UK - The interactive installation, Scream the House Down by artist Marcus Lyall is going down well with the public around the world: London, New York, Hong Kong, Russia and beyond - so due to demand it has been extended it by a week, to 11 July (Saturday).
With social distancing still in place and tensions continuing to rise, London-based artist Marcus Lyall and not-for-profit arts organisation Illuminate Productions, have transformed a soon-to-be-demolished office block in London Bridge into an interactive public artwork.
In this new site-specific work, Lyall invites you to join a Zoom call where you can scream or otherwise vocalise your feelings. A monumental light installation instantly illuminates the building in response to your voice.
The louder and longer your outburst, the bigger the response from the building. The building interprets every voice and scream differently, to create a unique response for each guest. You can participate using any device that supports the Zoom app.
You can also submit short films of your scream via email at firstname.lastname@example.org.
Screams will be played to the building each night and the results posted the next day on the Scream The House Down YouTube channel.
USA - Bandit Lites returned to the picturesque countryside of Blackberry Farm for Boards and Boats, where guests of the resort could spend a weekend partaking of wakeboard, wakesurfing and boating. In addition to tips and demonstrations from MasterCraft, the weekend concluded with a dinner and a concert featuring Americana artists Chatham Rabbits.
Bandit Lites supplied a lighting package comprised of Chauvet Freedom Pars, GLP X4 Atoms, and Gantom lights as well as the event’s staging complete with Edison bulbs, conjuring a mood of rural elegance.
“The Chauvet Freedom Pars were used to control the colour of the room environment itself by placing them along the walls of Bramble Hall,” explained Bandit Lites Nick Brown. “The GLP X4 Atoms were used as our front light, and the Gantoms served as a low backlight.”
Even with the fickle Tennessee weather of the Smoky Mountains, Bandit Lites’ team was prepared when the decision was made to move the concert indoors into Blackberry’s Bramble Hall. With its reclaimed wood walls and rustic beams, cupolas and fireplaces, Bandit kept the lighting focused on highlighting the natural elegance of the space, adding to the ambiance without distracting.
“The design direction for the event was simple ambience and minimalistic,” finished Brown. “There wasn't a huge need for over the top lighting.”
“Blackberry is all about excellence, and we always strive to deliver excellence in all aspects of production we provide,” said Bandit Lites general manager Giff Swart. “It is always a
Germany - Düsseldorf’s 240m high Rheinturm tower was the setting for a sky-high laser projection and light show in June to promote Deutsche Telekom’s extended 5G network. The telecommunications company worked with German event management agency DO IT! to realise the show, and they in turn commissioned AO Creative to help conceptualise, design, supply the fixtures and technology, and execute the display.
Overseen by AO Creative’s Marco Niedermeier in collaboration with JALD Jerry Appelt Licht Design and Beacon, the project brought together AO’s team of design and technical specialists based in Germany. The team included lighting designer Jerry Appelt, who created a detailed scheme to light the concrete Rheinturm in a beautiful wash of magenta - Deutsche Telekom’s brand colour. Alongside, Laserfabrik facilitated laser-projected branding on the ‘trunk’ of the tower.
Atop the circular crown of the building, AO’s high-performance Falcon searchlights were positioned in concentric rings to spread bright, controlled beams of white light out across Düsseldorf, symbolising the transmission of the 5G signal and visible from far across the city. The Falcons were positioned with twelve on the inner ring, and twenty-four on the outer ring.
Luminaires from SGM and Elation provided additional beam effects for viewers closer to the tower.
“We were thrilled to be a part of this impressive event that lit up Düsseldorf’s night sky,” says Niedermeier. “AO Creative has a long history of working with the DO IT! agency and long experience
UK - TSL Lighting joined the Light It In Red campaign on 6 July (Monday), bathing its Gatwick and Basingstoke premises with light as part of the ‘red alert’ initiative lobbying the government to ramp up support for the arts during the COVID-19 pandemic.
Light It In Red galvanised the entertainment technology industry to come together to warn that without financial aid, the supply chain for live entertainment and events is threatened.
The initiative took place as the government announced a financial aid package worth £1.57bn for the arts after months of pressure.
“It’s vital that we show solidarity with industry and raise awareness of the dire situation,” comments TSL’s Loz Wilcox. “The supply chain does so much for theatre, TV and events and it goes without saying that the arts have been invaluable during lockdown, giving us streaming services like Netflix, BBC iPlayer, and so on. Now, the foundation of the businesses that contribute to producing much of that content is at risk. TSL is a proud member of our industry and we are working to support and lobby for positive action in any way we can.”
As much of TSL’s extensive lighting stock remains in its warehouses due to the shutdown, Wilcox gave the TSL crews free rein to use their fixtures to achieve the most striking and powerful looks on the buildings.
The company also sent a crew to light up the PLASA and LSi premises in Eastbourne, as well as the Identity Event
Russia - Croatian-born DJ Solomun has been a regular visitor to Russia since early on in his career. Synonymous with contemporary electronic music, and attracting vast throngs of fans, his most recent performances have been at the popular Adrenaline Stadium in Moscow, where SETUP Studio developed and implemented a hi-tech lighting rig, with GLP fixtures as the centrepiece.
SETUP Studio is constantly searching for new creative concepts connecting sound and light. The team has been collaborating with Solomun for several years and has implemented many different setups for the DJ. The last two performances at the Adrenaline Stadium were not only notable in the scenic and lighting design worlds, but also became undisputed favourites of the studio itself.
Back in 2018, they had the idea of implementing kinetic winches, but because of the high cost and sophisticated design, this idea was abandoned. In the course of the following discussions, Stepan Novikov, one of the co-founders of the studio, suggested making a long LED-screen plate and placing it strategically so that it is in the direct line of the dance floor. In addition, it was decided to place the plate within a frame consisting of GLP impression X4 Bar 20 fixtures, in order to significantly expand the range of artistic possibilities.
“According to our idea, the same video content would be broadcast both on the screen and via the pixel array of GLP X4 Bars. This enabled us to obtain a very unusual effect: video content from the screen edges ‘fell’ downwards through narrow light rays,” expla
USA - ADJ has announced the immediate availability of the latest addition to its Focus series of LED-powered moving head luminaires. The Focus Spot 6Z has become the new flagship of the range. It is desigmed for event production, rental and touring applications as well as installation in churches, concert venues and large nightclubs.
The Focus Spot 6Z features a potent 300W cool white LED engine that offers a 50,000-hour operational life. This is paired with a precision-engineered, high-quality optical system to deliver punchy output, allowing for sharp aerial effects and crisp GOBO projections. Offering 50% more LED power than the 200W Focus Spot 4Z and 5Z models, the 6Z has an output of 10,500+ lumens, which represents a significant step up for the Focus Series.
In addition to the brightness, the Focus Spot 6Z is also the most feature-packed model in the range. It offers a diverse collection of beam-shaping tools designed to give lighting designers a huge amount of creative potential. This versatility makes it ideal for rental and event production as well as for installation in venues such as large churches and multipurpose venues where the lighting requirements can change from week-to-week or month-to-month.
The signature feature of the Focus Series is motorised focus, which the Focus Spot 6Z combines with motorised zoom to offer a variable beam angle range of between 9 and 28-degrees. The fixture also includes a motorized iris function, which allows precise control over the size of the spot. In addition, the unit incorporates two frost filter op
USA - Whether it was at a stop on one of their many appearances on The Warped Tour, or a festival appearance, The Word Alive have always managed to forge a direct laser-like connection with crowds. Waves of fans invariably push up against the barricades at the band’s shows - and the metalcore band send the magnetic force right back at them.
It is impossible to replicate this connectivity completely in all of its power in a livestream show, but Chris Brodman, Cody Lisle and their creative team came close when the band performed a pay-for-view show at LIT Live on 20 June. Helping them accomplish this feat was a collection of Chauvet Professional fixtures that included the Maverick MK 2 Spot, Rogue R2 Wash, Rogue R1 Wash, and STRIKE P38, as well as the Vesuvio II fogger.
“We had no physical crowd in the room, so our big challenge was to recreate the sense of intimacy you get at a live TWA show in a studio setting,” said Brodman. “Intimate camera shots were very important. Our team chose the angles very carefully to give the viewer the feeling of being very close to the band. I was very happy with how we pulled this off.”
Enhancing the warm familiar tone of the camera angles was the backlighting and redolent colour washes used by lighting designer James Simpson and technical director Cullen Noon. Rows of Maverick MK2 Spot units on the upstage deck and truss grid were used to back light band members from different angles, giving them a more rounded, personalized look in the online broadcast.
The Rogue Wash fixtures were flown at different
UK - Having cancelled their live London Executive Summit due to COVID-19, coaching organisation Vistage sought an innovative and fully digital solution enabling them to deliver this flagship event. To help bring the new digital format to life, technical solutions specialist White Light (WL) utilised its SmartStage studio in Wimbledon.
Formed over 60 years ago and comprising of 24,000 members from SMEs around the globe, Vistage annually connects more than 200 CEOs, MDs and senior business leaders for their live summit. Following cancellation of the London event, Vistage required an advanced technological solution to deliver a series of expert-led coaching workshops to their audience, conducted safely online via a professional platform.
Hiring WL’s SmartStage facility enabled the live presenters to access a safely isolated location and work together from a social distance, while connecting with other remote presenters participating from the USA.
James Thurlow, WL’s venue technical manager, explains: “We embedded the stream within a purpose-built microsite, which not only assisted in branding the event but also enabled other functionality such as peer-to-peer chat and the submission of audience questions. We relayed these questions back to presenters in real-time, giving the feeling of 'live interaction'.
“The website also gave us the ability to display event insights such as information on the agenda, keynote speakers and sponsors, as well as linking through to the client's social media channels. We added further variety to the transmis
Germany - The Arberger Mühle foundation village is located in the middle of the old town of Arbergens near Bremen. It was built in 1803 and is a Dutch mill set in impressive grounds. It is the oldest preserved mill in Germany, and has been a heritage listed building since 1973.
As part of the extensive renovation of the mill, Illumination Physics were asked by the owner whether to participate in the development and implementation of a lighting concept for the outer facade of the mill.
The owner's aim was to integrate the mill into the cityscape as an outstanding building, but, as the premises are also used for events, to be able to change the colour of the lower part of the façade on special occasions.
This, however had to be achieved with the lowest possible energy consumption.
What looked simple at first soon proved otherwise. The ground plan and the architecture are complex, and the extensive requirements of the monument protection authority had to be taken into account.
Several test mock-ups were necessary during which the responsible monument conservator was always present, until the ideal technical solution was settled on.
“Since the restoration and preservation of the historic mill is only possible with a great deal of private and honorary commitment, we took on the lighting planning, programming and construction supervision as a sponsorship of this project,” says Illumination Physics.
UK - Last night (6 July), some of the UK’s most iconic venues and landmarks were lit up in ‘emergency red’ as part of the #LightItInRed campaign to draw attention to the critical condition of the live events and entertainment industry. A glimpse of hope was given to Britain’s arts industry on Sunday evening (5 July), as £1.57bn was pledged by the government – yet the supply chain behind the production of live events and festivals, including many freelancers, is still awaiting clarification as to what support they will be offered.
Unlike other industries, live theatre, outdoor events, concerts, festivals and performances have been unable to safely resume due to social distancing guidance and other restrictions. Many predict these events may not resume until 2021. The #LightItInRed campaign aims to draw attention to the often hidden workforce behind such events, many of whom are not eligible for any of the government COVID-19 financial schemes – putting further strain on the sector.
Inspired by Germany’s #NightOfLight protest which took place in June, the #LightItInRed campaign saw hundreds of buildings and landmarks across the UK illuminated, from Cornwall’s Minack Theatre, Glastonbury’s bare Pyramid stage, Brighton’s famous pier and the Biomes of the Eden Project, to London venues including The Royal Albert Hall and the National Theatre, and further north to the Blackpool Tower, Liverpool’s Everyman Theatre, Theatre Royal Dumfries and countless other sites. Industry companies taking par
UAE - The Afterlife series of worldwide electronic music festivals arrived in Dubai for the first time in February at the Hangar 4 industrial warehouse event space. Lighting designer Pascal Bach of VEM Visionemotion GmbH utilized 100 Claypaky Sharpy fixtures to deliver the evening’s signature Afterlife look within the monumental space.
Italian DJ duo Tale of Us were the hosts of the show, which featured performances by Âme, Mind Against, Fideles, Kas:st and Innellea. Pascal Bach created the lighting design and handled the operation of lights and lasers during the show.
“The main part of the design was a 60m truss in the centre of the 100m hangar. The truss was filled with 50 Sharpys and additional wash lights,” says Bach. “The idea was to create a massive array of light beams that behaved as one single object in an organic way. In general, the Afterlife shows are more relaxed and focused on nice looks and moods instead of crazy and hectic effects. People should feel the music in combination with the visuals and lights without everything making them crazy.”
The setup contained 50 fixtures on the main centre truss and 25 more on each of the two side trusses. Additionally, 30 Claypaky B-EYE K10s were used to create a side glow and illuminate the hanging Afterlife man, the iconic visual element of the show.
“Sharpy is a widely used fixture and was the only one available in the quantity I needed for a reasonable price,” Bach notes. “It also had everything I required for the show. It needed to be small, fast and not too heavy.
Iceland - At 75m high, Hallgrimskirkja Church in the centre of Reykjavik is the largest church in Iceland and one of the tallest buildings in the country. Its sweeping frontage and steeple dominate the skyline of the city both with its height and its dramatic architecture. The design is the work of state architect, Guðjón Samúelsson, who was inspired by the crystalline structures of the basalt rock that is so prevalent in this volcanic country.
First commissioned in 1937, the edifice took 41 years to build with the spire completed in 1974. On 16 January 2020, Hallgrimskirkja formed the stunning backdrop for the celebrations marking the centenary of the Icelandic Midwives Community.
Icelandic full-service sales and rental company, Exton, was called upon to illuminate the huge façade of the church for the evening with a brilliant white light that would symbolise the bringing of new life into the world.
To achieve the required drama and brightness, Exton’s lighting designer, Erling Þorgrímson, chose 12 Wildsun K25-TC LED fixtures as the sole lighting fixtures for the project: “The WildSun units were the only ones capable of covering such a large expanse at the required intensity,” he said.
The Wildsun K25-TC were placed at ground level approximately 20m from the front of the church, from where they were able to wash the full length and breadth of the tower and wings with a brilliance that could be seen across the city.
“The power of the Wildsun K25-TC is unprecedented compared to other brands,” sayss Exton’s technical sal
USA - Chicago -based Charles Ford and his business partner Brandon Clark from Creative Live Control have been busy using creativity and lateral thinking during the coronavirus pandemic to help maintain positive energies.
First off, the two have been helping light up different areas around Chicago embracing the Unite at Night initiative, with Robe moving lights from their rental partner, JRLX.
This nightly sing-along, make-some-noise and DIY lightshow - interpreted as bring what you can fairy-lights, glitter-balls, LED battens, etc. - started spontaneously in and around the city to bring communities together in uncertain times and celebrate the efforts of all heroes on the frontlines helping to keep everyone safe.
Immediately when Charles and Brandon saw what was happening they thought . . . “let’s do this and get some real lights out and about!” says Charles.
They chatted to JRLX and worked out a good deal for what they could fit into their car which was two MegaPointes and two Spiiders.
They then rocked up over two weekends at different locations including two neighbourhood ‘hot spots’, one in the South Loop adjacent to the downtown area, and the other in Lakeshore East just north of Millennium Park.
Both locations are replete with tall buildings, so they set up - about half a mile away from the main structures - using the Spiiders for general wash lights and the MegaPointes to blast spectacular razor-sharp gobo patterns which climbed up and down the buildings to the delight of onlookers and residents as th
UK - PLASA has responded to the UK government’s pledge of £1.57bn funding for the arts with the following statement from its MD, Peter Heath: “While PLASA is pleased to see the government deliver a generous rescue package to arts institutions across the UK, they have only addressed the tip of the iceberg. We hope that the government will announce further support for all the manufacturers, suppliers and freelancers who help make the UK a global leader in events.
“Theatres and venues are absolutely essential to the cultural fabric of the UK, however, they only represent the public face of a vast industry. Each arena concert, musical show, arts installation, or corporate event relies on a complex supply chain, often involving hundreds of professionals. To put on a single arena show requires an average of 443 people working at all levels from planning and manufacturing to logistics and live production.
“PLASA stands by its initial plea which is for the government to provide the entire event industry supply chain with grants as well as extensions to both the Furlough Scheme and the Self-employed Support Scheme. From the start, government grants were not explicitly made available to the event supply chain, with only one out of six PLASA members surveyed successfully receiving grants. And although the Furlough Scheme was a great relief, the tapering off by Autumn does not bode well for companies who do not expect to see any business until next year. The situation has been just as
USA - To complement its growing line of special effects machines, Magmatic atmospheric effects is offering ‘a complete line of high-quality fluid’ called Atmosity.
Atmosity universal fluid has been specially formulated for use in Magmatic’s Magma and Thermatic haze and fog machines, Polar snow machines, Rocket CO2 cryogenic simulation effects, and other specialty effects products.
Atmosity is a professional fluid series formulated for use with all types of effect machines. Rigorously tested for consistency, Atmosity fluid is treated, filtered and then quality checked for purity, colour, density and acidity. The result corresponds to a purity level equivalent to water used by medical laboratories specialising in the production of vaccines.
Magmatic atmospheric effects are designed, engineered and exclusively distributed by Elation Professional.
USA - The new ADJ Vizi Beam 12RX joins ADJ’s popular Vizi Series of professional moving head luminaires as its new flagship beam model. The fixture is designed ‘to generate piercing mid-air effects for concert stages, dance events and large-scale nightclubs’.
Beam fixtures based on the popular Philips Platinum 5R lamp, such as ADJ’s Vizi Beam 5RX, have been staples of most concert, festival and superclub lighting rigs for the past decade. Now, the ADJ Vizi Beam 12RX ups the ante with a fixture that is not only noticeably brighter (while still maintaining a relatively low power draw) but also packs in an enhanced feature set to give lighting designers unprecedented creative potential, says the company.
The Vizi Beam 12RX harneses the power of a 260W Philips Platinum 12R LL lamp, which features an innovative reflector design to generate an extremely high-intensity beam. This is coupled with precision-engineered optics and a large glass front lens to allow the fixture to generate an exceptionally potent and sharp beam. It outputs approximately 9,400 lumens (compared to around 8,000 lumens for a 5R fixture) and measures approximately 70,200 lux at 20 metres [65.6 ft] (compared to around 58,000 lux for a 5R model).
In practice, this makes for a visibly brighter and more intense beam. In addition, the lamp has an extended lifespan of up to 6,000 hours (increased from 2,000 - 3,000 for the 5R) which significantly reduces the cost and inconvenience of lamp replacements.
“The Vizi Beam 12RX is a next generation beam fixture that offers impro
China - The award-winning Christie Pandoras Box is delivering visual experiences to visitors at a newly completed five-sided 3D immersive visualisation chamber in Qingdao, a major sub-provincial city in China’s Shandong province.
Powered by two Pandoras Box Quad Servers and a Pandoras Box Dual Server installed by Christie’s partner Marvel Vision, this visualisation showcase - known as The Light and Shadow Cube - is an initiative by the Qingdao Municipal Government to spur the growth of 5G high-definition video applications.
The Pandoras Box servers are used for the demonstration of spectacular DCI-8K video displayed on LED walls, achieving a total resolution of 8192 x 4320 pixels. This high-tech installation also features a number of technologies such as an active 3D system, a scent-generating system, a 7.1 multi-channel surround sound system, as well as 8K@30fps panoramic 2D-VR video and 8K@60fps panoramic 3D video capabilities.
“The Light and Shadow Cube is a highly-advanced installation that utilises a variety of cutting-edge technologies,” said Daniel Xu, manager, Marvel Vision. “We are very pleased to work with our longstanding partner Goldon Digital Creative Co, the systems integrator of this project, to accomplish the multimedia system design, on-site installation and commissioning, systems training and delivery of the Pandoras Box media servers.”
Xu noted that the Christie Pandoras Box has been chosen as the image processing system for the Light and Shadow Cube due to its ability to integrate real-time 3D rend
Croatia - For centuries, Trg Rijecke Rezolucije has stood as the town square and cultural hub of this bustling port city, hosting events, concerts and rallies. But with the outbreak of COVID-19 and the ensuing ban on public gatherings, the picturesque plaza fell silent.
All that changed recently, when it hosted All For Our Kids, an annual charity concert that raises money for the medical care of children. The crowd was small, and people sat 1.5m apart in observance of social distancing rules, but music rang out, followed by cheering, laughter and applause at the historic venue for the first time in months.
Supporting the on-stage performances with a rich mix of hues and soft glows that played off against the lemon meringue masonry background of the Municipal Palace, a former Augustinian monastery, was a supple a varied Mateo Kustić MattGarret design powered by his ChamSys QuickQ 20.
A ChamSys user for five years, Mateo, who works for G.I.S. Sound & Light, decided on the compact control console because its size and versatility made it well-suited for this application. “I have been lighting this event for some time,” he said. “This year, we had a small audience, perhaps 150 people, and fewer performers, so a compact console fit my plans nicely. Its small footprint was perfect.”
However, Mateo was not willing to give up performance for the sake of compactness. His 21- piece rig was made up primarily of RGBW fixtures, and changing colour gradients was critical to his plan to reflect the varied moods of the show. Being able to a
UK - Entertainment and architectural lighting control manufacturers Zero 88 and iLight have consolidated and streamlined the production facilities and processes at their shared factory in Cwmbran, Wales.
This is to generally boost efficiency and ensure full compliance with the new post COVID-19 health and safety at work directives related to social distancing and general hygiene.
Products from both brands - Zero 88 for entertainment and iLight for architectural / built environments - are fully designed and manufactured in the UK.
With both brands now operating under the Cooper Lighting Solutions umbrella, this recent reorganisation offers complimentary ranges of lighting control solutions for a diversity of projects, scenarios and applications.
Having the fully integrated workspace in Cwmbran means Zero 88 and iLight product volumes can quickly and easily be ramped up and custom projects can be undertaken more cost-effectively, offering all clients better value and service.
With the PCB manufacturing also in house, the shortening of supply chains has become further refined, a move giving Zero 88 and iLight full control, ultimate flexibility and a real edge over the quality control and the complex technologies involved to build their market leading ranges. They also have the capacity to accelerate new product designs and implementation.
The recent increase in production capabilities saw a 17% increase in the workforce last year with new employees taking on numerous roles from production to finance, and several of them being based l
UK - The UK skyline turned into a beacon of blue as venues across the country were illuminated on 4 July (Saturday), the eve of the NHS anniversary. Among the hundreds of buildings to light blue were the Royal Albert Hall, the O2 Arena, Harrogate Convention Centre, Bai360 in Brighton and Balmoral Hotel in Edinburgh.
Participating sporting and mass entertainment venues included Twickenham Stadium, Tottenham Hotspur Stadium, Wembley and Lords Cricket Ground.
The #LightItBlue illuminations paid tribute not only NHS staff but to those that have helped the organisation during its most challenging period since its 1948 inception.
#LightItBlue was created by the events and entertainment industry to show a united display of gratitude for those risking their own health to look after Britons who are ill with COVID-19.
The initiative began on Thursday 26 March when over 100 of the UK’s most famous castles, cathedrals, bridges, city halls, sports stadiums and giant LED screens were illuminated in blue to coincide with the nationwide applause for the NHS and frontline care workers. Since then, eminent landmarks across the world including Windsor Castle, Niagara Falls, Komazawa Park Olympics Memorial Tower and the Prince's Palace of Monaco have taken part.
Gary White, MD of event production company White Productions and team leader of the #MakeItBlue Collective comments: “When the events and entertainment industry initially found itself without work due to COVID-19, we wanted to harness our collective skills to thank both the NHS and key worke
USA - With the travel, gathering and distancing restrictions that come with the COVID-19 pandemic, Elation Professional’s sales team and product specialists are demoing some of Elation’s newest lighting products from the comfort and safety of their own homes in a video series called Virtual at Home Demo.
Published each week on Elation’s YouTube channel, each video provides an overview of the key features and benefits of some of Elation’s newest lighting products, a demonstration that gives lighting pros an opportunity to assess if a luminaire is right for their needs.
Products showcased in the series include the Fuze Spot, Fuze Pendant, Fuze Profile, Fuze SFX, Smarty Max, Artiste Van Gogh, Artiste Monet, Dartz 360, CW Profile HP and WW Profile HP ellipsoidals, along with the Magma Prime hazer from Magmatic atmospheric effects.
The Netherlands - Visitors to the Zuiderzeemuseum can take an immersive journey into this region’s nautical past at this extensive indoor and outdoor facility that makes this vanished world come to life.
Among the evocative attractions of the museum complex is the Sea of Stories, an audio/visual exhibition in its Ship’s Hall that vibrantly captures the essence of the Zuiderzee region long ago. Helping to wash away the years and draw visitors into life on the great bay is a captivating Frank Hulsebosch lighting design that features COLORado and COLORdash fixtures from Chauvet Professional supplied by Lichtpunt Theatertechniek.
Hulsebosch and his company, 50LUX, were introduced to Sea of Stories by Perspekt Studios, which was responsible for the design and construction of the exhibit. He explained why the decision was made to go beyond standard museum lighting and hang 50 COLORado 2 Solo IP65 fixtures as well as 15 COLORdash Par HP12 IP units from truss structures that line both sides of the 40-meter-long hall.
“All the fixtures are used for the same purpose: lighting a collection of antique ships,” comments Hulsebosch. “The exhibition Sea of Stories starts in the Ships’ Hall, which has 14 antique boats, the largest museum collection of boats in The Netherlands. We wanted to make an audio-visual presentation through which you can imagine yourself on the Zuiderzee a century ago, when it was a turbulent open sea full of fish, salt water and raging waves. In order to make dynamic presentation we needed other fixtures then
South Africa - Play It Forward a new live show by South African rockers Oooth, was part of a dynamic live stream designed as a fundraiser for tattoo artists across the country and freelance technicians via #FeedOurCrew who have been left without any income during the COVID-19 lockdown.
The broadcast - on YouTube and Facebook Live - also included interviews, features and panel discussions, and was staged at SA rental company MGG’s Studio B facility, one of two such facilities at their HQ in Johannesburg, complete with a full Robe lighting rig.
Reaching around 6,000 fans, whilst Play it Forward was airing, South African President Cyril Ramaphosa announced that the following day tattoo artists and studios would be able to re-start their businesses. On hearing this news, they in turn made a collective decision to donate the proceeds to #FeedOurCrew, an NGO which is providing basic needs and essential relief for event industry freelancers whilst large gatherings and shows are still banned.
MGG’s Johannesburg Studio B is the largest of the two at around 16 x 16 metres – allowing for a good amount of social distancing - and has been set up in their structures warehouse since the lockdown, as the company has reorganised and re-purposed itself to deal with radical changes in its current business. With a decent amount of headroom, it has been producing streamed rock shows since SA instituted level 3 lockdown on 1 June.
MGG’s resident lighting technicians Sipho Kekana and Hein Ströh worked together to design the lighting for both
UK - Technical solution provider White Light (WL) and leading AV production supplier SFL have announced their intention to launch a strategic partnership.
Under the new partnership, both companies will continue to trade separately and keep their existing bases but will now share equipment and personnel when delivering a full production service. They will work on corporate events, conferences, festivals, ceremonies, concerts and any other form of live entertainment, as well as supporting events which take place within WL’s approved and managed venues as well as other opportunities as they arise.
WL MD Bryan Raven comments: “At WL, the question we always ask ourselves is how can we provide the very best service possible for our customers? Therefore, when the opportunity arose to form a strategic partnership with SFL, we knew this was something we couldn’t turn down.
“Whereas WL has its heritage in lighting, SFL is one of the leaders in supplying audio and video solutions. They also have an exceptional scenery company which our own in-house Production team has used on many occasions. As such, we will now be able to combine our expert teams, unparalleled inventories and years of experience to offer our existing customers, as well as new clients, the very best in full service technical production. It’s an incredibly exciting step for both of us and one which we cannot wait to embark on”.
SFL MD Tom Jeffery adds: “We are delighted to be able to support WL in delivering full-service production. We know WL and the brilliant team there