France - Lighting industry professionals are invited to present their ideas for conference papers for the 2021 programme of Showlight, the quadrennial event taking place on 22-25 May 2021 in Fontainebleau.
Anyone involved in lighting - whether lighting designers, lighting directors, directors of photography, architectural lighting designers or those in associated crafts like programmers and manufacturers - are invited to submit their ideas.
Subjects might include innovative designs; unusual projects, large or small; solving the impossible; the future and the past - where should we be going and what should we have learned; issues that are affecting our industry and how we work. Talks are to be 20 minutes in length to enable as many papers as possible to be presented over the three-day period.
If you would like to become part of Showlight 2021 by presenting a paper, please email your name(s), company, mobile number and a brief summary of the paper you are proposing to firstname.lastname@example.org.
Speakers will be confirmed from 2020 onwards.
Showlight is sponsored by headline sponsor Robert Juliat; platinum sponsor Ayrton; gold sponsors Eyetidy, Robe and SFL Group; silver sponsors White Light and ACT Lighting, Inc; and Bronze sponsor, PRG. Showlight 2021 is also supported once again by media partner, LSi and by LSA. If you would like to become a Showlight sponsor, contact email@example.com
UK - Stage Engage has invested in Luxibel B Blinded1 fixtures for its growing film premiere and product launch events.
The pro AV and staging company, based in London and Exeter, was looking for an IP-rated, LED stage blinder solution for high profile projects such as the BBC Peaky Blinders season 6 world premiere, which took place in Birmingham.
“We were looking for a multi-purpose, high brightness, IP-rated fixture that we could use for a variety of corporate events, film premieres and product launches,” says Cameron Baker, operations manager at Stage Engage. “The quality of the Blinded1 is very good and they have been super reliable. The connectors are great, the display makes sense and the quality of the materials is very good. Investing in them was a no-brainer.”
Created as the little brother of the B Blinded, the 110W B Blinded1 has the same functionality, feel and tungsten emulation and can be used as warm wash light or strobe fixture.
“We’ve been using our new stock of B Blinded1 for so many things, most commonly for flood lights on red carpet events, including at the Peaky Blinders event outside Birmingham Town Hall. Being IP-rated, they are awesome for that. The high brightness output they provide and low power consumption are a winning combination.
“We also used them for a large corporate event at Goldmiths University in London as house lights in the main marquee. They worked amazingly for that, too. They are a great replacement for halogen and are multi-purpose: crowd blinders, face light, house light,
South Africa - Newzroom Afrika, a channel on Multi-Choice’s DStv satellite pay-TV service, went live earlier this year in time for the South African elections. The set, based at their new premises in Linden, was designed by Michael Gill Designs, built by Sets Drapes Screens (SDS), part of the Gearhouse Group of Companies and features Absen DW 2.9 LED panels, Green Hippo Boreal+ and dot2 lighting console supplied by DWR Distribution.
“The project was very exciting,” says Michael Gill of MGD. “I can honestly say that Thokozani Nkosi and Thabile Ngwato, the television producers and entrepreneurs, are the two most forward-thinking individuals I have ever worked with. Their way of thinking is so youthful, fresh and digital. The mindset behind Newzroom Afrika is that news breaks on your telephone these days and not always on TV. With an emphasis on social media platforms like Twitter, Facebook and WhatsApp, the idea is to link what is on your phone to the studio, hence screens were an important part of the set brief.
DWR’s Bruce Riley, Andi Rodgers, Schalk Botha and Tylor Pugin worked alongside Jacob Mogale from the Install Crew for the installation and wiring. The Absen Screens have three MCTRL 4K processors all fed from three Calibre LedView770SV scalers and at the heart of it the Green Hippo Boreal+. Dylan Jones took care of the Green Hippo Boreal+ install and training. The Hippotizer has four SDI inputs, so from the main studio, content can be routed onto the screens in the studio as a PIP or background using multiple layers pre-programmed on the
Poland - Teatr Narodowy (National Theatre) in Warsaw has invested in 40 Robe DL7S Profile moving lights which are part of a lighting upgrade to replace over 100 halogens and gel-scrollers in their rig with new LED light sources, a graduated process taking place across all three of the theatre’s performance spaces.
In addition to modernising their house lighting systems - including some previous moving lights that had been in place for nearly 20 years - they were essentially looking for quieter fixtures, stated head of lighting, Zbigniew Szulim.
They considered all the options, and apart from the silent running of the DL7S, also liked the colour rendering and the smoothness of its dimming. They also wanted a luminaire that could replicate the effect of halogen lamps.
The National Theatre Warsaw, one of five in Poland, each associated with a major city, stages nearly 500 shows a year across all its stages - Bogusławski Hall (Big Hall), the stage at Wierzbowa (Small Hall) and the Studio Stage - a mix of own produced shows and those received from other companies.
The capacities of the Small Hall and the Studio are 120 and 100 respectively, and in these rooms, the audience is sitting very close to the lights, so having less ambient noise coming from the fixtures is a real bonus for those watching.
The theatre’s current building in Teatralny Square was reconstructed after a major fire in 1986 - the fifth in the theatre’s history - and it reopened in its current format 11 years later in 1996.
This is when Zbigniew Szulim joined the
Ireland - D. Reilly of Dandy’s Lighting utilised Kodaline’s logo in designing the band’s lighting for their European tour. After conferring with the band, he used the logo lettering as the inspiration to create geometric diamond-shaped set-pieces for their touring rig. To make this design element work, he outlined these pieces in vivid colour with Chauvet Professional ÉPIX Strip Tour fixtures supplied by Reynolds of Raphoe.
Flown over mid-stage as three large ‘diamonds, and mounted on two stage left and two stage right truss columns, the geometric patterns are creating a powerful, consistent and easily identifiable look for the band on their tour.
“There is a level of subliminal branding with the patterns, since it mirrors the logo,” says Reilly. “Mostly though, it’s something very attractive and engaging to look at. It captures attention and draws eyes toward the stage. Because it’s also very modular, it allows us to create a consistent environment for the lads to perform in as we move from one venue to the next on the tour. If we run into a smaller stage, we can cut down the size of the patterns, but it’s still the same feel.”
Reilly weaves the ÉPIX Strip fixtures into the dynamics of his design with chase sequences. For dramatic impact, he will turn the linear fixtures off during some songs, taking advantage of their smooth dimming curve. He’ll also use the strips to show pixel mapped video images created by Lumio Productions.
“Lumio has been wonderful to work with, as has Reynolds of Raphoe,” adds Reilly.
UK - Artistic Licence has announced that all of its premium ethernet gateways - including artLynx quad, artLynx RJ45, dataLynx II and netLynx quad - now support multi-way protocol conversion. Each port can be optionally configured as a DMX input (previously they were outputs only). This enables the product to route, split or merge Art-Net, sACN and DMX/RDM data with great flexibility.
Says the company, “As the inventors of Art-Net, we always strive to ensure our Art-Net conversion products are the best on the market. This is never more so than with our latest firmware release, now shipping on all new product sales of artLynx quad/RJ45 (4-Universes, DIN rail), dataLynx II (12-Universes, rack-mount) and netLynx quad (4-universes desk/table-top). We have also just launched a 4-universe PCBA module, oemGate quad, for manufacturers wishing to incorporate the technology into their own products.”
Already loaded with features such as electrically protected outputs and support for the latest protocols (including RDMnet LLRP), these products have taken on a new dimension with the addition of DMX input support.
“The gateways previously served to convert Art-Net or sACN into DMX/RDM. This is a very common scenario where lighting data is routed via network protocols (Art-Net or sACN), then turned into DMX control for moving lights etc. However, if a data port on the gateway can not only output DMX, but receive it as well, a wealth of new functionality is opened up.”
Not all lighting desks and controllers generate Art-Net or sACN directly - there
USA - Chauvet Professional was awarded the 2019 LDI Large Booth Design Award. Described by the award organisers as a “welcoming and easily walkable” exhibit that “beautifully integrated” lighting and video, the stand engaged visitors with its visual displays.
Ryan Warffuel and Max Koehler of Antics Studio created this panorama with help from the Chauvet Professional team, using over 200 of the company’s IP65 outdoor-ready products, including the newly-launched Maverick Storm 1 Spot, Maverick Storm 1 Wash, COLORado Solo Batten, Strike 1, and F5IP video panel.
To underscore the IP65 ratings of the fixtures on the booth’s main wall, a “live rainfall” appeared in front of the lighting units. For added emphasis, the video wall that ran between the lighting fixtures showed vivid images of flowing water that bordered the geometric patterns of the panel display.
“Max and Ryan did a fantastic job balancing video and lighting in the booth design,” says global brand manager Caroline Chauvet, who accepted the award on behalf of the Chauvet Professional team. “We’re excited to receive this honour. Big thanks to everyone who worked hard to make this come to life, and to all the visitors who stopped by our booth.”
Also featured in the display were F2 video panels as well as the arena-tour grade Maverick MK3 Profile, Maverick MK3 Spot, and Maverick MK3 Wash moving heads, which were arranged in a compelling V shape suspended structure.
Another area of the Chauvet Professional exhibit featured an inviting theatrical themed di
UK LSi is sad to report that lighting designer Chris Ellis passed away on 8th November 2019, aged 69. Born in Gloucester, on 23rd April 1950 to Doctor John and Mrs Mary Ellis, Chris Ellis lost both of his parents before he turned seven. He became ward to the Reverend Eric and Mrs Vivienne Gethyn-Jones in Dymock, spending a happy country childhood with a brother and sister that the couple had also adopted. From age eight to 18 he attended the Dean Close boarding school in Cheltenham, where he discovered a love of the backstage world - and the skill, which would be useful throughout his career, of persuading people to pay for new lighting equipment. In this case, the school bursar was convinced to buy four new Patt 23 spotlights.
With his ambition to be a commercial airline pilot thwarted by asthma, he decided instead to try making a career in lighting. Accepted by the BBC for their engineering programme, he discovered that it would be 15 years before he could specialise in lighting for them. Offered a job at the local Cheltenham Everyman theatre, he persuaded the BBC to keep their offer open for two years while he went to try the world of theatre lighting. He never went back.
After Cheltenham, he moved to the New Theatre in Bromley, then to the newly opened Hull Arts Centre, then in early 1971 to the Leicester Phoenix. That meant he was the person the City Architect turned to for advice on the new Haymarket Theatre which was then in planning. Ellis worked to ensure that the theatre would have a good lighting provision, including one of Strand
USA - Spotrack discussed the new features of the soon-to-be-released Spotrack 2020 edition of the system at the BCT Entertainment stand during the LDI tradeshow in Las Vegas.
Spotrack enables an operator to remotely control from any location, any number of moving lights as followspots. It works with any moving light and any lighting console, in any performance space and can be used in all entertainment sectors from anywhere in the venue.
In conjunction with Ushio Japan and Strong Lighting, the Spotrack team also conducted regular live demonstrations of this and its new followspot interface, SpotrackEvolution, on the Apex Stages stage.
Whilst the forthcoming Spotrack 2020 sees the addition of many new features that allow users more flexibility, some in response to customer feedback, it has been principally upgraded to enable the use of SpotrackEvolution. Used with Spotrack 2020, Evolution allows the use of an existing follow spot, via a simple upgrade in the form of a small hardware accessory, to be used as a controller for Spotrack.
Also on show was the company’s entry level TracMe system, the smaller, competitively-priced sibling of Spotrack, which can control up to four moving lights from any vendor in a single universe, opening access to the technology to a greater range of application.
USA - Audience members had no idea what they were in for as they entered the UNO Lakefront Arena of The University of New Orleans for the first of Widespread Panic’s three-night performance. Coupled with the Halloween tradition of the band playing songs that have never graced their stage before, everyone involved is on their toes, and none more so than long-time lighting designer Paul Hoffman.
“The band’s dynamic range is broad spanning hard rock to emotive ballads and stops at every station in between - so I need to be able to serve all those needs - often taking a more theatrical approach to the emotionally heavier music,” Hoffman says. “Because of the breadth here, flexibility and dynamic versatility are my best friends.”
For this year’s iteration where the stage was outfitted in an Andy Kaufman theme, complete with miniature wrestling ring, New York taxicab and office and Christmas tree. Hoffman utilized Robe BMFL Spots as the primary profile fixture, as well as GLP X4, X4S, X4 Bar 20, Martin Sceptrons and VL 500s.
“I consider these “best of breed” in their specific fixture categories and although many say the VL500s are reaching end of life, I still love them,” adds Hoffman.
“Paul’s love of the ‘heritage’ range of VL gear is pretty well known inside Bandit,” comments Bandit Lites production manager, Dizzy Gosnell. “Added to that we had another tour in the same time frame in 2019 also looking for VL500’s kind of made us smile.”
This year’s touring schedule was comprised of a series of one-
UK - This month saw the 10th anniversary of Lumiere - the UK’s largest light festival - take place in Durham. The event, run by Artichoke, has been transforming cities across the UK since 2009, with each Lumiere festival inviting local and international artists to create works that reimagine familiar buildings and public spaces, changing the way we experience our urban surroundings.
Over the 10 years since the first Lumiere, Unusual Rigging has been a key supplier in the delivery of specialist rigging and engineering for the festival in Durham. Engineers, riggers and technicians work with Artichoke’s production teams to design solutions to the most challenging projects, from working in delicate heritage environments such as Durham Cathedral to rigging artworks over the river Wear or across the historic medieval streets.
Kate Harvey, senior producer for Artichoke comments: “This year, Unusual has been working with us on a special edition of the festival to celebrate our tenth anniversary. The programme included a number of returning artworks from across previous editions of the festival, together with new commissions from artists specialising in the field of light related work.
“Led by Jim Dugan, the team designed and installed rigging systems for the French fire artists Carabosse in the interior of Durham Cathedral. They provided a rigging system to span the Cathedral nave on three levels and oversaw all work in the upper levels of the medieval building. Compagnie, Carabosse’s captivating fire gardens and flame filled installations have be
UK - Xerocon London 2019 returned to ExCel London on 13-14 November, bringing together accountants, bookkeepers, ecosystem partners and industry leaders.
Over 3,500 delegates gathered to find out the latest news and updates from cloud-based accounting software company Xero. Creative technical production expert Hawthorn was chosen by agency Taylor Bennett Partners to deliver the full technical design and production for the two-day event.
Led by Pete Harding, Hawthorn’s head of creative technical, the company was tasked to bring Taylor Bennett’s vision to life, delivering full technical production for the main conference plenary, exhibition space, break-out sessions and evening party. The event featured a mammoth LED screen, an impressive lightbox installation and a village green complete with a cricket pitch and projection-mapped pond.
The main stage played host to two full days of informative sessions from industry experts and astronaut Major Tim Peake. Made from 413 panels of ROE CB5 LED, the three-section screen measured a staggering 44 metres wide and 368sq.m. Custom-made circular LED discs, each featuring 255 individual RGB pixels per fixture, were used between the sections to add eye-candy reminiscent of digits found on a retro calculator.
Lighting was designed by Russell Grubiak. Audio in the Keynote Theatre was delivered using a d&b audiotechnik V Series line array. The system, which uses full ArrayProcessing, ensured that audio was delivered evenly across the space so that each member of the 3,500 strong audience received the sa
Romania - Lighting and stage design studio M3 Studio in Bucharest selected a large complement of Claypaky fixtures for the latest tour by Andra, the best-selling Romanian pop and folk artist.
Claypaky SharBars, Alpha Spot 800 QWOs, A.leda Wash K10s and Sharpys helped illuminate Andra’s 10 dates from April to September across Romania.
M3 Studio, known for providing visual creativity for bands, clubs and shows, was charged with designing a compact show that would be easy to rig in the short time intervals available at each stop on the tour. A mobile stage was chosen for fast deployment on the road.
“I opted for Claypaky fixtures because I’ve always been pleased with their optical systems and colour mixing,” says lighting designer Petrus Rogojinschi. Ten SharBars, in pairs, were attached to the roof of the stage; another 14 were placed in pairs on the floor at two different levels. “I loved using them for their beam fanning; they gave me a good spread of light on the stage while creating the feel of a blackbox,” Rogojinschi explains.
He used 16 A.leda Wash K10s to pinpoint each member of the band and four Alpha Spot 800 QWOs as contour lights to add depth.
The Sharpys were used all over the roof stage, LX1 LX2, and on the ground providing a background of beams and prisms for full effect.
eXpert Music was the production company, Bivolul was the rental company and Bobo Visuals did the video design. Marbo Trade in Burcharest is the exclusive distributor of Claypaky fixtures in Romania.
Italy - Harman Professional Solutions has announced Exhibo as the distributor for Martin by Harman in Italy.
“Exhibo is a world-class company with a strong legacy and deep understanding of the market needs in Italy,” said Michael Grandon Clouet, senior regional sales director at Harman Professional Solutions, EMEA. “It is for this reason, appointing Exhibo as our lighting distributor allows Harman to increase Martin’s presence while improving customer service in the region. We couldn’t be happier with this new partnership and the excellence that the Exhibo team will bring representing our products to customers.”
“For more than 30 years, Martin lighting has been innovating the way people visually experience live performances, landmarks and enterprises with selection of high-quality fixtures used the world over,” says Alessandro Fantin, pro & broadcast manager at Exhibo. “Teaming with Harman to distribute this legendary brand in the market is a perfect fit for Exhibo as we look forward to introducing Martin’s fixtures to new customers.”
USA - Robe rocked one of its busiest and most dynamic LDI expos to date in Las Vegas, winning two awards, one for Best Creative Use of Light and the other for the T1 product series.
The second instalment of its #ReturnToTheFuture live show created a serious buzz. This show is a performance trilogy highlighting Robe’s latest LED and moving light technologies including the just-launched PLASA award-winning Esprite and the new Tetra2 moving LED batten.
#ReturnToTheFuture part 2 highlighted Robe’s newest products in the context for which they were designed.
The energized 7.5-minute performance played five times a day and had an original DeLorean MMC12 as the set centrepiece, six dancers and around 200 Robe lights - including Esprites, Tetras, T1s, SilverScans, MegaPointes, Spiiders, Tarrantulas, SuperSpikies, LEDBeam150s and PixelPATTs. These were rigged in the roof and all around the sides of the double-decked booth. The spacey fun-filled show included fog and flame jet special effects and a water feature.
Drapes for all areas of the booth which included separate meeting and demo areas were all designed around the #ReturnToTheFuture garage / laboratory theme.
The booth was packed with people right from before the first live show on the first day and it stayed that way throughout the expo, keeping the Robe North America sales team extremely busy making new contacts and reconnecting with existing clients and industry friends.
They were joined on the booth by Robe’s CEO Josef Valchar and sales director Harry von de
USA - Event production company Genetic Productions is out with Morgan Wallen as the rising country music star opens as direct support on Luke Combs’ Beer Never Broke My Heart tour, a North American stretch that wraps in mid-December with shows at the 20,000-capacity Bridgestone Arena in Nashville.
Genetic has again supplied an Elation rig for the singer after having supplied Wallen’s inaugural headlining tour, Up Down, last year. Genetic serves as the lighting and video vendor for the outing, working closely with designer Zac Coren.
The lighting rig includes 3° beams from Elation DARTZ 360 LED moving heads energizing the atmosphere while immersing the stage and crowd in colour and effect.
Zac Coren, who serves as lead LD, says the DARTZ are the main focal point of his design. “They provide a lot of dynamic looks and have a great feature set to accomplish a variety of looks,” he says. “The DARTZ, being a beam fixture, play the role of creating energy on stage. They're bright enough to throw all the way across an arena and really pull the audience's eye to the stage. I also have been really happy with the looks I've gotten from the prisms, as well as the frost. The frost has the perfect balance of washing out the unit and giving it a completely different look while also keeping enough intensity to make a big impact.”
Genetic Productions president Andrew Sparks says that besides its versatility the rig has another key benefit, namely easy handling. “The rig has also been designed for super quick deployment and breakdown,” he say
Cambodia - ABA Bank head office recently acquired Martin lighting equipment from Harman Professional Solutions, in collaboration with Bright & Eternity Co, to achieve maximum visibility and enhance the architectural features of the building.
Located in the centre of the capital city, Phnom Penh, along one of the busiest roads - Preah Sihanouk Boulevard, ABA Bank’s head office witnesses thousands of people pass through every day. The bank and the head office building has overseen a major phase of growth and development, comprising of several rented buildings, a mix of back and front-line offices, and exclusive executive spaces for the top-management. Also, contributing to the landscape of the city is the bank’s contemporary façade made of a mixture of vertical louvers and corrugated box panels.
“The challenge at the ABA Bank’s head office was to highlight and maintain the visibility associated with the main facade, which was perfectly visible during the daytime but was less visible at night,” said Kep Kem, director at Bright & Eternity Co. “To understand the requirements, we conducted a site walkthrough together with Martin’s team to determine any possible cable route, access, controller and installation points. One of the concerns that we faced was to minimise disturbance to their day-to-day operations and complete the installation within a given timeframe. After due consideration of the requirements, we decided that the Martin Linear Quad Graze series would be the perfect solution,”
Both Martin Exterior Linear Quad Graze 3
UK - Success is serving the independently owned, 1,700 cap Electric Brixton well, a two-step refurbishment programme refining the venue’s image and functionality.
LED fixtures light the building’s front wall, which has been resealed and repainted, amplifying the Electric’s standing on Brixton Hill.
Through the doors to the main space the second room wall has gone, improving sightlines and bringing more flexibility in terms of operating the area. It also makes for a much larger bar stage left and quicker service.
An LX console front of house, with additional motors above stage and across the room, and new fixtures, gives LDs easier access to the venue’s lighting equipment and more capacity to shape the image of a performance/club.
Production manager, Tom Cull, comments: “This is all brand new, state-of-the-art equipment. It was about improving the quality, the reach, of the system but at the same time making it easier for touring parties, so we have more scope in the main room for designers.
“The buildings around us have been subject to multi-million refurbs and we thought the time was right to update the Electric outside too. Our LED treatment means it really glows at night now.”
Club nights at Electric Brixton are typically capacity events and the number of live shows is up 25 per cent in the last six months.
Electric Brixton works with Live Nation, SJM, AEG, Metropolis, Kilimanjaro, DHP, Eat Your Own Ears, Rockfeedback, Bird On The Wire and Crosstown Concerts. Upcoming shows include Bakar, Ari Lennox and P
USA - As one of this year’s most anticipated Broadway musicals, Moulin Rouge! The Musical has captured the hearts of critics and audiences alike. Its performances and production design combine to create an extravagant experience thanks to the talent on and off the stage - and, in part, to the power of Eos.
“ETC’s products are why we can make this show happen,” says lighting designer Justin Townsend. “There is just so much data - nothing else could have driven the show.”
Most people are familiar with the 2001 motion picture, a stylistic spectacle from the mind of Baz Luhrmann, so it was important to the musical’s creative team to make something that both honoured the film and stood out for itself.
“We didn’t want to just recreate the movie,” Townsend says, “but try to create a live Moulin Rouge experience.” The over-the-top scenery by set designer Derek McLane was matched by Townsend’s lighting design. “It needed to be bold, nimble, striking, rococo,” he explained, “And I’m tickled we were able to have such huge resources put into set electrics to make it happen.
“All around - we put the pedal down on all fronts in order to create something that could really sparkle and be different.” With nearly 200 moving lights in the rig, LEDs, LED neon, actual neon, thousands of lightbulbs, and a huge amount of power in the footlights, the show required a control system that was up to the task.
“Any given show might have one really tricky element,” says lighting programmer Brad Gray. “Whether it’s
South Africa - A recent technical upgrade at Joburg Theatre includes four Robert Juliat Cyrano 2500W HMI followspots which have been installed for use in the 1000+ seat Mandela Theatre.
The complex’s largest auditorium, The Nelson Mandela Theatre, regularly sees over 75% of capacity audiences and remains open a minimum of 50 weeks in each year. In the past decade, it has hosted many hit shows, including William Kentridge’s acclaimed interpretation of Mozart’s The Magic Flute, the West End and Broadway musicals West Side Story, Chicago, The Color Purple and Spamalot and top-of-the-line global touring shows, such as Le Grand Cirque, Lord of the Dance and Brazouka.
Joburg Theatre is also the permanent home to Joburg Ballet, Jill Girard and Keith Smith’s Peoples Theatre Company, and one of the country’s most respected community development projects in the arts, the tiny ‘black-box’ theatre known as space.com. Its varied and loaded schedule also includes Joburg Theatre’s season of annual pantomime productions.
“The Mandela Theatre’s followspots, which have probably stood the test of time for around 30 years, have been replaced by four Robert Juliat Cyranos,” says Kevin Stannett from DWR.
“We are very happy for Enos Ramoroko and his team, who have always been amazing to work with. I think Johan Tshiwo who handles all maintenance at the theatre, will be pleased to have fewer repairs on his hands.”
The recommendation and installation came from DWR Distribution. The
Europe - Laserworld has introduced EL-300RGB, a diffraction effects laser suitable for use in small to medium sized rooms.
EL-300RGB has a multicolour white light laser system that creates a multitude of projection dots or beams through haze and fog. Due to its special optics, the power of the laser system is distributed evenly to the dots, making the laser safe for audience scanning whilst the laser beams remain visible.
The laser system can be controlled via DMX, but can also run in standalone operation or be triggered by music and linked as master and slave with two or more units. The colour and effects rotation in the EL-300RGB can be controlled from the digital display or via DMX to select specific colours. Rotation can be selected from slow to fast to suit any occasion, or remain static.
USA - Claypaky has introduced Reflectxion, a new moving mirror that promises up to 99% reflectance without chromatic aberrations.
Featuring a 390 by 280mm surface, Reflectxion can redirect beams of light from any stage light with the same intensity as it receives them. The unit offers 540° pan and continuous tilt movement at adjustable speeds.
Using the same omega clamp hanging system utilised in all Claypaky luminaires, this compact moving mirror can be used virtually anywhere on or off stage in any working position, says the company. For control, the unit uses only six DMX channels and pan and tilt resolution are both 16-bit for precise movements. The unit’s onboard LCD menu system is very user friendly and makes addressing and setup simple.
USA - Elation Professional launched Magmatic, a new brand of atmospheric effects, at LDI 2019. Designed, engineered and exclusively distributed by Elation, Magmatic products encompass a range of haze and fog machines with the Magma and Thermatic series, atmospheric snow machines with the Polar series, and CO2 cryogenic simulation effects with the Rocket series.
To complement all of the special effects machines, Elation has developed a complete line of specially formulated effect fluids called Atmosity. Also available is an IP65-rated series of UV LED lighting products in the Prisma series.
“We have long had a vision that stems from a strong demand from our customers around the world to create more advanced atmospheric products designed for professional users, products that are easy to use and hard to break, and that is exactly what we are doing with Magmatic,” states Elation sales & marketing director, Eric Loader.
“Atmospheric effects are key to any stage performance so it’s essential they be reliable and perform on demand. With Magmatic, we are empowering users to create unparalleled experiences with machines that last a lifetime. We’re committed to designing products that are built to last, user intuitive and dependable. In short, Magmatic is world class atmospherics and we’re excited to be showing them for the first time at LDI.”
USA - At LDI 2019, High End Systems introduced the SolaHyBeam 3000 automated fixture. With a feature set designed for beam control, aerial effects and raw power, the flagship luminaire has all the elements to cut through the haze and shine brilliantly in the world’s largest venues, says the company. Powered by an efficient White Light LED engine, SolaHyBeam 3000 features a large front aperture and optimised long throw optics for ‘superior light output throughout the fixture’s wide zoom range’.
Automated lighting product manager, Matt Stoner, comments: “We are so excited to have the SolaHyBeam 3000 added to our family of ultra-powerful premium quality fixtures. The SolaHyBeam 3000 specialises in a fantastic narrow 3.1° beam, turning its massive output and dazzling front lens into a powerful narrow beam. Whether used as a long throw front light (yes it has framing shutters) or for shining dazzling aerials across your rig, SolaHyBeam 3000 is a beam light unlike any other, a wash light with punch and versatility, and so much more. We can’t wait to see this fixture burning the skies on festivals and tours around the world.”
HES general manager, Becky Koester, adds: “Our development and product management teams did an exceptional job on defining and pioneering the narrow beam capability and unique lens effect that offer a unique tool set for designers and end-users. The SolaHybeam 3000 addresses a universal segment of the market that has been dormant the past several years. The early product previews have been remarkable.”