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14 March 2016

Ben Lightowlers, head of sound at Sydney Theatre Company's Wharf Theatres, had been looking for almost two years for a digital replacement for their aging wireless comms system, but kept coming up against the recurring problems of sound quality and digital signal latency. "There were teething problems in digital wireless technology," he related. "Latency was a problem across many brands, and the audio quality just wasn't there. Latency was particularly troubling; if there's someo

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14 March 2016

Tom worked in close collaboration with a creative team including production designer Anne Brahic and art director Aaron Black. He was also assisted by over 250 Robe moving lights.

With some of the most popular country music stars taking the stage for the event plus a series of sometimes unexpected collaborations, the show was kick started with a full on DJ Zedd / Lady Antebellum set.

The CMTs present a series of fan-voted awards for country music videos and television performances, broadcast live on the CMT network with voting administered via CMT's website.

This year Tom chose 93

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14 March 2016

Monitor engineer Ed Janiszewski has been mixing for Luke Bryan since 2008. From Bryan's time playing honky-tonks to today's massive stadium and festival gigs, the 2MAX has been a constant for both. "We're huge fans of Sensaphonics," says Ed. "The sound quality of the 2MAX is outstanding, and they are the most comfortable in-ears out there. Luke never wants to go on stage without them, and I feel the same way."

Another key benefit for Bryan is the high isolation of Sensaphonics all-silicone construction. "Luke does part of his set on a

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14 March 2016

Eighty golfers teed up for a bit of friendly competition to raise money for the foundation, which provides a range of support services for cancer patients and their families, and over 90 arrived for dinner, a charity auction, and entertainment hosted by Russ Williams.

The day involved a range of events that included a long putt challenge, a game of heads and tails and the infamous raffle, giving participants plenty of opportunity to showcase their skill, or luck, while raising money for a superb and worthwhile charity.

Three customers - Autograph, Rocom and European Wealth, Sennheiser's benefits providers, sponsored hol

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14 March 2016

This was the first Glastonbury visit for Hippotizer V4. For the production on the John Peel Stage, Hippotizer V4 drove video on nine vertical columns of LED, supplied by Vortex Hire along with their Hippotizer V4 Karst.

"After our recent investment into Hippotizer V4 we were excited to test drive our Karst Server at Glastonbury on the John Peel stage." said Matt Gourd of Vortex Hire

"Knowing that many of the acts would be broadcast live, we needed a stable media server solution to show content on our custom stealth LED screen setup. The LED strips were used as an eye-catching backdrop to this year's bands/artists and was received well by all."

For the eighth year run

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14 March 2016

For the latest Pointless recordings, filmed at the BBC's Elstree Television Studios, the production team asked XL Video to create a new rigging solution for the show's central LED scoreboard.

To create greater efficiency in the set-building process, the new rigging system aimed to substantially reduce the build time for the scoreboard tower. XL Video's TV and film manager, Jeff Bailey worked with XL's specialist LED team in Oostende, Belgium, to specify the new tower support design.

The three-section custom metal column, fabricated by Shapes in Belgium, enabled the Barco NX6 LED to be pre-loaded into the curved scoreboard at XL's warehouse, along with the matching base se

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14 March 2016

The function of the screen is three-fold, director Luke Collins cuts some straightforward IMAG from two cameras in the pit and runs some distinct content. "The band adopted a written motif for the latest album 48:13," he says, "and continue that theme in the content on screen with key words associated with the lyrics. Then there is the interactive module, which is really dynamic."

Developed as an add-on for D3 media servers, the Demolition interactive module

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14 March 2016

On outdoor duties was the ProLights Solar IP65 washlight. Used to light the exterior of the buildings and marquee, it extended the ambience of the event into the outdoor spaces. With its powerful output and fantastic colour range, the Solar is perfect for bringing large outdoor spaces to life.

The Solars were really put to the test, operating throughout one of the hottest July daytime temperatures of recent times, as well as heavy overnight thunderstorms.

To welcome leading lights of the motorsport world, the ProLights Ruby beamlight

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14 March 2016

Sound reinforcement for the event (featuring a 200-strong choir and a 35-member orchestra), was provided by Dee Jay Service and featured an all-Outline set-up.

The system comprised 40 Butterfly modules (a main system with eight-module left and right main hangs and a pair of delay towers, each with twelve enclosures). A pair of DBS18-2 subwoofers were installed under each of the four arrays and four Doppia systems were used on front-fill and out-fill chores. The monitor set-up featured two DVS 8, positioned alongside the Pope's chair, and a H.A.R.D. 115 for side-fill purposes at each co

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14 March 2016

The building houses two performance venues - a 500-seat theatre and a 150-seat flexible studio space - as well as five cinema screens, gallery space for contemporary art exhibitions, a café bar and a restaurant. Leading technical systems integrators, Stage Electrics, were responsible for supplying full stage engineering, stage lighting and audio systems for the main theatre including a complete theatre sound system from British manufacturer, EM Acoustics.

For HOME's Sound supervisor, Paul Gregory, the choice of EM Acoustics for the main theatre was vir

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14 March 2016

With over 8000 visitor pre-registrations - and a significant number of additional walk-ups over the three days, together with an increase in internationals attending the show - the biennial exhibition for entertainment technology moved up several notches. A host of leading brands, companies and industry associated academies packed the exhibition floor at the Coca Cola Dome in Northgate. This was supported with a full programme of related technical and creative seminars and presentations.

Robe's CEO Josef Valchar commented, "We have enjoyed great success in South Africa working closely with DWR, and this year, we felt it was time to further endorse the show and underline the i

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14 March 2016

Several artists have fallen foul of authorities in Beijing for publicly supporting the Tibetan religious leader who has been exiled since 1959 and received the Nobel Peace Prize in 1989. Icelandic singer Bjork was criticised after calling for Tibet's independence during a 2008 show in Shanghai while Oasis were reportedly forced to cancel shows in China after Noel Gallagher performed at a Free Tibet concert in New York. In 2011, ro

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14 March 2016

Around 20 representatives from 13 international distributors, from as far afield as China, South Korea, Vietnam, Malaysia, Russia, Romania, Bulgaria, Lithuania, Greece, Turkey, France, Denmark and Nigeria, attended the summit, which, over the first two days, was held primarily in the idyllic surroundings of the Hotel & Conference Centre in the grounds of the ancient monastery of Món Sant Benet.

Following the welcoming of the guests by founder and CEO Juan Amate, day one saw corporate presentations by vice president and

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14 March 2016

"To work a room this size with throw distances up to 105m without a delay system, and to do it well, you need to address the typical shortcomings of any line array system, whatever the brand," says d&b Product Manager, Werner 'Vier' Bayer. "For example the low/mids tend to be concentrated in the first twenty metres and muddy the overall tonal balance. Similarly, the spectral balance and intelligibil

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14 March 2016

Camp Nou football stadium was crowded with fans to celebrate FC Barcelona's triumph in the Champions League. Nothing was left to chance to ensure an impressive event, which also commemorated the five European Cups FC Barcelona won some years ago.

The show was an explosion of light and colour. Lighting designer Ferrán Badell made extensive use of Mythos units, which stood out for their power, efficiency, perfect beams and low power consumption: just 470 W. The A.leda B-EYE K20s also provided impressive effects and colours, which were appreciated by thousands of fans at home and in the stadium.

Stonex is Clay Paky's official distributor in Spain. Thanks to its thirty-year-plus experience in

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14 March 2016

An Avolites team of fifteen was on-site to liaise, support and connect with the many talented industry professionals working on the festival, further strengthening Avolites' association with the festival.

The Avolites equipment included consoles, dimmers and media servers being used across the festival site, highlighting the power, versatility and connectivity of the company's product range.

Saturday headliner Kanye West drew plenty of comment before the festival began, but after his appearance, it was the lighting that was the talk of the town for the enigmatic 'All of the Lights' rapper. Powered by 16 Avolites ART2000 dimmers

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14 March 2016

Lisle positioned the Nexus Aw 7x7 panels inside eight of the replica cabinets, which were arranged on top of set carts along a row that ran across the upstage deck. When the Chauvet fixtures were off, the set props looked like standard guitar cabinets. Then, when the show kicked into high gear, the "cabinets" came alive, shooting out intense beams of w

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14 March 2016

The Luna Cinema's popular screenings are all about classic film entertainment, delivered with state-of-the-art projector and screen technology in the UK's most beautiful and prestigious settings, the grounds of castles and stately homes, city parks and botanical gardens.

This summer, The Luna Cinema has taken delivery of two 24-cabinet Nexo Geo M6 line array systems to provide high-fidelity audio to complement the investment in video technology. Company director and production manager Jamie Plummer explains why the Geo M6 is proving to be a winner, both logistically and musically.

"The M6 cabinets, packaged neatly six to a flight case, work superbly in many different configurations. This is perfect for

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14 March 2016

Taking place in the stunning alpine location of Mayrhofen, the festival boasts a line up of some of the world's biggest dance acts, including Fatboy Slim, Sub Focus and Rudimental.

Event production house Audile, who has had an on-going relationship with the festival since 2002, supplied 12 of the Stormy CCs to the event, alongside 40 Sharpys, 12 Alpha Spot HPE 700 and eight Alpha Beam 700 fixtures.

"The Clay Paky fixtures were ideal for Snowbombing as their flexibility, reliability and vast number of features made them extremely popular with all the lighting designers," says Audile's Director Rob Leach. "They especially liked the Stormys, as the

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14 March 2016

Hosted at Elstree Film Studios, the live eviction shows required the full showbiz treatment with plenty of movement and razor sharp spots. Aurora were on board for the weekly events with gaffers Richard Shout and James Tinsley who loaded the set with Aurora's newly acquired Clay Paky Mythos automated heads to keep things looking lively. Moving Light Console Op, Ross Williams also had the SGM P5 Wash at his disposal for added effect.

To keep things clear on the catwalk, Aurora lined up their new Robert Juliat 'Victor' follow spots operated by Dave Scrivens and his team from Pro Spot to make sure the housemates remained in the spotlight as they made their way out of the building.

There has been plenty to watch out for during the Live Evictions. P

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14 March 2016

The very first trial between Novelty and SGM was with the G-Spot. They carried out a so-called crash test, using the G-spot on the ice rink of Paris City Hall during three cold winter months.

After this period, Jérôme Gasselin, technical director of Novelty, said, "Okay, the new SGM products are serious. Let's test the entire range."

With its IP65-rating, wireless connection, design and of course light output, the P-5 brings Novelty the tools they need to cover what they do best, which covers agency events, fashion

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14 March 2016

With the appointment of a lighting project manager late last year, and progressively larger capital investments in equipment, software and control systems, the Blitz|GES lighting department has expanded quickly with a programme of continuous investment in the most versatile and reliable lighting technology on the market, Blitz|GES now has the requisite resources to deliver a full spectrum of show and event lighting.

This latest consignment consisted of control equipment including Jands Vista S3 and S1, and High End Hedgehog 4 consoles. This advanced equipment is essential to Blitz|GES' ability to deliver high

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14 March 2016

Among the many technologically advanced features in the new educational centre, the conferencing network gives facility guest lecturers the opportunity to reach larger audiences across multiple networked rooms. By installing a multichannel audio Dante network, Harvey Mudd College has established a simple yet sophisticated foundation for future expansion while reducing ongoing costs and labour - all equating to exceptionally low total cost of ownership.

Harvey Mudd College refers to the new conferencing system as a "simulcasting network", offering two-way audio and video communication between the 300-seat auditorium, a recital hall and five cl

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14 March 2016

Local AV integration firm Starview Satellite designed and installed a superior fidelity background and foreground audio system to complement the décor and based it around the unparalleled flexibility of a Symetrix SymNet Radius 12x8 DSP with ARC-WEB browser-based control interface.

Inputs to the system include a DJ port, iPod output and several video sources, including DirecTV and cable, w