Audio News

harmanclourdworxbannerpressrelease1920x950Harman launches CloudworX Manager
Monday, 28 October 2019

USA - Harman Professional Solutions has introduced CloudworX Manager, the first application from its cloud-based CloudworX software.
CloudworX Manager is a browser-based (available from utility that unifies the configuration, deployment and monitoring of Harman professional audio, video, control and lighting systems. Initial supported devices include the AMX by Harman Acendo Core meeting space collaboration system as well as AMX Acendo Book scheduling touch panels.
Key features include support for private or single sign-on accounts; sorting, filtering and searching of discovered devices; simultaneous configuration of like or unlike devices; simple connection of local installations using CloudworX Gateway software; device firmware management; and template creation and deployment.
Future applications are being developed to offer additional design and management capabilities. All CloudworX applications will share the same support pillars - unifying disparate platforms into a single ecosystem, integrating the industry’s most reputable and well-regarded security protocols and delivering a resplendent, second to none user experience.
“CloudworX Manager represents a first look at the power of the CloudworX platform,” says Iain Gregory, director of software, Harman Professional Solutions. “With a simple firmware update, CloudworX brings mass configuration to the existing Acendo Book and Acendo Core devices. As more products are supported and additional software applications are added to the suite, CloudworX will el

tdcc11101902arenajoeokpako-108Brit Row backs Two Door Cinema Club
Monday, 28 October 2019

UK - Northern Ireland’s new wave indie pop returned to touring with their fourth studio album, False Alarm, continuing a worldwide relationship with Britannia Row Productions. At FOH is Ian Laughton, a long-time Britannia Row customer who has live engineered the Club’s shows for over five years.
“A great thing about mixing this band is that they want you to put your own stamp on it. They want a pretty different vibe compared to their recorded sound, and I love that; I have to be able to put my own touch on whatever I work on,” says Laughton, who works closely with monitor engineer Steve Donovan.
The band’s engineers are joined by Britannia Row’s seasoned system tech Cesar Lopez, newly qualified stage tech Jacopo Fois and second system tech Giacomo Gasparini. The audio team’s combined efforts have been noted in the band’s close circles.
“I’m very happy with how this tour’s going,” Laughton continues. “The band’s management came to the first of two nights in Manchester and said not only was it the best gig they’d heard at that venue (the notoriously tricky Victoria Warehouse), but possibly the best they’d ever heard the band sound live.”
Laughton says this is where Britannia Row’s Training Academy comes into its own and ensures its engineer are a real asset to any tour he works on. “The best thing you can do is get trainees on the road and into real life touring experience. The quality and enthusiasm of the crew they send us is great. They’re producing very dedicated and intelligent audio techs w

hk-audioNewcastle Civic Centre installs HK Elements
Friday, 25 October 2019

UK - When looking to up-grade the sound system in their council chamber, Newcastle Civic Centre turned to long established supplier Gary Nicholson of Newcastle-based Rock Warehouse to propose a solution.
Having previously installed an HK Audio system in the Civic Centre’s largest space (the baronial style Banqueting Hall, capable of seating up to 600 guests), HK Audio was Nicholson’s first choice.
Paul Frankcom was responsible for looking after the full gamut of AV requirements throughout the Civic Centre. He explains: "With the principal use of the Council Chamber being to host meetings for up to 200+ delegates using a variety of microphones positioned around the room, first rate speech intelligibility was the priority, with the objective being to commission a system capable of delivering a uniform audio experience for all delegates, with even coverage from the front to the back of the room.
“The requirement to equip the room to become more multi-functional was also a consideration, necessitating a system also capable of delivering full frequency range response for music playback at sound pressure levels sufficient to allow the room to host events as well as meetings, while remaining aesthetically unobtrusive.
"Having installed HK Audio’s Elements line array systems in a variety of venues, we were confident it would be the perfect solution" adds Nicholson. "To prove the point, we approached Neville Raine of HK Audio’s UK distributor JHS, to demo various Elements system configurations in the room. Once in situ, the suitability of Ele

dlivesqseriesconsolessevenstagesirishfestmilwaukeewiIrish music thrives with dLive in Milwaukee
Friday, 25 October 2019

USA - Milwaukee may be widely known for its Germanic roots and mass celebration of beer, bowling, and bratwurst, but this town is also the site of Irish Fest - a celebration of Irish music and culture - which this year utilised dLive and SQ Series consoles from Allen & Heath.
Held downtown at Henry Maier Festival Park along the shore of Lake Michigan, Irish Fest 2019 featured 100 musical acts and 300 different performances spread across 16 stages.
With Clearwing Productions handling the bulk of the event’s sound reinforcement needs, the Ingleside, Illinois-based independent rep firm Audio Biz deployed five dLive and six SQ Series consoles across seven of the stages plus a preshow/demo suite.
Among the dLive systems were S5000 and C3500 control surfaces supported by DM48, DM64, and CDM48 MixRacks. Utilised at smaller stages where space was at a premium, SQ-5 and SQ-6 mixing systems were used to run both the house sound and monitors simultaneously from a single control surface. For I/O needs, Allen & Heath’s DX168 and GX4816 were chosen.
“Bands and engineers came in for the event from all over the country and Ireland,” Audio Biz’s Shawn McLoughlin relates. “And while most of the engineers had heard of the dLive and SQ Series consoles, not quite everyone had worked with them yet. That’s why we created the preshow/demo suite, which was outfitted with a dLive S5000/DM64 and an SQ-6. The idea was to provide a space for everyone to familiarise themselves with the desks and prep for their shows before they actually went out to fa

demo-inviteL-Acoustics demo in Durban
Friday, 25 October 2019

South Africa - DWR Distribution is inviting interested parties and companies to attend an L-Acoustics demo on Tuesday, 29 October in Durban.
Taking place at the Glenridge Church in Stamford Hill, the free event will run between 12:00 and 15:00, with a focus on the L-Acoustics Kiva II and the A15 (Wide & Focus). Those wishing to attend should register at

ldiLDI 2019 expects record attendance
Friday, 25 October 2019

USA - With just less than a month to go until LDI 2019, organisers have announced they expect record attendance and participation in this year’s events.
LDI runs from 18-24 November at the Las Vegas Convention Centre, starting with the LDInstitute and LDIntensives sessions and LiveXperience Symposium, culminating in the exhibit hall tradeshow from Friday 22 to Sunday 24 November.
“We’re thrilled that this year’s LDI Show looks set to be the most well-attended yet, bringing the global live production community from over 80 countries to Las Vegas to share ideas, exhibit and do business,” says LDI's managing director, David Johnson. “Our registration process shows us that people are coming from a wide range of international live and broadcast venues - festivals, corporate events, theatre, concerts, clubs, theme parks, architainment, and houses of worship. LDI has more to offer than ever, to more people than ever.”
LDI 2019 will expand its focus with emphasis on the next generation of design and technology, including AR/VR, drones, live for broadcast, and experiential design. The move will make LDI the place to discover what’s hot and what’s next and what it means for the industry.
This will be in addition to LDI’s ongoing commitment to the core live event categories of lighting, staging, video, and sound, and the awards ceremonies that take place during the week.
The LDI Debuting Products and Booth Awards Ceremony is back for 2019 and will be presented on the show floor at the end of the day on Saturday 23 November, i

cpl-tropic-carnival-of-colour-6CPL delivers Carnival of Colour for Tropic
Thursday, 24 October 2019

UK - CPL supplied full technical design and production for show producers Pandora Events, who delivered Tropic Skincare’s 2019 Glambassador motivational event, a high-energy day action-packed with new product launches, presentations, awards and live entertainment, complete with a gala dinner.
The extravaganza for 2,500 people - themed Carnival of Colour - was staged in Hall 4 at the NEC, Birmingham, UK.
CPL’s production and project manager Lee Gruszeckyj worked closely with Pandora’s Vanessa Carter and a crew of 27 technicians specialising in all the disciplines who started with the installation of a 20m diameter circular stage in the centre of the room. The inner 10m diameter section was a revolve.
Above this, four large screens were installed, which were fed by Barco UDX high-powered projectors, giving 360° viewing angles.
The stage was a full custom design and build for the event, with a Steeldeck base covered in bespoke ply pieces to make up the spherical shape and the revolve machinery installed in the middle, completely flush with the outer section, so not immediately evident to the eye. The whole surface area was finished in white gloss vinyl.
The four screens flown above the central stage each measured 16m wide by 4.5 high, and each was fed by a pair of doubled-up Barco UDXW32 32K lumen projectors which were positioned on the largest of three concentric circular trusses flown - chandelier style at slightly staggered heights in the roof.
On the two lower trussing circles, 70 x 1.2m by 100mm wide Roe pixel stri

hamburg-rathausmarkt-open-air-2019-repeats-this-time-with-alcons-audio-stage-frontAlcons reinforces Hamburg Open Air concert
Thursday, 24 October 2019

Germany - After the successful opening of the Rathausmarkt Open Air in Hamburg Germany last year, the classical music event with general music director Kent Nagano and the Hamburg Philharmonic Orchestra returned in August.
For the first time the Farao Studios from Munich provided the acoustics at the event and started with a complex concept, that combined acoustic measures on stage with elements of virtual acoustics and a high-resolution pro-ribbon sound system from Alcons Audio.
The concept, originally developed for Audi’s ‘Vorsprung Festival’ in 2014, was brought by the experienced team of Farao Studios at the Hamburg Rathausmarket square this year.
A setup consisting of 15 Alcons LR28 large-scale pro-ribbon line array systems (l / r) and 14 Alcons LR18 as centre cluster was installed. A total of 20 of the powerful BC543 3x 18'' cardioid subwoofer systems provided support in the low frequency range.
The monitor system consisted of four 3 LR7 micro line-array and four VR8 compact monitor flown in the stage roof. 33 Sentinel10 amplified loudspeaker controllers drove the system, with 132 channels in total. Uwe Biesgen from Ceativsound in Berlin, an experienced Alcons system engineer was on-site in Hamburg. The Alcons systems were supplied by PM Blue from Hamburg.
“We deliberately opted for a large-format system and also for tall arrays,” explains Florian Rauscher, who was responsible for the mix during the open-air together with Farao-Co managing director Andreas Cämmerer. “When working with an orchestra, we want to keep the

cls-wpm-purchase-6CLS upgrades to Wavefront Precision Mini
Thursday, 24 October 2019

Italy - Rental company CLS has upgraded its Martin Audio inventory by investing in a new Wavefront Precision Mini (WPM) PA rig. The sale to the company, which was set up in the Florence region last year by Duccio Mitola, was handled by Audiosales, Martin Audio’s Italian distributor.
However, Duccio’s experience of the brand extends back seven years earlier when he was operating a W2 as his PA; when he started CLS Martin Audio was again his first port of call as he purchased a Blackline S15 and F10 rig (along with some EM series speakers). As the company expanded its work base he upgraded to a W8LM Mini line array, and it is this that the new technology of the WPM has replaced.
Explaining the purchase Duccio says he had initially been looking to extend his stock of W8LM and approached Audiosales. “But they said ‘why do you want to take the old W8LM when there is now the new Wavefront Precision technology?’”
After being impressed at the demo of the new system, Duccio took the decision to sell his older system in favour of a 16-box WPM purchase, along with two SX218 subwoofers, which will reinforce his existing stock of six WS218X. At the same time CLS added six LE100 stage monitors and some Blackline X. These were also supplied by Stefano Rocchi’s company, whose Audiosales team supported the sale throughout.
“We wanted another compact solution and the WPM also sounded great,” says Duccio. “This will be perfect for the range of shows we do, such as rock, jazz, theatre - anything where good quality sound is required.”

calrec-r3-estudio-movel-2-compCalrec Artemis drives PowerTruck
Thursday, 24 October 2019

Brazil - Sao Paulo-based R3 Estudio Movel has chosen a Calrec Artemis Ray audio console for its OB truck ‘PowerTruck’.
Isaías Rosa, R3’s recording/mixing engineer and multi-Latin Grammy nominee, says: “The Artemis met all our requirements. The truck is set up for mixing and recording music. The Artemis Ray has excellent sound quality; we use it in a 72-fader configuration, which is great for mixing live music as we have the faders set up on one layer.”
R3 Estudio Movel uses two Waves cards, one Dante card and six MADI cards in the truck. The on-stage setup includes 128 mic pre-amps and two MADI cards. The company creates about 40 music DVDs a year - including one recently for Sony Music’s Brazilian funk artist Nego do Borel, in addition to its work on live broadcasts and streaming.
“This project is a great example of how the Artemis console can really spread its wings with different types of broadcasts, including live music,” says Mike Reddick, international sales manager at Calrec. “It’s a testament to the console’s power, versatility and superior sound quality. We’re delighted that R3 Estudio Movel is reaping the benefits of all that the Artemis has to offer.”
(Jim Evans)

miscetp-touseETP Europe acquires Pixl Evolution and Audio Evolution
Thursday, 24 October 2019

UK - Entertainment Technology Partners Europe (ETP Europe) has acquired UK-based video and audio technology companies Pixl Evolution Limited and Audio Evolution Limited. The two companies will retain their individual identities whilst gaining access to ETP’s resources.
“These are the first two companies to join ETP Europe’s portfolio and are perfectly aligned with our existing brands in the US and our ongoing global strategy,” comments Paul Hutton, ETP Europe president. “Pixl Evolution and Audio Evolution are young businesses that have attracted a wealth of industry talent and have made an impression on the events market in a short amount of time. They will continue to operate as independent companies and now have access to significant investment opportunities plus ETP’s global technical inventory and support structure. This platform will enable the businesses to accelerate their growth and reach a wider audience. It’s an exciting start as we look forward to continued growth of the ETP portfolio of brands in Europe.”
Guy Vellacott, founder and commercial director of Pixl Evolution, adds: “When ETP Europe approached us with the advantages of being part of this group, it was clear to see the amazing opportunity from day one. Having previously worked with Paul and meeting the ETP brand partners in the US, we believe this to be a great fit, both culturally and strategically.”
(Jim Evans)

benji-fox-with-dpaRoyal Academy of Arts chooses DPA
Wednesday, 23 October 2019

UK - The Royal Academy of Art’s new Benjamin West Lecture Theatre in London presents some unusual acoustic challenges.
Ensuring high quality sound is a prerequisite for such a prestigious building and it was therefore imperative that the right microphones were chosen – ones that could cope with the unusual acoustics and with the wide variety of uses that the lecture theatre covers.
“DPA microphones have proved to be the ideal solution because they allow any technician or engineer to jump in and achieve quality sound.” says Benji Fox, AV events manager at the RA. “We are using a selection of the company’s products in a number of different ways, including acoustic mics for lectures, belt packs and lapel mics for panel discussions and the new 6066 CORE Subminiature Headset Microphones for smaller panel discussions, filming and live streaming.”
Opened in 2018 as part of the RA’s Burlington Gardens’ landmark redevelopment to mark its 250th anniversary, the Benjamin West Lecture Theatre signals a new stage to the RA’s heritage of rigorous and lively debate. Hosting events such as the Festival of Ideas, this space has become a haven for celebrated thinkers from across the arts to come and share their ideas and opinions. As well as being double-height, the Benjamin West Lecture Theatre also showcases bespoke seating and modern design.
The Lecture Theatre’s DPA inventory now includes two 4018 supercardioid microphones, which are positioned on custom lecterns at the front of the room.
“These are ideal for lectures because

hackneyPioneer Pro Audio drives Hackney Carnival
Wednesday, 23 October 2019

UK - This year’s Hackney carnival was the biggest to date, with its attendance expected to be confirmed as well above the 60,000 who attended in 2018. The borough was awash with colour as the streets played host to dancers, entertainers, food stalls, children’s areas and sound stations.
, with seven sound stages around the Hackney Central area, one of which was supported by online radio station NTS and Island Records. The stage was located in a large supermarket car park on Morning Lane and featured artists such as Wiley, Donaeo, Ms Banks, Lil C, Felix, Kemal, Rockers LDN And Dubplate Pearl.
NTS approached Pioneer Pro Audio with a view to providing a top quality sound system for what was effectively a day-festival briMusic played an integral part in the eventef, covering a broad range of live music styles. Keen to help, Pioneer Pro Audio in turn consulted with The Audio Group who set up and managed the sound throughout the event. The nature of the line-up demanded a system that was punchy, clear and could deliver plenty of rich bass and Pioneer Pro Audio’s XY Series comfortably took care of business.
The front of house system comprised six XY-3B 3WAY Bi-amp speakers, complemented by 10 x XY-218HS dual 18-inch horn loaded subs, whilst the DJ booth was equipped with two XPRS 12 full range active speakers and two XPRS 115 reflex loaded active subs. A further XPRS 12 was used in wedge mode for MC monitoring.
NTS and Island Records were very pleased with the outcome - Rory Bowens, head of radio production at NTS Radio commented: "The Pionee

tdSound Stylists deploys Nexo line arrays
Wednesday, 23 October 2019

South Africa - Johannesburg-based Sound Stylists was founded in 1987 to provide full technical turnkey solutions in event production, and has become one of South Africa’s most respected rental companies.
Kevin Glover’s company has had a long association with Nexo, but recent line array technology from the French manufacturer has really hit the spot for Sound Stylists’ projects and clients. Glover has invested in the new Geo M6 and M10 compact and mid-size line array systems, which are being rolled out for a wide variety of clients.
For a corporate event at the Thornleys club in the spectacular Drakensberg Mountains, Sound Stylists deployed a stacked configuration comprising of the Geo M10 mid-size line array. Main PA was eight M1012s, two M1025s and four MSUB15s with four LS18s, and six M6 compact cabinets, used as delays. The M10s were powered by two NXAMP4x2Mk2s, with one NXAMP4x4 for the LS18s and another NXAMP4x1 for the M6s.
“They worked really well in a stacked configuration,” reported Glover. “We used the wide box at the bottom of the stack. The one major requirement of this show was that the PA couldn’t be in front of the LED screen, so, even though the PA was out wide, we still had really good front coverage. The M6s were used as delay for speech reinforcement.”
Main entertainment comprised of a drumming duo called Drum Machine which the system handled beautifully. “There was a lot of power in the low end with a big boomy kick drum, and overall high SPL. The M10 showed again that it can really handle large corporate

crossroadsElectro-Voice delivers at Crossroads festival
Tuesday, 22 October 2019

USA - Founded and organised by Eric Clapton, the Crossroads Guitar Festival is a two-day music event and trade show that benefits the Crossroads Centre substance-abuse rehabilitation facility in Antigua. The 2019 edition was held at American Airlines Centre in Dallas, with the indoor arena augmented by an all-day outdoor Village Stage featuring special guests and surprise performances in a master clinic format, sponsored by Ernie Ball.
The sound system for the Village Stage was an Electro-Voice X-Line Advance X2 line-array loudspeaker system, powered by the latest Dynacord DSP amplifiers. Notable performers included John Mayer, Eric Johnson, Joe Robinson, Andy Timmons and Paul Reed Smith. The system was supplied by Gulf Coast Sound (Rayne, LA), with owner Larry Habetz doing most of the mixing for crowds of up to 5,000. Electro-Voice applications engineer Mike Reynolds was on hand as system tech.
The main PA consisted of twin nine-box arrays of X2-212/120, supported by eight ground-stacked X12-128 dual 18” subwoofers. Two EVC-1082 loudspeakers were deployed as front fills. The system was powered by seven of the new TGX20 DSP amplifiers by Dynacord, which enabled 96 kHz Dante audio with full redundancy. System monitoring and control were handled via Dynacord’s new SONICUE sound system software. Two Dynacord IPX10:8 multi-channel DSP amps powered the stage wedges.
On stage, the microphone deployment was also Electro-Voice based, with ND76 and ND86 dynamic vocal mics, and the ND44 handling the critical guitar amp duties. Drum mics included the ND44

hyde-parkCapital Sound and MLA in Hyde Park finale
Tuesday, 22 October 2019

UK - As is now customary, Hyde Park played host to the final weekend of its long season recently, with Proms in the Park on the Saturday making way for BBC Radio 2 Live in Hyde Park the following day.
This also brought the curtain down on a successful summer at the Park for Capital Sound, and their MLA PA from Martin Audio, following its 10-day stint at British Summer Time two months earlier.
Designed to coincide with Last Night of the Proms at the Royal Albert Hall, headliner, Barry Manilow was, supported by Bonnie Tyler, the Pretenders’ Chrissie Hynde, Jack Savoretti, Gabrielle and soprano Aida Garifullina. Bigger ensembles included two choirs, while the cast of Les Miserables also shared the bill, and the 60-piece BBC Concert Orchestra, conducted by Richard Balcombe, performed the traditional Last Night of the Proms anthems - including Pomp and Circumstance and Land of Hope and Glory.
The following day, BBC Radio 2 presenters Zoe Ball, Ken Bruce, Rylan Clark Neal, Sara Cox, Gary Davies, Trevor Nelson and Jo Whiley introduced a galaxy of stars, including headliners Pet Shop Boys to the 50,000-capacity crowd.
Working the event for the sixth year, Capital Sound were again contracted by promoters, Festival Republic, with production in the hands of Dick Tee.
Capital has already evolved an optimised sound, with a main PA hang comprising 16 x MLA and an MLD Downfill per side, and 12 x MLA on each flank as side-fills. Sub frequencies were reproduced by 26 MLX subwoofers in a broadside cardioid array - 17 forward facing

nextNEXT-proaudio distributors meet in Porto
Tuesday, 22 October 2019

Portugal - For its 2019 international distribution meeting in Porto, NEXT-proaudio welcomed over 70 international distribution partners, dealers, customers and designers from 18 countries.
This event started with a welcome dinner on 14 October. This was followed by a factory tour, demo presentation on the demo room and LA26 official presentation.
Demos of LA212x, LA122.v2, LA122A and LAm114xA were staged at Multiusos de Guimaraes, a leading arena for international concerts on the north of Portugal.
On 16 October, everybody was welcomed on the NEXT-proaudio facilities again where Powersoft started the day with Armonia presentation based on N-rak (The power rack solution using Powersoft X8 amplifiers). After this, Antonio Correia, R&D director and NEXT-proaudio owner presented the manufacturer’s own software (Soundware, Audio Tool and AST).
“This was a great opportunity for us to show all the delegates our improvements on the facilities, on the products as well as on the team. We were more than happy to receive all these people from different parts of the world, all with the same ambition, to grow NEXT-proaudio worldwide,” said Andre Correia, NEXT-proaudio’s manager.
“It was exciting to see the passion, the enthusiasm of everybody on these two days. We´re proud of our team and the distribution network. We could see our recent LA26 being one of the highlights of the event, with orders of more than 200 units after the meeting. We couldn´t be more satisfied,” Said Sergio Pinto, NEXT-proaudio sales manager.

danteStage Audio Works hosts Dante training
Tuesday, 22 October 2019

South Africa - Audinate and its local partner, Stage Audio Works, are offering free certified Dante Level 3 training courses in South Africa at the end of October. The two-day courses will be lead by Audinate’s Kieran Walsh and will take place in the distributor’s Johannesburg and Cape Town offices on 29-30 October and 31 October – 1 November respectively.
Dante Level 3 training is an advanced level course aimed at those who have already been using the networking protocol and want to gain more insight and knowledge in setting up and managing larger Dante-enabled systems. Building on what has already been learnt in previous Dante training sessions, the Level 3 course delves deeper into various advanced networking concepts, mixed-use networks, networking best practices and troubleshooting techniques.
“Dante is the networking protocol of choice for audio professionals all over the world, whether they work in live, AV or broadcast, so a high-level understanding of how you can get the best out of it is vital for your career,” said Nathan Ihlenfeldt, technical director at Stage Audio Works. “We have worked closely with Audinate over the years to bring all three levels of Dante certification training to South Africa. As with all the educational events that we host, we have had excellent feedback from our Dante classes in the past and we are sure these courses will prove to be beneficial for our students.”
Stage Audio Works’ marketing manager, Shaun Xavier added: “Empowerment is one of our core values here at Stage Audio Works, and we are

manchester-seriesTurbosound introduces Manchester line array
Tuesday, 22 October 2019

UK - Turbosound has introduced the Manchester Series line array system which aims to ‘bring the brand back to premier live sound reinforcement’.
The Manchester Series is ‘the culmination of listening intently to customer’s requirements, obsessing over their needs and chasing down the relentless quest for sonic accuracy, clarity and detail in providing the best sound reinforcement available’.
Manchester has been tested to withstand the extremes of any given application and can be deployed in virtually any environment. Turbosound is confident that no matter the environment or situation Manchester series will perform.
Chris Hinds, Turbosound brand leader at Music Tribe, comments, "This is Turbosound pushing back with an exceptionally strong product to cater to all aspects of professional audio installation and touring applications’
“I’m inherently proud to present The Manchester Series to the industry. It is testament to the vision, the ethos and the hard work of our design and development teams, whose role in interpreting what exactly it is that the customer needs, has been nothing short of exemplary. We want the series to become a mainstay on technical riders and installation projects throughout the world, for years to come.
“We knew that sound became critically advanced. So we knew we had to become better. What has been asked of this system is what has been manufactured.
To coincide with new product launches from sister companies Midas with the flagship Heritage D-96 console and Lab Gruppen with the new software i

fairgroundfestivalClair Brothers cranks up the beats in Sousse
Monday, 21 October 2019

Tunisia - The Fairground Festival is based in Sousse, on the east coast of Tunisia. This past summer the festival hit a whole new level in just its fourth year, where more than 7,000 attendees made their way to the festival, from all over Tunisia and other countries.
This year’s Fairground theme was Amazing Culture and highlighted popular acts such as Giorgia Angiuli, Jan Blomqvist, ARTBAT & Tantsui, as well as 36 other electronic music artists including 23 artists from Tunisia. The Clair Brothers gear was provided by Pro Audio & Light (PAL), Clair Brothers’ exclusive distributor in the region.
On the main stage, 32 C8 line arrays provided the overall sound, which according to Yasmine Bejaoui, stage manager at PAL, “is one of our best systems, if not the best. Since we obtained this PA, it’s the one we highlight the most.”
Along with C8s, four Clair Brothers CS118 subs, plus a host of custom subs, were called on to handle the massive low-end popular among EDM artists. On-stage sound was provided by four Clair Brothers 1.5AM monitors in tandem with the SD12 DiGiCo desk.
The entire configuration was powered by the Powersoft Audio X-Series, X4 & X4L amplifiers and a Waves MaxxBass bass enhancer processor. Bejaoui elaborates: “The festival was spread over two days, in a huge arena called Eco Village. This large area represented a much anticipated opportunity for PAL to install our entire inventory of C8 boxes.”
Anis Ben Ammar, the promoter of Fairground Festival, adds, “My team and I have always trusted PAL

ysasYamaha flies high at Slovakian Air Fest
Monday, 21 October 2019

Slovakia - One of Europe’s premier air shows is the annual Slovak International Air Fest (SIAF) and, this year, the Slovak Aviation Agency added a new air festival to commemorate the 100th anniversary of the death of celebrated Slovakian politician, diplomat and aviator General Milan Rastislav Štefánik. Yamaha audio systems were an essential part of both events.
The Slovak Aviation Agency stages SIAF at Sliač airport every August. The crowds enjoyed flying displays by aircraft from Slovakia and 12 other NATO and EU member states.
Before this, in May the new Aviation Fest Piešťany (FLP) was held at Piešťany airport, located between Sliač and the Slovakian capital Bratislava. Systems integrator MediaTech was asked to supply the public address systems to both events, trusting Yamaha systems for these safety critical applications.
“At both events, the main zone was the spectator area along the flight line, which measured approximately 800 x 300m, plus a VIP area covering 300m x 100m.” says MediaTech’s Mario Brosch.
“We had to consider that there may be up to 100,000 spectators in the main area and all of them had to hear and understand announcements, even when aircraft were passing and in bad weather like wind and rain. The speakers could also only be positioned along the boundary of the spectator area.”
Mario and the Bratislava-based MediaTech team chose a system comprising 40 pole-mounted DZR15 powered loudspeakers, whose best-in-class SPL performance, sophisticated DSP processing and low-frequency sound reproduction we

outlineOutline backs Tuscan festival’s all-star cast
Friday, 18 October 2019

Italy - Performers at The Lucca Summer Festival included Take That, Toto, Macklemore, Tears For Fears, New Order, Elbow, Mark Knopfler, Janelle Monáe, The Good the Bad and the Queen, Scorpions and Sting, as well as Italian stars Eros Ramazzotti, Giorgia and Francesco De Gregori, all of whom performed in Piazza Napoleone, the main square of the ancient Tuscan city’s centre.
To satisfy the sonic needs of such a wide variety of genres, an Outline PA was chosen for the second consecutive edition, supplied by this year’s audio contractor, Target Sound, one of Poland’s largest full-service production companies and an Outline GTO Partner based in the southern Polish city of Chorzów.
Lorenzo Patellani and Paolo Calza were the Outline system engineers at the event and the former explains, “Ensuring all the spectators an unforgettable sound experience was no easy task, as the square is wide and short and the stage-front also very wide, so considerable care had to be taken to ensure perfect coverage of the entire audience. To this end, the decision to field Outline’s new compact Superfly line array systems on out-fill chores proved a winner, thanks to their excellent control of rear dispersion, which avoided on-stage sound spill, and their 90° horizontal dispersion, optimizing coverage of the side sections of the audience area.”
The set-up featured nine GTO C-12 plus a GTO-DF as down-fill per side, plus 9 + 9 Superfly systems on out-fill duty. On stage there were two stacks of four Mantas 28 systems, and eight LIPF 082 enclosures along the edg

spiritlandtruckBroaman on board Spiritland OB truck
Friday, 18 October 2019

UK - London-based Spiritland Productions recently commissioned its new large-format Spiritland One sound and video OB truck, featuring a BroaMan point-to-point fibre transport system running between the truck and the stagebox.
The luxury mobile production vehicle, built by Megahertz, contains an end-to-end IP infrastructure, and audio runs entirely on a Dante network, which the BroaMan environment supports. Their system is based on two new Repeat48WDM-24 with 2Fiber boards, the layout allowing BNC SDI ports to be combined with SFPs, with all signals able to be multiplexed into common fibre.
Spiritland Productions co-directors, Gareth Iles and Antony Shaw, adopted this solution following a meeting at IBC 2018, and the order was duly placed with BroaMan UK dealers, HHB.
Built around a single 1RU device, the BroaMan architecture allows bi-directional multi-format, multi-signal transport via a quad fibre cable. Explained BroaMan Technical Sales Manager, Maciek Janiszewski, “This is a bespoke truck and the specific configuration of each device was equipped with 12 3G-SDI coax ports -which can be used for video or MADI - and six bi-directional SFP slots which can be populated with any SFP transceiver to transport different signals.”
Both the Repeat48WDM on the truck and the similar device on the stagebox connect via two DUO singlemode fibres, and also tied into the system are the SSL System T production desk (via singlemode fibre SFP), and 1G Ethernet for AES67 used in the Riedel Bolero comms network (via multimode fibre SFP). Spiritland One a

apgAll-APG audio at Cartel des Mines 2019
Friday, 18 October 2019

France - The Cartel des Mines is an annual three-day sporting event that was created in 1962 at the initiative of the École des Mines de Paris engineering school. The occasion brings together teams from European Mining Schools (Paris, Douai, Nantes, Alès, Albi, Saint-Etienne, Nancy, Madrid, Vigo, Oviedo, Turin, Bochum, Krakow and St. Petersburg), as well as the Emines-School of Industrial Management in Benguerir (Morocco), to compete in different sporting disciplines before enjoying evenings of entertainment.
The 2019 edition of the Cartel took place in Albi and drew some 2,000 students each night.
French technical services company, SC Management, was on hand to provide the audio reinforcement for the associated festivities, which included a rousing opening ceremony at the Sainte Cécile cathedral square and evening parties at the Parc des Expositions exhibition centre featuring full light, sound and video production.
In order to achieve the best possible results for such a high-profile event, SC Management opted to employ an APG-heavy audio setup across both venues.
“I discovered APG about 15 years ago,” said manager of SC Management, Sebastien Vaudez. “We worked together on a number of club and restaurant installation projects and subsequently began building our inventory of both rental and installation-focussed products. We now stock a large part of the range including their PA systems, subwoofers, amplifiers and processors.”
Sound reinforcement for the opening ceremony came from six APG SMX15 stage monitors and four TB215S


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