USA - Glenn Becker, the Entertainment Services and Technology Association (ESTA)’s first president, passed away on 19 June aged 70.
“Glenn’s vision was about bringing the industry together to make it a better industry”, says ESTA. “He thought that competitors could come together and share ideas and solutions to make business easier and more successful for everyone. Because of that vision and Glenn’s hard work, the Theatrical Dealers Association (TDA) was born.”
Becker organised its founding meeting in 1987 and served as the first president from 1987 to 1991. In 1994, when the decision was made to form ESTA, the TDA board turned to Becker to chair the committee that rewrote the bylaws and set up the new organisational structure. The board would continue to turn to him over the years to take on special projects.
He became involved in theatre in high school. In 1968, Becker took a job delivering newspapers for the Chicago Sun Times and on his first day he read the paper and saw an ad for a job at Grand Stage Company which had been founded by Paul Tyler in 1947. Becker was hired and one of his first jobs was to assist in the company’s move to its new building on Lake Street - in the midst of the infamous Democratic National Convention. Becker started off coiling cable and helping in the rental department and within a year had worked his way up to become general manager. He also worked as a theatre electrician and stage manager across Chicago area theatres.
In 1977, Becker and his wife Janel took over the full running of the comp
USA - Among the buildings devastated by the hurricane Harvey in 2017 was First Baptist Humble, in Humble, Texas, which had 18-inches of water in its sanctuary. Determined to rebuild its campus, the 111-year old house of worship gave itself a new name, United City Church, and remade its sanctuary interior, adding an advanced AVL system installed by Stark Raving Solutions that featured Chauvet Professional LED fixtures.
The new 1,200-seat church was scheduled to host services for the first time on Easter Sunday, 2020, but fate intervened once again in the form of the coronavirus. With the lockdown in effect, the church couldn’t reopen on schedule and had to limit itself to online streamed services. Almost two months later, however, with restrictions on public gatherings eased, the church was able to welcome limited groups of worshippers to its new sanctuary, following social distance guidelines.
Although many of its members continued to worship online, those in attendance got to experience first hand the immersive environment that United City’s technical director Chad Kirchoff and his team envisioned when they began working with Stark Raving Solutions on the new lighting system.
“The church wanted a completely fresh start in terms of the environment created in the sanctuary,” says Marcus Hammond, of Stark Raving Solutions. “They wanted a really modern lighting package - lots of color, movers and flexibility, so that’s what our team, led by Bret Hoskins, lead system designer for the UCC project, and Jason Lericos, SRS project manager, were
UAE - The new Coca-Cola Arena in Dubai unites three lighting brands from Cooper Lighting Solutions - Zero 88 for entertainment-style control, iLight for architectural-style control and Ephesus LED sports lights.
The interior lighting and control systems together with all associated infrastructure were delivered as a turnkey solution during last year by Eaton Lighting Systems - now known as Cooper Lighting Solutions (CLS).
These aspects of this flagship project were managed by Peter Coles (business manager), supported by Martin Piper (iLight International training & support manager), Jon Hole (Zero 88 product manager) and Cooper Lighting Solution’s two EMEA project teams - one based in the UK, the other in Dubai, who together oversaw the process from design to final delivery in close collaboration with UAE-based lighting installation contractor, BMTC.
The venue itself is a 17,000 capacity (bowl format) multi-purpose indoor arena located in the City Walk neighbourhood of Dubai and operated by ASM Global.
The tender requirement stipulated the specific sports lighting criteria required to maintain the correct lighting levels to be TV / broadcast friendly. The whole arena had to be properly lit in white as well as having the capability of being turned into an array of vibrant colours and textures, so in all, some 369 high output LED fixtures were specified.
Three different types of LED fixtures are used in combination - 74 Ephesus Arena Pro Variable White, 191 Ephesus Prism RGBA fixtures and 104 LED profiles. These are carefully positi
South Korea - Festival of Lights, an entertainment lighting company founded in 2013, has added 70 Claypaky Sharpy Plus fixtures to its inventory.
The firm designs and operates lights for numerous concerts, festivals and television programmes. As the K-pop phenomenon has gone global, Festival of Lights has also done overseas tours for Korean musical artists. Its comprehensive services range from rentals to design, installation, operation and maintenance. The company has particular expertise in show operations, and its young operators are known for their creative lighting designs.
The Sharpy Plus has two independent operating modes. In beam mode, it offers enhanced aerial effects and an extraordinary power output (over 300,000 lux at 10m distance). In spot mode, the light is diffused in a more even way, which means visual effects can be projected with excellent uniformity. The fixture’s 3° to 36° (1:9) zoom covers the entire range linearly, both in spot mode and beam mode.
“Sharpy Plus is true to its name as a 100 percent hybrid fixture with beam and spot functions,” says executive director Yundo Kim with Festival of Lights. “We love to use the fixtures in spot mode and wide zoom, as well. Where other common beam spots have too much concentrated light at the centre, Sharpy Plus has a soft and clear spot.”
Recently, Festival of lights utilised Sharpy Plus fixtures on the broadcast programmes JTBC Phantom Singer 3. “We preserved the atmosphere of the set by evenly spreading soft light in the Sharpy Plus spot mode,” Yundo ex
Ukraine - The coronavirus pandemic didn’t dampen anyone’s enthusiasm for the 2020 final of singing competition The Voice Ukraine, which was broadcast live from the Kiev studios of TV channel 1+1, produced by Volodymyr Zavaduyk, directed by Tri.Direction and lit by Eugene Kostyra, also working closely with DOP Sergey Petrov.
To create an original and spectacular lighting design for this socially distanced television event, Eugene utilised Robe MegaPointes and Spikies as a key part of his lighting rig which were supplied, along with all the other lighting equipment, by Ukraine’s largest rental and production company, Alight.
It was the tenth season for the popular show and Eugene has been involved with the lighting since the fifth series (as well as two series of the ‘Junior’ edition).
Tri.Direction - directors creative team of the show developed the set design which was based around clean lines and start geometry, with a large three metre-high central riser with LED screens around the base, complemented with more screens upstage in a curve around the back and sides of the studio space.
Eugene took this as inspiration and filled the areas with light following the same clean and well-defined precision, accentuating the cube shape and the relationship between the different screen areas. By varying the screen content, the whole mood of the set could be shifted dramatically for each participant.
Eugene used 42 Robe Spikies rigged on vertical truss in between the rear LED screens for creating intense and highly accurate beam ef
USA - Soon after the Covid-19 lockdown went into effect, Events United owner Tim Messina and his team began transforming Studio Lab (their shared space production facility) into a livestream studio to produce events. They weren’t exactly sure where this effort would take them; they just wanted to keep busy and find a way to continue paying their team.
Turns out they did much more than that. In the weeks following the initial lockdown, Studio Lab has gone on to fill a variety of important roles in the community, including that of a fundraising tool. A variety of charitable groups have raised much-needed money during the pandemic by holding online benefit auctions at the Studio Lab facility in Derry, NH.
The latest of these is the Humane Society for Greater Nashua, which raised $105,000 in June through an auction livestreamed and produced by the Events United team at Studio Lab. Running slightly over one hour on Facebook and YouTube, the programme featured musical entertainment and appearances by adoptable animals in addition to the auction.
Pulling the diverse elements of the programme together and providing camera-friendly visuals was a collection of Chauvet Professional Maverick, COLORado and STRIKE fixtures as well as 60 F2 Video panels.
“We have done a few of these virtual auctions now, and it’s been an amazing experience, getting to work with these organisations and seeing the things they do,” said Jon Martell, production design manager at Events United, who worked closely with event producer Donald Van Slyke and lighting designer
USA - The recent Rock of Ages revival at New World Stages in New York City was a resounding success, just as it was in its 2008 Off-Broadway debut at the same theatre prior to its successful six-year Broadway run. The show opened last June and after originally being scheduled to close in September was extended for an open-ended run, eventually shutting down when Broadway went dark in March.
Lighting designer Jason Lyons has been lighting the musical since that storied 2008 New York debut. “Back then it was a bit of an experiment,” he says. “We didn’t really know what we had and it exploded from there. It’s one of those rare shows that people can go back to over and over again and still have a really good time. I think that’s part of its success. You find new moments to enjoy every time.”
Rock of Ages is a jukebox musical that tells the story of a rock ‘n’ roll romance on the Sunset Strip during the glitz and decadence of the ‘80s. When the Bourbon Room is set to be demolished (the local bar where most of the action takes place), it’s up to wannabe rockers to save it. With a score that features some of the biggest classic rock hits of the ‘80s, this hilarious, high-energy 80’s-era satire has evolved into a theatre classic.
Jason has been using Elation’s Artiste Monet on the revival (supplied by Christie Lites), his first time working with the award-winning LED profile moving head and a significant upgrade from what he was using on earlier incarnations of the show
“I was really excited to use it for
USA - Altman Lighting has appointed Matthew Klasmeier as product development support engineer.
Klasmeier was previously employed as a field service technician for Vincent Lighting Systems, specialising in the installation and verification of new entertainment and architectural lighting systems. Working within the new Altman headquarters in Denver, Colorado, he will be responsible for overseeing current and future product development, as well as in-house warranty service, support and repair.
“We are very excited to have Matthew joining our team as he will serve as an integral part of the launch and support of many new Altman technologies,” says Pete Borchetta, vice president Altman Lighting product innovation. “His expertise within the lighting industry is undeniable and he will be a valuable asset in the development and customer service behind our entertainment and architectural lighting solutions.”
“Understanding the reputation of Altman Lighting as one of the most trusted lighting manufacturers in the industry, I am very delighted to be joining the team,” adds Klasmeier.
Belgium - Robbe Verburgh wants more EDM DJs to start streaming. So much so, that he’s created VR Stream, a complete mobile streaming solution in a van that allows DJs to do a show and get it up and running online from anywhere, even their own back yards.
To promote his new service, Verburgh created a streaming marathon in his backyard, or more precisely the warehouse of the company he works for, DV Sound. To draw attention to the event, which took place 17-18 May, he lined up Gianni Foquaert (aka DJ Flavour Drop), known for his own pioneering radio concept, as host of the event. Then, to ensure that his 21-hour (over two days) stream was energised by wave after wave of supercharged looks, Verburgh retained the services of Cedric Duré.
The teenage owner of Outdream, Duré obliged, creating an intense outpouring of pixel mapped movement and colour that never seemed to repeat itself, as it wrapped around the sounds of 14 DJs over the two marathon sessions. Aiding him in this endeavour, expanding the visuals of his show, while at the same time framing it neatly for smaller livestream screens, was a collection of 16 Chauvet Professional EPIX Strip Tour linear fixtures supplied by DV Sound.
Arranged on truss in diamond pattern around the DJ stand, the one-meter long RGB strips accomplished the seemingly paradoxical task of expanding and framing the lightshow through a combination of performance features. Duré used the high output linear units to envelop the DJs in a radiant aura of light. In so doing, he kept the focus of his show on the artists even
UK - Stage Electrics has been awarded the key contract to supply and install three new Zero 88 Chilli By-Pass Dimmers, ETC Element 2 Desk and new DMX infrastructure around the stage and FOH for the Shaftesbury Theatre in Dawlish.
This is the first step for the Devon theatre in moving from a traditional tungsten rig towards a more energy efficient LED solution.
Replacing the old dimmers with the new Zero 88 Chilli bypass dimmers offers the ability to swap between dimming or hot power, whilst the 10 new DMX points around the stage and front of house allows for increased flexibility for future productions.
Denmark - At the end of 2019, after three years constantly on the road, Danish lighting, video and set designer Peter Fisker wanted to spend a bit more time at home. Fortuitously, a part-time teaching post became available at EUC Nord in Frederikshavn, who needed a tutor for the lighting module of their well-known and respected Event Technicians course.
The college administration asked if he was interested in applying, and he jumped at the chance as this would enable him to stay home part of the year whilst also retaining the flexibility of touring and lighting shows via his design company, HeCameToEat.
The vocational Event Technicians course allows rental and event production companies, music, and theatre venues, etc. to take on trainee technicians who work at their companies and learn the theoretical, practical and creative skills needed to master the craft over a four-year period, with an emphasis on multi-skilled tasking and being able to juggle many balls in the air simultaneously. They also learn to be part of a hardworking team with long hours, plenty of pressure and little time off.
“It’s very important that the students have a good sense of how to do a proper tour prep, so I’m trying to get up and running with all kinds of showcases in our own working studio,” says Fisker. “Technology and practices are constantly evolving in our industry, so it’s vital to be up-to-date.”
As the coronavirus pandemic unfolded, Denmark was the first in Europe to fully lockdown and all students were sent home mid-March as the teaching shift
Italy - The facade of Palazzo Madama in Rome has been lit up in the colours of the Italian flag from18 March until the end of the COVID-19 medical emergency.
Audio-Luci-Store, an online division of the company Il Microfono, took care of the lighting set-up. Sabino Coppolecchia, owner of Il Microfono, said: “At the end of 2019, Audio-Luci-Store received a request from the technical staff of the Italian Senate. Our task was to provide a lighting system for the imposing facade of Palazzo Madama, in order to illuminate the building on very special occasions, like the International Day for the elimination of violence against women or Telethon.
“Basic requirements were for a quick and simple installation, so that the internal staff of the Senate could be able to interact with the fixtures in complete autonomy, without need of technical support.”
According to the given directions and needs, Audio-Luci-Store in close cooperation with Prolights technicians found the most suitable fixtures: 12 Prolights ArcShine 12FC, linear wall washer positioned on the ground for a raking light illumination supported by two pedestals, and 16 Prolights studioCob PlusFC with trusses, for a front illumination.
“When the pandemic came up, Palazzo Madama was already equipped with the appropriate fixtures to project the Italian flag colours on the facade of a building of such institutional relevance.
“The Senate's technical staff expressed great satisfaction for the amazing efficiency of Prolights solutions, as well as for the ease of daily mounting and dism
UK - The damage across the UK culture, media, sports and digital sectors caused by the coronavirus outbreak has been laid bare in a government survey published this week.
The Department for Digital, Culture, Media and Sport (DCMS) has released the results of its Business Survey, showing the impact of coronavirus on organisations across the four sectors. The survey received 3,936 responses submitted between 23 April and 22 May.
Headline findings reveal the devastating impact of the pandemic on businesses, with more than a third (1,646) of respondents reporting their revenue has decreased by 100% year-on-year, whilst just 97 have seen an increase during the period.
In terms of how long businesses can continue to operate viably, the majority (1,156) of respondents selected ‘up to six months’, whilst 1,102 indicated that they could stay afloat beyond six months. However, 202 respondents said their businesses were already no longer trading; 155 stated they could only carry on trading for less than a month, and 902 reported they could only trade viably for up to three months. The remaining 408 selected ‘don’t know’. An overwhelming 2,668 respondents also indicated their business’ ability to trade was under threat due to the pandemic, with just 1,070 stating the opposite.
More than half (2,146) of respondents said they had accessed government support during the survey period, but nearly half (1,790) hadn’t. The headline findings can be found test
USA - Production company Toucan Productions has started to livestream weekly DJ sets from its facility in Oklahoma City using a festival-worthy setup that includes nearly 100% Elation lighting gear. Dubbed Secret Shop and hosted on Twitch TV, the livestream broadcasts feature multiple 45-minute DJ sets and run every Wednesday from 8:00 pm to midnight Central Daylight Time in the U.S.
Arvol Dingess and Parker Shore, both of Toucan, have been instrumental in getting the Secret Shop livestreams up and running, an idea that emerged from Covid-era downtime. “Sometime in May, Arvol, our video lead at Toucan, hit me up with the idea to do a streaming show from the Toucan shop and I jumped on it,” said Shore, an Oklahoma City native who has been a lighting specialist at Toucan for the past five years. “We did some cocktail napkin sketches of the rig, built it and then pitched it to my network of DJs. Since no one has gigs at the moment, they’ve been more than happy to do it.”
With few projects on the board and touring put on hold (Shore was supposed to be on the road as L2/laser programmer for Louis the Child), the idea came together fairly quickly with the first Secret Shop DJ sets airing on 27 May. Not only have the sets provided much needed musical relief during the COVID-19 pandemic, they have allowed Toucan personnel to hone a new skill, one that will almost certainly be essential in the near future.
“As there won’t be concerts for a while, we’re taking the time to keep our skill set sharp and develop some new o
UK - This summer, Guildhall School of Music & Drama’s opera double bill has been transformed from the physical to the digital stage, with the creative team and artists from across the School bringing the productions to life from their homes using digital technology. It is now available to stream for free until Wednesday 1 July 2020.
A 20th-century reimagining of one of the earliest English operas Dido and Aeneas - Purcell’s tragic love story featuring the famous aria Dido’s Lament - is contrasted with Respighi’s La bella dormente nel bosco, a witty take on the Sleeping Beauty story.
The School’s production would have been the UK premiere of Respighi’s rarely performed work. All students, staff and guest artists have been working from wherever they have been living during the lockdown, across at least 14 countries and four continents.
From home, the opera’s cast and chorus have captured and filmed their own performances under the virtual direction of director Olivia Fuchs and movement director Victoria Newlyn, which have then been edited by the filmmaker Karl Dixon. Guildhall School instrumentalists have recorded their parts for a multi-track recording of the orchestral scores co-ordinated by conductor and head of opera Dominic Wheeler.
The visions of Greek designer takis and lighting designer Jake Wiltshire have been brought to life by Guildhall School staff and students using a range of innovative technology. A 3D model of Silk Street Theatre, produced using cutting-edge lidar scanning technology,
South Africa - Rental and technical production company Blond Productions invested in its first Astera products - Titan Tubes and AX3 Lightdrops - for the first series of reality dating show Love Island France. This was filmed earlier in the year at a luxury villa on the Lothian wine estate in Elgin Valley, on the banks of the Palmiet River about an hour’s drive from Cape Town.
Paris-based director of photography (Florian Sinopoli works worldwide on various TV shows and series, and last year also lit Celebrity Love Island in South Africa for producers ITV Studios. He initially specified the Asteras, although Blond Productions’ owner Christiaan Ballot was already considering making an investment in the brand after numerous recommendations, “It was really just a question of awaiting the right moment,” he explained.
The Asteras were supplied by Johannesburg-based distributor for Southern Africa, DWR, and delivered straight to site in Cape town.
Florian explained that lighting the house and the Islanders was not a straightforward task. He was looking for a very naturalistic tone and style with all the right levels and texturing to look good on camera, just as if people were in their own home environments. “It sounds like a simple thing to achieve, but believe me, it’s not!” he declared.
There were also specific areas like the swimming pool, lake and the stunning gardens that needed special lighting to ensure they looked their best on camera. In fact, around 50% of the lighting in the house was sourced from standard com
The Netherlands - Production company Spectrum AV has created a blank canvas studio in its warehouse that it is renting out to promotors who wish to host virtual dance festivals during the coronavirus lockdown. Featuring an impressive lighting rig, comprised of 68 ADJ fixtures, it allows the atmosphere of a high-energy DJ set to be captured and live-streamed for fans to watch in the safety of their own homes.
Established for over 15 years, Spectrum AV is a full-service lighting, video, audio and effects rental and production company based in the village of Udenhout, which is located between Tilburg and ‘s-Hertogenbosch in The Netherlands. Although the company supplies a wide range of clients spanning across the entertainment and business worlds, it has developed a particular niche in the EDM festival market.
With a business model designed to make life as easy as possible for event organisers, the Spectrum AV team take care of all the technical requirements of many large-scale festivals and dance parties each year. This means that - like many other productions companies across the world - they were hit particularly hard by the COVID-19 pandemic.
“We are only five miles away from where the first case of coronavirus occurred in The Netherlands,” explains Spectrum AV’s general manager, Lex Willems. “Within a week, every event with above 1000 guests was cancelled in our region and soon after even smaller gatherings were also banned, so we directly saw all of our markets collapse. Fortunately, one of our former employees is now working in the sol
Austria - Starnacht (Star Night) is one of the more popular televised live music programmes in German-speaking countries. Broadcast from Austria since 2000, the programme has several editions and is known for its diverse mix of national and international artists who perform amid a festival-like atmosphere against majestic backdrops like the Giant Ferris Wheel in Vienna or the spectacular peaks of the Alps.
Austrian-based full-service event technology supplier Droneberger Showtechnik specialises in television productions and has been lighting Starnacht shows since 2005/2006. The company, which operates from the town of Klagenfurt, sought a flexible luminaire to enhance the Starnacht stage in colour and effect and last summer purchased Elation Professional Paladin multi-effect lights to use on Starnacht am Wörthersee, Starnacht aus der Wachau and other events.
“The Paladin have played a very dominant element in Starnacht,” states Droneberger Showtechnik head Friedrich Droneberger, who handles lighting and set design for the shows and has been working on them since their inception. “We chose the Paladin because of its multiple pixel zone control. It was crucial for us that each LED segment be controlled individually so that we can customize the look across the face and pixel map video across them. Furthermore, the zoom range was crucial as was the fact that they are IP65-rated as these events are open air shows and you can always risk poor weather.”
Broadcast live on Austrian national TV chann
USA - Like much else in bluegrass country, there is a tranquil beauty to Saint Joseph Hospital in Lexington, KY. With its gently curved inlayed stone outer walls, multi-level windowed surfaces, and soaring main tower, the 433-bed medical centre on the outskirts of this picturesque town, projects a sense of serenity and calmness.
It is a sense that has reassured Kentuckians through good times and bad since 1877, when the hospital was founded by the Sisters of Charity of Nazareth. In 2020, this modern medical facility came to the aid of its community in another crisis by serving at the centre of the region’s response to the COVID-19 pandemic.
This June, Saint Josephs showed its gratitude to the hospital’s health care heroes and its support for families that have been impacted by the virus with two successive week-long lighting displays created by Studio46 Media, using the company’s Chauvet Professional fixtures. The hospital was lit in blue the first week to honour its medical staff and green the second week as a sign of compassion for victims of Covid-19.
Electrical contractor, Davis H. Elliot Company, which has a full-time crew at the Saint Joseph Hospital, contacted Studio46 Media to create the lighting design. “The hospital approached us about doing something for Healthcare Worker Appreciation Week,” said Ethan Mills, live events operation anager for Studio46 Media. “Tony Watson, our contact at St. Joe turned to Studio46 Media to make the visual transformation happen.”
The design team, which included chief designer Matt Cooper,
Europe - ETC has promoted Konstantinos Vonofakidis to regional sales manager. In his new role, Vonofakidis will oversee the sales activities in Greece, Portugal, Spain, Cyprus and Egypt. He will manage sales arrangements for key accounts in these regions and work in cooperation with the company’s distributors and dealers.
Vonofakidis previously worked as a field project coordinator for High End Systems in the Southern European, African, Middle Eastern and Indian territories. He began his career as a service engineer working with High End Systems for 10 years before going on to manage significant lighting projects such as the National Theatre of Greece, Bahrain National Theatre and Onassis Cultural Centre.
Darren Beckley, sales manager - ETC Ltd, comments: “Vonofakidis is a valuable member of the sales team who has built a great rapport with the dealers and customers in his territories. With his strong market knowledge and expertise, I am confident he will continue delivering high levels of service and be successful in his new role.”
Vonofakidis adds: “I’m excited to build new customer relationships and work more closely with our dealers and distributors in these markets. I look forward to working in this role and growing the business in my regions.”
UK - sunDial quad, the PLASA Gold award-winning mains LED dimmer from Artistic Licence, is now available in a custom installation enclosure. Manufactured by Future Automation, the high-quality coated steel enclosures are available in six different sizes, with the largest containing 10 DIN rails and accommodating up to 18 sunDial units.
The enclosures feature integral cable management, dedicated earthing and neutral bars and a fully removable front cover. Future Automation are also happy to offer pre-wired panels and module wiring services .
sunDial quad offers a professional DMX512/RDM (or optionally Xicato wireless) controlled solution, with advanced safety features. There are four channels each providing 250W (or up to 500W per pair) - more than ample for LED, but also suitable for crossover markets that might have legacy incandescent technology.
The product works 'out of the box' with any dimmable replacement LED bulb (or dimmable incandescent or CFL source), but performance can be further optimized by the selection (via RDM) of one of four dimming curves on a per-channel basis.
USA - Chauvet Professional’s Maverick Silens 2 Profile will never be noticed because of its sound. The 100-percent convection cooled LED PCB fixture is virtually silent, attracting no attention to itself in studios for live stream broadcasts, recital halls, theatres or other applications where absolute quietness is essential, says the company.
This 560W profile unit includes features like CMY+CTO colour mixing with CRI, R9, CQS, and TLCI all between 91 and 97 (depending on the colour temperature mixed), four-blade framing shutter system with rotation, a colour wheel, animation wheel, a 10:1 zoom, prism, two frosts, static and rotating gobo wheels, and 16-bit dimming with selectable red shift.
“We are especially proud of this fixture,” comments Albert Chauvet, CEO of Chauvet. “All of what we’ve learned through our work with professional LED fixtures over the past 15 years has been poured into the Maverick Silens 2 Profile. Our goal was to create a first-of-its-kind silent LED fixture that not only matched, but surpassed, the performance of the standard profiles that proceeded it in terms of brightness, colour rendering and versatility.”
The innovative design of the Maverick Silens 2 Profile features a doughnut shaped ring of white LEDs with an RGB LED in the center for toning (+/- green for on-camera use) and red-shift in dimming. Offering an impressive level of colour rendering versatility, the fixture can create rich saturates, while also producing subtle pastels. Throughout the spectrum, the colours rendered are extremely realistic, a
South America - Ayrton has appointed Wholestage as its new exclusive distributor for Colombia, Panama and the Caribbean Islands.
Wholestage, has offices in the USA, Colombia, Dominican Republic, Panama, Chile and Spain (Madrid). The company was established in 1998 in Venezuala before relocating to Miami in 2006, and specialises in the distribution of video, audio, rigging, lighting and control.
“The Ayrton product portfolio is balanced and well thought out, which allows you to cover and meet all the needs of the market,” comments Luis Duque, Wholestage’s CEO. “It combines excellence in quality, sophisticated design and LED technology with a unique, advanced development in the engineering, at a reasonable price for the market. This translates into a unique, accessible, quality product which is a great investment for our clients.”
He continues: “The Ayrton team is top line, led by Yvan and Chris, characters with great vision and leadership skills, and a well-structured multinational team of development, service and sales personnel led by Michael. They have a coherent business plan, fantastic marketing, and a business vision which is in perfect harmony with our own objectives. The brand is perfect for our goals of offering first-rate, high-quality solutions. We believe that Ayrton is a few years ahead in developing and understanding the current lighting market and is the perfect complement to our service offering and growth expectations.”
Dugue adds: “The best marketing is our reputation and the name that we have built over 25 ye
USA - When the live music industry screeched to a halt March due to COVID-19, Sidewalk Prophets, a Christian music band knew they still wanted to reach out to people with a message of love and positivity. Their tour was revamped for a virtual audience, and rather than stream one show, the band has twelve performances scheduled for free access, if you live within the region of the show, with different set lists played live.
“With COVID-19 having such a massive effect on the industry, it was unclear how long it would be before we would play live shows again,” said production manager Robert Mays. “After one phone call with Mike Golden, I knew I had the full support of Bandit and that this show would no doubt be a success.”
“The vision of this project is to find a unique way to connect with our audience through the medium of live stream concerts,” said rhythm guitarist Benjamin McDonald. “The production has really given us a deep pallet to work from in sharing this new musical experience. Working from this pallet, has been extremely helpful during the COVID-19 crisis, and will help us impact the audience in ways we otherwise might not have been able.”
Erik Parker of Chris Lisle Lighting Design originally designed and programmed the lighting for a live audience in large rooms with incredibly dynamic looks, pops of colour and blackouts to bring a sense of drama. Now with the band switching gears to a virtual production, things like blackouts did not translate the same way live as they do on screens.
“We also were aiming to creat