USA - When preparing for international stadium tours for two of the world’s top pop artists, touring company Eighth Day Sound worked with Wisycom to develop a solution for its wireless RF challenges.
Eighth Day Sound’s two most recent high-profile global tours turned to Wisycom’s MAT288 Matrix Combiner and MFL RF-Over-Fibre Antenna System to give sound engineers the tools necessary to cover the extensive wireless needs for these large projects.
For Eighth Day project manager Jordan Kolenc, creating an RF design that would provide maximum coverage for one such major stadium tour left him with a long list of concerns, and a need to pre-emptively find solutions. After much trial and error, Kolenc contacted Jim Dugan, president of Wisycom USA, who visited Eighth Day’s shop to demonstrate how Wisycom’s MAT288 combiner, along with its MFL antenna system, could provide expansive coverage for live touring applications.
The MFL Fibre Rack Unit provides coverage farther than the 300ft limit found in coaxial cable, making it suitable for stadium-sized tours. Additionally, the Wisycom MAT288 Matrix Combiner allows sound engineers to actively and effectively make adjustments that pertain to and affect the microphones and instruments, while the MFL does double duty by extending coverage over fibre for the in-ear transmitters.
“Wisycom is the only company that I know of that can handle the RF distance that we were trying to cover,” says Kolenc. “The company’s wideband capabilities are the largest in the industry. The fact that we can also
USA - Los Angeles-based Elation Professional’s home team Rams might not have come out victorious in Super Bowl LIII but the company was a winner nonetheless as its new Rayzor 760 LED wash/beam light played an integral role on the American football championship’s celebrated halftime show.
Held at Mercedes-Benz Stadium in Atlanta and broadcast live on CBS, the Pepsi Super Bowl Halftime Show featured a headline performance by Maroon 5, along with rappers Travis Scott and Big Boi. Production design was by Bruce Rodgers of Tribe with lighting design by Bob Barnhart of 22 Degrees for what is traditionally the most-watched musical event of the year in the USA.
The Super Bowl Halftime Show marked the live show debut of Elation’s Rayzor 760, a LED luminaire with seven 60W RGBW LEDs, five to 77° zoom, continuous pan and tilt, and new SparkLED technology.
Barnhart, who has lit over 20 Super Bowl Halftime Shows and says he was happy to audition the fixture, positioned 45 Rayzor 760s in an impressive 60-yard row behind the large M stage at field level. “When we layout a Super Bowl Halftime light plot we look for different layers that give us effect, scale and diversity,” he stated. “When Eric Loader showed me the new Rayzor 760, I immediately told him I had a place for them on the Super Bowl.”
Barnhart placed the Rayzor 760s on a field truss all the way upstage, close to the first row of seats. “I wanted to use the 760 to colour the air in the background, which becomes a nice layer to offset the beams in the foreground,” the designer e
Australia - It isn’t often that an artist introduces a sound engineer to a new piece of audio equipment - usually it is the other way around. However, this is what happened when British-born singer/songwriter Leo Sayer discovered the benefits of DPA’s d:facto vocal microphone. As a result of his good experience, he introduced the kit to his long-term sound engineer and production manager Damien Young.
Now based in Australia, where he has lived since 2005, Leo Sayer began using d:facto vocal microphones during his last UK and European tour when they formed part of the audio itinerary supplied by Cliff Brothers. He was so impressed with their sound that on his return to Australia he asked Damien Young to source wireless d:facto mics for his forthcoming Australia and New Zealand tour dates. DPA’s local distributor Amber Technology was delighted to help and after demoing various versions, Sayer purchased two 4018V capsules because he loves the extra presence this capsule gives him.
“My introduction to the d:facto Vocal Microphone certainly came through Leo and it is now a microphone I would really like to have in my personal microphone kit because it is amazing,” Young says. “I usually struggle with the ‘extra’ top end Leo loves but this mic doesn’t give me any issues and I use significantly less processing to get a great vocal. On the last show I only used a HPF and compression, no severe EQ or DE-Essing was needed. It also takes FX well. The reverbs and other processing just works better with less noticeable artefacts.”
USA - The Winter Jam Tour 360, Christian music’s largest annual tour, is out on the road with a lighting package supplied by Bandit Lites. This year’s line-up features Christian music’s top artists and speakers including Newsboys United, Mandisa, Danny Gokey, Rend Collective, Ledger, Newsong, Hollyn with special guest Adam Agee and speakers Greg Stier and Zane Black.
With multiple artists on the roster, production manager Jerry Holcomb and lighting designer Kurtis Wheat had to design a rig that would allow each performer distinct looks while still accounting for a line-up that ranges from a rock show, to a rap artist, followed by a speaker sharing the gospel.
“Lighting can often be a distraction to important moments, so I try to create a look that allows the speaker to be the focus, while still allowing the crew to change over the bands on the main stage,” says Wheat. “No matter the artists or the lighting rig, that will always be the main focus of this tour, so we have to make sure we do our part in not taking away from those moments. This year we decided to go with silver Tyler truss which allowed me to use the GLP X4 fixtures as truss warmers giving the rig a completely different look from the flashy bands and make it a bit more corporate.”
Bandit Lites supplied nearly 400 fixtures, including 120 Ayrton MagicDot-R fixtures, Robe BMFL, Chauvet Rogue RH1 Hybrids, Elation CuePix WW4, Elation CuePix WW2, Elation SixPar 200, GLP X4 RGBW and Martin MAC Auras.
“I try to pick fixtures that are not a “one trick pony” because
Pakistan - KYAF Corporation recently outfitted DHA Sports Club with a new complete Harman Professional Solutions sound system to provide an immersive audio experience on the field and in the stands.
Located in the heart of Karachi, DHA Sports Club is managed by renowned Pakistani cricketer Moin Khan. As part of the facility’s mission to provide a place for young Pakistani athletes to develop their talents in a supportive environment, DHA Sports Club hired KYAF Corporation to upgrade their sound system with modern audio solutions. After careful consideration, KYAF Corporation and DHA Sports Club selected a sound reinforcement system comprised of JBL Professional speakers, Crown amplifiers and AKG microphones.
“DHA Sports Club asked us to provide a high-quality audio system that would complement their beautiful sports facility and provide great coverage,” says Ahmed Bawaney, KYAF Corporation. “After we demonstrated the quality and performance of the Harman audio system, they gave us the green light to install.
“We faced a few challenges during the installation - namely, the left side of the stadium is blocked by an apartment building, posing a potential for harmful reflections. In addition, the unusual architecture of the stadium posed challenges in the rigging of the speakers. The flexibility and clarity of the JBL speakers helped us overcome these challenges to provide perfectly clear sound throughout the stadium.”
To ensure premium audio quality and coverage throughout the facility’s stadium, KYAF installed eight JBL AWC82 all-
Australia - Formed in 2003, Parkway Drive are an Australian metalcore band from Byron Bay in New South Wales with an international following. The band’s Reverence tour in support of their sixth studio album kicked off in Canberra in October 2018 and employed 16 Ayrton Ghibli LED spots for the main beam fixtures.
Lighting provider for the Australian leg of the tour was New South Wales-based ei Productions who purchased the Ayrton Ghibli units just prior to the start of the tour. “This was a complex show with lots of lighting, moving staging and pyro flames, and it relied heavily upon the Ghiblis to provide much of the lighting’s punchy looks,” commented Neale Mace, managing director of ei Productions. “The fixtures were chosen by the band’s lighting designer, Steve Granville, after he heard we were looking at them, and I don’t think I’ve seen a light - especially an LED-based one - have so much punch and colour output, not to mention its zoom.”
Granville positioned the Ghibli fixtures across three flown trusses where, Mace remarks: “They looked incredible. Having seen this show, I’ve never seen an LED based fixture that is as bright as the Ghibli. They also have intense colours and can produce beautiful air / beam effects. We didn’t actually use the motorised framing feature on this tour, but it’s great to know that we can also use them for front truss profile work when needed.”
Granville agrees: “The Ghibli is the first LED profile fixture I’ve seen that is super bright and has a perfectly flat field that doesn’t d
China - AG reports that 88 Verity Studios drones were chosen to feature in the CCTV New Year’s Gala. The CCTV (China Central Television) New Year’s Gala is one of the world’s most-watched TV programmes.
This event was broadcast live to an estimated one billion viewers across the globe. With 88 Lucie micro drones flying over performers in red Chinese lantern costumes, this is the largest number of costumed drones ever seen in a performance.
Sponsored by, a leading social media platform in Asia, the show opens to The Distance of Time, sung by popular singer Sun Nan and up-and-coming pop star Jason Zhang. As the song builds, 88 Lucie micro drones fly from the back of the stage like butterflies to dance above the 50 performers dressed as blossoming cherry trees.
“This stunning performance proves how compelling drones can be. More than just flying lights, we’ve shown that costumes can transform this technology into moving sculptures. This is the first large-scale performance ever done with drone costumes,” says Raffaello D’Andrea, founder of Verity and co-founder of Amazon Robotics.
The Chinese lantern costumes adorning the Lucie micro drones were all designed and produced by Léa Pereyre who creates the costume design in CAD software before laser-cutting the materials and assembling the costumes. The drones feature special guards that have pre-defined slots to easily attach costume elements.
Chinese smart media entertainment company, Keey Media, collaborated with Verity Studios on behalf of the main sponsor TikTok to pro
UK - Seventy four of Colour Sound Experiment’s AquaBeam moving lights, rigged on a 25.5m diameter circular truss supported by an eight-legged ground support system, were an integral part of Nest, an immersive lighting, sound and sensory installation experience.
Nest was imagined by artists Marshmallow Laser Feast, in Lloyd Park, Waltham Forest, as part of the Mayor of London’s first ever London Borough of Culture event Welcome to the Forest.
The lights were choreographed to run with a special ‘transcendental soundscape’ created by composer Erland Cooper, who compiled a series of ‘sonic murmurations’, working with over 1000 participants including local choirs, schools and musicians.
Matthew Button of Buttonlight was the lighting designer for this project, one of a carefully curated collection of works celebrating ‘Radicals, Makers and Fellowship’.
Matthew has worked with Marshmallow Laser Feast on several previous projects, and he designs their lighting concepts and displays in close collaboration with others in the team, including Ersin Han Ersin and Barney Steel.
The structure and form of the ring of lights was inspired by the impressive architecture of traditional gas holders - an important industrial artefact of the gas-powered age, much loved by many - which are fast disappearing!
Matthew needed fixtures that were bright and would withstand the cold and inclement January weather, and approached Colour Sound, with whom he also works regularly. The AquaBeams were the chosen solution, and the
China - Sound Space Vision (SSV) was part of the design team for the Xiqu Centre, the first finished building in Hong Kong’s new West Kowloon Cultural District. The Xiqu Centre serves as the gateway to the district and is dedicated to the performance of Chinese opera (Xiqu) and as the centre for preservation and development of the variety of Chinese opera art forms.
SSV was responsible for the acoustics and audio systems in all the centre’s spaces, including both amplified and un-amplified performances in the 1073-seat Grand Theatre, and the 150-200-seat Tea House; a well-equipped Seminar Hall; large and small rehearsal facilities; a recording/broadcast suite; and all the retail, food and beverage areas connected to the Centre’s public ground-level Atrium.
“We were well-prepared for this particular form of opera house having spent many years visiting Hong Kong arts groups, and building on our enthusiasm of Asian arts while working on the theatre design and acoustics for Singapore’s Esplanade,” says Anne Minors, co-founder and design principal of SSV.
In planning the acoustics and audio design for the Xiqu Centre, and the Grand Theatre in particular, SSV took into account the heritage and expectations of Hong Kong audiences and practitioners, and those of visiting artists from mainland China and international patrons and artists.
SSV co-founder and acoustician Bob Essert explains: “The overall aesthetic aim of Xiqu is beauty in all aspects of performance. Practitioners talk of roundness of movement, singing, and instrumental ton
Slovenia - Lighting designer Gregor 'Grga' Smrdelj helped create a high-profile show by Slovenian vocal group Perpetuum Jazzile at the Arena Stolzice in Ljubljana.
Grga works full time with Event Lighting, one of Slovenia’s leading rental specialists and the show’s lighting equipment provider.
Grga integrated LED and video into his proposal for the stage and production design. It was at the first production meeting that he suggested having the singers on the three different levels, which everyone liked, so they went with it. “I wanted to make a statement, and the idea was that the full profile of all 44 singers could be seen rather than just the front row and everyone else squeezed in behind with only their heads showing.”
Up in the roof of the Arena Stolzice, the Event Lighting crew installed seven straight trusses for lighting positions. Ladders were used from the side trusses to get lights into exactly the right low positions for beaming across the stage.
The Robe count comprised 28 x Spiiders, 16 x MegaPointes,16 x Pointes 12 x BMFL Blades, 48 x LEDBeam 100s and 24 x LEDBeam 150s, distributed all over the trusses.
The Spiiders were used as ‘all-rounders’ for top, back and front light.
The BMFL Blades were on one of the front trusses for key lighting. The shutters enabled them to pick out singers for solos and he programmed some highly effective blade chase that looked uber-cool resembling a barcode scanning effect for a couple of the numbers. The Pointes were used as the traditional effect light.
UK - Alexandra Palace opened in 1873 as a grand Victorian public gesture - ‘the people's Palace’. Since then, the complex story of the London venue - affectionately known as Ally Pally - has been marked by fires, restoration, substantial war-time damage, charitable rescue and many political sagas.
In December, after 80 years of slumber and two years of careful restoration, Alexandra Palace Theatre re-opened. As part of the process, a complete technical infrastructure had to be installed, including a substantial L-Acoustics Kara PA system.
The Alexandra Palace Theatre itself is part of the building's East Wing. It had an original capacity of 3,000 and the stage was a marvel of Victorian engineering, incorporating a variety of innovative stage machinery. The BBC leased the Palace in 1935 and the theatre went unused until performances started again in 2004, in a limited way, though it wasn't until 2012 that the Alexandra Palace and Park Trust contemplated a thorough restoration of the building, starting with the East Wing and the theatre. Work began in 2016 and the new Alexandra Palace Theatre opened its doors in December 2018.
One of the people brought in to help the project through reconstruction and on to a healthy, 900-capacity commercial theatre was Steve Brookes, now head of production and technical at the venue. His aim was to bring a full, modern production infrastructure to the space so that no company or touring production would hesitate to perform at the Palace, but at the same time to honour the heritage of the building.
USA - The Super Bowl, one of the most wireless-intensive live events with thousands of devices vying for clear spectrum, deployed Shure wireless systems for game day, including the flagship Axient Digital wireless system and PSM 1000 in-ear monitors.
All RF usage was planned and managed by NFL lead frequency coordinator Karl Voss. Primary audio supplier ATK Audiotek again brought in experts from Orlando-based Professional Wireless Systems (PWS) to meet the challenge of delivering pristine audio for the on-field entertainment. PWS handled Gladys Knight’s rendition of the US national anthem among other pre-game festivities, plus the Maroon 5 half time show and the referee’s critical microphone.
Professional Wireless Systems RF engineer, Gary Trenda, chose Shure wireless again. He explains: “It’s our second straight year using Axient Digital as our preferred system, which has several advantages in covering a football field. The Quadversity antenna system increases reliability and range. No matter where your transmitter is, you’re always closer to antennas than you would be with a regular diversity setup. That’s a huge advantage to us because the stage design and location are typically not yet finalised at the time when we are designing the RF distribution and specifying the wireless equipment.”
For the coin toss, referee John Parry was double-miked with twin Axient analogue AXT100 bodypack transmitters, in frequency diversity mode. Parry used the system for penalty calls throughout the game, so the referee’s mic was always under the mi
USA - Metal band Five Finger Death Punch is famous for forging close emotional connections to fans at its shows. This was very evident on their recently completed arena/amphitheatre tour with Breaking Benjamin, which featured memorable sing-alongs accented by warm audience lighting from Chauvet Professional STRIKE 4 fixtures, supplied by Christie Lites.
John Santos, the lighting designer for the band, had 10 of the STRIKE 4 LED fixtures spread out evenly on the downstage truss during the tour, which ended in mid-December.
“They were my primary source of audience lighting and my blinders,” says Santos. “The show is designed around the skull over the drum kit and the two bats crossed in the back. My general lighting is very raw and aggressive, like the music. I try to create a look that matches the rhythmic and percussive feel of the music to accentuate the heavy hits. But as I am doing this, I also want to use lighting to reach out into the crowd and connect them to the band.”
This crowd connection reaches some of its high points during the band’s famous sing-along moments. “There are some great moments created during sing-alongs for tracks like Jekyll and Hyde and Gone Away,” says Santos. “You can feel the energy in the crowd. My crew chief, Marc Durning, and L2, Axel Noel, who focused the lights every day, did a great job working the STRIKE fixtures as well as the rest of the rig.
“All of us felt that the warm white audience lighting set the mood,” continued Santos. “We liked the way that each cell of the
China - The Zhengzhou Art Palace has upgraded its main PA with Aero-20A systems from DAS Audio.
The Zhengzhou Art Palace, which houses a 1,338 and 186-seat theatres, had recently undergone a major renovation to convert the venue into a multi-purpose facility with a stage lift, a project that included a revamp of the Art Palace’s audio system.
DAS Audio China were contracted to set up an audio system for the Zhengzhou Art Palace that was powerful yet adaptable enough to meet the venue’s unique sound needs, which range from ballets and dance performances to opera and symphonies by first-class national and international groups.
A total of two clusters of six Aero-20A line arrays were installed as the main PA using the integrated DASaim optimisation tool, combined with two LX-118A subwoofers, which were flown in a left/right configuration on either side of the stage for uniform coverage, with the entire system monitored and controlled by the DASnet audio management system.
Four Artec-526 loudspeakers were installed as front fill for down-in-the-front spectators, while an additional four Vantec-12A were brought in as stage monitors.
Malta - The X Factor landed on Malta for its first season at the end of 2018, culminating in a live final to find the country’s Eurovision 2019 entrant.
The TV series proved to be a big hit on the island, with the ultimate show broadcast live in January from the Malta Fairs & Conventions Centre.
Lighting designer for the series was Ismael Portelli, with Duminku Attard and Juan Vella taking care of the programming. Anton Borg Olivier joined the team for the finals, using an Avolites Arena as his master console to give the last rounds of the contest an ‘extra kick’.
“The Arena has a large surface, with a good number of faders and executors, making it perfect for a demanding lighting show like The X Factor,” says Olivier. “And as well as being powerful, it’s also reliable, which is required for a high profile show that’s being broadcast live.”
Programming duties were spread between Olivier, Attard and Vella. In addition to the Arena, the team utilised an Avolites Tiger Touch II with Wing for white light and a second Arena as backup. Another Tiger Touch II ran the pyros and other effects on a separate network.
All desks ran Titan V11.1, networked using two Avolites TitanNet Processors, one master and one backup.
“Some programming was done off site, since we had very tight schedules, and then the shows where merged together on the main desk,” Olivier continues. “All the songs cues were triggered using SMPTE timecodes, which ensured that all the lighting, vision and effects were triggered corr
USA - When Knoxville-based Shoreline Church, Hope Fellowship Church and City Church came together in December for a night of scripture and song called Lessons & Carols, Harmonic Audio and Concert Productions of Chattanooga accentuated the evening with mood-generating lighting using their inventory of Elation Professional lighting.
“Chuck Hooten, worship pastor at Shoreline Church, wanted to create a new tradition in Knoxville and came up with the Lessons & Carols concept, which combines teachings from the story of Christmas with music,” explains Harmonic’s Drew Hornback, production designer for the event. “It was an inaugural event and we turned to our Elation lights to accent what they were doing.”
Held in Knoxville’s historic Bijou Theater, Harmonic was called on to create a ‘massive look’ with lighting as the stand out element of the show. “They wanted an immersive design so we went to Capture and designed a rig that highlighted the Artiste DaVinci as our profile with Fuze Wash Z350s adding colour,” says Hornback, who also handled lighting design and lighting programming duties.
Lessons & Carols was Harmonic’s first show using their zoomable Artiste DaVinci LED moving heads and Hornback says they provided them with a great look. “The DaVinci was the right fixture for the job,” he states. “The CMY colour mixing and the gobos provided incredible texture to the stage. They really gave an impactful punch at an incredible price point. You can’t find another light like it.”
USA - In the hands of Beckie Campbell, an Allen & Heath dLive S7000 mixing system is more than a console, it’s a base from which students can start their careers in professional audio. As the owner of B4 Media Production, a live event production company based in Vero Beach, Florida, Campbell’s business model serves a wide-ranging client base while empowering the next generation of audio engineers.
“I want to give young people work,” Campbell says, “as well as a leg up that I didn’t have when I started out so they can embark on a solid career path. I hire a lot of freelancers who are just out of college or give students a chance to earn credit hours for internships or complete program requirements. It’s challenging sometimes, but ultimately quite rewarding.”
B4 has a presence around the country at conferences, festivals, faith-based entertainment events, live concerts, and more. “I’m not locked into anything,” Campbell says of her gear preferences. “I just want to use the best. When I first used an Allen & Heath dLive S7000 console, I instantly fell in love with the classic, warm sound of its preamps, plus the feel of it, which, if you’re a traditional knob-turner like me, feels right at home. Conversely, if you’re a pinch, drag, drop, and swipe kind of operator, the desk has you covered there too.”
Since many of Campbell’s freelance front of house and monitor engineers are new to the game, they often arrive with experience limited to only one or two other consoles. “Despite its world class sound and advance
USA - Southcrest Baptist Church in Lubbock, Texas, holds five weekly services, three of which involve a full choir and orchestra. The church also offers seven weekly television broadcast programmes that reach a local and worldwide audience. Along with its weekly services, the church hosts an Internet live stream three times a week.
Rusty Trowbridge, technical director/lead audio technician at Southcrest Baptist Church, wanted to improve the overall sound quality for the prominent Northwest Texas church’s weekly services and broadcasts. After testing various options, Trowbridge found that a selection of DPA Microphones produced the best sound and were able to handle the church’s high-production demands.
The upgraded microphone package Trowbridge employed consisted of DPA d:vote 4099 Instrument Microphones for most of the orchestra, including all of the stringed instruments (violin, viola, cello, double bass and harp), 12 DPA d:sign 4098 Supercardioid Ceiling Microphones hanging from the ceiling for the choir and a d:fine 4166 Flex Omnidirectional Headset Microphone for the church’s senior pastor.
“I felt that the microphones we were using unpleasantly coloured the instruments,” says Trowbridge. “We found that with DPA’s d:vote 4099 instrument mics, not only was the sound quality of the orchestra outstanding but the reproduction of the instrument sound was unmatched to what we had previously experienced. I also like how sensitive the microphones are. I do not have to give them a lot of gain to get them to a useable level. In addition, t
USA - The Fulton Theatre in Lancaster, Pennsylvania’s long history began with its first production in 1852, launching decades of dramatic productions that cut across genres and that reflect the nation’s journey from before the Civil War to the present.
Shortly after its 100-year anniversary, the Fulton Theatre earned designation as a National Historic Landmark. Despite its age, the building has only undergone a handful of major renovations, the last one occurring between 1994 and 1995 and the one previous to that occurring in 1908. Constrained by outdated stage rigging and lighting, the Fulton Theatre worked with AVL integration firm Clair Solutions on a $1.3m upgrade.
Bill Simmons is Clair Solutions’ senior lighting designer and the person who led the project at the Fulton Theatre. “I first worked at the Fulton Theatre in 1979, when I was a freshman at Franklin & Marshall College in Lancaster,” Simmons explains. “I started full-time work there in the summer after I graduated and stayed on as the resident lighting designer for the next 15 years. The 1994-1995 renovation reduced its seating capacity to 680 and made a clean transition to support dramatic productions over its previous vaudeville setup. In recent years, executive artistic producer Marc Robin has made musicals a specialty of the Fulton Theatre.”
The biggest challenges arose from the building’s “vintage” wooden grid and the sheer age of the lighting infrastructure.
“Almost no theatres have wooden grids these days,” Simmons observes. “We wanted to repla
Columbia - The Colombian entertainment technology and production industry is full of colourful personalities, and one of those is Andres Chamorro, entrepreneur event producer who has been an industry trailblazer for 25 years.
His very successful rental company is Chamorro Iluminación and his most recent ventures include opening two major live event venues – both called Chamorro City Hall – one in his hometown, the bustling metropolis of Bogota and another identical space in the vibrant commercial hub of second city Medellin.
Andres has invested in Robe moving lights to ensure that clients can receive the best and most comprehensive lighting packages when they are utilising these landmark venues which are unique in Colombia.
The 4000 capacity Bogota Chamorro City Hall is located in the north of the city and it’s already been a huge hit; an open space offering a full production set up - staging, lighting, sound, video, rigging, etc - tailored to each client’s needs, be it a band, a corporate entity or a private individual.
The City Hall venues are acoustically treated for noise containment as they are both in residential areas and artists can have identical technical production for two locations, so they can easily do double shows.
Andres likes the multi functionality of the most recent Robe products – BMFL, Pointe, Spiider, MegaPointe, and the fact you can do a lot with less actual fixtures, and because they are appropriate for so many different sectors.
Their Robe fixtures are used extensively in the TV work they servi
UK - Nigerian music star Davido wowed 20,000 adoring fans with his epic production at London’s O2 Arena, lit by show designer Anthony Hazelden using Claypaky’s Mythos and A.leda B-EYE K10 fixtures.
Briefed with creating a production on the same scale as a Nicki Minaj or Drake concert, Hazelden took to WYSIWYG to plan a show for the artist, which included a catwalk and a flying stage. “I knew Davido wanted the production to be enormous,” Hazelden says. “As soon as I understood his vision, I began to draw out the rig to make it work for the different areas of stage.”
The set heavily featured video content displayed on a 10m x 4.8m video wall. “The Mythos were the main fixture over the stage,” explains Hazelden. “I needed a bright fixture that could punch through the video wall. I used Mythos’ gobos to create a number of different looks, and for each the light was still visible against the video running at 100%.” The Mythos is equipped with two gobo wheels as standard, including six beam reducers.
“The fixture is fantastic as both a beam fixture and as a spot,” says Hazelden who made the most of the Mythos’ 4-50˚ zoom range for various looks throughout the show. “The PAN/TILT capabilities are great, and it doesn’t struggle when I needed them to move at full speed.”
The 24 x A.leda B-EYE K10s were rigged on the truss at front of house and were used as crowd and effects lights during the supporting acts. Throughout Davido’s performance, they were employed as the main stage wash light. “The colours are accurate
Belgium - For The Oh! dance music club night in Belgium, a tried-and-tested formula of world-class DJ sets and a string of high-profile singles is proving to hold the key to its popularity and longevity, which recently reached the quarter century milestone.
To celebrate 25 years of The Oh!, both old and new generations of Belgian dance music lovers were united in a recent anniversary party that reflected all of the excitement and energy that have made the club famous.
Tasked with providing energetic visuals for The Oh! once again was Belgium design house CRS Rental Solutions, which designed an immersive stage set-up with a Chauvet Professional rig that included 32 STRIKE P38, 12 Maverick MK2 Spot, 19 Rogue R2 Wash, 46 COLORdash PAR H12IP and 24 Rogue RH1 Hybrid fixtures.
In order to build the visual centrepiece upon which artists could perform, Thomas Vandekerkhove and his team at CRS peppered the rigging structure above the stage with the STRIKE P38 fixture. As a result of the combination of audience blinder and strobe, the punchy 90W warm white LED source was on hand to elevate the EDM DJs taking to the stage by evoking that classic feeling of ‘90s dance parties.
"The P38s awarded the fairly cavernous venue with a proper club ambience," commented Vandekerkhove. “In addition to strobing and blinding effects for visual energy, the warm white tungsten effect ensured that we could introduce a classic house vibe to the stage, which really transformed key moments within several of the performances.”
While the P38s provided the famil
Italy - A sound system from Clair Brothers was deployed for the 25th anniversary celebration of Italian nightclub Odissea Fun City Dance Club. The club’s owners decided their previous system had served its purpose well but that the time had come to upgrade.
Prase Media Technologies, Clair Brothers Italian distributor, was asked to suggest speakers for the upgrade. Emanuele ‘Lele’ Luongo, product manager at Prase, along with Ivan Omiciuolo and Matteo Barbaro, whom supported the project throughout, recommended the new Clair Brothers PA.
“The main challenge in this room,” explains Luongo, “was to achieve homogeneity in the distribution of low frequencies while also minimizing the reflections, within the entire audio range, caused by metal sets and mirrors on the side walls of the dance floor. We also worked to curb the incidence of medium-high range in the bar areas.”
To overcome these acoustic issues, the new PA system consists of two Clair Brothers kiTCurve12 clusters (four cabinets each) and eight CS218 subwoofers. Luongo explains: “The subwoofers follow the perimeter of the stage, with two subs located in the centre, positioned as an inverted stack to help reduce the impact of low frequencies in the console area.”
In addition to utilising the kiTCurve12 as the main system, there is also a pair of the exact same kiTCurve12’s being used as DJ monitors to allow the DJ to hear the exact timbre that the audience hears. The result is an LR system with controlled dispersion teamed with a horizontal sub array which allow
UK - Danish sensation Myrkur captivates audiences by weaving wildly different musical influences into a single performance experience that is as beautiful in its simplicity as it is unsettling in its complexity. On her 2018 northern European tour, which ended in December, the gifted multi-instrumentalist dramatized the breadth of her musical vision by dividing her show into two distinct parts: the first devoted to traditional folk music, the second to black metal.
Despite this stark contrast, the show flowed seamlessly, driven by the artist’s passionate performance and supported by a multi-faceted production design by David Howard with a lightshow that was run on a ChamSys PC Wing.
“The show itself is split into two,” said Howard. “It starts with Folksange, a set of folk music from all over Europe played on traditional instruments. Afterwards, the stage falls to darkness before transitioning into an atmospheric black metal set. The show is designed to progress, with the metal set juxtaposing Folksange, but both have consistent design elements.”
Key to creating the unifying design was the floor package that Howard created. Consisting of 10 “trees” of varying heights topped with LED tungsten-style lamps fitted with special RGB backlights fitted in custom-fabricated mounts, the design evoked images of a forest of light on stage.
To distinguish the two sections of the show, Howard used the LED filament for the folk portion and then turned down the intensity level with dynamic strobing and colour effects for the black metal set. T