UK - Technical entertainment charity Backup has announced Round 2 of applications for its Hardship Fund is now open.
The fund was launched in October with the aim to provide limited financial assistance to production crew and those working in the technical supply chain across the UK entertainment sector. Set up just ahead of the then-concluding Self-Employment Income Support and Job Retention schemes, it originally targeted those in the community who had been unable to receive any state or charitable assistance.
But Round 2 will be open to workers who have been awarded up to £5,000 in funding between 1 April and 30 November.
“The application uptake for Round 1 of the Hardship Fund reaffirmed to us how dire it is financially and that this help could not come soon enough for many or our colleagues,” comments Backup chairman John Simpson. “It has been heartbreaking to read the messages applicants included and we are thankful that Backup has been able to provide some small level of financial support to help keep our colleagues afloat.”
He adds: “With Round 1, the Hardship Fund was able to help over 100 colleagues that have not previously had any help. However, we are also aware that there is another larger group of people that have had some form of small support from government grants, but this is not enough to meet their day-to-day basic requirements and thus also find themselves in financial difficulty. This is why Backup is opening the Hardship Fund to for a Round 2, targeting these individuals with a widening of the criteria.”
UK - #WeMakeEvents, the campaign to support the live entertainment sector during the COVID crisis, is hosting an online Speakeasy from Monday 30 November to Friday 8 January. This new virtual space will deliver skills workshops, support sessions for finance and wellbeing, ‘fireside chats’ with some of the industry’s greats, and plenty of entertainment. All industry professionals are invited to join in and connect with colleagues during what will likely be a difficult festive period for many.
The Speakeasy will run regular quizzes, webinars, Q&A clinics and training sessions, and will host a forum on Discord which will be open at all hours for people to seek and share advice.
On the agenda is a highly anticipated live conversation between former Cirque du Soleil artists Laura-Ann Chong and Andy Buchanan, advice on motivation through these difficult times, plus industry technical sessions coving topics such as COVID health and safety for events, temporary power and site electrics, and an introduction to noise management for events,.
Coming up throughout December you can look forward to a quiz night held every Monday, weekly yoga classes with Becky Pell of Rock ‘n’ Roll Yogi and regular live music sets - including DJ sets with Martin Audio’s Dom Harter. There will also be plenty of programme highlights from PLASA Online, PLASA’s recent online programme, which will cover the most pertinent topics across, technical, business and industry.
More sessions and events will be added throughout the coming weeks, so you are encouraged t
Germany - Top executives from d&b audiotechnik, the Royal Albert Hall, Audiotonix and Live Nation recently came together to address the future of shared entertainment experiences at the ‘Horizons Summit: Entertainment, Technology and Beyond.’
The virtual panel discussed the effect the pandemic has had on the live events industry and how shared entertainment experiences might look in the future.
The discussion, led by journalist and author, Dan Daley, included Amnon Harman, Group CEO d&b audiotechnik; Jackie Wilgar, senior vice-president Live Nation; Craig Hassall, CEO Royal Albert Hall, and James Gordon, CEO Audiotonix.
The Summit addressed common partner and customer concerns as well as industry trends including: the pivots required to keep live entertainment companies alive; the future of drive-in and virtual concerts; government support during the pandemic; and the indicators of industry recovery.
“2020 has brought incredible challenges for everyone in this industry. While many of these conversations have been taking place behind closed doors over the last few months, this Summit gives the industry the opportunity to openly address challenges and to discuss what we believe will be the future of live entertainment,” commented d&b’s Amnon Harman. “Community matters, strength in numbers matters and we need to bring everyone together to navigate these challenging times.”
To watch the Summit please click here.
UK - The Guildford School of Acting (GSA) is hosting development project Creating Theatre in a COVID Landscape.
Developed alongside FUSE ARTS, Creation Theatre and Fray Studio, the project has created four COVID-compliant theatrical events, which will be livestreamed as part of two seminars to be held on 20 and 27 November.
Working with GSA’s technical theatre students and partnering them with professional creatives, the project explores how challenging and provocative theatre can be produced whilst maintaining a COVID-secure environment. It also provides an opportunity for GSA’s students to collaborate with industry professionals in exploring and developing viable contemporary theatre practices in the COVID era.
The seminars will discuss the challenges and possibilities of producing theatre within the context of the global pandemic with the insight and expertise of the next generation of technicians and actors, asking the following questions:
• How can we collaborate as an industry to produce live theatre against the context of the global pandemic?
• How can we retain the “magic” of a live theatre show through the power of theatre technology?
• How can we produce innovative and viable shows that minimise financial exposure and encourage venues to risk showing Covid compliant work?
Mig Burgess, project creator and programme leader for BA Theatre Production at GSA, says:
“We want to do our part to help get the lights back on in theatres across the country in any way we
UK - The All Party Parliamentary Group (APPG) for Events has now been re-established as an official group in Parliament following the appointment of a new chair and vice-chair.
Theresa Villiers, MP for Chipping Barnet, will be the chair of the group. Theresa takes over from James Heappey MP, who was chair for four years, until his appointment as Minister for the Armed Forces prevented him from serving in that role. Robert Largan, MP for High Peak, will serve as vice-chair.
The APPG will continue to act as the industry’s voice in Parliament and has been credited with establishing stronger links between the events industry, Parliament and government in recent years. Villiers is an experienced MP having served her constituency since 2005, and having previously held the positions of Secretary of State for Environment, Food and Rural Affairs, Secretary of State for Northern Ireland and Minister of State for Transport.
Commenting on the APPG, she says: “I am delighted that the APPG for Events is being re-established. At a time when the conference and events sector has been devastated by the COVID outbreak, it is more important than ever that we have this group working in Parliament to speak up for this crucial part of our economy.”
The APPG are in the process of inviting members from both Houses of Parliament, and from all parties, to join the group, and are targeting over 250 MPs and peers, in particular those who have either event venues or major events within their constituencies.
A series of industry briefings are being scheduled ov
UK - To facilitate BDO’s first ever fully virtual global conference, creative consultancy Fusion Comms produced a new digital delivery format. The BDO Rethink Festival, which is traditionally held as a bi-annual face-to-face leadership event, was instead broadcast to a global audience on 2 and 4 November.
Fusion Comms partnered with White Light (WL) to create a virtual world for the event, within its SmartStage broadcast facility at London’s Science Museum.
WL collaborated with Fusion Comms and their digital creators MalfMedia to design a flexible xR solution to facilitate three festival broadcasts to BDO’s managing partners from across the world. The visual identity for the xR world was conceptualised around the Rethink Festival’s existing logo and branding.
An entire virtual infrastructure of festival stages was built with the use of digital assets created in a media server system that for the first time incorporated teleportation, remote callers, in studio presenters and XR and AR graphics.
The use of Augmented Reality enabled multiple cameras to track the presenter, whilst the AR festival environment worked in sync with the cameras so the presenters could ‘walk’ from one stage to another.
Delivery of the plenary sessions included the live, full-body teleportation of five presenters directly into the xR environment. Three presenters were transported from studios in Canada Washington DC and Israel, with two more from their homes in Scandinavia.
The whole conference was streamed to a worldwide audience of over 2,500 de
USA - Elections for the ESTA board of directors concluded at midnight on Saturday, 31 October. An outstanding number of ballots were submitted this year, the organisation reports.
There were four positions up for election to the board. Tracey Cosgrove will fill the office of vice president; Elmer Veith of Reliable Design Services will serve as secretary; Evan Williams of Riverview Systems Group is the new production services director, and Mark Wofford of PC&E was elected to serve as rental company director. All will begin their three-year term of office on 1 January 2021.
ESTA and its members wish to thank outgoing board members Orestes Mihaly (PRG) and John Cini (High Output) for their dedicated service.
UK - Members of the events industry lit up part of Scotland’s Nevis Range – including the summit - on 16 October. Say the organisers, “This is part of our campaign to highlight our presence to the Government and that we need assistance to keep business surviving. Scotland's events artists, technicians and crew are fighting to resurrect the industry.
“We are looking for better grants as opposed to loans and a date to begin working towards reopening our sector safely. The present financial support schemes are limiting and many freelancers in particular are not eligible due to the criteria set out on the forms. Many people are falling through the gaps.
“We are representing live events and all of those people and businesses who are affected in the supply chain. We are also here in solidarity for everyone who has been affected greatly by COVID -19 - from tourism, hospitality, festivals and beyond. The artists, technicians and everyone whom work so hard behind the scenes to help create Scotland's diverse arts culture.
“We would also like to directly appeal to members of the public and our audiences to stand with us and help bring our industry back. We can work safely with the guidelines being issued, but many companies and venues are now closing since they were the first groups out of work and therefore the last to come back. Many feel they have been forgotten about or that what they do is deemed now non-viable by our Government. This sector is worth over one billion to the UK economy.
“On a grass roots level, we need arts and cultu
South Africa - Viral video footage of an African National Congress (ANC) rally held at the Luthuli 9L Sports Grounds in Polokwane on Sunday, 8 November, attended by thousands not adhering to the social distancing regulations, has infuriated the region’s live events industry who have not been able to work for over eight months.
“We as the TPSA, SACIA and SA Events Council have lodged a complaint with the South African Police, in particular with the Provincial Commissioner of Limpopo, Lieutenant General Nneke Ledwaba,” said Sharif Baker, chairman of the TPSA. “We are absolutely disgusted at what has happened. It’s a smack in the face for the lives at stake, and literally a smack in the face of us in events who are abiding by the law.”
The Siyanqoba Rally in Ward 14 in Pokowane and issued by the ANC Peter Mokaba Region, included live entertainment and was attended by a massive crowd, with most attendees not wearing masks. The event disregarded the 500 outdoor capacity restrictions as dictated by the ANC government. The current Level 1 risk reduction strategy implemented to slow the spread of Covid-19, allows up to 500 people for outdoor gatherings and a maximum of 250 people for indoor gatherings.
“This event has taken place where thousands of people did not follow a protocol whatsoever while the live events industry starve,” said Baker. “We have not left this alone and have been in communication with Nkosinathi Emmanuel 'Nathi' Mthethwa, the Minister of Sports, Arts and Culture while copying in Khumbudzo Phophi Silence Ntshavheni, th
USA - The Audio Engineering Society has announced the winners of this year’s AES Awards for distinguished achievement in the field of audio and service to the Society, presented during the Opening Ceremonies of the AES Show Fall 2020 Convention on 27 October.
The awards were presented in the online ceremony by AES president Agnieszka Roginska. The AES Show opening ceremonies are available on-demand for AES Show attendees at AESShow.com.
The AES Board of Governors Award, given to members rendering exceptional service to the Audio Engineering Society, was presented to Jorge Azama, for chairing the successful AES Latin American Conference in September 2019 in Lima, Perú.
The AES Honorary Membership Award was given to Imogen Heap, for outstanding contributions to the world of music and technology and to Karrie Keyes, for her leadership in creating opportunities for girls and women in the field of live sound.
The AES Fellowship Award went to Peter Graham Craven, for ‘decades of commitment to the growth and ongoing health of the professional audio industry and for unflagging advocacy for, and dedication to, the Audio Engineering Society’.
Also receiving this award was Jackie Green, for ‘contributions to the sciences of microphone design and manufacture, microphone performance measurement and to microphone and wireless mic system education’.
Other winners includes Thomas Miller, for ‘valuable contributions to the development of miniature transducer design’ and Umberto Zanghieri, for his work ‘advancing the application of
UK - Event business based in England are likely to benefit from the Additional Restrictions Grant, which will be issued by local authorities in light of tightening restrictions across the country.
Local authorities remain in power over how much of the £1.1bn funding is administered and to which businesses, but the guidance encourages them “to develop discretionary grant schemes to help those businesses which - while not legally forced to close - are nonetheless severely impacted by the restrictions put in place to control the spread of COVID-19. This could include - for example - businesses which supply the retail, hospitality, and leisure sectors, or businesses in the events sector.”
The explicit mention of the events sector is a big win for campaigners, who have argued for months that the industry should have been included among the worst-hit sectors eligible for funding.
The guidance also says that when deciding how much funding a business can receive, local authorities “may want to take into account the level of fixed costs faced by the business in question, the number of employees, whether they are unable to trade online and the consequent scale of coronavirus losses.”
Reflecting on the news, PLASA says in a statement: “The UK government recently announced new business support measures, including £1.1bn
South Africa - Capetonians Alex Van Dyk from Solid Group and Alan Muller created Solid Studios that ran from April to the start of October this year.
When the South African lockdown was first implemented, Alex and Alan initially started chatting over the phone about PPE, hoping to generate an alternative income. The conversation turned to how many people were now streaming, and they smiled, talking about newbies to the platform showing up with coffee in hand and dressed in slippers! It dawned on them that if they paired up, created a studio and ran it as if it were a tv paying client, they would achieve broadcast quality.
Alex is the owner of technical supply company Solid Group and had the space to facilitate a studio and the necessary quality gear, including a Green Hippo Amba+ media server. Alan, in turn, is a lighting designer for EDM and Dance Around the World type festivals. In the industry for close to 30 years, he cut his teeth in the television market, particularly from a lighting point of view, and has gained knowledge and skill for both TV lighting and set design.
“Alex and I met in person for the very first time over the Covid-19 period," said Alan. "We looked at the Solid Group warehouse and decided to design a 10m x 10m studio. Being a television studio, we didn't need a stage.” Based on the studio’s LED design, the Hippotizer was critical in how they expanded the set. With content playing a major role, they were also able to create abstract shapes and designs with the powerful tool.
“James Rogers, a passionate AV technic
UK - The BPI/BRIT Awards have announced the donation of £54,000 to the COVID-19 Crew Relief Fund administered by Stagehand, the Production Services Association (PSA) Welfare and Benevolent Fund. The money will help Stagehand’s relief fund to approach £240,000, which will be invested in supporting live music and events professionals affected by COVID-19 restrictions.
The contribution from the BPI and BRIT Awards comes on top of £1.62m of BPI-co-ordinated funds donated earlier this year by the recorded music sector to charities and organisations supporting artists, managers and venues through the pandemic - bringing the total distributed to date to £1.67m.
Geoff Taylor, chief executive BPI, BRIT Awards & Mercury Prize, comments: “Our industry is deeply interconnected and while everyone is feeling the pain of the COVID-19 pandemic in some way, no sector has felt its force to the same degree as the live business. This includes, the expert technicians and events professionals who help make great performances happen.
“That’s why it’s right that, in addition to previous donations to charities benefitting artists, managers and venues, we should not overlook this important part of the music family. We rely on their skills every year in staging The BRIT Awards and the Hyundai Mercury Prize, and we’re delighted to assist the important work of Stagehand supporting live production crew.”
Mike Lowe, Stagehand’s chair of trustees, adds: “As the BPI and BRITs donate £54,000 to Stagehand, it is met with our sincerest appreciation. F
UAE - Creative Technology (CT) was this year's official communications partner for the Mai Dubai City Half Marathon, which took place Friday 23 October at Dubai International Financial District. The event which saw more than 400 runners from over 40 countries take part was the first mass-running event to take place in the UAE since the start of the pandemic in March.
With a range of measures in place to ensure the safety of all participants, this year's marathon was able to have three different race categories ranging from 5km, 10km and 21km.
Adding to the event’s safety protocols, CT provided site-wide communication to support the event organisers across the 21km site. This enabled seamless communication between the event organisers and their teams while adhering to all social distancing parameters and guidelines.
The Mai Dubai City Half Marathon organisers received support from Dubai Sports Council, Dubai Police and the Roads and Transport Authority (RTA) in organising the event.
CT's Middle East integrated networks technical manager, Rob Turner comments, "As physical events start back up we are seeing an increase in demand for communication systems. What once was an afterthought on an event is now at the forefront of everyone's mind as people become more conscious to carefully manage people's movements. Our communication systems are helping clients provide a safe solution for event crew and delegates to communicate while adhering to socially distancing guidelines."
"Promoseven sports marketing (PSM) extend an acknowledgement of o
USA - ETC has postponed any participation in traditional trade shows until July next year. “Out of concern for the safety of its employees and global community, ETC has announced that it will not participate in traditional trade show exhibitions until July 2021,” says a statement. “With the pandemic affecting many people’s ability and desire to travel, the company has instead decided to focus its resources on remote demos and online events.”
The statement continues, “A major part of the trade show experience is the chance to see the latest gear and get one-on-one face time with product experts. With this in mind, ETC has been hard at work converting in-house demo spaces throughout the company’s offices into studios for online product demonstrations. Customers may now use an online portal to schedule live, one-on-one demos of some of the company’s newest fixtures – ColorSource Spot jr, Source 4WRD Color, and the fos/4 Panel and fos/4 Fresnel studio products – from the comfort of their own homes or workplaces.
“With plans in the works to expand these online offerings, ETC hopes to make online demos a permanent resource for customers looking for the latest in lighting technology.”
Until live events can safely return, ETC is also turning its focus to online events and programmes. The company’s online Study Hall seminars – ongoing since the beginning of the pandemic shutdown – continue to provide remote learning and Q&A opportunities, with past sessions posted to an ever-growing YouTube library. Having held a successful
UK - Five event professionals encapsulated the trials and tribulation of the UK’s events sector on the Survival Tour, 3-18 October. Their 1,700km ride traversed over a hundred venues closed due to the COVID-19 pandemic, where the riders met the people who would have normally produced all kinds of events (insights into their journey can be seen here).
It was a bitter-sweet experience for the riders, both physically and psychologically, as Proper Productions’ Mark Ward explains: “Without any events to work on, we clipped our barely trained legs into our pedals, to highlight the dire plight of our industry. It was inspiring to bring together the venues and people along our route and hear tales of their personal circumstances and battles first hand. The support has been fantastic, raising awareness through local and national media coverage and fundraising over £30,000 for the Backup charity, which is still open for donations.
He adds: “This week’s Cliff Edge Report has been widely reported, it highlighted that the forced closure of events will have cost 170,000 jobs in the live music industry, that’s 100 jobs for each kilometre cycled, which is a very humbling thought.”
UK - Over the last five months, the #WeMakeEvents campaign has been raising awareness around the current plight facing the live entertainment sector and its urgent need for financial support if it is to survive the COVID-19 crisis.
With the introduction of tier systems and the continued local lockdowns, hosting live events has become even more difficult than before. The campaign is therefore continuing to make its voice heard with the next stage of its protest action - Survival in the Square.
Gary White, lead producer of #WeMakeEvents, comments: “The latest government support packages, although welcome, are not reaching those who need them the most and will only benefit a small group. Larger, more meaningful action needs to be taken and, until it does, we will still be here campaigning.”
From 26 October (Monday), Survival in the Square will comprise a series of creative activities set to take place each day in Parliament Square. The activations will be socially distanced and COVID-compliant and will engage a variety of genres from across the performing arts spectrum.
Supporting the Survival in the Square initiative will be West End Waiting. “The West End Waiting Facebook group was created to bring people in the performing arts and events industry together,” says Lee Durnford, founder of the group. “The original idea was for us to be able to discuss relevant topics and give each other support. The group has grown to just over 12,000 members and we have a collective of West End musical directors, stage managers and choreographers who
USA - Foo Fighters recently played the #SOSFest livestream with Brit Row providing the virtual remote mixing solution. Performing at West Hollywood’s Troubadour, the gig was streamed to fans on 18 October as part of a collective action weekend in support of independent US-based music venues.
A total of 35 artists - including Miley Cyrus, The Roots, Major Lazer and Leon Bridges - played in multiple venues in cities across the US and joined the Foo Fighters in raising awareness and funds to keep North America’s cherished independent concert venues from closing indefinitely.
Named #SOSFest, the three-day virtual music festival was created to support the Save Our Stages initiative and America’s National Independent Venues Association’s (NIVA) Emergency Relief Fund. NIVA’s YouTube hosted the festival, with individual sets also aired on artist channels.
Prior to the gig, Foo Fighters frontman Dave Grohl told Forbes why raising awareness is vital: “The smaller music venues are the ones that are really struggling and are not only culturally important, they are emotionally important.”
The LA-based rock band’s production team had just five days to produce an unforgettable show for the cause. With the pressure on to deliver a clear message, the long-time clients of Britannia Row Productions were in capable hands when travel restrictions called for a creative approach to their traditional monitor set up.
Monitor engineer Ian Beverage - the band’s longest serving crew member - was unable to travel from his home in Canada t
UK - Immersive experience specialists Technically Creative have formed a collaboration with five other creative experiential providers to launch the Vigilante Group. The newly-formed group specialises in advertising, film, experiential spaces and design.
The companies involved are Cod Steaks - design and build artisans focusing on museums and branded attractions; Burning reel - film production; Creep -a film, animation and visual effect postproduction company; Afew - designers and developers specialising digital experiences for the web; Arcadia - event specialists, and Technically Creative.
Marc Broadbent, founder and director of Technically Creative says: “I am so excited for the companies, including our own, that have come together to form this exciting new collaboration. The Vigilante Group showcases the culmination of the achievements by so many of the dedicated creative teams within the group. We have united to provide unequalled results with a painless delivery.”
Mark Pyrah, development director at Cod Steaks, adds: “This is a group of individuals, created to widen our individual markets, skill base and creative thinking in ways that enhance our own existing client offers. Vigilante Group gives clients real creative solutions at real prices and I am excited at what this team can achieve.”
UK - PLASA Online, a virtual programme of talks, panels and presentations designed to help industry professionals navigate the COVID era, was hosted by PLASA last week.
Thousands signed up in advance to watch the specially-curated programme, which spanned business advice, industry insights, technical developments, and product presentations. For those wishing to catch up on any of the sessions, the full programme will remain online until 16 November - recordings from each session can be requested by completing a form.
The most popular session was an exploration of the 2020 Changes to Portable Appliance Testing Requirements with electrical expert and author of the new IET Code of Practice James Eade. In this session, Eade gave the viewers an overview of the recent changes and explained why portable appliance testing is no more and why annual testing is probably not the right answer.
Looking at challenges in live production in the Covid environment, Tom Goode chaired a panel with health and safety professionals from across the industry. Together they discussed a variety of corporate, theatre and music events that have been recently produced, along with what’s worked and how they have had to adapt.
Other popular sessions included the Future of Virtual and Digital Theatre with lighting visualiser James Simpson, Predictions and Pathways to Economic Recovery with renowned economist Roger Martin-Fagg, and On the Campaign Trail with #WeMakeEvents
UK - PLASA Online 2020, a five-day programme of business, technical and product sessions, kicked off yesterday and will run daily until 16 October. The week-long programme includes live key notes, panel discussions and training sessions designed to provide education, guidance and inspiration during these challenging times.
In light of challenges that have emerged in the COVID era, chartered safety practitioner and production manager Tom Goode will discuss event production in the new COVID environment. Joining him will be Karl Raw, Health and Safety Inspector for the Health and Safety Executive (HSE), Dominique Perrissin-Fabert, Health and Safety Manager for the Royal Opera House, and Ben Stephen, Head of Operations & Production for the Albany. Together they will share how they have adapted workplaces and practices and will answer questions from the virtual audience. In other sessions, James Eade will unpack the latest changes in PAT testing guidelines, and Nathanael Dannenberg of Signify will reveal how to harness the power of UV-C lighting for disinfection.
Business webinars are planned throughout the week: economist Roger Martin-Fagg will outline predictions on the UK’s economic recovery; HR expert Nicky Gleadow will provide advice on employment, support schemes and redundancies; and to highlight the importance of mental health, PLASA’s Peter Heath will speak with Eric Mtungwazi from Music Support and Pat O’Toole, an experienced coach, trainer and consultant, to share ways of managing mental health and wellbeing. Additionally, a panel of ind
UK - PLASA’s Managing Director Peter Heath spoke to the House of Lords Economic Affairs Committee on Employment and COVID-19 on 6 October.
Alongside Horace Trubridge from Musicians' Union, Abigail Pogson from SAGE Gateshead and Julian Bird from UK Theatre, Heath gave evidence of the live events and entertainment sector is suffering and why the sector needs further government support. The session was broadcast on Parliament TV and is available in full here: //parliamentlive.tv.
During the introduction, Heath commented: “The events industry has been absolutely devastated, but the question is, can it survive? This is subject to how soon we can return to work and what support mechanisms will be in place to maintain skills, maintain innovation, and maintain the supply chain. When demand returns, demand will be high because people like to spend money on things that make them happy. But we need to have an industry there to fulfil demand.”
When asked for examples of businesses which have been made unviable, he responded: “We have many company members that have been in double digit growth for many years, but they have had zero revenue from March onwards. For example, one of our members invoiced over £11m in March 2019. In the same period this year invoiced £170,000. He is now being told he is not viable.”
He continued: “Furlough was a great help
UK - From 12-16 October, PLASA is hosting PLASA Online, a five-day programme of curated business, technical and product sessions. Each session is designed to provide education, guidance and inspiration during this challenging time.
Several leading brands will present their latest products, including lighting brands Chauvet, Elation, ETC and Martin. Sennheiser will showcase their new range, and Adam Hall and Highlite will take a look at a variety of their products for both lighting and audio. DiGiCo will detail how they use Audinate’s Dante with their mixing platforms, Vectorworks will host a training session on event production and design, and Broadweigh will present case studies of their wireless load monitoring solutions being used in international shows and tours.
Business webinars are planned throughout the week: renowned economist Roger Martin-Fagg will outline pathways and predictions on the UK’s economic recovery; HR expert Nicky Gleadow will provide advice on employment, support schemes and redundancies; and award-winning speaker Marcus Child will give practical tips to inspire better leadership and company culture.
Additionally, a panel of industry and trade bodies will discuss ways of preparing for Brexit. PLASA’s MD Peter Heath will be joined by Naomi Pohl of Musicians’ Union, Lisa Ryan of EFM Global Logistics, and Peter Bishop of London Chamber of Commerce and Industry. This session will prove unmissable for both companies and freelancers who work and trade with the EU member states.
In light of challenges that have emerged
UK - As part of Qdos Event Hire’s ongoing plans for growth and national expansion, it has opened an office in Glasgow with Jonathan Reid appointed regional manager. Reid, an event professional with 28 years’ experience in delivering temporary accommodation and welfare facilities, will be developing the business throughout Scotland and the north of England.
Vice-chair of NOEA Scotland with strong links to Portable Sanitation Europe (PSE) and regular involvement with the Event Industry Forum, Reid brings with a wide knowledge of events in the region.
Commenting on his appointment, James Thomas, managing director of Qdos Event Hire said: “Extending our reach nationally has been part of our long-term ambitions for the business for some time now. Jonathan’s reputation and dedication are very much aligned with Qdos’ commitment to delivering high quality products and excellent customer service and he’s already proving to be a superb addition. With his professional approach and excellent knowledge and understanding of clients’ requirements, Jonathan is perfectly placed to develop our dedicated operation that services events in Scotland and the north of England.”
Reid adds: “I jumped at the opportunity to join the Qdos team, having kept a watchful eye on the business as a competitor, I’m more than confident that together we can offer an excellent range of products with service levels to match and develop the business as a truly national brand. We’ve hit the ground running with both the reception and comments from clients being exceptio