UK - Carallon Limited, an R&D company responsible for creating innovative control products, has announced it has become an employee owned business.
Carallon was founded in 2004 by seven colleagues who enjoyed working together creating new control products for the entertainment industry. All seven of those original founders still work for Carallon today, including Nick Archdale, Chris Hunt and Richard Mead who remain its board of directors.
Over 16 years, it has gone from strength to strength, growing substantially from seven to over 70 employees, and spawning spin-off companies Pharos Architectural Controls, Brompton Technology, and new start-up SixEye. Pharos and Brompton have both been regular winners of high-profile awards for their innovative products, with Brompton Technology recently winning the Queen’s Award for Enterprise 2020: International Trade.
As of May 2020, Carallon is now owned by an Employee Ownership Trust, which acts for the benefit of all current and future employees, and through elected employee trustees gives all staff a say in major strategic decisions.
Managing director Richard Mead explains, “On day one, Carallon was set up as a business owned and run by its original seven employees. Although we’ve got bigger, we wanted to make sure that ethos was preserved and that there was a clear structure in place for the long-term future of Carallon. Employee ownership fosters a spirit of teamwork and less hierarchical management structures, so it fits with our style very well.”
“While the other directors and
Germany - The Berlin Waldbühne Back to Live Concerts, a socially distanced event concept ran throughout September at the city’s famous open-air venue organised by promoter Semmel Concerts Entertainment.
Berlin-based full production service specialist TSE was asked by the venue management team, CTS Eventim AG, to supply a flexible festival-style production lighting and video rig complete with visual design that would work for a wide range of performing artists. Lighting for this was specified by TSE’s Ronny Rud Reinhold and included Robe BMFL WashBeams, MegaPointes and Spiider moving lights among other luminaires.
The venue has a large stage covered by a tensile roof that normally holds 22,900 guests, but this was revised – in relation to government restrictions at that time for outdoor shows - to 5,000 for Back to Live including staff, artists and crew, with the line-up including popular schlager superstar Roland Kaiser, rapper Sido, comedian, jazz musician and multi-instrumentalist Helge Schneider, singer Wincent Weiss and a special schlager-extravaganza night with Peter Maffay, one of Germany’s top-selling artists.
“We chose this classic festival lighting setup,” states Ronny, “to make things as smooth and straightforward for all the guest LDs and lighting operators,” which included the choice of fixtures as all these Robe luminaires are commonly used across many different event sectors in Germany.
With these Robes in the rig, shows could early and painlessly be adapted, a strategy that was proved right as they didn’t
USA - When US President-elect Joe Biden delivered his long-awaited victory speech in his home town of Wilmington, Delaware on the evening of Saturday, 7 November, the exuberant celebrations culminated with a spectacular drone and pyrotechnic show from Strictly FX.
“The creative on this originated with executive producer Ricky Kirshner, of Kirshner Events, who has been the nexus of all the work we’ve done with the DNC,” notes Ted Maccabee, CEO of Strictly FX.
In partnership with Verge Aero, Strictly FX deployed a fleet of 200 drones for the event. As those below celebrated, the GPS-guided drones lit up the sky with precision choreography, synchronised to a soundtrack which began with Coldplay’s A Sky Full of Stars.
The large-scale aerial imagery, created and refined in line with the Biden campaign’s vision, included red, white and blue stars, Biden’s campaign logo, a map of the USA, ‘46’ and ‘Harris’ – all with Strictly FX’s stunning pyrotechnic accompaniment.
The team worked fast to organise not just the content of the show, but the permissions and logistics required to carry it out. “Since this was a national security situation, the permissions that we had to get from various government entities were incredibly detailed; thankfully, we started on this process three weeks ahead of the election, and we were able to wade through all the authorizations in time to create this once in a lifetime event,” notes Maccabee.
The crew from Verge Aero had challenges as well. Nils Thorjussen, CEO of Verge Aero, adds,
USA - Elation Professional and the ADJ Group of Companies have announced the sudden passing of friend and colleague Joe Adams on Saturday, 14 November.
One of Joe’s most deeply held beliefs was that he was better because of the people he served. Joe’s family shares: “It doesn’t matter if you are the owner, stagehand, or the repair technician in the back, each of you had a lasting impact on Joe. You were never his dealers, his clients, or his work. You were friends and family; never a chore, obligation, or dollar sign.”
Adams, 53, worked as a regional sales rep for Elation Professional from 2017. He began in the lighting industry in 1998 with his own company as an American DJ dealer and came to the Elation family from manufacturers rep firm PSLP. Most recently, he operated his own firm Epic Pro Sales. In total, he represented the ADJ Group of Companies’ products for over 20 years.
“On behalf of Elation Professional and everyone at the ADJ Group of Companies, we express our sincerest condolences to the Adams family as we keep his wife Kim and their three children in our thoughts and prayers,” said Eric Loader, Elation director of sales & marketing.
“Like so many others, we are heartbroken. Joe was a positive, genuinely kind-hearted person and a much-loved member of the Elation and ADJ family. Joe had a passion for life and work that was infectious and inspiring and he always found something to smile about. He was a true beacon of light in life and in our industry and he will be sorely missed. We are thankful for the time w
USA - ETC has announced a new addition to its ArcSystem Pro luminaire platform, the D4 CV driver family. This new line of drivers is designed for use with 24 VDC constant voltage LED loads, such as linear tape applications.
The D4 CV driver line complements the recently introduced F-Drive system, creating a range of LED driving solutions for a variety of installations. The new D4 CV driver line includes both wall-mount and rack-mount options, with four channels per driver, and the ability to reach maximum load capabilities of 528 W across four channels.
The D4 CV Drivers are available in the following three sizes: D4 CV 150: Wall-mountable, with four outputs of up to 50 W per output or 150W with all outputs combined; D4 CV 350: Wall- or rack-mountable, with over 72W on a single output or 264W with all outputs combined, and D4 CV 700: Wall- or rack-mountable, with 146W per output or up to 528 W with all outputs combined.
USA - With its open-air amphitheatre built into the surrounding sandstone, Red Rocks is one of live music’s more distinctive venues. From 24-27 September, the fabled venue west of Denver was the scene of four nights of in-person and live-streaming music experiences. Red Rocks partnered with video streaming service Nugs.net to cap the summer off in style with local Colorado production house Brown Note Productions providing a full Elation IP-rated rig for the limited capacity 4-night run.
Tiësto, Fitz and the Tantrums, Billy Strings and Lotus headlined the four nights respectively with all but Billy Strings performing before a live audience limited to 175 fans per Colorado’s COVID-19 guidelines. As a guarantee against any weather issues, notably Colorado’s notorious cloudburst rain showers, Brown Note dipped into its inventory of Elation all-weather IP65 luminaires to light the four shows with the venue’s spectacular rock formations also lit up for Tiësto’s performance.
Ryan Knutson, president of Brown Note Productions, designed both the show lighting rig and rock lighting looks using the fleet of Elation IP-rated lighting that Brown Note acquired last fall.
Stage lighting gear lists varied slightly per show with the Tiësto show comprising the most fixtures: 36 Proteus Maximus LED profile moving heads, 32 Proteus Rayzor 760 LED wash moving heads, 16 Protron Eclypse hybrid LED lights, 18 DTW Blinder 700 IP and 12 Seven Batten 72 pixel bars. The rig provided ample amounts of punch and with all shows filmed for live stream viewing courtesy
Canada - 7thSense’s Medialon Showmaster LE show control solution has been installed by Production Resource Group (PRG) at the at heart of the new Immersive Van Gogh Exhibit in Toronto. The five-storey immersive show brings the Dutch master's paintings to life using light, sound and movement.
The Immersive Van Gogh Exhibit has become the world’s first immersive drive-in art experience after producers adapted the digital art show for the worldwide COVID-19 pandemic. Before its public launch in July, the exhibition’s artistic director, Massimiliano Siccardi debuted his plans to make the experience COVID-friendly by designing space for up to 40 cars to visit the exhibit at any one time, as well as welcoming visitors on foot with social distancing circles in place once lockdown restrictions had been eased.
The experience features a 35-minute show that showcases 40 pieces of the Dutch artist’s work, including Sunflower, Irises and The Starry Night, across the 600,000sq.ft space and its 8m-high walls. Bringing the paintings to life are 52 Panasonic projectors, and a VUEaudiotechnik audio configuration streaming an original classical composition by Luca Longbardi. A GLP lighting system completes the environment.
7thSense’s Medialon Showmaster LE manages all audio-visual components including projection system, media servers, lighting, and synchronisation for the entire show.
Leading design and production of the exhibit was Lighthouse Immersive, and PRG for system design and integration. Chris Arsenault of Armour Technical
Australia - The fourth season of Australian Ninja Warrior heralded a new era with Ninjas coming face to face with mind-blowing new obstacles and for the first time, Ninja versus Ninja on the almighty Power Tower.
Filmed at Melbourne Showgrounds, the show was once again lit by Hugh Taranto with Chameleon Touring Systems supplying gear and crew. For the first time, Hugh had house power instead of generators and he relished working on a site set up for production.
COVID-19 reared its head just as filming started, but thorough planning and advice saw the production through. Being able to continue filming without an audience as well as outdoors, certainly helped.
“We were there for three weeks setting up and just as we were about to start recording, Covid-19 started to happen,” Hugh said. “There was a lot of making changes on the run. We started with a full audience but that was soon changed to just family and friends. As time went on and rules and protocols kept changing, we ended up with no audience towards the end. We were fortunate to be able to push through and finish the show.”
New this year was a fresh obstacle called the Power Tower, a large circular obstacle that was the last challenge and rather tricky to light. The structure was internally lit with Chauvet Colordash IP LED PARs and a ring of EK Collider Strobes sat around the top ring, 12m in the air.
“As well as being internally lit, there were light-up poles that the Ninjas would grab onto,” said Hugh. “As they got to each pole they would light up in a different col
UK - Lancashire-based LED lighting manufacturer CFE Lighting has made two senior appointments to its team, as it looks to build on a strong trading performance over the last 12 months.
The company, which specialises in bespoke LED luminaires and lighting solutions for the commercial, industrial, and public sectors, has appointed Amanda Speight to the newly created role of national business development manager. David Clews has joined the business in the split role of general manager and North West area sales manager, with both recruits based at the company’s manufacturing facilities in Barrowford.
Both Amanda and David are industry veterans, with more than 60 years’ experience between them operating within the lighting sector.
In her new role, Amanda manages a four-strong sales team and is responsible for generating and securing new business, managing key accounts, and driving product development and innovation. She brings 35 years’ experience to the role, having started out running the family business, Speights Lighting, before taking on senior industry roles at retailer Harrison Lighting and manufacturer Powerlite Fitzgerald.
David has operated within the lighting industry for 31 years at a number of manufacturers. In his new role, he is responsible for the day-to-day management of the business and for developing and expanding the company’s product portfolio and securing new business in the North West, working closely with Amanda.
The appointments have been made as the business looks to build on double-digit growth over the last
Italy - Between 11 and 19 September, the Arena di Verona hosted the seventh edition of the Festival della Bellezza (Festival of Beauty).
Visual representations, artistic and philosophic thoughts animated the location, with a wide variety of guests exhibiting on stage: from artists like Gianni Morandi and Mogol to intellectuals like Massimo Recalcati and Vittorio Sgarbi.
MeQuadro Show Service, a production-service company based in Verona, provided the lighting and oversaw the technical set up. Emanuele Mazzi, owner of MeQuadro, comments, “This edition has been a real challenge for the organisers, who allowed more than 35.000 spectators to take part to 10 days of concerts, performances and conferences, following the COVID-19 guidelines.
“The stage was set up in the middle of the Arena as to recall the Agora, sacred and moral centre in the ancient Greece in which gathered assemblies of free-born citizens. As you can imagine, it was necessary to design impactful lighting, both suited for the context and emphasizing the atmosphere, giving prominence to all the artists involved.
“An appropriate and impactful lighting, which was suitable for the context and emphasized the atmosphere of the characters who took part in the event, was the order of the day,” says lighting designer Andrea Coppini .
“Most of the lighting fixtures we decided to use were Prolight, specifically Prolights Jade, ArenaCob 4FC, SunBlast 3000FC, PixieWash and PixieWash XB. Lacking a roof covering the stage, we wanted all the fixture to be IP rated, as to avoid ins
Zimbabwe - Blessing Bero was focused on creating uplifting harmonies for the Zaoga Forward In Faith Church at its October live DVD recording session; not in the form of vocals, the church’s acclaimed choir took care of that, but with balanced video and lighting displays. “We wanted to create flowing videos for the beautiful music,” said Bero, of Events Evolution. “Our team was able to do this throughout the recording.”
Bero, who served as technical director, set designer and lighting designer at the video shoot, hung 16 0.5m by 3m LED strips across the back of the stage. “I worked with LED screen engineer and operator Tatenda Rushwaya to create all the attractive visuals that the camera could capture on the strips,” he said. “We used them to play graphic videos that interacted with video playback.”
Having the strips display their captivating content while being accompanied by weak, timid light, would have been akin to having a choir comprised only of tenors. The net result would be uneven and uninspiring. To avoid this, Bero balanced the video displays with the bold, colourful output from 22 Chauvet Professional fixtures. “Given the output of the video strips, we had to beef up our colours with bright, high-output lights,” said Bero. “The lighting and video worked beautifully together.”
Bero placed three of his Maverick MK2 Spot fixtures on the upstage truss, using them to cover the band in vivid colors and texturizing gobo patterns. The four MK2 Spot units flown over the mid-stage deck also added colour while accenting the
Australia - The 2020 NRL Grand Final, saw the Melbourne Storm defeat the Penrith Panthers at Sydney’s ANZ Stadium. Traditionally held on the first Sunday of October, the COVID-19 delay earlier in the year caused the date to be pushed back several weeks.
The pre-show entertainment was once again enriched by Tom Wright’s lighting and stage design with Chameleon Touring Systems supplying the equipment. This year Amy Shark walked onto the stage at ANZ Stadium in front of a 40,000-strong crowd to perform several of her biggest hits which have dominated the Australian charts over the past few years.
Unfortunately, as Wright lives in Melbourne, he was unable to attend the event and so Paul Collison and Dan Mercer worked closely with him to ensure his vision came to life. This was a task that ended up nearly impossible due to inclement weather that battered Sydney that weekend!
It was decided that Amy would enter the Stadium through the tunnel behind the stage and so Wright used 24 Color Force 72 and 70 IP rated ShowPRO DreamPix 1m LED Strips to dress the tunnel as well as add light. Added to the DreamPix onstage, including those that made up the massive ‘A’ structure, the total number was 148 and they were all run through Wright’s PRG Mbox media server.
“We made the assumption months ago that I probably would not be able to attend the event and that’s how I designed the show,” adds Wright. “As well as PC, I had Dan as his associate so PC could be the arty guy and Dan could be the attack dog!! Basically, I wanted PC to focus on the
Spain - This year’s annual Coca-Cola Music Experience Festival took place again over two days at Madrid’s WiZink Centre (this year under the name CCME Reloaded, to reflect the COVID-19 restrictions).
The event was recorded for streaming only on CokeTV (the Coca-Cola YouTube channel) and Divinity (https://www.divinity.es/).
Celebrating its 10-year anniversary, despite the lack of venue atmosphere, the music was non-stop and featured local artists such as Aitana, Ana Guerra, Beret, Twin Melody, Cora Yako, and Lemot.
Working with production company, the Method Agency (under the show direction of Oscar Fernandez), PRG provided an inventory of 124 GLP fixtures, for effects, washlight, and keylight. These included 20 GLP impression X4 XL; 18 GLP impression X4 L; 20 GLP impression X4 Bar 20; 26 GLP impression X4 Bar 10 and 36 GLP Highlander Wash, being used for the first time in Spain. Fixtures were positioned to fulfil different tasks; some on the main rig, others on the floor, for scenography and effects, or to ‘paint’ over the back, sides and audience drops.
The fixtures had been programmed, personalised, and directed by event LD, CaCo García; who was assisted by his lighting operators Juan Manuel Lázaro and Miguel Hidalgo, and worked alongside the visiting LDs accompanying some of the acts. “We built up a specific sequence of cues for each artist or performance.” Garcia said. “We used a grandMA2 with three consoles for programming. Fixtures like the X4 Bar 10 or Bar 20 were very easy to programme in their different modes.”
UK - Every year, EMF Technology is involved in poppy projections to commemorate Remembrance Day - and this year was no different.
The Wembley-based company transformed a wind turbine into a giant poppy for the Vattenfall Group in support of the Royal British Legion’s annual poppy appeal.
The 125m structure at Swinford windfarm near Lutterworth had a 90m wide poppy head projected onto the blades overnight, along with a cascade of poppies falling down the turbine tower. The message EMF wanted to promote was simple - that ‘every poppy counts’, particularly in a year when due to the pandemic and local restrictions, the appeal had been hampered.
"We selected a 125m high wind turbine which has a 90m wide rotor to project a poppy head onto the blades and a green stem mixed with a cascade of smaller poppies falling 80m down the turbine tower to produce the world’s largest virtual poppy which could be seen from the M1 motorway," explains Stuart Roberts of EMF Technology. "A specialist team of photographers and videographers used high-end camera systems and aerial drones to create the unique long exposure effect of the poppy head which gained nationwide TV and worldwide social media coverage."
The company deployed six 20K HD Christie Roadster projectors with ultra-long throw lenses; three custom EMF Vision Ultra Widescreen media servers; and mapping software Resolume Arena V7. EMF also provided full mains power distribution services due to the site’s remote location.
The wind farm is operated by energy company Vattenfall, which
Australia - Big Picture is always looking for new methods to allow creative and technical professionals to tell stories in fresh and innovative ways, especially during COVID-19. One area that certainly required a COVID-revamp was the award show format. So, with the Dally M Awards looming, thinking caps were put on by the teams at Fox Sports and Big Picture.
“Usually the Dally M Awards are staged in a large event venue, but with COVID-19 we had to rethink how we would stage the 2020 production,” remarks Paul Slater, senior producer at Fox Sports. “We still wanted to have a big auditorium feel, but we didn’t have the budget or resources to shoot something like that in reality.”
Paul turned to Big Picture for inspiration, who in turn demonstrated how an xR (extended reality) broadcast could work. The technology impressed, marking a vote of confidence for Big Picture, as a live broadcast xR production had never been done anywhere in the world.
xR technology allows users to blend virtual and physical worlds in live production environments to create fully immersive experiences.
“We were approached by Fox Sports who had been looking at several technologies to integrate a virtual component into a live multi-camera environment,” explains Josh Moffat, special projects & business development at Big Picture. “With only a short lead time up until the event, we designed a technical solution around the disguise xR workflow.”
The event took place at Fox Sports in Sydney where the main Studio setup comprised a 12m x 3m ROE Black Ony
USA - With a portfolio of clients including Apple, Vogue, Amazon, and Spotify, GUM Studios is a New York Qualified Production Facility, offering expansive and versatile spaces that can confidently cater for any requirement and shoot.
Recently, GUM turned to 4Wall Entertainment to provide lighting and video equipment for its new Virtual Production (VP) facility. The high-spec virtual environment includes ROE Visual Black Pearl 2 LED video panels, which are driven by Brompton 4K Tessera SX40 processors.
“GUM is a long-term customer of 4Wall’s, and we have been supplying it with equipment for years,” says 4Wall’s account executive - video production, Wayne Romanowski. “With Virtual Production tipped to become a standard for how major motion pictures will be shot going forward, we were honoured when the GUM team contacted us about supporting them in bringing this cutting-edge technology to their clients.”
4Wall provided 333 ROE Visual Black Pearl BP2 (2.8MM) LED video panels to create a curved wall 40' wide, 15' tall and 20' deep. The company also supplied 51 Full and eight Half ROE Visual Carbon CB8 (8.3MM) LED video panels for an approximately 25' wide x 20' deep ceiling for lighting and reflections.
The entire set-up is driven by three Brompton 4K Tessera SX40 LED processors and five XD 10G data distribution units, out of which “two SX40s along with four XD units are used for the LED wall and the rest are deployed for the ceiling,” adds 4Wall’s account executive – sales, John Velez.
“We are aware of Brompton’s 24/7
USA - While the majority of festivals and concerts scheduled for the summer of 2020 had to be cancelled due to COVID-19, a few smaller events were still able to go ahead with social distancing in place. One example was the fifth annual Birds of a Feather Music & Arts Festival, which took place during August in Northern Kentucky. It featured a varied line-up of bands playing across two adjacent stages, which both featured identical lighting rigs comprised exclusively of ADJ fixtures.
Located at the picturesque Thornhill Drag Strip in a little town called Morning View in Kentucky, Birds of a Feather is a small family-friendly festival that hosts a mixture of local and regional touring acts. At the top of this year’s line-up was Tropidelic, a band that blends reggae, hip-hop and high energy funk alongside ‘trashgrass’ string quartet The Rumpke Mountain Boys and electro-psychedelic-funk-rock band Dizgo, which gives a flavour of the musical diversity on offer. To ensure compliance with local COVID-19 rules, each household attending the festival in 2020 had a designated camping spot and were also allocated to their own socially-distanced space – marked out on the ground – in front of the stage area.
Lighting and audio production for the festival was provided, for the second year running, by Waveform Live. The company’s principle, Michael ‘Crazylegs’ Hemann, designed the lighting rig and also operated it for the duration of the three day event.
“It’s a great little festival, but it’s also a hard gig to work as an lighting operator
South Africa - MJ Event Gear has created an outdoor music concert environment at The Local Bar and Kitchen in Kyalami, no. 66 on the R55 Main Road, for those who want to enjoy good music in a space that strictly complies to the COVID-19 safety regulations. MJ has also set up a venue incorporating sound and lighting at the Bryanston Country Club.
The Local has JOC approval and has been given the green light by the SAPS and the fire marshal. The venue has various seating options available and includes paramedics on-site in case of an emergency, while all tables and chairs are sprayed and sanitized by Gary Love and the Viral Shield team. Patrons entering the venue will walk through a humidifier tunnel (not spray) and endure the usual hand sanitization and a temperature check, while face masks are sold on site.
Mike Jones, the owner of Johannesburg technical supply company MJ Event Gear, explains how the projects came about. “I’ve always wanted to build an outdoor concert venue and it’s something I’ve thought about for the past two or three years. Sven Hansen of 4 Plus 3 Productions and I had been looking at different venues where we could put up a roof on a more permanent basis, and then lockdown happened, and nobody could work.”
When President Cyril Ramaphosa announced in September that South Africa would move to Level 1 in regard to eased restrictions to allow 500 people at outdoor gatherings and 250 people at indoor gatherings, at a 50% capacity. Mike approached the Bryanston Country Club. “They allowed me access to build a venue to comf
USA - Behind the Scenes has announced that Light Touch Designs has become its newest Pledge-a-Service member by pledging fees from speaking engagements and online training to the charity.
Light Touch Designs is a Chicago-based design firm supplying lighting design services to the corporate meeting and special event industry. Owner Michael Sharon, a 30 year veteran of the profession, is happy to share his knowledge of design, programming and Vectorworks drafting with the community.
On making his commitment to the charity, Michael commented, “As freelance workers in a high-risk industry, we are all just one accident away from financial ruin. BTS has provided a crucial safety net to help people back on their feet. In times of pandemic, when we are all working to share knowledge and keep the industry alive, it seems right that I should take my teaching income and put it back into the community.”
BTS Foundation chair, Rick Rudolph, commented, “We were so pleased when Michael contacted us about joining the programme. As he rightly guessed, funds are needed now more than ever to care for our colleagues’ physical and mental health. This industry has always been a family and Michael’s desire to help those in most need during this time is a shining example of that. There is so much wonderful online training and webinars happening right now and we hope others will follow Michael’s example of giving.”
The Behind the Scenes charity provides entertainment technology professionals, or their immediate dependent family, who are seriously ill or i
Chile - A national historic monument, the Teatro Galia was intended to reflect the pride and character of the Los Ríos region when it was built over a two-year period in the 1940s. Designers Felipe Barthou Lapouple and Juan Poletter Saint-Simon adopted a balloon frame system for the 500-seat theatre to reflect their country’s rich art deco tradition. Inside, they used only native Chilean woods for flooring and panelling, including warm, orange-tinged Lenga, famous the world over for its depth and texture.
In 2020, when the Chemtrol Chile team began a socially distant lighting upgrade project as the historic structure, they were careful to preserve the unique character of the building. They accomplished this with the help of 34 Chauvet Professional LED fixtures. This made Teatro Galia the first theatre in Chile with an all-LED rig.
“For the execution of the rehabilitation of the Teatro Galia, in which Chemtrol had a very active participation in relation to the installation of the scenography systems, we used all the luminaires developed and manufactured by Chauvet Professional,” said Italo Bascuñan, head of the Commercial Department of Chemtrol Chile. “Due to the quality, price and performance ratio, Chauvet luminaires were the only possible option. In addition, the brand has one of the most complete lines of LED theatre lights.”
Casting warm smooth even fields of light, the new fixtures will provide stage lighting for shows at the theatre, while also bringing out the full aesthetic features of room itself. This is accomplished with 12 Ov
Ireland - A new collaboration between Robe and Dublin’s Lir National Academy of Dramatic Art sees a quantity of Robe moving lights – including T1 Profiles and T1 Fresnels, LEDWash 300 LEDs and ParFect 150s – made available on long term rental, which were used to great effect for Lir’s 2020 Gradfest event.
This featured four back-to-back new productions presented in Lir’s two studio spaces, all lit by students completing their master’s degrees in fine art, for which Gradfest was a final segment requiring completion before they gained their qualifications.
The Lir’s conservatory training for students of theatre, film and television offers a dynamic fusion of creative and technical disciplines.
Lir’s head of lighting Eve D’Alton explained that Gradfest is a stepping-stone that galvanises the skills of the MA students, who work with industry professionals on designing and producing their shows to exceptional standards. It’s also an exacting experience for the final year Stage Management and Technical Theatre students who help crew and facilitate these four diverse productions.
This year the four were Image of a Young Unknown Woman, Elinor Cook’s disturbing examination of violence and revolution; Constellations by Nick Payne which looks at the almost limitless possibilities of life and how the smallest changes can dramatically alter people’s designated courses; Salome, or the Cult of the Clitoris: A Historical Phallusy by Mitchell Polonsky, a devised piece referencing an infamous libel trial following
UK - 3LR Lighting has confirmed that it is now the sole UK and Ireland manufacturer’s representative for the Rosco range of architectural lighting. 3LR has been in discussions with Rosco about taking on the role since mid-2019, and recent events presented the ideal opportunity to finalise these arrangements.
In a move that will ensure service continuity and increase exposure for both businesses moving forward, Sean O’Callaghan, formerly Rosco Architectural Manager EMEA, has joined 3LR Lighting as business development manager for architectural lighting and control. 3LRs represent a number of international brands, including ETC, whose market presence will also be developed by Sean and the 3LR team.
Sean’s career has seen him occupy a variety of sales and marketing roles for several global lighting manufacturers, during which time he has acquired a thorough grasp of the architectural lighting market. Sean’s background in street, amenity and area lighting, naturally steered him into architectural, commercial, decorative and bespoke projects on every scale.
3LR managing director Matthew Lloyd comments, “We’re very excited to be adding Rosco to our portfolio and welcoming Sean to the team. His industry expertise and vast experience will be invaluable in helping to develop new and existing customer relationships, further enhancing 3LR’s visibility in the market.”
UK – Visual artist Ben Sheppee, innovator in immersive light-based environments and founder of visual design studio Observatory, is the latest artist to be commissioned by Collusion to create a major new site-specific artwork which is on free display for one month this autumn.
DRAWDOWN, which is running from 25 October to 24 November, is Sheppee’s first major installation in King’s Lynn and will consist of a series of five large-scale building projections. Each will explore how the effects of climate change can be reversed, presenting an often-overlooked positive angle on the most crucial environmental issue humans have ever faced.
“I personally feel like everyone has a general awareness and understanding of climate change, but many people feel ineffective as individuals to have an impact,” comments Sheppee. “I wanted to highlight the practical solutions in a way that provides empowerment through awareness. I would consider the works to be successful if they reinvigorate the public’s interest in climate change solutions.”
Supported by partners including Arts Council England and the Borough Council of King’s Lynn & West Norfolk, DRAWDOWN will feature projections on five King’s Lynn buildings - The Custom House, Greyfriars Tower, King’s Lynn Minster, St Nicolas’ Chapel and Tuesday Market Place.
“We’re looking forward to presenting Ben’s work on some of King’s Lynn’s most iconic buildings,” says Rachel Drury of Collusion. “We hope that the public enjoy walking around the town to see this beautiful and t
USA - Country music duo Brothers Osborne recently debuted a new music video, All Night. Daniel Rehbein, who serves as the band’s touring lighting director, was called on to create the lighting scheme for the video and turned to Elation ACL 360i beam lights for concert-like looks and Antari DarkFX Wash 2000 luminaires for a black light element.
The six-time Grammy nominees and four time CMA award winners partnered with directors Wes Edwards and Ryan Silver on the video, which was rooted in the excitement and electricity of a Brothers Osborne concert. Rehbein comments: “They wanted the video to feel like a Brothers Osborne show with a lot of effects in the air and a ceiling of lights close to the band that we could run patterns through. I immediately started thinking about what fixture could project a nice beam plus act as a pixel effect and thought of Elation’s small ACL 360i.”
Having worked in years past in the Bandit Lites shop in Nashville, Rehbein was familiar with the powerful single-beam RGBW LED light and its tight 4° ACL beam. “I knew Bandit stocked a lot of them and knew it would be the ideal light for the beam looks we wanted to create,” he said. “We also wanted the option to colour mix or do an infinite pan or tilt and although we left them in a CTO or Congo blue/UV look, and didn’t incorporate continuous spin, it was good to have those options. The video was shot in a variety of different ways and I wanted to give them the possibility of creating different types of effects.”
Rehbein hung 60 of the compact ACL 3