USA - St. Matthew Catholic Church in Charlotte, North Carolina, offers 100-plus active ministries and is distinguished as the Catholic church with the largest congregation in the United States.
In 1996, to accommodate its large and growing membership, the church dedicated a 2,200-seat, fan-shaped worship space that presently hosts at least eight services each week. Although St. Matthew updated its sanctuary sound system in 2012 with a newer loudspeaker setup based on an exploded cluster design, in recent years, that system suffered from clarity and reliability issues, and ultimately succumbed to a lightning strike late last year.
The church’s production team had already been in talks with SES Integration of nearby Concord to design a retrofit PA system that would provide improved intelligibility, coverage and dependability. As the integration division of Winston-Salem-based touring sound provider Special Event Services, which reinforces road treks for top artists like Luke Combs with its L-Acoustics K1/K2 arrays, SES Integration quickly zeroed in on the manufacturer’s compact Kiva II enclosure as the right choice for the Ballantyne neighbourhood Roman Catholic church.
“Size, weight and performance were the big ‘wins’ for Kiva II,” says SES Integration Director Trey Blair, who notes that houses of worship make up 85 percent of the long-time L-Acoustics certified provider’s business. “Since we would be hanging arrays from the church’s wooden roof structure, we required a lightweight solution that gave us excellent vertical pattern co
UK/USA - Studiomaster has appointed Italian Speaker Imports (ISI) as its exclusive authorised US distributor. Formed in 2014, the New York State headquartered company boats a roster of brands that includes FBT, JTS and Bespeco.
In a deal cemented at this year’s NAMM show, ISI adds the British PA company and its ranges of audio mixing consoles, amplifier products and loudspeakers to its existing portfolio.
ISI’s owner and president, John Krupa, states, “The partnership represents the combination of high-quality products and outstanding service and integrity. A significant aspect of ISI’s mission is to work with premium global brands in the audio industry and bring outstanding quality products to the U.S. market. Studiomaster offers superior products that are held to the highest standards of quality control, resulting in a range of sound mixers, amplifiers, and loudspeakers that are highly competitive, including with brands typically offered at a higher price point.” Studiomaster general manager Patrick Almond adds, “We are thrilled that ISI is our exclusive distributor in the US. It is a partnership in which our respective company values are totally aligned.
“John Krupa and his team are dedicated to providing an exceptional customer experience, and his team includes several partners with previous involvement with and extensive knowledge of the Studiomaster brand, making the partnership an obvious one. We are confident that this deal will bring the brand back into prominence in the US market.”
With the world going into lockdown
The Netherlands - With over 30 years’ experience of mixing live music and theatre, Richard van Dorland is a Dutch sound engineer with a musical heart. Working with artists who mix acoustic and electric instruments to craft songs with a high level of dynamics, he sees himself as an extension of the musicians and their performance. His investment in an Alcons Audio pro-ribbon system has ensured that audiences enjoy every detail of the sound.
“I pride myself on having an ear for detail,” he says. “I give every musician the attention they need, creating space for their instrument and the ensemble sound. Each instrument gets its own place in the acoustic image, creating a clear balance to give the listener an open, transparent experience.”
Richard is well known in the Netherlands for his work with various national and international artists, including renowned Dutch singer and musician Hildegard Mandos & Friends, who incorporates influences of jazz, bossanova, soul, African, South American and pop in her music. With music that covers such a wide spectrum, there are many dynamic elements in the performances, so a PA system which could handle all of these aspects was crucial. Other requirements were a very controlled directivity and with exceptional gain before feedback qualities.
Richard invested in an Alcons Audio pro-ribbon system, comprising six LR7 micro line array, with 6.5” woofer and RBN410 4” pro-ribbon driver, and two of Alcons’ new BF121 compact 12” subwoofers, powered and controlled by a Sentinel10 4-channel amplified louds
The Netherlands - Restaurants in Amsterdam recently began to re-open their outdoor spaces, and in an effort to enrich the customer dining experience, AVL Rent teamed up with food wholesaler Bid Food and popular Dutch rapper Lange Frans to stage a day of performances at six popular eateries.
Lange Frans’s whistle-stop tour involved arriving at each venue by car, performing two or three songs, taking a bow and moving on to the next assignment.
Wouter Ruijiter, owner of AVL Rent, explains: “Times are very tough right now, but from the start of lockdown we kept our minds open to every possibility, thinking of ways we could operate safely within the restrictions. People love live entertainment and their appetite for it was only going to increase during this crisis. As soon as certain restrictions began to be lifted, it was clear we could do something on a small scale that would help people feel like they were getting back to normal. The fact that Lange Frans is very well known in The Netherlands added a lot of value too!”
AVL’s and Bid Food’s mobile rapper concept was based around a car, a generator, a mixing desk and a Pioneer Pro Audio XY-Series PA system. The execution of the project was the definition of adaptability. By carrying a small but high-powered, high quality system, Wouter was able to set things up in minutes.
Mixing on a console strategically placed in the luggage compartment of his SUV, Wouter used a pair of Pioneer Pro Audio XY-122 two-way, full range 12-inch loudspeakers driven by a Powersoft X4 amplifier, delivering all
Europe - Powersoft reports it has gained certification for its amplifiers to be used in Public Address and Voice Alarm (PAVA) systems according to the European EN 54-16 requirements.
The EN 54-16 certification describes the required testing and performance criteria for a Voice Alarm Control and Indication Equipment (VACIE) for use in alarm systems installed in buildings, where the alarm signal is in the form of a tone, or voice message, or both. The certification now covers the extended range of Powersoft’s fixed install dedicated amplifiers, including the Ottocanali, Quattrocanali, Duecanali, as well as the X Series.
The importance of PAVA systems is widely recognised as an effective way to produce a timely reaction in most people when using voice guidance in emergency situations as opposed to the response to text and alarm bell information, which under half of individuals respond affectively to. The use of clear vocal messages has been shown to greatly increase the response time and provide opportunity to guide occupants to the safest escape route.
With the new certification, businesses can now invest in amplifiers not only as part of an entertainment system, but also as a voice alarm system - such as one used in the event of an emergency or fire. As a result of the certification, Powersoft amplifiers now offer a solution for voice alarm system integration in the EU. Integrators, consultants and end users can now benefit from Powersoft’s range of amplifiers not only in an entertainment capacity, but also for security and safety purposes.
Japan - Founded in Los Angeles in 2012, 800º Degrees Woodfired Kitchen boasts eight outlets across the US, two in the Middle East and three in Japan. The latest, at the Tokyo International Forum, features a Yamaha background music system.
The first 800º Degrees restaurant in Japan opened at Tokyo’s Shinjuku City, followed by one in nearby Minami Aoyama. The latest is in the heart of the city’s Marunouchi business district, with seats for 100 diners and a VIP room for 10 people.
“While maintaining the core Californian brand and taste, we have a dedicated concept for each restaurant, with a specially-designed interior and menu in each location,” says Mr Kazuma Suzuki, general manager of the market development department of Lumine Co, the Japanese retail developer which has brought the 800º Degrees brand to Japan.
“The new restaurant is relatively large for this busy office district and we wanted to offer a stylish, cosmopolitan lounge space for businessmen and women in Marunouchi. We also offer a deli box and bakery takeaway service.”
Mr Suzuki recognised how the sound within a space is essential to creating an enjoyable atmosphere and customer experience, so a high quality audio system was an essential factor in the concept for 800º Degrees. Lumine contracted Mr Kohji Fujita, space planner at Hiranya Access Co, to design the audio system. He chose a Yamaha solution, thanks to its “combination of flexibility, audio quality and coverage”.
“The pizza kiln is at the centre of the restaurant, so I designed the system to c
China - State broadcaster China Central Television (CCTV) has installed China’s first full IP video mobile system for video production. This premiere mobile studio project uses the Lawo V__matrix software-defined IP-routing, processing and multi-viewing platform as its core technology infrastructure.
CCTV, in conjunction with Lawo China and video partner Acro-bright, worked in cooperation with China’s large regional system integrator, Beijing Yutian, to achieve this success, the latest in a number of joint Lawo / CCTV installations which include HD / UHD OB vans, audio SCRs, and studios in CCTV’s Beijing headquarters.
The UHD 4k designed mobile studio installation, originally planned to play a central role during the Summer Games 2020 broadcasts from Tokyo, began construction in January 2019 under the supervision of the CCTV Production Department. The project’s multiviewer design is based on three Lawo V__matrix systems using 19 C-100 core processing modules and 19 Virtual-Module installations of the Lawo vm-dmv, the world’s first infinitely expandable true IP multiviewer.
The overall installation integrates 12 Sony UHD camera channels and one EVS. The IP network is of a spine-leaf topology employing Huawei switches for the infrastructure backbone, with two CE8850 switches for the redundantly-designed core and four CE6865 switches as leaves. The vision switchers and cameras were purchased from Sony.
“Lawo turned to be not only strong in audio consoles but also in IP video processing,” says a CCTV video engineer. “The success o
Iceland - The National Theatre of Iceland has made the leap to digital with Sennheiser. Reykjavik’s premier arts venue regularly attracts large audiences who expect the very highest quality every time the curtain raises. When it was time to update the venue’s audio equipment, Sennheiser’s Digital 6000 wireless microphone system - including the SK 6212 mini-bodypack transmitter - was the choice for Kristinn Gauti Einarsson, head of sound at the theatre.
With three different shows every day and more than 10 premieres each year across its five stages, the National Theatre is operated with a leaner team and budget than most national theatres.
Einarsson shares the secret behind their success: he has worked with the same musical composer, set designer and director for six years. “It’s so amazing to start new, great shows with the same team. Our collaboration and coordination get better all the time,” says Einarsson. “We are successful because 90% of the job is communication - and good communication makes good shows.” This trust and relationship extend to the equipment as well: “Our theatre has used Sennheiser in the past and their products have been rock-solid.”
When making the switch to digital, the National Theatre chose to invest in a future with Sennheiser, acquiring a 32-channel Digital 6000 wireless microphone system with Sennheiser SK 6212 mini-bodypack transmitters.
Einarsson praises the combination of performance and simplicity that the Sennheiser system delivers: “We sometimes have three different shows per day, so e
UK - PLASA has launched #WeMakeEvents, a new campaign with the aim of amplifying the industry’s voice and gaining meaningful Government support. Central to the campaign is a video highlighting the vital role of supply chain companies along with the freelance community and the devastating impact of the coronavirus pandemic upon the live events sector.
PLASA is calling for people from across the industry to share the video across social media to give much needed exposure to the supply chain to events including production and rental companies, manufacturers and freelancers, to raise awareness of the need for longer term financial support.
In addition to sharing the video, PLASA has published two infographics illustrating the complexity of the live events supply chain and the typical arena show – which requires an average of 443 professionals spanning design, planning, preparation, warehousing, and venue staff. The graphics also show how valuable the sector is, collectively delivering £100 billion to the UK economy.
PLASA also encourages everyone to add their name to the campaign, and to send a letter to their local MP using the customisable letter samples which were created by a collective of PLASA, ABTT, PSA, SOLT and UK Theatre – details of which can be found here.
PLASA’s managing director Peter Heath comments: “We all know that the events industry has been devastated due to Covid-19, and we expect that the road to recovery will be a
USA - LEA Professional has announced that its 160W and 80W Connect Series amplifiers are now shipping globally.
The eight low-power models of IoT-enabled professional amplifiers provide system designers and integrators simple and cost-effective solutions for professional-grade, small-scale system installations, says the company.
The new models consist of the Connect Series CS84, CS88, CS164, and CS168 in both Network and Dante. All eight of the Connect Series low-power models are built with fully-routable analogue input/outputs, as well as three network connection options: using the built-in Wi-Fi Access Point, connect to an existing Wi-Fi network, or using a Local Area Network Ethernet connection. Once connected to a network, integrators have access to LEA’s new cloud platform, leaprofessional.cloud for remote control and monitoring.
“We’ve already seen tremendous success with our higher power Connect Series models in the market. But the demand for our 80W and 160W models was clear from the beginning,” comments Blake Augsburger, founder and CEO of LEA Professional. “Now that these units are shipping, we’re excited to see LEA product fulfilling the needs of integrators in smaller-scale settings. And with the recent release of our Cloud platform, now integrators can really offer their clients a truly differentiated amplifier experience.”
“LEA Professional Connect Series facilitate remote configuration, monitoring and system control which enables integrators to support their customers with services that previously required rol
Belgium - Audac has announced the release of the AMP203 mini stereo amplifier. The unit features network input through Dante or AES67 providing a complete media networking solution to distribute uncompressed audio via standard Ethernet networks with near-zero latency, while allowing all other data to be connected on the same network.
Various DSP functionalities are implemented in the AMP203. This allows all configurations to be made in Audac Touch 2 or via RS485 and Ethernet, making it a true 2 x 30W amplifier. The output connector has been implemented using a 4-pin terminal block connector, featuring an output power of 30W per channel and 60W when bridged.
The AMP203’s brand new TouchLink technology ‘provides the perfect solution to create virtual zones by linking multiple TouchLink compatible devices such as the AMP203 with each other’. In Audac Touch 2 you can select the devices or amplifier channels that should react to the user as one zone. To make the installation even easier, a PoE injector can be used. This way the AMP203 is connected and powered using only one Cat cable.
Once connected to the network, Audac Touch 2 will automatically discover your new device and allows you to get a complete overview of your entire installation, says the manufacturer.
Thanks to the digital signal transfer, crosstalk, interference from other electrical equipment or signal degradation over long cable runs don’t harm the audio signal. This way the best possible audio quality is guaranteed. In addition, Dante systems are highly scalable, installat
UK/USA - Minnesota-based Williams AV will represent Ampetronic in the USA and Canada for all loop systems and support services from 1 July.
This extends the companies’ strategic partnership into the USA and Canada having first announced a similar relationship for the UK and Europe in April.
Ampetronic MD, Julian Pieters comments: “Ampetronic and Williams AV are long established as global champions for assistive listening, sharing a dedication to meeting the needs of hard of hearing people. This announcement comes at a time when we are seeing rapid growth of the North American and global hearing loop markets along with strong growth in the adoption of all installed hearing assistance.
“We are delighted that Williams AV have chosen Ampetronic’s hearing loop solutions to complement their product range North America, bringing together the leading brands in the assistive listening sector. As well as bringing together strong and complementary product lines, the partnership is built on well-matched philosophies for technical excellence, education and training, and high investment in customer support, ensuring our solutions genuinely benefit service providers and end users.”
Williams AV CEO Rob Sheeley adds: “Ampetronic is the pioneer in hearing loop technology and the world leader in design and manufacturing of these systems.
“Our companies share a combined passion for bringing innovative products to market to help people bet
UK - PLASA is gearing up to launch a new video highlighting the vital role that the supply chain and backstage crew play in the production of concert touring, theatre, and live events. It is hoped that the video will shine a light on product manufacturers, production & rental companies, crew, designers, programmers and more – all in vital need of on-going Government support and often overlooked in mainstream media coverage of the effect of the coronavirus pandemic on the entertainment industry.
Earlier this month, PLASA released two infographics illustrating how the live events supply chain will be impacted without further government support. The graphics reflect the number of people it takes to deliver just one performance - on average 443 professionals, spanning planning, design, preparation, warehouse and venue staff. Additionally, the graphics show how valuable the sector is, delivering £100 billion to the UK economy - with the freelance community making up around 72% of the workforce.
Set to launch tomorrow (24 June) across PLASA’s website and social media platforms, the video features big industry names keen to help highlight the importance of the supply chain and the need for financial support. Watch this space!
USA - ENCO, a specialist in automated workflow solutions for radio, television and professional AV systems, has appointed Shane Finch as sales director, effective immediately. Reporting to ENCO president Ken Frommert, Shane will focus on global sales and business development across all markets and product lines, and introduce ENCO’s automated workflow innovations into new business verticals.
Shane comes to ENCO with more than 40 years in the broadcast industry, including 35 years with broadcast groups in the Midwest and Florida, where he currently resides. His experience has mainly focused on radio operations, balancing a mix of on-air personality and director-level management roles throughout his career. He later transitioned into the technology space as vice president, business relations for MusicMaster, ENCO’s longtime music scheduling partner, where he spent seven successful years focused on customer relations and new business development.
“ENCO has long connected remote broadcasters to studio automation systems, and WebDAD extends this concept as remote broadcasting shifts from novelty to requirement,” comments Finch. “Furthermore, their AI and software-driven enCaption and enTranslate systems present a springboard of new business opportunities for ENCO and its partners, with exceptional value and performance for all of our end customers.”
“Shane’s experience with sales management and customer relations, along with his direct familiarity with ENCO’s technology and business culture, makes him a natural fit for this important ro
Asia Pacific - Harman Professional Solutions has introduced the JBL Professional BRX300 Series of modular line array systems for small- to mid-size applications in the APAC, China and India markets, only.
The series, which includes the BRX308-LA Line Array Element, BRX325SP powered subwoofer with DSP, BRX308-ACC Transport Kit, BRX308-AF Array Frame and BRX308-PM Pole Mount and Adapter Kit, provides versatile sound reinforcement solutions for bands, DJs, A/V rental firms, houses of worship and anyone who requires pro-grade fidelity, class-leading output and seamless front-to-back coverage in a simple, scalable sound system.
“Every day, the world’s leading concert venues and touring productions rely on the power and clarity of JBL Professional line array technology,” said Sunil Karanjikar, Cinema product manager, Harman Professional Solutions. “With the BRX300 Series, we’re bringing that legendary sonic performance to small- and mid-size productions.
“The BRX300 series takes the guesswork out of system setup and operation, thanks to its built-in corrective processing, smart transport system and simple rigging hardware. No matter your configuration, you’ll be able to set up quickly and safely and get right back to focusing on your show. And, because systems are self-powered and self-contained, there’s no dealing with amp racks, crossover calibration or long cable runs - just add input cables and a mixer and you’re ready to go.”
The BRX300 Series can be configured to accommodate a range of live music events, receptions and co
UK/Canada - Neutrik has announced availability of its new speakON XX-receptacle (two- and four-pole) series of the company’s connector design. speakON XX is the first Neutrik speakON chassis line to come to market compliant with the new IEC 62368-1 materials safety regulation, requiring any materials used in potential ignition sources to have a V-O vertical burn classification.
Compliance for devices using existing horizontal burn (HB) rated materials in connector components will require enclosure of these, necessitating potentially expensive, time consuming modifications to connectivity components within devices such as amplifiers, mixing consoles and loudspeakers; potentially making them bulkier and less likely to be accommodated within the constraints of existing circuit layouts.
Simply using certified receptacle components, using UL 94 V-O materials, enables device certification to be claimed on the basis that all effected connectors are themselves certified; essentially saving time and expenditure in R&D and adjusting manufacturing processes.
Certification is on a going forwards basis from 30 December. Chassis connectors are the specific certifiable components, however, for additional safety, Neutrik is also upgrading its cable connectors to meet the standard. Currently the NL4FC speakON cable connectors are fully compatible with the new XX-receptacle series, with other cable connector in the process of being uprated to meet the specifications of the standard.
Several design modifications have been incorporated in the speakON XX-rec
UK - As global professional sports teams emerge into new COVID-restricted league and tournament seasons, TiMax Crowdscape has been created to restore an element obviously lacking that normally helps drive their endeavours - the crowd.
TiMax Crowdscape provides a live and interactive sonic cocoon of sound that immerses the players in realistic and responsive spectator reactions to the game. Studies have shown that player engagement, motivation and performance are hugely influenced by the crowd, and currently, of course, the lack of it.
Comments such as “a game without fans is a game without soul” have appeared in the press alongside emotive assertions about “that ecstatic communion between players and spectators.” Fans have begun to notice and there has been a growing demand from teams and players themselves to fill that void.
The Crowdscape system utilises a multichannel “bowl” sound system mounted in the seating bleachers and pointing in towards the playing area. One or more operators use iPads to trigger and variably spatialise selected crowd atmosphere loops as well as cheering, applause and booing spot effects, plus whatever other tailored content is relevant to the game and teams. Samples are spatially mixed to anywhere in the arena or stadium using individual iPad 3D panners, faders and triggers, and can be merged selectively into the existing house system for added energy and immersion. TiMax Crowdscape brings all this in an exclusive portable game-in-a-box package which includes on-board playback, spatialisation, mixing and syste
USA - Glenn Becker, the Entertainment Services and Technology Association (ESTA)’s first president, passed away on 19 June aged 70.
“Glenn’s vision was about bringing the industry together to make it a better industry”, says ESTA. “He thought that competitors could come together and share ideas and solutions to make business easier and more successful for everyone. Because of that vision and Glenn’s hard work, the Theatrical Dealers Association (TDA) was born.”
Becker organised its founding meeting in 1987 and served as the first president from 1987 to 1991. In 1994, when the decision was made to form ESTA, the TDA board turned to Becker to chair the committee that rewrote the bylaws and set up the new organisational structure. The board would continue to turn to him over the years to take on special projects.
He became involved in theatre in high school. In 1968, Becker took a job delivering newspapers for the Chicago Sun Times and on his first day he read the paper and saw an ad for a job at Grand Stage Company which had been founded by Paul Tyler in 1947. Becker was hired and one of his first jobs was to assist in the company’s move to its new building on Lake Street - in the midst of the infamous Democratic National Convention. Becker started off coiling cable and helping in the rental department and within a year had worked his way up to become general manager. He also worked as a theatre electrician and stage manager across Chicago area theatres.
In 1977, Becker and his wife Janel took over the full running of the comp
UK - With social distancing still in place and lockdown restrictions continuing to cause tension for many, London-based artist Marcus Lyall and not-for-profit arts organisation Illuminate Productions have transformed a soon-to-be-demolished office block in London Bridge into an interactive public artwork powered by sound.
In this new site-specific work, Lyall invites interested parties to join a Zoom call where they can scream or otherwise vocalise their feelings, with a light installation instantly illuminating the building in response to the voice. “The louder and longer your outburst, the bigger the response from the building,” say organisers. “The building interprets every voice and scream differently, to create a unique response for each guest. You can participate using any device that supports the Zoom app. Please scream responsibility.”
Screams will be played to the building each night and the results posted the next day on the Scream The House Down Youtube channel. The artwork is designed as a safe and constructive excuse for people to release their inner tension. ‘Primal Scream therapy’ has long been investigated as beneficial for psychological issues such as depression and anxiety. While the artist makes no medical claims, a long and loud shout may be a good way to relieve inner tensions.
The artwork uses low-energy LED lights to fill the building with colour. The installation process followed social distancing guidelines, with a small team of volunteers including Michael Wagner, James McArthur, Reuben Jacob, Jake Wood and Alex
Europe - Prior to the recent lock down period in Europe, Japanese ‘android diva’ Hatsune Miku toured Europe again with production company Proper Productions and Capital Sound providing sound reinforcement with Martin Audio’s MLA loudspeaker array.
Hatsune Miku had previously toured Europe for the first time back in late 2018. The three European dates covered venues (including London Olympia) that were completely diverse in size and dimension, and the ‘Vocaloid’ music sensation, using a computer generated voicebank developed by Crypton Future Media, performed a shrill, high octane ‘thrash’ metal repertoire to an adoring set of fans.
Developed in 2007, Hatsune Miku is actually a 16-year-old blue haired virtual persona, who is seen onstage as a 3D hologram projection. Yet such is the Japanese fixation with anime culture she has over 2.5m followers on social media.
So successful was the 2018 tour that second time around, confronted by a slightly larger five dates - starting at the relatively small O2 Academy Brixton, ending at Sant Jordi Club Barcelona, and taking in Zenith Paris and Ziggo Dome Amsterdam along the way - Cap deployed largely the same production support team. This was headed by Capital crew chief, Amy Newton-Smith and system tech Ben Turnbull, with Olli Fallon providing monitor support.
While Hatsune’s vocals were triggered by Pro Tools, four professional musicians provided the tight live backing over two solid hours of relentless performance.
The main PA comprised 13 MLA elements and two MLD Downfill elements,
Europe - Sennheiser’s #DontStopTheEducation series continues with two Crew Call panel discussions.
A session taking place today, 23 June from 17:00 Berlin time / 16:00 London / 11:00 New York / 15:00 UTC will feature the live touring team of singer-songwriter Mahalia, whilst on 30 June, the team from Harford Sound will discuss how their production company adapted to the COVID-19 situation.
Also coming up in June is a new edition of the live RF Expert Round Table, as well as live webinars on pro headphones, multi-zone antenna systems and 8D audio.
In today’s session, Sennheiser hosts Andy Egerton and Tim Moore welcome members from the touring team of singer-songwriter Mahalia, nominee for Best Female Solo Artist at the 2020 BRIT Awards. Guests include Mahalia’s musical director and touring bass player Charlie Fowler, tour manager Carl Lewis, front-of-house engineer Luigi Buccarello, monitor engineer Alice Asbury, guitar technician Jamie Hicks and merchandise manager and trainee backline technician Chris Bunt.
Says Sennheiser, “This webinar has something for everyone: If you are looking to get into the touring industry as a career, this webinar will highlight some key touring roles and requirements. If you’re already in the industry, this is a great way to gain insights into the life of another tour crew – and an opportunity to catch up with some of the tour banter you might be missing during lockdown!”
On 30 June, Tim Moore and Andy Egerton welcome the team from Harford Sound, who discuss their approach as a produc
France - Ranked the second most popular theme park in France (behind Disneyland Paris) Puy du Fou is spread over 500 hectares at Les Epesses in the heart of Pays de La Loire region.
When it came to specifying a site-wide digital comms upgrade recently, the facility’s long-term head of technology (and resident sound engineer), Samuel Briand, was clear that an expansive Optocore fibre ring solution would best serve the park’s requirements. He explained that previously they had worked mostly in analogue but this has now been replaced with parallel Optocore, Dante and AVB networks.
“The first consideration was the vast distance,” he said, explaining the background to the specification. “The park is very large, requiring several hundred kilometers of cable length, and it was essential that we could pass the signals without loss of quality and without length constraints.”
The new system itself was conceived at the Park’s in-house design studio, overseen by Briand, with the company DV2 supplying the equipment and technical support.
Each of the featured shows has its own control room and runs autonomously, although the existing fiber optic network allows shows to be connected to each other if necessary. “When we create a show, we connect the audio mixing studio to the show concerned and mix in the attraction by moving the screen, keyboard and mouse from the studio computer. The sound travels in the Optocore environment between the studio and the show, thus saving us from having to carry a big flight case with a ProTools HDX,” Briand
UK - PLASA has announced the two winners of the Stage to Studio competition for the best mix, which launched following the Stage to Studio live mixing session at PLASA Show 2019.
Antonio Pannese from Italy has won Best Original Mix whilst Andrew Mansell from the UK was chosen as the winner of Best Alternative Mix.
Marc Henshall from Shure comments: “Antonio Pannese demonstrated the best use of dynamics, space, and frequency balance while also applying creative effects for a personal touch. As an alternative mix, few demonstrated the same creativity as Andrew Mansell, who successfully transformed the mix into a spectacular dub-delay style piece.”
VC Pines, the artist whose single Indigo was mixed for the competition, paired the two winners at random with their pro audio prize in a video posted on social media. It was revealed that Antonio won the Genelec 8320 monitors and GLM software and Andrew won the Shure KSM32 microphone and set of SRH1540 headphones, each worth £1,000.
The judging team comprised Marc Henshall from Shure, Andy Bensley from Genelec, Paul Watson from Headliner magazine, Dave Lockwood from Sound On Sound magazine, audio engineer Simon Todkill from Miloco Studios, Freya Astrella from PLASA, and VC Pines himself AKA Jack Mercer. Each member of the team chose their shortlist then deliberated over Zoom to decide upon the two winners.
The judges were impressed by the range of nationalities and mixing styles and would like to thank everyone who entered, with special commendations to: Abhishek Wal
USA - Great Bridge Baptist Church in Chesapeake, Virginia’s contemporary-style services lift spirits with music provided by an orchestra, a choir, and a praise band. It’s a big production, but until recently, all of that effort only partially connected because the existing sound reinforcement system’s coverage of Great Bridge Baptist Church’s 1,500-plus seats was far from ideal.
Regional AV integration firm RTW Media, based in Richmond – serving the Virginia/DC/Maryland areas – designed and installed a big-impact, small-footprint sound reinforcement system centred on Danley Sound Lab’s point-source products. The Danley boxes give Great Bridge Baptist Church even coverage from front to back and from side to side, in the balconies, under the balconies, and even on the stage and in the orchestra pit.
“The sound system at Great Bridge Baptist Church was old and tired,” said Zack Guida, operations manager at RTW Media. “The coverage was lacking, the timing was off, and it really didn’t do justice to the amazing services they are putting on.
“When we met with the church, they explained that not only did they want an impactful sound system, but they also wanted consoles and backbone technology to give them creative audio and video capabilities that would further allow them to connect with the congregation, both in person, and through digital media. The church’s vision included a video and camera system overhaul as well, so we had to be mindful of the overall budget.”
Guida continued, “We modelled the system for Great Bri