USA - One year on from taking delivery of the world’s first Wavefront Precision Longbow (WPL) system, Richmond, VA’s Soundworks has now switched its entire inventory to Martin Audio, purchasing both 8-inch WPS and 10-inch WPC systems.
Founded in 1976 by Steve Payne, Soundworks has long benefited from a working relationship with Southard Audio, led by Mike Southard in neighbouring Harrisonburg, VA. In 2019, the two companies jointly chose Martin Audio for the first time, becoming the first WPL users in the world with each company purchasing 24 WPL cabinets, 12 SXH218 hybrid subs and 12 iKON iK42 amps.
“We used WPL for the whole of last season and we were just delighted with it,” says Payne. “We looked forward to every opportunity we had to use it but for smaller events we still had to use a smaller, older system that we had in our inventory. That was hard! We did one very large jazz festival where we had 12 boxes per-side of WPL for the main PA but an eight box hang of this older system for delays. I asked our System Tech, Bryan Hargrave, to check if the delays were working and when he came back he said ‘they’re working - but they sound like they’re broken!’ They just couldn’t match WPL.
“I knew then that we needed to invest more in Wavefront Precision. There was no hesitation, no doubt in our minds that it was the right thing to do. WPL totally sold us on the possibilities.”
Having sold his previous system, Payne was faced with the choice of adding either 8-inch WPS or 10-inch WPC enclosures to his inventory. “The WPC
UK - Last night (6 July), some of the UK’s most iconic venues and landmarks were lit up in ‘emergency red’ as part of the #LightItInRed campaign to draw attention to the critical condition of the live events and entertainment industry. A glimpse of hope was given to Britain’s arts industry on Sunday evening (5 July), as £1.57bn was pledged by the government – yet the supply chain behind the production of live events and festivals, including many freelancers, is still awaiting clarification as to what support they will be offered.
Unlike other industries, live theatre, outdoor events, concerts, festivals and performances have been unable to safely resume due to social distancing guidance and other restrictions. Many predict these events may not resume until 2021. The #LightItInRed campaign aims to draw attention to the often hidden workforce behind such events, many of whom are not eligible for any of the government COVID-19 financial schemes – putting further strain on the sector.
Inspired by Germany’s #NightOfLight protest which took place in June, the #LightItInRed campaign saw hundreds of buildings and landmarks across the UK illuminated, from Cornwall’s Minack Theatre, Glastonbury’s bare Pyramid stage, Brighton’s famous pier and the Biomes of the Eden Project, to London venues including The Royal Albert Hall and the National Theatre, and further north to the Blackpool Tower, Liverpool’s Everyman Theatre, Theatre Royal Dumfries and countless other sites. Industry companies taking par
UK - Pro audio loudspeaker brand Inspired Audio has announced a major restructuring of its operations in the both the UK and also in Asia.
As part of the restructure, co-founder Chris Scott, who left the company at the end of 2018 to establish a production facility and to concentrate on product development has re-joined as both managing director and sole shareholder, while fellow co-founder Gareth Hunt has left the company.
Commenting on the restructure Scott says: “My roots have always been in the design and manufacturing side, so leaving to re-engage with that was a natural step for me, although as I was building for Inspired and also designing the latest product for them, in a sense I didn’t really leave. In a similar vein Gareth’s roots have always been in the retail side of the pro audio business, so this restructure see’s Gareth returning to concentrate on his interests in that sector.”
The Asian office is a joint venture partnership with Guangzhou-based TD Taichee, who will also be taking over distribution of the brand in China. “This is more than just a distribution partnership, it is a full technical collaboration,” comments Scott. “During 2019 TD were looking for a European designer to work with them on new product lines. They had a vision that as the Chinese market matures it will move closer to what we know in the European market, so wanted to prepare themselves for those changes.
“I was invited to China in 2019 and was impressed by the scale and quality of the operation, so while the original plan was a deal to
UK - PLASA has responded to the UK government’s pledge of £1.57bn funding for the arts with the following statement from its MD, Peter Heath: “While PLASA is pleased to see the government deliver a generous rescue package to arts institutions across the UK, they have only addressed the tip of the iceberg. We hope that the government will announce further support for all the manufacturers, suppliers and freelancers who help make the UK a global leader in events.
“Theatres and venues are absolutely essential to the cultural fabric of the UK, however, they only represent the public face of a vast industry. Each arena concert, musical show, arts installation, or corporate event relies on a complex supply chain, often involving hundreds of professionals. To put on a single arena show requires an average of 443 people working at all levels from planning and manufacturing to logistics and live production.
“PLASA stands by its initial plea which is for the government to provide the entire event industry supply chain with grants as well as extensions to both the Furlough Scheme and the Self-employed Support Scheme. From the start, government grants were not explicitly made available to the event supply chain, with only one out of six PLASA members surveyed successfully receiving grants. And although the Furlough Scheme was a great relief, the tapering off by Autumn does not bode well for companies who do not expect to see any business until next year. The situation has been just as
USA - The Audio Engineering Society’s first Audio Product Education Institute event will address real-world experiences in voice integrated product development with the theme Successful Smart Speakers and Voice-Enabled Products.
"Today, some of the most sophisticated voice processing is already in our pockets. Smartphone production numbers are hard to beat in the consumer electronics industry,” says Mike Klasco, CEO, Menlo Scientific, and committee member of the Audio Product Education Institute (APEI), a new AES initiative.
“This fiercely competitive market is driving continuous product design improvements, but many companies are also repeating many painful mistakes and are forced to re-learn audio fundamentals long recognized by the audio industry. I’m faced with highly instructive examples of that in my consultancy business,” continues Klasco.
In the APEI’s free introductory webinar, the first in its Interactive Voice Con event series and conceived to share real-world experiences in voice integrated product development, Klasco and fellow industry veteran and APEI founding member Paul Beckmann, CTO, DSP Concepts, will share challenges they have faced in developing sophisticated interactive smart speaker products.
The Interactive Voice Con webinar will be held 9 July, 4:00pm – 6:00pm Eastern Daylight Time. Topics addressed will cover disciplines in voice-integrated products, from acoustics to microphones, electronics, DSP and output transducers. Free registration for the event is now open at https://tinyurl.com/AES-APEI.<
UK - After weeks of relentless campaigning, the British arts sector has been promised a coronavirus bailout worth £1.57bn.
The funding was announced late on Sunday evening, with the UK government stating it represents “the biggest ever one-off investment in UK culture”.
The package includes:
- £1.15bn support pot for cultural organisations in England, comprising £880m grants and £270m loans;
- £100m of targeted support for the national cultural institutions in England and the English Heritage Trust;
- £120m capital investment to restart construction on cultural infrastructure and for heritage construction projects in England;
- extra £188m for the devolved administrations in Northern Ireland (£33m), Scotland (£97m) and Wales (£59m).
The news follows the government’s announcement of a roadmap to reopening, which was heavily criticised by the sector for lacking investment and timeframes.
Commenting on the funding scheme, chancellor of the exchequer Rishi Sunak said: "Our world-renowned galleries, museums, heritage sites, music venues and independent cinemas are not only critical to keeping our economy thriving, employing more than 700,000 people, they’re the lifeblood of British culture. That’s why we’re giving them the vital cash they need to safeguard their survival, helping to protect jobs and ensuring that they can continue to provide the sights and sounds that Britain is famous for."
UK - PLASA has announced the postponement of the 2020 PLASA Show due to the COVID-19 crisis. The popular trade event was set to take place on 6-8 September at London Olympia.
The Association says in a statement: “It is with great regret that we announce that PLASA Show will not take place at Olympia London from 6-8 September this year due to the ongoing impact of COVID-19 and uncertainty regarding social distancing and lockdown policies. However, PLASA Show will return to Olympia London in 2021 from 5-7 September and we look forward to seeing you there.
“We hope that by the time PLASA Show 2021 comes around the industry will be restored back to full health and we can celebrate with a fantastic ‘come-back’ show, face to face. In the meantime, keep safe and in keep in touch. ”
Sophie Atkinson, head of events at PLASA, comments: “It is of course very disappointing to have to postpone PLASA Show this year which would have been the first in Olympia’s Grand Hall. But I am in no doubt that it is the right thing to do for the industry at this challenging time. We will sorely miss PLASA Show this year and look forward to being able to meet you in London from 5-7 September 2021.”
PLASA’s managing director Peter Heath comments: “We are all hugely aware of how the events industry is suffering, and as it stands there is no end in sight. PLASA is focussing all its efforts into supporting the industry and we invite you to join the cause so we can all enjoy concerts, theatre shows and festivals long into the future.”
USA - With the travel, gathering and distancing restrictions that come with the COVID-19 pandemic, Elation Professional’s sales team and product specialists are demoing some of Elation’s newest lighting products from the comfort and safety of their own homes in a video series called Virtual at Home Demo.
Published each week on Elation’s YouTube channel, each video provides an overview of the key features and benefits of some of Elation’s newest lighting products, a demonstration that gives lighting pros an opportunity to assess if a luminaire is right for their needs.
Products showcased in the series include the Fuze Spot, Fuze Pendant, Fuze Profile, Fuze SFX, Smarty Max, Artiste Van Gogh, Artiste Monet, Dartz 360, CW Profile HP and WW Profile HP ellipsoidals, along with the Magma Prime hazer from Magmatic atmospheric effects.
USA - Performance Manager Applications for Concerts & Festivals and Audio Engineering: Setting up a Vocal Template for Recording Sessions Among New Harman Live Workshops scheduled through Mid-July.
Other Topics include Basic Introduction to Martin P3, Fixintogetmixin: How to Build Your Best Mix! (Parts 1 & 2) and Rightsizing Esports: Technical Solutions from Schools to Stadia.
Available workshops, scheduled through the middle of July, feature lighting or audio experts who have extensive industry knowledge and experience working with various artists including Bob Seger, DJ Khaled, Enrique Iglesias, Janet Jackson, Linkin Park, Mötley Crüe, Pitbull and many others.
Over 75 Live Workshops have been conducted since the programme’s introduction and are now available at Harman Professional’s new online training platform.
UK - A.C. Entertainment Technologies (AC-ET) will be holding webinars in conjunction with media server manufacturer Green Hippo this month.
Introduction to Hippotizer will take place on Thursday, 9 July at 3pm-4pm BST. It will provide an overview of the Hippotizer V4+ software and Hippotizer PLAY, the free-to-download demo version.
On 16 July from 3pm to 4pm BST, Get started with SHAPE 3D Mapping will go through the basics of how to set up your Hippotizer and 3D environment using SHAPE.
Visit the AC-ET website to find out more and register your place.
Germany - The end of June saw Brompton Technology take part in one of Europe’s first face-to-face industry events since lockdown, the AV Innovation Days (AVID), organised and hosted by LANG AG at its LANG Academy in Lindlar.
Designed as an accompanying event for InfoComm Connected, LANG hosted the three-day fair with both new and familiar AV technologies on display, whilst adhering to strict hygiene and safety rules. Leading LED panel manufacturers showcased their innovative solutions, with Brompton partnering with INFiLED to demonstrate how its panels have benefitted from Brompton’s HDR solution.
“The event offered a perfect platform to discuss some of the key developments in the AV industry, such as the increased use of curved, or faceted, applications which are based on a variety of corresponding products. Also, the emerging trend of virtual LED studios instead of green screen studios is an interesting niche marked right now, as protagonists can interact with their environment. That makes recording much more efficient and saves post-production costs,” shares Benjamin Valbert, director LED & displays at LANG AG.
Valbert notes that choosing the right LED processor is an important requirement in supporting these trends. Whilst most LED processors provide the basic functions necessary for video display, they can have limited to no adjustment capabilities compared to more full-featured processors, which have numerous options for colour adjustments and image scaling, and are designed with LED-on-camera applications in mind.
South Africa - Play It Forward a new live show by South African rockers Oooth, was part of a dynamic live stream designed as a fundraiser for tattoo artists across the country and freelance technicians via #FeedOurCrew who have been left without any income during the COVID-19 lockdown.
The broadcast - on YouTube and Facebook Live - also included interviews, features and panel discussions, and was staged at SA rental company MGG’s Studio B facility, one of two such facilities at their HQ in Johannesburg, complete with a full Robe lighting rig.
Reaching around 6,000 fans, whilst Play it Forward was airing, South African President Cyril Ramaphosa announced that the following day tattoo artists and studios would be able to re-start their businesses. On hearing this news, they in turn made a collective decision to donate the proceeds to #FeedOurCrew, an NGO which is providing basic needs and essential relief for event industry freelancers whilst large gatherings and shows are still banned.
MGG’s Johannesburg Studio B is the largest of the two at around 16 x 16 metres – allowing for a good amount of social distancing - and has been set up in their structures warehouse since the lockdown, as the company has reorganised and re-purposed itself to deal with radical changes in its current business. With a decent amount of headroom, it has been producing streamed rock shows since SA instituted level 3 lockdown on 1 June.
MGG’s resident lighting technicians Sipho Kekana and Hein Ströh worked together to design the lighting for both
UK - This Saturday night, music fans will be able to dance the night away to over three hours of electronic music streamed online, all whilst helping industry charity Music Support raise vital funding.
Taking place from 9pm on 4 July, Warehouse Manifesto will be held at Production Park’s London rehearsal studio The Mill. The Mill, in association with lighting, audio and video specialists Subfrantic, has created a COVID-secure avenue for artists to generate online content during the crisis. Meanwhile, LiveFrom Events will bring the music to the masses via its HD streaming platform.
Tyrone Brunton, the gig’s project manager, comments: “The idea for Warehouse Manifesto came about after numerous conversations with Bullet from Production Park, as we were trying to get the core crew we have worked with over the years back together, with another project in sight. Since the touring industry as we know it has come to a standstill, it’s left hard-working freelancers and touring suppliers out of work. Our initial aim was to create something positive for us to look forward to, and now thanks to the superb response, support and generosity from The Mill, Subfrantic, LiveFrom Events, our tech crew and DJs, we’d like to extend our efforts further.”
Music Support is a registered charity founded and run by people from the UK music industry for individuals working within the UK music industry, who are affected by mental health issues and/or addiction. Due to the extreme financial impact on the music industry caused by the crisis, many peers
UK - Technical solution provider White Light (WL) and leading AV production supplier SFL have announced their intention to launch a strategic partnership.
Under the new partnership, both companies will continue to trade separately and keep their existing bases but will now share equipment and personnel when delivering a full production service. They will work on corporate events, conferences, festivals, ceremonies, concerts and any other form of live entertainment, as well as supporting events which take place within WL’s approved and managed venues as well as other opportunities as they arise.
WL MD Bryan Raven comments: “At WL, the question we always ask ourselves is how can we provide the very best service possible for our customers? Therefore, when the opportunity arose to form a strategic partnership with SFL, we knew this was something we couldn’t turn down.
“Whereas WL has its heritage in lighting, SFL is one of the leaders in supplying audio and video solutions. They also have an exceptional scenery company which our own in-house Production team has used on many occasions. As such, we will now be able to combine our expert teams, unparalleled inventories and years of experience to offer our existing customers, as well as new clients, the very best in full service technical production. It’s an incredibly exciting step for both of us and one which we cannot wait to embark on”.
SFL MD Tom Jeffery adds: “We are delighted to be able to support WL in delivering full-service production. We know WL and the brilliant team there
UK - Artists including Sir Paul McCartney, The Rolling Stones, The Cure, Radiohead, Coldplay, Dua Lipa, Annie Lennox, PJ Harvey, The 1975 and Blur are among the names demanding immediate action to save live music in the UK by signing an open letter to the UK government's Secretary of State for Digital, Culture, Media and Sport, Oliver Dowden. The move is a bid to “show the vital importance of the UK’s live music industry, ensure the Government cannot ignore live music and make noise to get the public and financial support the industry needs to survive”.
The full letter reads as follows:
“Dear Secretary of State,
“UK live music has been one of the UK’s biggest social, cultural, and economic successes of the past decade. From world-famous festivals to ground-breaking concerts, the live music industry showcases, supports, and develops some of the best talent in the world – on and off-stage.
“As important as it is, our national and regional contribution isn’t purely cultural. Our economic impact is also significant, with live music adding £4.5billion to the British economy and supporting 210,000 jobs across the country in 2019.
“Like every part of the entertainment industry, live music has been proud to play our part in the national effort to reduce the spread of Coronavirus and keep people safe. But, with no end to social distancing in sight or financial support from government yet agreed, the future for concerts and festivals and the hundreds of thousands of people who work in them looks bleak.
USA - When the coronavirus pandemic first hit earlier this year, ADJ began to broadcast regular Facebook Live videos to stay connected with customers through educational content and in-depth product overviews. These proved popular, so the ADJ team has planned a series of further Stay Connected videos to run over the summer.
Hosted from ADJ’s Los Angeles HQ by members of the company’s in-house team of technical experts, each of the new video broadcasts will focus on a different lighting technology or application. The presenters will showcase the latest ADJ products, explain their features and discuss ways in which they can be creatively deployed. Broadcast via Facebook Live, the videos will also feature interactive elements allowing viewers to ask questions directly to the product specialists on camera.
“Every day, I am hearing more positive stories from lighting professionals who are being able to get back out there and work in the business that we all love,” comments ADJ USA’s national sales manager, Alfred Gonzales. “However, there is still a long way to go until things are fully back to normal, so here at ADJ we want to continue to stay connected with our customers and users by continuing our series of Facebook Live videos throughout the summer. Each session will focus in on a different area of our product range, giving viewers in-depth insights and lots of valuable practical tips and ideas.”
On Tuesday 14 July (12pm), ADJ’s video specialist, Corey Saenz, will showcase the new ADJ Pixie Strip Series of pixel battens, which
USA - Needing to adapt to the challenges of how to produce a live event in conjunction with social distancing, the design team at Elite Multimedia Productions launched a virtual event production studio directly from their headquarters in Nashville, Tennessee.
“Our owner Jeremy Byrd had kicked around the idea a while ago, so as we started to build-out our demo room with LED video, we decided to add in some of our lighting inventory as well,” explains Kenny Mason, production manager Elite Multimedia Productions. “Once the shutdowns happened, we saw that live streaming was going to be a vital component to keeping the production industry going and we needed to find a way to take advantage of that. Since we already had this new demo room with production gear ready, it was a natural progression to transform the space into a virtual production studio.”
As the team at Elite Multimedia got busy creating the new studio, their production expertise and extensive inventory would prove to be valuable assets. Understanding exactly how the infrastructure of a high-quality production studio should be built, they were able to create an engaging and robust design environment.
“When we came back to the office after the stay-home restrictions were lifted, we really hit the ground running,” continues Mason. “In the room, we now have an upstage 2.8mm LED video wall along with some decking that’s wrapped in EPIX LED lighting strips. On the back-end, we have our 3ME switcher that’s running multiple PTZ cameras due to social distancing guidelines.
UK - Follow-Me, the creator of the eponymous Dutch software solution for remote followspot control and performer tracking, has partnered with Collaborative Creations (CC) in the UK. CC director Tom Wilkes will be the UK point of contact for lighting designers or production companies interested in demo’ing the technology.
“We’re very excited to be partnering with Follow-Me as the company looks to grow its presence in the UK entertainment technology market,” Wilkes comments. “Their products have some unique capabilities in a competitive industry and we encourage anyone interested in learning more to get in touch for more information and a demo. I particularly like the ease of use and ability to track up to six performers from only one system, along with its ability to control unlimited fixtures from any manufacturer.”
Follow-Me co-founder Erik Berends adds: “We’re happy to announce our partnership with Collaborative Creations in the UK. Their network and knowledge of the industry will be a springboard for our continued growth in the British events market.”
Follow-Me’s products have been used on numerous high-profile tours including Muse, Katy Perry, Childish Gambino and most recently on the UK tour of The Phantom of the Opera.
Italy - Artistic Licence has announced a distribution agreement with Molpass S.r.l. in Italy. With an emphasis on the theatrical market, Artistic's lighting control infrastructure products will augment other premium brands in the Molpass portfolio.
Founded in 1995, Molpass is a technical solutions in the entertainment sector, with a particular focus on the audience experience. Recognising the demand for a high-quality dimming product for replacement LED bulbs, Molpass approached Artistic Licence for a trial of their award-winning sunDial trailing edge mains dimmer.
Following a positive response from a number of prestigious Italian theatres, a broader distribution agreement was the next logical step.
Giorgio Molinari, CEO of Molpass, comments: Professional venues simply cannot accept the poor low-end response typical of many dimmers that are claimed to be LED compatible. But the sunDial product gives a very nice fade, and we particularly like the fact that custom curves can be generated and uploaded for our clients' preferred lamps.”
Artistic Licence CEO Wayne Howell adds: “sunDial is a perfect example of a product that we developed to solve a technology problem, caused by the move away from CFL and incandescent lighting. As a company, we have a deep understanding of the lighting control needs of venues, having served this market for many decades.
“So if a theatre or studio finds it needs to handle data in a different way - be that conversion to a different protocol, merging, splitting or failover to name just a few scenarios - t
Brit Awards - Next year's Brit Awards have been pushed back by three months to May, to have a better chance of staging a full live ceremony featuring live performances. The 41st edition of the music awards show was due to take place in February at London's O2 Arena. But uncertainty around the ongoing COVID-19 pandemic has prompted the music industry to delay it.
Organisers said they want “outstanding production levels, superstar performances and live excitement”. Geoff Taylor, chief executive of The Brits and industry body the BPI, said: "We believe that the best way to achieve this in 2021 is to move the show back a few months to May. We are already at work planning a spectacular event that will remind us how important music has been in getting us all through these difficult times."
On The Campaign Trail - The Rolling Stones have warned US President Donald Trump that he could face legal action if he continues using their songs at his campaign rallies. A statement from the band's legal team said it was working with the performing rights organisation, the BMI, to stop the unauthorised use of their music.
The Trump campaign used the song You Can't Always Get What You Want at a rally in Tulsa, Oklahoma. The same song was used by the Trump campaign during the 2016 US election.
In a statement released on Saturday, representatives for the group said that “further steps to exclude” Mr Trump from using Rolling Stones material in future presidential campaigning was necessary after previous “cease and desist directives” had bee
Europe - Shure is introducing the new Shure Tech Portal, an interactive technical resource library developed for systems integrators, dealers, audio engineers, service providers, consultants, and other professional and technically-minded users.
The portal provides fast and direct access to complete product and technical information, document downloads, and resources to support the specification, design, deployment and operation of Shure products across all markets and applications.
The Shure Tech Portal is an intuitive, fully searchable online platform that offers professional users streamlined access to comprehensive Shure product information. With a complete document library for each product, key specifications, global SKU and variant information, software and firmware downloads, imagery, FAQs, and more, Tech Portal users can get all the information they need, all in one place.
As soon as a new product is released, changed, or upgraded, the latest information is available in the portal to be used for bids, training, and support. Users can find information for all Shure product categories and product lines, from microphones, wireless microphone systems, in-ear monitors, conferencing systems and DSPs, to earphones and headphones, and more.
In addition to sales and technical resource downloads for new, current, and discontinued Shure products and systems, the portal allows users to create their own customised documents and export information directly from the portal. It further features a product comparison tool, a software and firmware archive
Greece - Ayrton has announced Athens-based Megaevent as its new, exclusive distributor for Greece. Founded in 2001, Megaevent has provided distribution and support of leading products in lighting, sound and AV equipment across all sectors of the entertainment market for nearly 20 years.
“We always look forward to new technologies and our target is to provide these together with the best after-sales support to all our customers,” says Megaevent CEO, Sotiris Kolios. “Through our many years of experience we have selected the best partners to work with, centred on respect for companies with great R&D and continuous evolution.
“Ayrton has proven to be one of them: we have watched Ayrton’s progress over the years and, like most of the lighting designers in Greece, hold their brand in high regard. We believe their products to be leaders in every aspect, and are confident of the manufacturing quality of Ayrton products, the accuracy of their specifications and the visual effects that result. It’s clear that Ayrton has been working hard all these years to provide a full catalogue of products that fits every type of need in any lighting or visual show.
“Bringing a brand to market at this time will be challenging, but after a closer look at the present Greek market, we know Ayrton is going to be a new heavy-duty tool for us. We are looking forward to distributing the whole Ayrton product line, backed of course by our high level of support. Our goal is to build a large rental network which will enable our customers to work together and provi
UK - Music Support continues to hold weekly online support group meetings to allow the music industry’s 12 Step recovery community to continue to connect during these challenging times, with numbers of attendees growing weekly. Meetings take place every Monday 18:00-19:00 GMT throughout the summer, providing a confidential and non-judgemental space for people to share and encourage one another on the journey of recovery.
“We’re pioneering a change of culture within the industry that suggests another lifestyle is possible within it and as beacons of that, we host a weekly online support group meeting for those in our business who are members of any 12 step fellowship,” says the team behind Music Support.
“We acknowledge that although each fellowship uses different words, they speak the same language of hope – and that’s why now more than ever, it is imperative for people who work a program of recovery to come together to share their experience, strength and hope with others. This is not a 12-step meeting. Meetings are for support and encouragement, medical/psychological advice will not be given. “
To receive personalised login instructions, please email: firstname.lastname@example.org with the subject ‘12 Step Support Group Meetings’. All data remains confidential.
Find out more HERE.
UK - PLASA’s new campaign #WeMakeEvents has garnered a 'huge response' from the industry.
The campaign was launched last week in a bid to raise awareness of the negative impact the COVID-19 crisis on the live events industry.
A cornerstone of the initiative, the #WeMakeEvents video has so far amassed 20,000 views and 3,000 shares.
PLASA says that 1,000 industry professionals have signed their support for the campaign via its webpage, and key industry organisations and brands have also endorsed it.
On the eve of the 50th anniversary of the Glastonbury Festival - cancelled this year due to COVID-19 - PLASA MD Peter Heath was promoting #WeMakeEvents and raising awareness of the industry’s plight via TV and radio appearances.
On Thursday, Heath spoke on talkRADIO (2:30 segment, from 17:00 minutes), and on Friday, he appeared on the World Business Report programme (from 21:00 minutes) on the BBC World Service as well as the digital TV channel, Bristol TV.
During these appearances, he explain