USA - Lighting designer Tom Kenny utilised nearly 400 Robe moving lights on his lrig for the debut of Triller Fight Club, a new PPV entertainment and sporting concept partnership between US video sharing and social network, Triller, and rapper Snoop Dogg.
Embracing the pro boxing league, live music performances plus celebrities and social media personalities, the first Triller Fight Club event was staged at the Mercedes Benz Stadium in Atlanta. The four-hour broadcast was conceived by multiple Oscar-nominated Alex Kavanaugh and Emmy Award-winning filmmaker, Bert Marcus.
Star power on the entertainment stage included Justin Bieber, The Black Keys, Doja Cat, Saweetie, Diplo and Major Lazer who punctuated the various boxing bouts with short festival-style sets, together with the first appearance of Snoop Dogg’s new supergroup Mt. Westmore, featuring Ice Cube, Too $hort, and E-40. The rapper was also in fine voice as one of the main fight commentators.
The event was staged behind closed doors due to Covid regulations. One hundred lucky ‘golden ticket’ holders got to experience the live show, chosen via promotional contests on the Triller app.
Tom was invited to create an epic high-octane production lighting design by music stage director Alex Kolb. “It was absolutely fantastic being there – like being at a big rock concert,” stated Tom. “It was just the tonic that all of us involved needed.”
He and Alex have worked together on other major TV productions over the years and for this, Alex specifically wanted Tom to capture th
USA - The outdoor stage at the Avondale Brewing Company was smaller than the ones Pigeons Playing Ping Pong normally plays on, probably not much more than 30ft in length. But adaptation is the order of the day as live music gradually returns throughout much of the USA.
The popular jam band improvised their way through two upbeat sets filled with unbridled energy, antics and original musical turns when they played the Birmingham, AL venue.
Flowing with them on this freewheeling journey was their longtime lighting designer, Manny Newman. Described by the quartet as “the fifth member of the band”, Newman also proved that limited space is no obstacle to limitless ideas. His expansive show filled the stage and the entire venue with visual delights that included swirling custom gobo patterns and colour combinations that moved from dreamy pastels on white, to bold edgy mixes.
Helping him achieve these looks were the 18 Chauvet Professional Rogue fixtures in the band’s own touring rig. He arranged six Rogue R1 Spot fixtures across a 16ft truss as part of the ground package, and hung 12 Rogue R1 Wash units on four Global Truss Quick Grids. Working this road package with the house rig, he unleashed a stream of looks across the stage’s backdrop that invited imagination.
“Usually during the second set I like to do psych looks on the back wall for certain jams,” he said. “At Avondale, I did this with light and gobos rather that video, because I don’t like to shoot media in people’s faces. I want people to create their own mental image of
World - The programme of events for Virtual Showlight has been announced.
The online event, taking place on 25 May, gives delegates the opportunity to hear industry-leading lighting designers talk about their work, ask them questions and network with others from across the industry, for a flavour of the full Showlight experience.
The programme is as follows (all timings are BST):
15.00 - Introduction & welcome from Showlight chairman John Allen
15.10 - Paper 1 - The Disco Lighthouse - Hamish Jenkinson
15.45 - Break
16.00 - Paper 2 - Lighting a Comic Book Movie - Birds of Prey Case Study - Mike Bauman
16.45 - Sponsors Breakout Rooms
17.35 - Paper 3 - Lighting Around The World Without Leaving Home: The Story of Waitress in Japan - Ken Billington, Rob Halliday, Aaron Porter
18.15 - Networking, Sponsors Breakout Rooms & Meal Break
19.15 - Panel Discussion with Q&A - A Panel on Diversity - to celebrate, to listen and to learn
20.15 - Break
20.30 - Paper 4 - From Shipyard to Street Art Museum - Floriaan Ganzevoort, Isabel Nielen and Mike Evers
21.15 - Break
21.30 - Paper 5 - BBC Strictly Come Dancing - David Bishop
22.15 - Breakouts and Networking
23.15 - Conference finishes
For further information on each Showlight session, visit: www.showlight.org/vsl-programme
Tickets can be obtained via the Virtual Showlight website here: test
UK - Version 2 Lights Limited (Version 2) has further invested in Prolights ArenaCob 4FC and has also added LumiPix 15IP LED fixtures to its extensive rental stock holding.
Version 2’s managing director, Nick Edwards comments: “When setting up Version 2, we were in the fortunate position of buying everything new. We didn't want to be burdened by the legacy of traditional tungsten technology, but at the same time wanted to keep the iconic look of the traditional fixtures. We were delighted by some of the LED alternatives from Prolights, which enabled us to keep the style and look desired by many LDs, but in LED form.”
Version 2 has been using LumiPix 16H for a number of years, in fact at year end, they were the most utilised fixture in Version 2’s inventory.
Edwards continues: “Thanks to its cost-effective price point, LumiPix 16H has always proved popular with LDs. We are excited to have just added the LumiPix 15IP RGBW LED Batten to our offering. We chose these because the units are low energy and IP rated, adding additional versatility, especially with a high number of upcoming outdoor events. I have no doubt they will prove a success with our customers.”
LumiPix 15IP delivers advanced brightness and colour mixing, as well as enhanced creative freedom with individual pixel control of each cell. The unit also has a demountable central omega bracket that makes it quick and easy to deploy in the air or on the floor.
Prolights’ ArenaCob 4FC is a full colour LED replacement for a traditional 4 cell DWE blinder, which ticked al
Italy - The Aosta Valley is sparsely populated, home to only about 200,000 residents within its villages and countryside. But the picturesque region tucked into Italy’s northwest corner isn’t lacking in welcoming spots where people can go to sit back and relax over a glass of beer or wine.
According to a recent study by Statista, there were 548 bars in the region before the pandemic. Sadly, many of them have gone out of business, while others have remained closed during the lockdown, but anyone can still experience the spirited conversations, conviviality and music of these establishments on the Ralbol Network’s Symosyo programme.
Airing on the network’s YouTube channel, Symosyo recreates the looks and feel of a real Italian bar, complete with songs, spirits, friendly patrons and even a crusty but amiable, bartender. Adding to the atmosphere to the show’s eight 20-minute segments is a warm and inviting lighting design by Patrick Ivarone, that features Chauvet Professional Maverick fixtures supplied by Fumasoli Audio & Lights Rental.
Ivarone lined 18 Maverick MK2 Wash fixtures and 12 MK2 Spots on the ground and on low-level truss along the back end of the set at Fumasoli’s improvised warehouse studio. He relied on these fixtures to uplight the back wall in deep rich colours, primarily reds, evoking a comfortable neighbourhood bar atmosphere, while adding greater depth to the set.
“Our goal was to create an inviting space reminiscent of a bar,” said Marco Zafutto, audio engineer on the project. “The idea for the programme c
New Zealand - The 328m-tall Sky Tower in downtown Auckland, New Zealand has had its grace and elegance further enhanced with an Anolis lighting installation comprising 154 x Divine 72 LED fixtures.
The high-profile landmark is also a vital telecommunications hub and a popular observation point sitting at the heart of and presiding over this vibrant metropolis.
The lighting design was created by Richard Bracebridge and Sam Walle from Light Works Ltd. Technical specification, installation and systems integration were the work of Nick Abel from LS Group, with lighting fixtures supplied through Anolis’ New Zealand and Australian distributor, Jands.
Light Works has been involved with lighting the tower since 2007 when it was first re-lit following the original metal halide installation which dated back to 1996 whilst it was under construction.
The 2007 floodlighting involved re-lighting the shaft – utilising positions on top of some conveniently located bus shelters along Federal and Victoria Streets below – and upgrading the upper part of the tower and mast using the best quality RGB LED floodlights available at the time.
Forward 11 years, and by 2018 the installation was – unsurprisingly – looking patchy and dated, and in that time, LED technology had advanced dramatically, becoming brighter, more efficient, hugely more effective, and better value.
The team faced several challenges, starting with the ongoing city centre and waterfront regeneration project, which saw the removal of the bus shelters and the installation of s
China - Follow-Me, manufacturer of remote follow-spot and auto tracking solutions, has announced the appointment of ACE, Advanced Communication Equipment (International) Company as its distributor for China.
“As an established name, marketing quality manufacturers and their products throughout China, we believe ACE is perfectly placed to promote the Follow-Me brand,” explain Gary Yates and Erik Berends, co-founders of Netherlands’ based Follow-Me. “Due to their experience and professionalism we see ACE as the ideal partner to support our growing client base in China.”
“Follow-Me is the perfect addition to our lighting product portfolio, being both a flexible and cost-effective performer tracking solution that can be deployed in multiple applications,” says ACE’s vice-president, Mr. Bingo Tso. “We are constantly looking for products that represent the future of entertainment lighting and see Follow-Me as a great addition to our portfolio on offer our live concert, event and installation clients.”
To optimise its customer service during, and after, COVID19, Follow-Me created professional video tutorials and online product demo and training sessions all accessed remotely with a visualizer. “Feedback has been overwhelmingly positive to these online sessions; they are a time-efficient way to become confident and competent on the system,” says Gary Yates. ACE now has the Follow-Me demonstration kit available at their Chinese headquarters, where ACE’s lighting specialists advise, demonstrate, train and supply Follow-Me systems.
USA - BriteShot, vendor of LED lighting solutions, has shifted its manufacturing strategy amidst the global pandemic and now specializes in COVID-19 decontamination products. Mitigating COVID-19 exposure in indoor environments, BriteShot’s decontamination solutions include its AirAffair air filtration system and BriteShot decontamination tent.
“To help venues re-open safely amidst the COVID-19 outbreak, we have dedicated our R&D resources to design ground-breaking innovation in air filtration and air purification,” says Roy McDonald, co-founder at BriteShot. “With more than a decade of knowledge and experience working in the entertainment space, we aim to have our decontamination technology be a factor in helping entertainment venues, restaurants, schools, houses of worship and more, reopen their doors in a safe and effective way.”
BriteShot’s AirAffair system uses ‘scientifically backed technologies to effectively inactivate and filter contaminated airborne particulate matter’. When air first enters the unit, it passes through a pre-filter of a HEPA/MERV 10 rating to capture large particulate matter. Then, the remaining matter flows through a UV-C light germicidal and cold plasma chamber to kill off and target the core RNA of organisms that can become viral in the human body. To further purify, the air then passes through a MERV 13-rated filter to capture smaller contaminated air particles. Finally, the air is ionized and pumped back into the environment in a completely purified state.
“New York State guidelines dictate that i
USA - Lighting design house, Lightswitch, transformed an everyday parking garage on the Arizona State University campus in Tempe into an experience for the senses and turned to Elation luminaires, including Proteus Hybrids, for much of the sensory-rich exhibit. Called designspace, the drive-thru experience featured visual design installations from industry professionals, structural artists HYBYCOZO and ASU students enrolled in the Herberger Institute for Design and the Arts.
Lightswitch, who successfully redesigned The Morton Arboretum in Illinois into a drive-thru experience this past holiday season, tapped into that knowledge for the mile-long drive adventure through the Packard Parking Garage. Described as an exploration of the duality of space, both the space above us and the space between us, the experience took riders on an immersive journey from our world to outer space through a series of sculptural art pieces and sound, light and video installations.
The designspace project allowed students to display their art while working on the lighting, video and production skills they have learned through their studies, including how to set up all the gear. Lightswitch principal John Featherstone, who is quite familiar with the university through past collaboration with the design and art department’s Jake Pinholster, led the project design team.
The Lightswitch team spent two weeks with the students loading in, focusing, and programming the project. The white parking structure proved the perfect canvas for light with several Elation
China - Amsterdam -based live experience design studio Live Legends has delivered the full production design and implementation – including lighting, video / visual, laser, scenic and related 360-degree interior elements plus equipment specification, programming, and commissioning – for the new 1,200 capacity nightclub OT Cities Gui in Nanning.
This is the newest club experience presented by the Noa Group, located in Nanning, capital and largest populous city of the Guangxi Zhuang Autonomous Region of southern China.
A Live Legends creative team led by principal designer and show director Daan Oomen, set designer Stefan Peters and senior lighting director Serge Patist specified 270 x Robe moving lights to be signature fixtures in the innovative venue, right at the core of the lighting design.
Central to the ambitious visual concept for OT Cities Gui is the rich and dynamic history and culture of the locality and the ancient ethnic Zhuang tribe in particular. The intricate geometry of Chinese Xiuqiu (silk balls), the Zhuang bronze drums and other ancient ritualistic objects are underscored with several slick, contemporary twists from a new era of entertainment, exuding quality, excitement, and a superlative guest experience.
“Our goal was to bring the beautiful culture of this minority to a new audience and mix it with modern technology to connect Zhuang history, via the ‘OT Cities’ brand, with a switched-on audience of millennials and generation Z,” explained Daan. “The quest is to amaze and surprise nightclub guests and basical
USA - Chauvet has introduced the Ovation Rêve E-3, a versatile fixture that allows theatres, broadcast studios, houses of worship and other users to get more for their lighting investment by serving as both a variable white and colour rendering unit.
The Ovation Rêve E-3 performs this double duty without sacrificing brightness or performance, says the company. When creating whites with a 95+ CRI and high TM-30 RF, it delivers a level of brightness equal to that of a 750-1000W incandescent fixture. It also features a linear CCT adjustment with +/- green to match other sources light sources in a rig, and colour temperature pre-sets from 2800 K to 8000 K with high CRI and CQS.
Brightness levels are even greater when the Rêve E-3 is creating realistic colours, ranging from soft pastels to bold primaries, with its RGBAM LED engine. Its “mint” colour LED has been shown to be more efficient at producing a much brighter output as well as higher quality whites and colours.
“The Rêve E-3 represents an important advance for Ovation,” said Albert Chauvet, CEO of Chauvet. “Being able to create colours as well as whites, reduces the number of fixtures needed in a production. This saves space on the rig and in the warehouse, as well as on the truck, which makes it an ideal fixture for our industry as we emerge from the pandemic.”
The Rêve E-3 is virtually silent, making it suited for applications where ultra-quiet operation is valued. Selectable fan speeds make it possible to eliminate even the faintest sounds completely, while the fixture
South Africa - For curious minds intrigued by anthropology, archaeology and the San people, the oldest residents of South Africa, the Origins Centre Museum at the University of the Witwatersrand in Johannesburg, has an extensive collection of stone tools, fossils and rock art, all interwoven with technology.
Since opening its door in 2005 Gavin Olivier of Digital Fabric has been intricately involved in the museum, recently installing a Visual Productions system to centralise lighting control via a single button, but which has delivered more than expected.
Having spent the last two years in Dubai on Expo 2020, Olivier of Digital Fabric, a company that specialises in heritage work and attractions internationally, was pleased to be back at one of his earliest installations. “I never really stopped going to Origins,” he says. “I was part of the original team, working as an audiovisual consultant with project director Francis Gerard of Totem Media. Like most things, museums rely on funding, and since then, we’ve returned several times to assist with small upgrades to keep the system running.”
Olivier is affectionately referred to as a ‘friend of the museum’ by Duncan Riley of DWR Distribution. “When it comes to Origins, we typically do more than our core business, but the current team running the museum are outstanding. While Origins is close to my heart, it’s also good for my soul. In this instance, aside from the AV and lighting, we have rebuilt many of the display cases, including dress panels, conservation standards, object mountin
Belgium - The still-to-be-announced winners of Popquiz, a popular show on the VTM television network that asks 14 teams of two contestants to guess the titles of pop classic songs based on a series of audio and visual clues.
The winning pair, who will be announced soon now that the pre-recorded show is completing its 10-week run, will get to attend every concert in Belgium for one year, even sold out performances, once live music returns.
Adding to the show’s energy level was a distinctive set created by the Arf & Yes set design team that featured a high-impact lighting design anchored by 160 ÉPIX Strip Tour linear fixtures, as well as 48 ÉPIX Strip Tour 50 units and 25 COLORado 1 Solo washes from Chauvet Professional.
The Arf & Yes team hung the one-metre long LED strips in a circle over the stage deck, whilst the remaining ÉPIX units were integrated into the back of the set, and the COLORado washes were positioned as backlights for the audience.
By arranging the strips in a circular configuration, Arf&Yes endowed the set with a instantly recognizable identity, while evoking a touring concert image. “When people are going between channels and they come to Popquiz, they will immediately recognize the circle,” said Arf & Yes’ Jonas Weyn, who served as the lighting and video operator for the show. (Dirk Declercq and Marco Pauwels were the lighting directors).
The circle of ÉPIX Strip gave the design team a great deal of flexibility to come up with a wide variety of looks. To enhance this flexibility, Weyn used
The Netherlands - Osram, parent company of Claypaky, will be the official lighting partner of the Eurovision Song Contest (ESC), held this year at the Ahoy Arena in Rotterdam on 18-20 and 22 May 2021.
Claypaky will be represented by a complement of 481 Xtylos luminaires equipped with a tailor-made laser source and boasting concentrated beams of coloured light. They are being provided by the shows’ rental and production companies, including Ampco Flashlight, the ESC’s Official Technical Supplier for lighting.
“Xtylos was launched by Claypaky about 18 months ago and has already been used in a number of major world events and specified for others, which unfortunately were cancelled or postponed due to the COVID-19 pandemic,” says Claypaky sales director Alberico D’Amato. “All the Xtylos that will be used at the ESC 2021 are already available on the market and used by major rental companies across the globe.”
Although the stage has been redesigned, the ESC 2021 organisers have decided to maintain last year’s technical set-up, as the event was cancelled due to the pandemic. The Claypaky Xtylos were also part of that project and have been confirmed among the key lights of the event. Henk Jan van Beek of Light-H-Art, this years' ESC lighting designer, in fact called Claypaky's Xtylos “irreplaceable”.
Marcus Graser, Claypaky CEO, adds, “I am excited that the Claypaky Xtylos will be part of this celebrated event, which always has a wide echo in our industry. I also am confident that everyone will enjoy an unforgettable show highli
UK - Avolites is celebrating its 45th anniversary today (Friday, 7 May).
From its first touring dimmer rack, the landmark Avolites LD dimmer (later to become the FD dimmer), to the launch of its latest flagship Diamond 9 console earlier this year, the company has been at the forefront of technological change in the lighting events industry ever since.
The company was first set up by Ian Walley in 1976 and gets its name from the AVO meter (Amps, Volts, and Ohms) that he would habitually have with him at load-ins. Over the decades, Avolites has manufactured a wide range of lighting control and networking products, media servers, accessories, and software, but is probably best known for its range of lighting control consoles and dimmer racks. These include the first generation of consoles designed to control the new intelligent lighting products that were emerging onto the market in the 1990s, such as the Pearl, Sapphire, and first Diamond consoles; the Art series of dimmers followed by the PowerCube dimmer/distribution units in the 2000s; and the launch of its own game-changing Titan lighting control software in 2009.
A strategic move into media servers also saw the launch of the Ai software platform, both used in the opening and closing ceremonies of the London 2012 Summer Olympics to perform video mapping across the audience seats, setting a Guinness World Record for the largest landscape video display. The pioneering Synergy software feature set was launched in 2019, allowing the power of video and lighting to be used interchangeably for the first
UK - Emma Dalesman is a London-based freelance director of photography. A graduate of the National Film and Television School, she shoots a range of projects encompassing fiction, documentary, art films and commercials. In July 2020, following a quiet period on the work front due to the Coronavirus-enforced shutdown, Emma received a call from producer Derek Richards about a potential job.
The contemporary dance company, Rambert, had decided to turn their upcoming creation by Belgian choreographer/director Wim Vandekeybus into a live broadcast performance which could be enjoyed in real time by audiences around the world. Draw From Within would be a significant departure from Rambert’s customary working methods - conceived for the medium of film for an online audience.
Following a remote interview with Wim and Derek, Emma secured the job and, after a COVID-19 test, went straight into rehearsals. As the production was rehearsed, the camera and lighting style quickly came together, as Emma explains:
“Wim was an inspiring director to work with, and as the piece came together we experimented with what would work best for different scenes, creating atmospheric lighting and camera work to draw the audience in. Rambert weren’t short of in-house lighting fixtures. Some I was familiar with - others, coming from a film background, I’d never seen or used before. I was eager to check the colour rendition of the fixtures and whether they would look good on camera. We brought in the camera I’d be using during rehearsals and, adopting as filmic appr
USA - Teen Vogue model turned singer/songwriter Charlotte Lawrence recently completed a four-video recording session at Beehive Studios in LA that included her national TV debut on Jimmy Kimmel Live! and a subsequent appearance on The Late Show With Steven Colbert. Helping Julien Reux to create the right mood for the performances were 28 Chauvet Professional STRIKE 1 fixtures supplied by PRG.
“When producer Jonny Stiegler, the co-founder of Beehive, asked me to light these videos, I spent time studying the artwork on Charlotte’s new album as well as the wardrobe designs she’s been involved in,” said Reux, the owner of ReuxLight. “I wanted my design to reflect the hip, modern, western vibe of her style as well as the emotional force of her music.”
The design Reux created also had to be flexible enough to convey different looks for each of the session’s four videos, which ranged in length from three minutes (for the TV appearances) to 40 minutes. “Our art director, Cameron Nawaz, really helped me take what I had in my head and turn it into reality,” he said. “Working with the textured fabric panels Cameron came up - and rearranging my STRIKE fixtures -made it easy for us to change our looks quickly.
“Throughout the session, each set had its own stage and light orientation,” continued Reux. “Since we had a camera jib, the STRIKE fixtures were very important to maintaining good visuals for the top camera shots.”
Reux created different looks by changing colour schemes for each song. He also set different em
Australia - Twenty four Astera AX1 Tubes were utilised by lighting designer Michael Negrao from event technical specialist Scene Change in Brisbane at the Australian launch event for the new Lamborghini Huracán STO (Super Trofeo Omologata).
Staged at Lamborghini’s Brisbane dealership in Fortitude Valley, the Huracán STO, designed for ‘ultimate driving fun on track and road’, was the centre of attention.
Michael received a “high-level” brief from his client relating to the mood and ambience they wanted to achieve inside and out of the premises, which was added to a budget and Michael’s fund of experience in lighting automotive events giving a free rein in designing what he felt appropriate.
Twelve vertical Astera AX1s were positioned around the car park on stands at the corners of each car space; another six were under the Huracán STO itself in the showroom and the remaining six positioned around the DJ booth.
The AX1s in the car park brought a “smart and futuristic” look to the space explained Michael.
Empty spaces were denoted by AX1s set to a warm white, and as guests parked up, the Titan colour was changed to match the colour of their car.
Once the STO was revealed, all the car park AX1s flipped into alternating blue and orange to match the hero car colour scheme.
The AX1s under the STO were used in conjunction with moving lights and other fixtures on Michael’s showroom lighting rig for the reveal. They provided a sub car glow effect accentuating the accumulating smoke from the fogger placed at the ba
Finland - Audico Systems has installed 281 of Elation Professional’s Fuze Pendant LED downlights in Finland’s Tampere Hall. Located 180km north of Helsinki, Tampere Hall is home to the Tampere Opera and the Tampere Philharmonic Orchestra and is the largest concert and congress centre in the Nordic countries.
The impetus for the house lighting upgrade stemmed from EU regulations that will effectively end the use of certain halogen bulbs, coupled with the fact that the venue’s old house lighting system was nearing the end of its lifetime. The project commenced in 2018 with Audico, Elation’s Finnish partner based just west of Helsinki, conducting product demos of various house lighting fixtures, including the Fuze Pendant.
“The venue required good quality white light with high colour rendering and also highly saturated colours for effects. The fixtures also had to be very silent,” explains project sales manager at Audico, Tapio Järvinen, who has worked with the venue on various projects over the past eight years. “We chose the Fuze Pendant because of the good light quality (CRI of 90) and the good dimming. It also had enough output to cover the venue and because it is fanless it does not make a noise.”
Järvinen says that a colour-changing solution was not necessarily a requirement at the beginning of the project but as the jump from general halogen to LED-based lighting was happening anyway, the leap wasn’t made any more difficult by adding a color-mixing option but instead was a positive addition to the system.
Italy - The 2021 Sanremo Music Festival was staged at Teatro Ariston in Sanremo, Liguria and apart from being one of the country’s biggest and best-known song competitions and media events, also chose the country’s entry for the Eurovision Song Contest. It was organised and broadcast by RAI and lit by director of photography (DOP) Mario Catapano.
The lighting rig included over 400 Robe moving lights - a mix of T1 Profiles, Spiiders, LEDBeam 150s, Pointes and a six-way RoboSpot system - all supplied by Pesaro-based rental company Sound d-light Srl.
For the first time, the competition, which unfolded over five evenings of live television, also broadcast worldwide, and streamed via the official ESC website, was hosted without a live audience due to COVID-19 restrictions.
The contest comprised two main sections - one featuring 26 established artists, plus a Newcomers section of eight rising-star singers. The voting came from a mixture of sources including a judging panel, a large public tele / internet vote and by the musicians and singers of the Sanremo Festival Orchestra.
It was the fifth time that Mario Catapano has lit the event. And as in 2020, he was asked onboard by both TV director Stefano Vicario and artistic director Amedeo Sebastiani (Amadeus) with whom he has previously worked.
His starting point for the lighting was the elaborate set design imagineered by Gaetano and Chiara Castelli which comprises six large shrinking perspective octagonal portals surrounding a central staircase with a large LED screen at the upstage end, o
USA - Creating a more camera-friendly stage became a pressing need for many churches during the pandemic, as they turned to livestream services to reach worshippers during lockdowns. Marysville Christian Fellowship was no exception to this rule.
This dynamic, small church, which serves a rural community in northeast Kansas, also shared something else in common with many other houses of worship: it had only a limited budget to devote to making its space more well-suited for broadcasting services.
Marysville Christian was able to navigate its way through this issue with help from Stark Raving Solutions, which recently completed a lighting and video upgrade at the church. Taking a holistic approach to this project, the Lenexa, Kansas based company provide a comprehensive solution that involved far more than the installation of new gear.
“We did a lot of upgrading, including adding an entire video system with new cameras and switching, but we didn’t stop there,” said Marcus Hammond of Stark Raving Solutions. “Clark Johnson our design lead and Shelli Kutz, our project manager did a great job finding ways the church could better employ some of its existing equipment.”
Indicative of this approach is the way the church’s front lighting was revamped for filming services. Prior to the rehab, the worship area had six Chauvet Professional Ovation E-160WW ellipsoidals. Stark Raving Solutions increased this number to 14 units. But adding these new fixtures was only the beginning. The company also changed the angle of the church’s front lighti
Vietnam - DTS has appointed Acoustic & Lighting System Vietnam as its distributor for the territory.
Ben Lee, country manager at A&L Vietnam, comments: “When approached by DTS to represent this already well-established brand in the Vietnam market, and after learning more about the way forward and future vision of the brand, we found that our goals aligned. We are looking forward to the opportunity to work together to serve the Vietnam market.”
Carmen Savarese, international sales manager at DTS, adds: “Acoustic & Lighting System Vietnam carry out their job in the best possible way, training professionals and offering a first-class level of expertise for each client. It is my absolute pleasure to work with these guys: their dedication is constantly looking towards the development of significant relationships of trust with customers, suppliers and partners. So, I am sure that this cooperation will be fruitful and successful.”
USA - Gerry Dintelman recently lit I Watched Music On The Internet, a four-part six-hour livestream marathon featuring 11 different bands shot in St Louis.
Dintelman created a design that gave each band a different look. He accomplished this with help from a large collection of Chauvet Professional fixtures that included Nexus 4 x 4 and NXT-1 panels along with Rogue R2 Beam and R2 Wash moving fixtures, all supplied by Arch City Audio Visual Services.
“This series was created by Arch City and the Sinkhole a local live music venue, as a means of showcasing different bands during the pandemic,” says Dintelman. “My co-designer Kevin Kwater and I knew that we would have to create a variety of looks to reflect each band’s personality. Since the videos were shot at the live stream space Arch City created in its warehouse early in the pandemic, we had a lot of fixtures at our disposal. So, we broke the rig apart in various ways to give each band its own look, while still building on our show throughout the series.”
Creating the wide range of dynamic looks Dintelman was after required not just a large number of fixtures, but also different types of fixtures that performed varying roles. “The Rogue R2 Beams and the Nexus panels are such opposite fixtures, they gave a nice contrast,” explains Dintelman. “Throughout the series we balanced the flood wash of the Nexus with the hard edge beams of the R2s.”
Dintelman choreographed the beams and washes with precision, creating chase sequences of darting beams across the stage in differ
Vietnam - Vietnam's first ‘sleepless city' has officially opened on Phu Quoc Island, aiming to become an international destination. Phu Quoc United Centre, developed by Vingroup, took a total investment of $2.8bn and aims to attract visitors from all over the world.
Visitors will be able to enjoy multimedia shows, including the Vietnamese flowers, 32,000 bamboo tops, travelling the canals of Venice surrounded by coloured buildings that play homage to the Italian capital, among other attractions.
Prolights plays a part in the lighting design, with fixtures installed in the centre lake where the Venice canals are. Every night, the performance of Sac mau Venice (The colour of Venice) dazzles visitors with a light show. Vietnamese lighting designer Mr. Trong created all the looks, while Pro AVL, Prolights' distributor for the region, supported with the equipment and technical expertise.
A total of 24 Prolights PanoramaIP Spot were used, along with 12 PanoramaIP WBX moving washes for the Sac mau Venice show. The fixtures were also used for Tinh Hoa Vietnam, featuring a total of 40 Prolights PanoramaIP AirBeam, 36 PanoramaIP Spot and 28 PanoramaIP WBX fixtures.
“The designer chose Prolights IP fixtures as they were installed outdoors on a semi-permanent basis, since the show takes place every day,” says Puong of Pro AVL. “The Panorama series are incredibly bright and very reliable, and the products exceeded all expectations.”