USA - History runs deep at Washington’s City Tavern Club. Built in 1786, the venerable Federalist structure (one of the last such taverns in the US capital) counted George Washington, John Adams and Thomas Jefferson as regulars. Today, the venue hosts a variety of upscale events, and although it provides an evocative setting, power limitations in the 233-year old building can present challenges for anyone looking to light these affairs.
At a recent, corporate showcase at the historic building, Tarik Smith of Atmosphere, Inc. met these challenges and transformed its interior with elegant uplighting created by wireless, battery-powered WELL Fit fixtures from Chauvet Professional.
“As with any historic venue the biggest issue is power, so I had to pay a lot of attention to the design,” says Smith. “The limited power draw at the club meant we had to go wireless, but I still needed even, colourful light that would create an immersive, welcoming atmosphere.”
Smith tapped 60 WELL Fit fixtures to illuminate the main hall and upstairs lounge area. The compact dimensions of the WELL Fit units allowed them to blend easily into the background, while their four RGBA LED’s offered a wide palette of rich colours to deliver a bright, even uplight wash to the walls and architectural columns.
“For the Main Hall, I really wanted to create an entirely different look for the room,” says Smith. “The WELL Fits helped transform the space, to the point that even the house staff was impressed with how different it looked. I also used a few WELL Fits
USA - Robe’s new Esprite moving lights made their US live TV debut on the 2019 CMT Artists of the Year event, staged at the Schermerhorn Symphony Centre in Nashville, Tennessee.
“I absolutely Love these lights,” declared the event’s lighting designer Tom Kenny who worked alongside a talented production team which included set designer Anne Brahic.
The Esprites plus other extra lights on the show - which also included Robe BMFL WashBeams and Spiider LED wash beams - were delivered by Morris Light & Sound. They were used together with fixtures from the venue’s house rig.
Ten of the 20 Esprites were positioned on one of the rear LX production trusses installed at the Schermerhorn Symphony Centre for this event, and used for rear lighting the band, and for texturing, colouring and gobo work on the stage.
Another 10 luminaires on one of the downstage trusses provided key lighting for musicians onstage, and for pick-ups at the dinner tables distributed around the room including on the wrap-around balconies.
Tom’s lighting design also utilized 30 Robe BMFL WashBeams, 24 of which were on over-stage LX trusses 3 and 4 to provide band keys and highlighting scenic elements.
“Morris Light & Sound is very pleased with the output, colour and beam qualities as well as the feature sets of the Esprites which checks many boxes for us,” says Han Henze who also took on a lighting directorial role for this show.
Working alongside Tom, Michael and Han were gaffer Michelle Griesmer Stotts, lighting crew chief Todd Latia,
UK - Magazine London, a purpose-built event space, opened adjacent to the O2 Arena in Greenwich Peninsula this August.
Its simple architectural form offers clean and functional spaces that provide ‘a means for large-scale creative expression’ with 3,205sq.m of versatile interior space for up to 3,000 people, and the capability of a further 7,000 people across the venue’s outdoor showground.
Technical consultant, Simon Jones of SJ-TPM, recommended MDG haze generators for this new venue. He supplied two MDG ATMe haze generators, complete with purpose-built touring cases for easy storage and deployment.
Jones was brought onboard by Venue Lab to review, recommend and deliver the technical infrastructure, establish and fine tune the requirements and purchase the equipment for this multi-purpose venue. Jones worked on the various phases in collaboration with Vibration Design and Production, which delivered the venue’s in-house technical production, to ensure the equipment installed aligned with the building’s innovative principle.
“Haze always has to look perfect on television and camera, and also work well with live events,” Jones explains. “It needs to be finely distributed, and quickly dispersed.
“The haze produced by the ATMe is great for the cameras because it is a good, clean haze, it doesn’t reflect, it’s not too dense and it’s nicely distributed across the whole space with two machines filling the venue quickly and easily. We chose to go with two ATMes because the venue is so large, and there are always points
Trinidad & Tobago - PR Lighting fixtures were out in force at the recent nine-day Divali Nagar Festival on the Caribbean island of Trinidad & Tobago.
Promoted by the National Council for Indian Culture (NCIC), and now in its 33rd year, Divali Nagar is an annual exposition of Hindu culture (generally) and Indo-Trinidadian culture (specifically). It is closely associated with the Diwali Hindu Festival of Light celebration in Trinidad and Tobago.
For the past 15 of those years, All Events Lighting Systems (AELS), part of the SM Group, has been providing technical services to the event at the Divali Nagar site, located in the borough of Chaguanas.
The SM Group itself comprises All Events Lighting Systems, All Events System Ltd and S. Maharaj Equipment Services Limited. SM Group itself stands for ‘Shival Maharaj Group of Companies’ and the organisation collectively provided all equipment for the many local acts who performed, including full lighting and audio, screens, infrastructure, power (generators), technical management and full production services.
Shival Maharaj himself designed the lighting, using 36 PR XLED 1037; 18 XR 330 Beam and 18 XR 330 Spot.
Housing 37 10W RGBW (4-in-1) LEDs, with wide beam angle ranging from 13° to 52°, the XLED 1037 was used to create full stage washes along with visual effects. Equipped with a Sirius HRI 330W lamp and three prisms, the XR330 Beam was tasked with delivering amazing beam effects and piercing gobos and colours, while the XR 330 Spots were used as specials for the band and arti
Japan - The New National Theatre, Tokyo (NNTT) has invested in a stock of Robert Juliat Oz 600W LED followspots for its three performance spaces. The new LED models replace conventional source followspots as part of an upgrade of the lighting inventory for this internationally important arts venue.
New National Theatre, Tokyo is Japan’s only one dedicated to the contemporary performing arts of opera, ballet, dance and drama. The NNTT complex comprises the Opera Palace, Playhouse and The Pit, and hosts over 300 performances a year to around 200,000 theatre goers.
Four of Robert Juliat’s Oz 7°-14° LED Top Control followspots were supplied by RJ distributor, Sogo Butai, initially for use in the small Pit Theatre, but also with the intention of relocating them to the larger spaces of the Playhouse and Opera Palace as needed.
“Because of its silent operation, Oz is extremely suitable for the open space within the smaller Pit Theatre,” says Takehito Suzuki, from NNTT’s technical department for lighting. “In venues like those of the New National Theatre, where many theatrical shows and contemporary dance performances are presented, we found Oz is the best followspot for lighting the performers at every distance.”
Suzuki also stresses that Oz was chosen because its quality met the high standards of the theatre. Its Top Control option was a prime example of this, enabling the operators to control both the dimming and iris smoothly and easily from the top of the fixture. “Amongst many LED followspots, what makes this fixture most rema
South Africa - Technical supply company, HireZone Audio Visual, used 14 new Vari-Lite VL2600 Profile luminaires for the key lighting at the 28th World Economic Forum (WEF) on Africa, which took place 4 - 6 September at the Cape Town International Convention Centre.
The fixtures helped lighting designer and operator Gary Sam create a bright, balanced and consistent look for the live broadcast of the international panel in the Convention Centre’s Plenary Room.
With the theme Shaping Inclusive Growth and Shared Futures in the Fourth Industrial Revolution, the WEF saw leaders from across the globe gather to discuss the future of Africa. Hirezone was appointed by an international team to supply all technical for the entire event.
This was the first time for Hirezone using their new VL2600 Profiles, which they had purchased from South African Vari-Lite distributor DWR Distribution. Initially, when returning from Prolight+Sound in Germany earlier this year, Hirezone owner Richard Gild had five manufacturer’s options to choose from. Not being a dedicated lighting company, Hirezone needed a fixture that would offer both high quality performance and a good return on investment. “Three factors that my business partner, Garth Lawler, and I had to take into consideration were support, functionality and price,” says Gild.
Deciding on the support offered under DWR banner, he was left with three brand choices. “Vari-Lite has an excellent reputation as a brand, especially focusing on their quality optics. Eventually, once I’d seen the lig
USA - Chauvet Professional’s new COLORado Solo Batten 4 will be a highlight on the company’s stand at the LDI tradeshow.
The four-cell batten features seamless end-to-end RGBAW colour mixing with no separation or dimmed lens corners and sets the stage for seamless scenic looks at tours, festivals, churches, theatres, and other applications, says the company.
The fixture’s crisp looks and smooth light make it suitable for creating engaging backgrounds on stage. It can also be used to outline entire stages and scenic elements in addition to accenting truss structures. Thanks to its compact size, the 372mm (14.65”) long fixture can be arranged in vertical or horizontal configurations, even in tight quarters. Adding to its versatility is its IP65 rating, which makes it ideally suited for temporary outdoor applications.
Designers can create a variety of scenic looks with the COLORado Solo Batten with pixel mapping. The versatile fixture can be controlled via Art-Net, DMX, Art-Net to DMX, sACN, or RDM.
“We carefully considered feedback from designers when creating this fixture,” comments Albert Chauvet, CEO of Chauvet. “They told us how important scenic elements were becoming to their designs. So, we have developed a new generation of battens that are not only powerful washes, but are also are very attractive to look at in their own right.”
USA - New Jersey-based Starlite has purchased a complement of Ayrton Khamsin-S, Ayrton's latest compact profile fixture. Starlite has one of the largest inventories of AV, lighting and control equipment on the East Coast and services the broadcast, concert touring, corporate, performing arts and educational markets.
The fixture is the first Ayrton product that Starlite has purchased. “ACT Lighting (Ayrton’s exclusive distributor for in North America) demo’d the whole Ayrton line for us, and we evaluated the Khamsins in our shop for our rental inventory and use on our own productions,” comments president and CEO, Dean Danowitz.
“There was a fair amount of debate internally regarding which profile fixture we should invest in next,” notes Jason Danowitz, vice president of event technology. “Ultimately, we chose the Khamsin-S because it checked so many boxes for our touring and staging clients, including an 8:1 zoom (7o to 58o), 40,000-lumen output, CMY colour mixing plus fixed colours, variable CTO, two frosts, two rotating gobo wheels, prisms, an animation wheel, rotatable framing shutters and an iris. In addition, they’re flicker-free, which is essential for our clients with broadcast applications.”
The fixtures were dispatched on a broadcast project as soon as Starlite took delivery of them. “The minute they hit our docks, they were booked for a major televised awards show,” says Starlite’s rental manager, Matt Strickland. “The Khamsins will work for so many applications that they will never be here - which is ultimately m
UAE - Technical and staging solutions provider Protec has become the first company to order Claypaky’s new laser-source moving head Xtylos. Protec inked a deal to receive 350 units of the fixture and became the first AV equipment supplier in the Middle East to take delivery of Xtylos in September. The company has also added 48 of Claypaky Sharpy Plus fixtures to its inventory.
“We are very excited that Protec was the first in our world sales network to place the order at Prolight + Sound 2019 in Frankfurt where we launched Xtylos,” says Egor Popovski for Claypaky in the Middle East. “Protec is also the first in the Middle East to receive the shipment of these fixtures and has become the largest stockist of Xtylos in the Middle East region.”
Aaron Russ, head of Protec’s lighting department, adds: “Protec is always investing in the latest technologies, and Xtylos is the next innovation in lighting technology. Xtylos is more efficient from an energy point of view, but its real selling point is how its laser-sourced engine reproduces colour with such intensity and definition. We believe this offers something unique on the market and introduces a whole new world of creative lighting solutions for our clients.
He continues: “The Xtylos’s energy efficiency has a green appeal, which is something the events industry needs to continue to make improvements on, but the main attraction here is the fixture’s ability to maintain colour intensity and vivid brightness over a long distance compared to its predecessors and other market options. Xty
Denmark - The futuristic-looking Musikkens Hus in Aalborg is a cultural jewel in the crown of the fourth-largest city in Denmark, located in a prime position in the redeveloped quarter overlooking the Limfjord. It’s also recently invested in 14 Robe T1 Profile multipurpose LED moving lights, joining 12 Robe Pointes that were purchased three years ago.
Inside the building created on the site of an old power station and opened in March 2014, is a 1,300-seat concert hall, a 600-capacity recital hall, plus several studios and practice rooms utilised by the Aalborg Symphony Orchestra and the Royal Academy of Music. Additional tenants include Orchestra Norden, and two of Aalborg University’s fine arts divisions, the Institute of Music and the Danish Jazz Centre.
In addition to the 300-odd concerts and live performances staged annually, it hosts around 200 ‘commercial’ events.
Production director Peter Klokker Iversen and head of lighting Jonas Kjaerulff explained that the T1 Profile investment was specifically for providing front and key lighting for whatever action was happening onstage in the main hall.
Typically, Jonas will light around 20% of the rock shows staged at the venue (most will have their own LDs), plus all the classical, recital, theatre and corporates, so his skills must cover multiple genres.
Being a concert hall, they were extremely concerned about the noise and so silence was a crucial factor when deciding on which fixtures.
“With the reverb in the venue, there are those moments when we can literally hear t
The Netherlands - One of best-known event venues in The Netherlands has been recently transformed into an intimate restaurant with high-tech decor. Madame Jeanette is the successor of dinner show Pandora, which ended early this year.
It is an intense evening full of visual spectacle, where visitors dine in the middle of a vibrant story that is told in a visual, musical and culinary way. In recent months, Studio 21 has been completely rebuilt especially for this show, with the kitchen in the centre of the room and a high-tech decor in which the stage, the video and audio are in a 360° setting around the guests.
Dutch lighting, audio, and rigging company Chain was responsible for the technical production. Because of the complete round set up, the decision was made to use six circles in the decor. In the middle of the room a 6mtr FD34 circle was used for the centre video. On the outside, a 270° LED screen was hung on a HD44 circle of 40m. Visuals are presented during the show that sets the scene. In between the smallest and biggest circle four additional HD44 circles of 8, 20, 30 and 36m were added for rigging the lighting fixtures.
Paul Chamalaun of Chain comments: “The entire creative concept is based on an ‘in-the-round’ scenario. This is also the reason that for the spacing and shape of the lighting plan circles were used.
“In practice, you will find a lot in a ceiling like Studio 21's, from air conditioners to suspension points and other steel construction parts. Lennart Lindhout, our rigger, has fully mapped the s
Saudi Arabia - Laservision participated in this years’ celebration marking the Kingdom of Saudi Arabia’s 89th National Day. A range of activities and events took place from 19-23 September, including a massive international collaboration of events bringing in some of the biggest names in entertainment productions.
Alongside international music acts from the GCC region and Cirque du Soleil, Laservision was engaged to provide their projection-mapping expertise and technologies to the celebrations in Riyadh.
Laservision’s 7000sq.m projection show beamed onto the distinctive Samba Financial Group Headquarters in the heart of Financial Plaza. The 40-storey tower is the centrepiece of Riyadh’s new King Abdullah financial district and features an innovative three-dimensional diamond façade designed by Foster and Partners.
Since opening their MENA offices in 2016, Laservision has seen growth and demand for their creative services and entertainment technologies around the GCC area, especially in the Kingdom of Saudi Arabia.
“The demand created from the implementation of ‘Vision 2030’ has been very positive for us,” comments CEO Shannon Brooks. “We are excited to keep creating world-class tourist attractions, special events and celebrations, as well as unique and artistic modern experiences around the Kingdom of Saudi Arabia. As they continue to diversify and invest in their tourism economy we look forward to providing our innovative entertainment solutions.”
At the end of the five-day celebrations, it is estimated that the cu
USA - Home to the Metropolitan Opera, the Metropolitan Opera House (Lincoln Centre) in New York City has recently installed 70 Elation Professional Artiste Monet LED profile moving head luminaires with Donald Holder the first to use the new rig of award-winning lights on Porgy and Bess. Lighting supply was by 4Wall Entertainment.
The Met’s resident lighting designer, John Froelich, was instrumental in choosing the Artiste Monet and cited three main reasons for its choice. “The output of the LED source was very bright. The native colour of the LED engine was the most appealing to me. Most LED profiles that were tested had a slight green bias that was really hard to manage quickly from a creative standpoint. In a large, fast-paced repertory environment like ours it was such a great thing to find a source that was so artistically appealing.
“The SpectraColor system opens up a lot of possibilities from a creative standpoint. The ability to mix to super saturated colours without having to revert to the use of colour chips is really advantageous.
He continues, “The system also allows me access to subtle reds, blues and greens that are near impossible to mix with the primary Cyan, Magenta, Yellow mixing system. Having access to these types of colours without losing light output due to the heavy amount of coloured glass in the lens assembly is quite a game changer.
The Monet fixtures, along with a complement of Elation Chorus Line ST LED battens, have replaced the entire overhead lighting rig at the Met, everything from a standard tung
Italy - Lighting designer Francesco De Cave illuminated Italy’s Arena di Verona using his High End Systems Hog 4 console for the third consecutive RTL 102.5 Power Hits Estate concert. The event celebrated the top 50 songs played on Italian radio stations during the summer of 2019. The four-hour concert featured live performances from more than 20 artists including OneRepublic, Eros Ramazzotti, Mika and Lewis Capaldi.
The set design for the open air venue featured an uncovered stage designed to favour visibility for the audience of 15,000 people. De Cave was tasked with designing a visual spectacular for the venue which is best known for hosting large-scale opera performances.
"Fabio Marcantelli, artistic director for RTL 102.5, and owner Lorenzo Suraci expressly asked me to do something different than what you normally see in the arena by offering the public a powerful show full of light and video," says De Cave.
“They wanted a strong visual impact, a real ‘explosion of lights’,” he continues. “Without a cover and hanging points the risk was to place the usual motorized fixtures in the steps behind the stage, so I had to look for a more original solution."
The peculiarity of the installation led to 308 strobe lights being mapped as if they were a large LED screen capable of reproducing video content.
In addition to the experience and skill of De Cave, this was made possible thanks to the pixel mapping capabilities of the Hog 4 and Capture 2019 software. This combination allowed the LD to create a virtual, precise representati
USA - After opening in Europe last June, the Stray Cats’ North American leg commenced in Atlantic City, NJ, wrapping up in San Diego, CA. The centrepiece of the set, spanning 24ft, was an impressive and fun Stray Cats marquee sign, designed, built, and installed by Gallagher Staging of La Mirada, CA. Comprised of 202 IMS RGBW LED lamps, as well as other LED ribbon and panel lighting, the colourful and buoyant set-piece was the visual signature of the tour.
“Marquees go hand in hand with the genre,” says Gallagher’s special projects manager, Joe Golden. “Like rockabilly, marquee lighting is retro yet timeless. We had an existing sign and reworked it to become essentially a blend of makeover and new. On the Brian Stetzer Orchestra tour, we had used incandescent lamps mixed with IMS LEDs, but the warm white in the RGBW IMS lamps looked so much better that, for this tour, LD Michael Duncan opted to replace all the lamps with IMS LEDs. The IMS lamps easily retrofitted into the original E27 sockets, saving us a lot of time.”
Golden continues: “Driving the IMS system were two ProPlex IMS Universe Drive DIN-Rail units built into a custom PSU chassis. The marquee sign was illuminated throughout the show, elegantly programmed by Duncan to capture the moods from song to song, as well as sections within a song. The lights were in continual motion.”
Tour production manager Michael Richter comments: “Yup, we love it. It’s awesome, exactly as I envisioned it, the band and management, everyone loves it.”
Based in La Mirada, CA, Gallagher
Brazil - Prolights has confirmed HPL Light Company as its distributor for Brazil.
Alberto Da Silva, sales manager of HPL comments: “Prolights is the perfect addition to our offering here in Brazil. The importance placed on the customer and their journey is part of why we do what we do here. The difference comes with the fixtures they create, stemming from the design and development processes - they feature sets and types of fixtures are to answer a specific need or gap in the market and not just another me-too fixture. With the increasingly growing popularity of Prolights fixtures in North America we have seen this influence the uptake here in South America.”
Prolights international sales manager, Paolo Albani adds: “Having HPL on-board as a partner is Brazil is great. They bring with them a wealth of local and market knowledge, experience and connections. We really look forward to working with them and watching this partnership flourish.”
USA - The epic Garth Brooks Stadium Tour is wrapping up 2019 with its tenth city following sold out performances in St. Louis, Glendale, Gainesville, Minneapolis, Pittsburgh, Denver, Eugene, Boise and Regina. Bandit Lites once again met Garth’s vision with a lighting system designed by David ‘Gig’ Butzler.
Bandit Lites supplied more than 400 fixtures and more than 330ft of truss to outfit the tour, including Robe MegaPointes, GLP X4 Bar 10, VL 3500 washes, Martin Atomic 3000 LED Strobes, GLP KNV Cube, Robe BMFL, Robe Robin 1200 LED Washes, Solaris Flares and Showline Nitro 510C. Three grandMA2 Full consoles provide control.
The in-the-round design allows for audiences to have a view of the stage no matter the seats in the stadium. Tyler Truss outlines the perimeter for the main key lights on the band members while automated pods built specially for Garth by Tyler loaded with Robe Robin 1200 LED fixtures, Robe BMFLs, Martin Atomic 3000 and Nitro Strobes move about the stage for effect lighting throughout the show.
Eight additional BMFL Wash beams are mounted with Light Master controls as the followspot. Every lighting aspect is then used in coordination with large video elements to give the stage its necessary larger than life, stadium sized production.
“Garth has been a friend and client since 1987,” says Michael T. Strickland, Bandit founder and chair. “He truly changed the industry forever with his vison, wisdom and creativity. When we first met, and Garth showed me a drawing of a huge lighting system he wanted, and I thought
Europe - Myles Mangino has created evocative looks for the Pixies, on the alternative rockers’ current tour of Europe.
Looking at the three evenly spaced rows and columns of four different fixtures types on his touring rig, Mangino observed “I’ve found the best way to achieve the extreme asymmetrical looks I use with Pixies is to start with a symmetrical design.”
Prominent in this neatly arranged matrix of lights are 24 Chauvet Professional STRIKE 1 fixtures, flown eight units apiece on the three rows of truss. True to Mangino’s vision, the 230W single source warm white pod fixtures create a beguiling variety of asymmetrical looks, continuously lighting up in different configurations and chasing patterns, strobing, glowing softly at different levels for scenic effects, and then bumping up to an intense output.
“The Pixies sound is the original ‘loud quiet loud,’” said Mangino. “So, I often bring up the full bank of STRIKE 1s for the big, loud parts, but they are focused down at the stage, like upstage par cans, not as blinders.”
Beyond the asymmetrical patterns they create, the STRIKE 1 fixtures also add another element to Mangino’s show, one that is especially important to reflecting what the Pixies are all about musically: they bring the warm glow of tungsten to the stage.
Creating the feeling of tungsten has long been an integral part of Mangino’s design for his client. “Tungsten has been a key to the Pixies look since I first started designing for them in 1986,” he said. “Our overall look can be def
France - Nearly 300 Robe moving lights and seven RoboSpot systems were delivered by Melpomen (part of the B-Live Group) to the 2019 Hellfest French rock festival, complete with six BMFL LTs from rental company Novelty, claiming a ‘world first’ for the usage of these fixtures in a festival context.
The event is staged annually at Clisson in Loire-Atlantique and claims the biggest festival audience in France – attracting approximately 170,000 - and it is also one of the largest metal festivals in Europe, with six stages of live action and over 100 artists performing. This year the line-up included Kiss, Slayer, ZZ Top, The Sisters of Mercy, FuManchu, Gojira and Mass Hysteria.
Robe moving lights - 126 BMFL WashBeams, 126 MegaPointes, 12 BMFL Blades and six BMFL LTs plus seven RoboSpot control systems - were prominent across the two main stages (1 and 2), which production designer Tristan Szylobrit from Light&Day) was tasked with coordinating, together with the requirements of all the visiting LDs.
Tristan has been an operator on Mainstage 1 for several years and is also well-known for his role in designing these two Satanic Cathedrals assisted by technical director Julien Recoque and WYSIWYG operator Julien Ferreiro.
A lighting highlight of the event this year was arguably a ‘world first’ festival use of the six BMFL LTs which were supplied to the event by Novelty.
Main Stages 1 and 2 were built side by side so the daily running schedules could be ‘flip-flopped’ and run efficiently.
Four of the six RoboSpot control
USA - ADJ is expanding its range of professional moving head luminaires with the launch of the Vizi Wash Z37. This LED wash fixture is described as a versatile lighting tool designed for professional touring and one-off event production as well as for permanent installation in large nightclubs, concert venues and houses of worship.
The Vizi Wash Z37 features variable motorized zoom, allowing for a beam angle of between 10° and 60°. This wide zoom range means that the same fixture can be used to saturate large areas of a stage or crowd with vibrant colour washes as well as spotlight specific performers or features. Set to its narrowest beam angle, the fixture can also be used to create strikingly sharp mid-air beams, with the ability to add further impact using the unit’s variable speed strobe and pulse effects (1 to 40Hz).
Harnessing the power of 37 separate 20W 4-in-1 RGBW (red, green, blue and white) Osram LEDs, the Vizi Wash Z37 generates an output measuring 15,000 lux @ 4M when the beam angle is set to 10°, and 1,100 lux with the beam angle zoomed out to 60°. Each LED offers an average lifespan of 20,000 hours of operation. The LEDs are also positioned behind a precision-engineered lens array, which generates a uniform wash.
The unit’s 37 LEDs are arranged into four concentric circles. The outer of these rings is split into four separate sections, while the middle two rings are each split into two sections. This makes for a total of nine independently controllable zones, which allows for the creation of split colours as well as animated
USA - An inscription at the entrance of Lewis University’s Philip Lynch Theatre offers a glimpse into the building’s past. It reads ‘Lewis Holy Name School of Aeronautics’, a testament to a time when the 250-seat thrust stage and studio theatre with a 90-seat black box space served as an aircraft hangar, part of this suburban Chicago school’s long-standing commitment to educating aviators.
The inscription is not the only manifestation of Lewis University’s rich aviation history that can be seen in its thriving Theatre Department. Like its counterpart that is responsible for educating future pilots and aeronautical engineers, the Theatre Department is committed to exposing students to the latest technology in their field. Toward this end, the department added Chauvet Professional Ovation and Maverick LED fixtures from JRLX, Inc. to its Philip Lynch Theatre lighting system.
“Our department has an open-ended goal of updating technical production elements on a continuous basis,” says Andrew Nelsen, who serves as the theatre’s technical director and production designer, in addition to being an assistant professor. “The goal is to stay relevant with the changing technology of the industry, to expose our students to the latest gear, and to satisfy expectations of designers as well as our audiences. Jason Reberski of JRLX was instrumental in help us select new lighting fixtures that enhanced this flexibility.”
Nelsen described how the five Maverick MK1 Spot fixtures and four Ovation E-910FC colour mixing ellipsoidal units Lewis Univer
Réunion Island - The Indian Ocean island located east of Madagascar, recently premiered a new cultural event, Réunion Métis, a multidisciplinary art festival dedicated to living together. Held 27-29 September along the seafront in the city of Saint-Paul, and free to all, the experience encompassed music, art, dance, food and light art installations, including a light show with night-time sunrise courtesy of local company Stage OI and Elation Proteus Hybrid moving heads.
Réunion Métis was a new way of experiencing culture in Réunion with all the senses brought into play. Co-created by PORLWI and Sanjeyann Paleatchy, the festival was an opportunity for local talent to immerse islanders in inspiring art and light.
One special light art installation involved a son et lumiére at the end of the Saint-Paul landing pier, a light and sound atmosphere with lighting effects from Elation Proteus series moving heads. Mounted on an arch truss structure at the end of the pier, the multi-functional Proteus Hybrid were used in beam mode to create a variety of eye-catching effects including emulating a sun rising from the ocean. Other moving heads, LED Par lights and LED strip lights added to the captivating environment.
Rental and production company Stage OI was in charge of the technical aspects of the installation - lighting, sound, video and power distribution - with lighting design by Move for Art of Mauritius with the collaboration of Laurent Chapot. Elation’s French distributor Best Audio & Lighting recently sold Proteus Hybrid and Proteus Rayzo
UK - White Light has recently supplied the lighting equipment for Mamma Mia - The Party, an immersive theatrical dining extravaganza based around the music of ABBA.
Created by ABBA’s Björn Ulvaeus, Mamma Mia! The Party transports its audience to the island of Skopelos where taverna owner Nikos and his family present their story in a night of song, dance and feasting. Running for four hours, the show is packed full of ABBA’s best-known songs which are performed by actors and musicians around the audience members. The show was first performed in Sweden and has now arrived in London, where it is running at The O2, Greenwich.
The lighting designer for the show is the award-winning Patrick Woodroffe. He comments: “We wanted our audience to truly believe they were in a Greek taverna on Skopelos. Bengt Fröderberg’s set design was so authentic and, for the first act, we wanted to mirror that with very realistic dappled lighting that slowly changed colour temperature as dusk falls. As the piece progresses into Act 2, we enter into some of the fantasy scenes and the lighting starts to become more theatrical and abstracted. Finally, in Act 3, we make an unashamed rock/pop concert.”
The show takes place inside a custom-built space within The O2. As a result, Patrick had to create a design that would work within this space. He explains: “The main part of the lighting system is rigged from trusses directly over the open floor below. However, we made a deliberate decision to try and hide the lighting rig and fixtures with a lattice of
Greece - With a varied programme of events, this year’s Summer Nostos Festival (SNFestival) attracted more than 200,000 people and featured an array of High End Systems and ETC gear across five stages.
Athens' most modern cultural landmark - the Stavros Niarchos Foundation Cultural Centre - played host to the annual, week-long festival. The centre's gardens, the canal, the National Library and the Greek National Opera were transformed into stages for music and theatrical performances, family activities, educational workshops and sports for visitors of all ages and backgrounds.
George Tellos of LightingArt oversaw all lighting design for the festival. With a team of five lighting programmers, Tellos was tasked with illuminating the vast and varied schedule of events while under tight time constraints. It involved designing, programming and operating 50 shows over eight days. This was a manageable challenge for Tellos, who is familiar with working under pressure, thanks in part to his role as LD for the Sochi Medals Plaza at the 2014 Olympic Games.
This year's events featured concerts by Neneh Cherry, Rita Wilson and Andrew Bird, Ana Sánchez-Colberg's dance performance Seven to Seventh, Brian Eno's music and image installation 77 Million Paintings and the festival's largest collective work, Tape Art.
“For the Alternative Stage we needed absolute silence for some of the performances and High End Systems’ SolaFrame Theatre fixture was perfect for this,” Tellos says.
“For some of the shows, including Rita Wilso