDMX. ArtNet and sACN. Its easily accessible menu system makes it simple to adjust control protocol, as well as features like fan control, pan and tilt, and dimming mode.
“We have developed the Maverick Storm 1 Spot with real world applications in mind,” says Albert Chauvet, CEO of Chauvet. “In designing this fixture, we didn
UK - In 2009 the 11-mile stretch of the Pontcysyllte Aqueduct and Canal won the UNESCO World Heritage Status. Situated on the border between England and Wales is the Chirk Canal Aqueduct & Railway viaduct which is a part of the route. This aqueduct was finished in 1801 and has been an important landmark and way of transportation for the region ever since. To celebrate the 10th anniversary of being a UNESCO World Heritage Site the Welsh Canal & River Trust wanted to do something special.
Enlightened Lighting was commissioned through winning a competitive tender process put forward by those leading the project: The Glandŵr Cymru, The Canal & River Trust in Wales on behalf of the Pontcysyllte Aqueduct & Canal World Heritage Site Partnership.
The project formed an exciting challenge for Enlightened Lighting and for their lighting designer, Ben Dodds. He incorporated 36 units of the Showtec Helix S5000 into the setup.
"Enlightened’s continued investment in pro equipment such as the Helix S5000 Q4s enabled the team to fully realise their design at Chirk Aqueduct,” says Dodds. “The team chose the Helix because of their high brightness, ease of changing lenses and the range of beam shaping accessories that they come with out of the box. Some of the arches are almost 30m tall, so it was vital to have a fixture that’s bright enough, had the right lens choices and that could withstand the damp & muddy conditions on site."
Dodds’ decision to use the Helix S5000 fixtures paid dividends, lighting the 200-year old World Heritag
South Africa - DWR Distribution is co-hosting the Robe Roadshow South Africa. Present at the event will be Josef Valchar, CEO of Robe Lighting, and Harry von den Stemmen, international sales director, who will be introducing the new Esprite and Tetra this December.
The roadshow kicks off in Cape Town at the Roxy Revue Bar at the Grand West Casino on 2 December. Those living in Durban are welcome to pop in at the Grace Family Church in Umhlanga on 4 December. The last stop will be at DWR Distribution Johannesburg on 6 December. Demonstrations will be held on the hour from 10am to 4pm each day.
While the event is free of charge, attendees are asked to RSVP at the DWR Distribution website.
UK - Lighting designer Steve Cameron utilised Vista by Chroma-Q’s Vista 3 lighting & media control system to deliver full concert production values for the Wella 2019 TrendVision Awards, held at London’s Roundhouse.
The Awards are the pinnacle of the annual contest, which recognises some of the UK and Ireland’s most impressive hairdressing talent. Hosted by TV’s Vernon Kay and hairdresser Patrick Cameron, it was attended by 800 industry peers.
With the event putting creative talent centre-stage in a venue steeped in rock ‘n’ roll history, and music’s inescapable influence on the fashion world, the occasion called for a concert-style lighting rig to give it an energetic, theatrical look and feel, whilst at the same time still delivering for its corporate AV requirements.
As a long-time Vista user, Steve knew the control system would deliver his vision, and be able to produce both corporate and rock ‘n’ roll aspects.
He comments: “Vista’s creative visual workflow and graphical interface make complete sense. I can use my time more productively by getting the design into the desk quickly and, in combination with the fantastic FX Engine, keep my attention on the show itself.”
Taking advantage of the Roundhouse’s circular space, Steve’s design was based on the clock face, with 12 spines splaying from a circular truss above the stage and guests.
He utilised Vista 3 to provide lighting & media control for a rig of over 300 fixtures and over 16 universes. In addition to over 130 Martin VDO Sceptron 10 pi
Germany - Nature One, one of Europe's largest festivals for electronic music, celebrated its 25th anniversary in 2-4 August. Consequently the event, which has been based on the former Pydna rocket base in the Hunsrück mountain region since the second year, was simply dubbed ‘The Twenty Five’.
As always, at the centre of the festival site was the huge dancefloor, named Open Air Floor and as in previous years, Gerdon design was responsible for the entire production design. Here dancing takes place in the open air, while the majority of lighting technology - as in a real club - is above the heads of the audience, attached to a 26 x 26m truss construction which was raised to a height of 15m.
Although Nature One does not rely on a lush and decorative backdrop construction like many other EDM festivals, the stage, which measures 46m wide, 18m high and 16m deep, was y impressive, as DJs took their place under the stage roof, renowned from Genesis' 2007 Turn It On Again tour.
While the aim of creating something new every year has been upheld in recent years, the organisers of Nature One decided in this special anniversary year to develop a new design template, with a value that will be further developed in subsequent years.
An essential design element this year was the creation of 48 sheet metal pyramids (in 2 x 2m sections), which were directly attached to the Layher stage construction. These were clad with 25 x 100cm LED panels and equipped in the centre of each with a GLP KNV Cube.
"This gave the stage, which previously consisted
UK - Edinburgh-based production services and dry hire company, Blue Parrot, has taken delivery of Scotland’s first Ayrton Perseo-S IP65-rated LED fixtures. The occasion also marks Blue Parrot’s first investment in Ayrton fixtures which are destined for a very busy life in hire stock.
“We've just received our shipment of 14 Ayrton Perseo IP65 units and we're very excited,” says Blue Parrot managing director, Jonnie Clough. “We’ve been searching for a solid solution for an IP fixture of this kind for ages.”
Perseo is Ayrton’s first multi-function, compact, powerful, IP65-rated fixture developed for intensive outdoor use. Perseo produces 27,000lm from its 500W LED source, and sports a fully weather-proof housing with a new water-resistant menu navigation system to handle “whatever the weather can throw at it”.
Clough was first introduced to Perseo, along with the full range of Ayrton LED fixtures, on a visit to the Ayrton headquarters in Paris in the company of Ayrton’s UK distributor, Ambersphere Solutions. “To be honest, I wasn’t specifically looking for an IP-rated fixture at the time, but when I saw Perseo, I was immediately intrigued. They instantly caught my attention, firstly because they were LED, and secondly because they were much brighter than our existing discharge stock, which was a great surprise.
“But the main factor to clinch Perseo above anything else is because it is a really good light that just happens to be water-proof. They are small and light with fantastic output and packed full of features. Yo
UK - Prolight Concepts Group has appointed Ollie Wilkinson, who will represent the company as in-house technical sales manager. Wilkinson has been working in the lighting and entertainment industry for over 12 years and was previously employed as head of lighting for ArranPaul. He brings a broad working knowledge from his experience of planning and organising equipment and staff for nationwide touring shows and lighting large scale events.
“I am looking forward to stepping into the role of technical sales manager here at Prolight,” says Wilkinson. “I feel my wealth of experience and knowledge of working hands on in this industry will benefit the company in many ways. It’s a fantastic team and I am excited to be part of the journey.”
USA - Prolights will show its latest technologies at the upcoming LDI Show on stand 2953 (Prolights) and 2354/2346 (A.C. Lighting).
Prolights will present an in-booth show involving over 200 lighting fixtures every hour starting at 11:30am. The booth features the time-coded show and interactive demo stations which will allow visitors to have hands-on product demonstrations.
The exhibition will be the occasion to celebrate the success of the Prolights brand in the North American market which is being accomplished through the close cooperation with distributor A.C. Lighting. LDI also provides the stage to showcase latest products including Pixiewash XB and popular fixtures including the Eclipse FS profile.
The Prolights stand will host multiple events including an Italian “Aperitivo” that will be served on Friday, 22 November from 4pm.
LDI 2019 will also be the official launch platform for “an important announcement from the company”.
USA - DMX control specialist ELC Lighting will unveil its latest innovation, designed to enable the creation of fully-redundant DMX networks.
Until now, redundant DMX networks could be built right up to the ethernet-to-DMX node. However, the last link in the essential chain of lighting data - the DMX cable itself - always remained vulnerable as a single point of failure. With the new Redundant DMX feature, lighting production crews can rely on ELC Lighting’s dmXLAN nodeGBx system to provide automatic, seamless take-over in the event of damage or disconnection of the DMX cable, or even of partial network failure.
"The lighting industry asks for more and more redundancy, to ensure that the show always goes on," says ELC Lighting’s support and application specialist, Henk-Jan Blok. “In today’s production environment, it should be inconceivable that a system should fail simply because a single item or DMX cable fails, but this was not possible with DMX before now. A single DMX cable could take out a complete run of lights - and it has happened.”
Now, however, ELC Lighting’s dmXLAN nodeGBx system offers complete system redundancy. To enable this redundancy, the user simply connects the last fixture from the DMX run back into a nodeGBx unit and configures this port as a ‘DMX backup’ via the standard dmXLAN software interface. This ensures a smooth and seamless takeover in case of failure in the DMX run.
“In this way,” says Henk-Jan Blok, “the last remaining vulnerable part of the lighting data distribution chain is now also fai
USA - Obsidian Control Systems will be showing the powerful NX 4 lighting controller with Dylos pixel composition engine at LDI 2019 in Las Vegas. Designers, programmers and operators are invited to Booth #602 for a look at this powerful console in the Onyx platform and experience the creative possibilities with Dylos.
The NX 4 is the newest member of the innovative Onyx lighting control platform. Equipped with a range of professional features and using the latest in industrial components, the NX 4 is designed to handle even the largest show with ease. With a well-arranged combination of motorized and manual faders, along with an array of playback buttons, the NX 4 offers 44 total playbacks in a compact yet extremely powerful package.
Obsidian Control Systems offers Dylos in each NX 4 console, a pixel composer that far exceeds the capabilities of regular pixel-mapping systems. Based on a full 3D environment and powerful DirectX graphics processing, the Dylos engine has been designed from the ground up for power and performance to manage thousands of fixtures and parameters with ease.