The new Christie APS Series of 3LCD laser projectors, now shipping, deliver up to 6,500 ISO lumens, which is among the brightest in the industry for this class of projector. The Christie LWU650-APS and Christie LWU530-APS have a five-year or 10,000 Hour warranty (whichever occurs first) and 3,000,000:1 contrast ratio, creating an unmatched combination of contrast ratio, brightness, warranty, durability and affordability.
The Christie APS Series are designed for classrooms, boardrooms, and other small-space environments. Combining the affordability of 3LCD technology with the reliability, performance and operational life of laser illumination, the omnidirectional APS Series offers customers tremendous value without sacrificing quality.
Featuring an efficient laser illumination system and patented optical light path design that uses only one motor, the APS Series provides up to 20,000 hours of reliable, maintenance-free operation for an extremely low cost of ownership. Backed by an unmatched five-year/10,000-hour warranty and a price-point that beats the competition, the APS Series is the class-leader for 5,000-6,500lm projectors.
“Proving low-cost projectors don’t need to sacrifice quality, the Christie APS Series is a robust platform that stands-up to the demands of professional applications. The patented optical light pass design changes the excitation light spot shape from a round spot to a rectangular shape and disperses the energy on the phosphor wheel, which improves the reliability of the phosphor wheel,” says Jim Hall, senior product manage
USA - Making its NAMM debut, DPA Microphones will be showcasing its smallest high-end pro audio microphone capsule, the d:screet CORE 6060, 6061 Subminiature Microphones and the d:fine CORE 6066 Subminiature Headset Microphone.
In addition, DPA’s d:vote CORE 4099 Instrument Microphone and d:facto 4018VL Linear Vocal Microphone will be used during live in-booth performances throughout the show. DPA will also be participating in a variety of educational sessions as well as supplying mics for several NAMM events.
DPA is providing all of the mics for the outside Yamaha Grand Plaza main stage, including d:dicate 4011 Cardioid Microphones, d:dicate 2011 Twin Diaphragm Cardioid Microphones, d:vote CORE 4099 Instrument Microphones and d:facto Vocal Microphones, and will be on hand to help the bands with any mic’ing questions or techniques.
DPA is also contributing to Dynaudio’s Unheard Project, which gives new artists the chance to record their music and get exposure on a global scale. Artists will get the opportunity to perform and record live in the Dynaudio Unheard studio throughout the show using a wide selection of DPA instrument and vocal mics, right in the middle of the Grand Plaza area.
On Saturday, 26 January, DPA representatives will take part in two panels at the Hilton, Level 4, Room C7. Vincent Gabriel Antonini, DPA global sales support/new business manager in the U.S. will present as part of the Choosing The Right Vocal Mic session, where he will discuss tips and tricks for selecting the right microphone-type based on a ra
Vietnam - The ‘Lighting the Stars’ series of conferences featuring internationally renowned lighting designer Patrick Woodroffe landed in Ho Chi Minh City in November 2018 with the aim of celebrating lighting and discussing its future.
The event, which was organised by Vietnam ProAVL Co. Ltd alongside Claypaky and MA Lighting, presented Woodroffe to an audience keen to hear first-hand about his thirty-year career at the forefront of live music, event, architectural and theatre lighting design.
Woodroffe has designed the lighting for a diverse array of big-name projects, from the London Symphony Orchestra to ABBA, from the Rolling Stones feature film Shine A Light to the Vanity Fair Oscars party to Prince Charles’s Highgrove House gardens. His achievements are remarkable.
This latest Lighting the Stars seminar was held at the New Music Centre in Ho Chi Minh City. Guests heard Woodroffe discuss both the past and the future of lighting in all its forms - music, dance, live performance, architecture and art.
He went on to share stories about his experiences designing the lighting for the London Olympic Games Opening and Closing Ceremonies in 2012, and his work on Michael Jackson’s This Is It tour, which was tragically cancelled after Jackson’s untimely death in 2009. Woodroffe’s design was immortalised in the film of the same name, which focused on preparations for the tour.
The conference excited the audience, who were thrilled to hear about Woodroffe’s life in light and take part in a Q&A session after each sec
The Netherlands - ROE Visual is gearing up for ISE 2019 with a new selection of products and integration options aimed at the rental and system integration markets they serve. ROE Visual is located in Hall 12, stand F50.
This year’s stand design will feature a massive Sapphire SP1.5 screen, a Diamond 2.6 video wall and the Black Marble LED system in various applications. Next to these high-end products the ROE Visual stand design incorporates the ROE Strip and the newly released Vanish V8 LED panel.
The versatile Black Marble system has evolved from a fast-building LED floor to a full-fledged system that provides stylish and unique integration solutions, to create floors, multi-level platforms and walls suited for architectural, broadcast or event applications. The system has four different finishes for a classy or fashionable look.
The Sapphire platform is billed as the only NPP system that can be suspended. Sporting a mere 1.5 mm pixel pitch and unique frame structure, Sapphire offers a flawless canvas that is strong and stable. The clever assembly system with intersection layers guarantees a seamless assembly.
The Vanish V8 system offers high transparency. With a transparency of 60% this light-weight LED panel features high-brightness and excellent viewing angles, capturing the audience’s attendance with a surprising visual experience.
The Netherlands - Immersive audio and show control specialists OutBoard will demo the TiMax 500-series software which enables immersive spatial audio rendering and show programming workflows in live, presentation and experience applications, while also featuring selectable skins optimised for outdoors and show conditions.
Based on detailed input from leading sound design associates, the new TiMax StageSpace allows auto-calculation of dynamic delay-matrix spatialisation objects directly from a map of the venue, speakers and audience/guest spaces.
TiMax spatial objects can be quickly auto-rendered and adapted for different shapes and sizes of presentation and experiential spaces, or stage, audience and audio system configurations. Objects can be fine-tuned by the user, because, as OutBoard asserts “experienced sound designers will tell you it’s the last few milliseconds or dB of adjustment that make the imaging work”.
TiMax OutBoard will also demo their powerful new bespoke FPGA dsp core, destined to break the mould for immersive spatial reinforcement techniques and unparalleled acoustic enhancement.
The Netherlands - L-Acoustics will present its latest installation solution to the market at ISE 2019 in Amsterdam (5-8 February).
“ISE continues to grow year over year and attracts integration specialists from all over the world,” says Jeff Rocha, director of product management for L-Acoustics. “This makes it the perfect forum for us to showcase our latest innovations while highlighting the unique and targeted benefits our of existing product lines.”
As well as revealing this new product, the company will be hosting a series of demonstrations and presentations each day, including L-ISA Immersive Hyperreal Sound, a trailblazing multidimensional sound technology.
“We look forward to the convenience of reconnecting face to face with so many of our customers at ISE, as well as catering to new demand and clienteles,” adds Jochen Frohn, L-Acoustics director of business development. “As in the past, we expect it to be a busy and successful event.”
UK - Pearce Hire regularly collaborates with corporate production specialists Hawk Audio Visual on large scale events. This successful partnership recently provided a circus themed entertainment and dining space for over 1,000 company staff and stakeholders at the BGL Awards Ball held at Manchester Central.
BGL Group is a financial services company based in Peterborough and the biennial event which celebrates and rewards staff achievements, was also part of the company’s 25th anniversary celebrations.
Pearce Hire’s project manager John Huson provided some insight into the support and co-operation between Hawk and Pearce Hire. “Hawk Audio Visual has been a client of Pearce Hire for over 20 years and during that time we’ve actually partnered with them on four previous BGL Balls alongside many other events which usually averages 15 to 20 jobs every year. Hawk Audio Visual was the main technical producer for the BGL Ball - we supported them by providing lighting, audio and staging equipment and a dozen crew members on site.”
The brief was a simple, yet challenging one - to produce an event which was both visually stunning and sounded great, and all to be worthy of the desired circus theme.
As well as project managing for Pearce Hire, John was appointed as the BGL Ball lighting designer, a challenge which he relished. With the evening combining many elements of dining, awards presentation, circus cabaret performance and live music, his design had to be flexible and adaptable to each aspect of the evening.
“I wanted to create a
USA - With a nod to Game of Thrones, the Vegas Golden Knights hockey team now enters the ice through a 20ft, 2,375-pound medieval jousting helmet accented with 60m of FloppyFlex Digital LED neon.
Originally conceived for the Stanley Cup, the team’s entrance is now a standard feature for all home games at the T-Mobile Arena. Designed and built by Water FX, the large helmet features lighting by Sean Guarino, with the FloppyFlex provided by PRG Las Vegas.
“Outlining the helmet to create a portal worthy of the team required something cooler than conventional LED tape,” says Golden Knights LD, Sean Guarino. “I wanted this to pop, and Tim Brennan of PRG suggested FloppyFlex Digital, which exceeded my expectations. Using the pixelated Digital RGB version, I can create spectacular multi-colour chases. The colours are bright, vibrant and warm, and installation was a breeze, especially with the help of excellent support from PRG and TMB.”
Guarino adds: “We use three ProPlex FloppyDrive Digital DIN Rail units to drive three 15-meter runs of RGB FloppyFlex Digital. This is way more than adequate to highlight the giant helmet; it can be seen from the farthest points of the arena and really stands out in broadcast shots. We use two solo spot washes to create the ‘eyes’ peering out from inside the helmet. To keep things interesting for the arena’s 18,000 fans, we use a grandMA console to create a different programme for each home game.”
Guarino’s company, Sexy Lites, specialises in lighting designs and programming for concerts an
UK - S+H Technical, specialists for LED visual effects, drapes and starcloths, supplied around 350sq.m of its LED Animation cloth and 450sq.m of standard RGB starcloth drape for the BBC’s 2018 Children in Need telethon, broadcast live on BBC One and BBC Two.
Featuring a star-studded line-up, the event raised over £50m for the 2018 appeal in what was the crescendo of this year’s fundraising activities for disadvantaged children and young people in communities across the UK.
The telethon production design was created by Alex Craig - working on his 10th Children in Need - and this new look for 2018 featured some threads from the previous design to keep a strand of continuity, together with some spectacular new elements including lots of LED and a large upstage LED wall, 14m wide by 5m high, which split in the middle and opened for performer entrances and exits.
“The look was modern, clean and now,” explains Alex, adding that his brief from executive producer Leanne Witcoop was to ensure the space looked integrated and a contrast from last year where there were three distinctive different performance areas on the one set.
The stage was all on one level, punctuated with curves and spheres which defined its general shape, complete with the spectacular long multi-layered curved LED screen set piece upstage, finished in gold shimmer disc material and outlined with LED strips.
This was flanked by two smaller semi-circle curved screens, also edged with several lines of LED - like a giant geometric spirograph design - and clad in chrome s
South Africa - Comic-Con Africa, a three-day event showcasing comic books, science fiction/fantasy related film and TV, as well as similar popular arts, was hosted for the very first time in South Africa at the Kyalami International Convention Centre in Midrand, Johannesburg. MGG was appointed as the main technical supplier for the sold-out event, enjoyed by over 45 000 superheroes, villains and sidekicks.
Geeks, gamers and superheroes were spoilt for choice with an enormous exhibition area and were enthralled by gaming panel discussions, cosplay contests and a chance to rub shoulders with celebrities like Travis Fimmel of Vikings fame.
MGG meticulously executed the technical setup for Comic-Con Africa, that included a main stage, four pre-screening rooms, two VS gaming areas, kids’ entertainment area, an MTN outdoor stage which included a VIP and screening area, and lastly, audio for both multiple exhibition floors and the food zone. Professional gear was utilised all round, which included Robe and Claypaky lighting fixtures, Prolyte trussing, Absen LED screens, L-Acoustics PA and DiGiCo audio consoles that both amplified and magnified an exhilarating event.
“Getting these shows and putting them together really excites me,” said Timothy Templeton, MGG’s technical production manager for Comic-Con Africa. “For me, 80% of an event depends on pre-production planning. This is also where you rely on the crew, and we would not have been able to accomplish, what I feel was a professional and seamlessly executed event, without them. The crew are
France - PlugFest, the technical event for entertainment lighting interoperability organised by PLASA, is coming to Europe on 26-28 February 2019.
The event is taking place in Lille, France, at Ibis Lille Centre Gares, and presents an opportunity for delegates to test and demonstrate device and system interoperability, with the aim of improving reliability, resolving compatibility issues and improving connectivity between entertainment lighting and related technologies.
New for 2019 will be a presentation on the ESTA Entertainment Industry control protocol standards which have been in public review since the last PlugFest, with the revised drafts of the RDMnet standard being of particular interest to many previous participants. Attendees will also learn about the latest ESTA/ANSI standards, set to be released in early 2019.
Focusing on a wide array of protocols including DMX512, RDM, DALI, sACN, Art-Net, RDMnet and LLRP, the event’s expert hosts - Hamish Dumbreck (JESE Ltd), Wayne Howell (Artistic Licence) and Peter Willis (Howard Eaton Lighting) - will be on hand during the event and will also host a series of workshops and break-out sessions.
Lille is connected to London by Eurostar and to all major European cities via mainline rail. PLASA is arranging a van for UK delegates to easily transport their equipment to the event - contact the Association for more information. A limited number of discounted hotel rooms have been reserved for the event, so earl
UK - Temporary and permanent installations specialist Setsquare Staging has invested in print and interior design company Enigma Visual Solutions and event and print production company, GTMS.
Enigma and GTMS will both continue to operate from their Marlow and Waterlooville bases respectively but the companies will combine their services.
John O’Gorman, creative director and founder of Setsquare, comments: “We are extremely excited to embark on this new venture. Both Enigma and GTMS are specialists within the print, build and staging industries, delivering creative solutions to clients on an international level. We will combine our services to produce industry leading solutions. We will be building branded environments second to none.”
Reno Macri, founder of Enigma Visual Solutions, adds: “I founded Enigma in my parents’ spare bedroom as a sign company and since then Enigma has grown year on year from graphics to modular and custom exhibition stands; to interior design and installations.
“Over the last 10 years, Setsquare has been an invaluable partner, helping us expand into new and exciting sectors. To secure the future of Enigma and its continuous growth, the opportunity to be part of Setsquare has not come at a better time for us and our clients. With the amazing resources now on offer, we can satisfy our clients with the added expertise of Setsquare and GTMS.”
Dominik Short, managing director of GTMS adds: “This is an exciting time for GTMS, in 2002 we transformed the business into an award-winning event production
China - Clockenflap is one of Asia's largest multi-genre music festivals held annually in Hong Kong. Now 10 years old, the festival is a firm favourite in the region, with its extensive programme of music, art, film and other activities.
In addition to a line-up of internationally renowned artistes - which this year included Erykah Badu, David Byrne, Khalid, Roni Size, Interpol, Caribou, Anpu and The Vaccines - the festival also offers a platform to local talent, helping them reach a wider audience.
For the 2018 edition of the festival (9-11 November), the main (Harbourflap) stage and second stage were managed by Alto Stage Management, who called in Davide Linzi of Mister X Service as audio system designer for both and FOH engineer for the main stage (assisting productions with their own sound engineer).
Linzi explains why he took Outline’s Newton multi-source audio processor with him for the important event. “I decided to take Newton to Clockenflap because I needed a fast versatile unit that enabled me to create a matrix of inputs and outputs that was fast and effective to manage and control.”
One of Newton’s strong points is routing, according to Linzi, something he’d never do without, “With the same computer connected via Cat 5 for control, I can do quick L/R recordings for artistes directly via Dante Virtual Soundcard, without the settings made to the PA on the output. Then thanks to the EQ on the inputs, it is possible to carry out individual EQ settings for each engineer, without changing the basic tuning on the outputs.
USA - Former PLASA director Chris Toulmin has joined Entech Roadshow in an advisory role ahead of the first Entech USA Roadshow in April.
Toulmin has over 35 years of experience in the entertainment industry. As a director of events at PLASA he was responsible for delivering the PLASA Show following the event’s relocation to London Olympia and also oversaw the the Association’s regional Focus shows.
Toulmin comments: “I am delighted to be working with Entech Roadshow LLC as a consultant on the inaugural US Roadshow in 2019. This tried and tested formula in the Australia/New Zealand market is a great fit for the expansive geography of the significant North American market. It’s a refreshing new model that adds in a positive way to what has gone before and brings a new level of convenience, accessibility and networking for decision makers and industry knowledge seekers alike.”
Austria - Studio Due Light, in collaboration with Laman Gmbh in Austria, has recently illuminated the Novomatic Forum in Vienna as part of a façade lighting overhaul. The previous fixtures installed were traditional luminaries with a high-level of energy wasted.
The project included replacing the façade uplighters on the ground and first floors, along with the balcony lighting around the forum. Confronted with new challenges to accommodate the LED fixtures, the specifiers noticed the impossibility to run DMX cable to the bottom part of the building, to replace the in-ground fixtures with the energy-efficient ones.
Faced with this issue, Mr. Robert Makovsky of Leman Gmbh turned to Studio Due to come up with a cost-effective solution. After several tests on-site, Studio Due implemented W-DMX into their Terra Plus RGBW RDM fixtures. “We have implemented Nano TRX modules from Wireless Solution, with an Indoor 2 Backbone antenna, so we could receive DMX and transmit RDM back to the controller,” says Paolo Carvone, field application engineer for Studio Due. With this implementation, it is possible to get power from the existent infrastructure, and DMX to the fixture wirelessly, without having to dig and run new cables.
Two WhiteBox F-1 G5 transmitters were also used in the installation, located on the second-floor, and transmitting on both sides of the building. Each receiving antenna is placed around the rim of the in-ground fixture, just behind the top cover, to optimize the incoming signal strength.
“This is a very cost-effective way of r
Denmark - More than 130,000 people and 184 artists saw the AVB debut of Luminex Network Intelligence in a cooperation with Bright Group and Meyer Sound at the Roskilde Festival. On thr Orange stage and the Arena stage, audio was running on AVB protocol from Meyer Sound Galileo Galaxy 816 network platform through a network of 28x GigaCore 10 switches of Luminex Network Intelligence.
“We were very happy to have Luminex on board for the Roskilde festival. There are many reasons to go for the GigaCore range of Luminex but definitely the easiness, the GUI and the rock-solid reliable performance of their switches is remarkable,” says Fredrik Arwidson from Bright Group Sweden. “Furthermore, we were delighted with the upfront training, the intensive testing in our Stockholm warehouse and with the presence of Roel Apers (Support engineer) of Luminex Network Intelligence during the festival.”
“It was a great experience to test and validate our equipment with the massive Meyer Sound system upfront. The Bright Group has an impressive technical knowledge and after the test-runs together with Dennis Tholema (Meyer Sound) I was very confident our AVB debut was going to be successful,” says Roel Apers of Luminex Network Intelligence.
Artists like Bruno Mars, Eminem, Nine Inch Nails, Dua Lipa and many more were powered by Meyer Sound systems and Luminex Network Intelligence during the Roskilde festival.
CEO Bart Swinnen comments: “We are very proud of our new firmware release including the AVB feature. To debut of our AVB release at one of the la
UK - For the last 93 years, the Blackpool Dance Festival competition - probably the most globally acclaimed international bastion of ballroom dancing - has ensured that the genre continues to have a relevant role in popular culture in the UK and beyond.
This year, 3,000 couples from 60 nations competed in the event. Providing them with a stylish and sophisticated visual background was a lighting design by Oliver Wilkinson of Arranpaul that featured 10 Chauvet Professional Rogue R2 Spot and16 Rogue R2 Wash fixtures, and 32 Q-Wash 560Z-LED washes.
Wilkinson has been part of the Blackpool Dance Festival for six years, but in 2018 it was his chance to design the event. He strove to bring a new level of smoothness to his efforts. “We have provided equipment to this event since 2012, and each year we set the bar higher for ourselves,” he said. “This year, I wanted to change things up a little and worked with Arranpaul's operation manager, Tom Beattie, to bring that little extra to the party.”
After two weeks of intensive designing and calculations, Wilkinson and Beattie decided upon an extensive collection of Chauvet fixtures in order to create a mixture of classic ballroom dance lighting and architectural lighting to accentuate the prestigious Victorian-era Winter Gardens venue.
For the actual dance performances, Wilkinson specified 10 Rogue R2 Spots, mounted on the balconies, to create various effects using the fixture's built-in gobos and zoom feature.
"The R2 Spots provided great atmosphere during the performances, and I was abl
UK - Martin by Harman and UK distributor Sound Technology will be at the Liverpool Institute for Performing Arts (LIPA) on 20 November for a showcase of the latest Martin products, including the award-winning MAC Encore Performance, MAC Encore Wash and new JEM Glaciator Dynamic.
Demos will begin at 11am, 2pm and 4pm in LIPA's Art School Studio Theatre.
This will also be an opportunity to discover details of the recently announced MAC Allure Profile LED moving head and ELP LED Ellipsoid Series.
UK - Star Events has released a video highlighting the company’s work for British Summer Time Hyde Park (BST) as the festival stretched to accommodate Roger Waters’ Us+Them performance (read the production report in LSi September 2018), the first of its six sell-out shows this summer.
With Waters’ production requiring more than 1,000m of LED screen, 110 tons of production and no performance box, Star redesigned the entire Great Oak sub-structure and super-structure, increasing the width of the stage by 20m.
Shot by video production and promotion company In The Bag, this look behind the scenes focuses on the Star team building the Great Oak, panning across the Vista hospitality structure, the Barclaycard Stage, brand activations for Barclaycard and Samsung, the main entrance arches and site wide overlay. Watch the video here.
Roger Barrett, special projects director at Star Events, comments: “To achieve what Roger Waters needed, while still enabling the other five major BST Hyde Park shows, was challenging to say the least. This film is a stirring document of Star working with a promoter committed to providing the very best for artists and audiences.“
USA - The recent AES New York 2018 Convention saw over 300 brands of audio equipment manufacturers and service providers showcased alongside a wealth of free events.
Held on 17-20 October at the Javits Centre in New York City, the education and peer networking event once again proved an invaluable resource for audio engineers, producers, students and other audio professionals. Meyer Sound co-founder John Meyer was the Richard C. Heyser distinguished lecturer.
John Monitto, Meyer Sound's director of business development and sales manager, Northeast, says: “This past AES convention drew some of the top audio professionals who we value as a manufacturer. The convention was well attended by those professionals who visited the exhibit booths, demo rooms and the workshop sessions. Meyer Sound featured a two-channel and 5.1 listening room with our newly patented Bluehorn System, which received a high level of traffic and very positive comments. We were also proud that our co-founder, president and CEO John Meyer, was honoured as the Richard C. Heyser Memorial Lecturer."
Piers Plaskitt, CEO of Solid State Logic, comments: “SSL is one of the only console manufacturers in the world that is active in the Studio, Live and Broadcast industries. We always look forward to AES in NY, as it is guaranteed to deliver a great turnout across all segments of our business. 2018 was no exception, and we were busy right through the last hour on day three. Throughout the show we had a queue of people waiting to audition Fusion, our all-analogue stereo outboard processor
USA - Mountain Productions has acquired full-service event production company ROC-OFF Productions.
As part of the transition, ROC-OFF has relocated from its Davie office to Mountain Productions’ facility in Palm Beach, Florida. Core staff, including founder Jose Roche, will remain at the company.
Ricky Rose, CEO Mountain Productions, comments: “Over the past two years, Mountain Productions has been expanding our network both domestically and internationally through the addition of three new offices in Los Angeles, Dublin, Ireland and Palm Beach. With our combined expertise and industry knowledge, ROC-OFF is a natural addition to the Mountain Productions’ suite of brands and a key component to our expansion into Latin America, while enhancing our service base across Florida and the South.”
Roche adds: “Since 1998, ROC-OFF has been an industry leader and will only grow stronger as we enter into this new chapter in our journey. By joining Mountain Productions, we are creating an amazing combined team, driven by the same core values that will only be a complement to our existing capabilities and culture.”
ROC-OFF and Mountain Productions have collaborated on various projects over the last 20 years, including on world tours for Columbian pop star Shakira and on Miami’s Ultra Music Festival. ROC-OFF has also worked on corporate and sporting events as well as for broadcast companies such as Telemundo and Univision. It also sells and rents out used and new equipment.
UK - The UK entertainment technology industry is valued at £1.28bn in 2017/18 and its value is predicted to grow over the next five years, according to a new research report by PLASA.
The study - said by PLASA to be 'the most comprehensive study of the entire entertainment technology industry in many years' - is available to download from plasa.org. It delves into each market sector’s performance and also looks at the effects of macro-environment trends and employment.
According to the findings, all sectors have experienced growth, particularly AV and audio, which represent 38% and 27% of the market share respectively. AV is currently valued at £490m and has an increasing presence in many sectors including architectural and retail. Audio is valued at £340m due to its usage in installations and sports among others.
The suppliers surveyed showed a positive sentiment about the future of architectural & commercial, concert & touring and themed attractions; performing arts, DJ and studio sectors were also listed. The future of the industry is also positive, with half of those surveyed expecting the value of the industry to increase in the next five years.
PLASA managing director, Peter Heath, comments: “It’s great to learn that the entertainment technology industry is in such good shape. And with the industry diversifying and adapting, it is clear that leading professionals from all sectors are more than capable of steering live enter
Indonesia - The 2018 Asian Games Opening Ceremony, staged in Jakarta’s Gelora Bung Karno (GBK) Main Stadium, saw LD Yves Aucoin to deliver an impressive lighting design.
The OC of Asia’s largest sporting event featured a general cast of around 4000, produced by Scott Givens and Libby Hyland working with Indonesian creative director Wishnutama Kusubandio. Staging direction was by Michael Pena working with Indonesian choreographers Denny Malik and Eko Supriyanto, and the breathtakingly visual extravaganza was produced by live event specialists FiveCurrents.
Montreal based LD Aucoin specified 270 x Robe BMFLs to be a major part of the lighting rig.
“It was BMFLs or BMFLs,” he says. “They were the only fixture option for a selection of key positions around the venue.”
These high-powered fixtures once again proved their ruggedness and reliability as they performed without a hitch in the sweltering heat and intense humidity. Sixty of the BMFLs - supplied by a number of different companies - were a new purchase by locally based PT Energi Sembilan Perkasa from Jakarta.
Josh Zangan’s set design was dominated by imposing rolling green hills and a smouldering volcano, complete with streams, fountains and lush foliage detailing the wonder and magic of nature, surrounded by deep blue seas. This was 350 ft. wide, 96 ft. tall and 80 deep and filled one side of the stadium. The entire set surface was projection mapped together with all the visible field of play.
The 270 x BMFLs - comprising 120 x BMFL Spots and 150 x BMFL Blades - w
Sweden - Each year in October, the Swedish town of Alingsås near Gothenburg turns into a fun lighting event, attracting more than 80,000 visitors from around the world. For this year’s Lights in Alingsås, six groups of talented lighting and electrical students created beautiful light installations under the professional guidance from seven established lighting designers using over 50 fixtures from SGM Light.
The almost 400-year-old Swedish town Alingsås started off mainly as an iron trade city, which later turned into a city for the textile industry.
In the city river, the manufacturers would wash out the colour of the textiles, giving the name for the first site for this year’s Lights in Alingsås, Färgeribron (Dyers’ bridge). Led by Nielsen and van der Velden, this team focused on the visible energy from the water as well as the communal energy, greatly inspired by waves.
Using the S-4 fixture from SGM Light, the team was able to create a creative installation that encouraged visitors to interact and be a part of the light art. “We hope it touches your heart and energizes your spirit,” said one of the students.
Steven Rosen, president and creative director of Available Light, was the group leader at the light installation at the town’s cemetery that dates back to 1834.
“A cemetery is a place where people can go to stimulate their memory of their loved ones,” explains Steven Rosen about this installation that played with spiritual energy. Steven explained that, to him, a cemetery is not only a pl