The Netherlands - One hundred and forty Robe T1 Profile LED moving lights were specified by the Dutch National Opera and Ballet’s lighting department for three performances of Aus Licht directed by Pierre Audi and staged in the Gashouder venue in Amsterdam as part of the 2019 Holland Festival.
The epic performances each took place over three consecutive days delighting Karlheinz Stockhausen aficionados and opera buffs with a total of 15 hours of music per show, featuring selections from the iconic composer’s seven opera Licht cycle which takes place over seven days of the week.
Aus Licht was a collaboration between the Dutch National Opera, Holland Festival, Royal Conservatoire of The Hague and the Stockhausen Foundation, created in cooperation with the wardens of Stockhausen’s legacy. The music from LICHT was presented in a mis-en-space by Pierre Audi in his role as creative director for the DNO and the festival.
Production lighting and set designer Urs Schönebaum created a design and sent his plot to the Dutch National Opera’s lighting department where it was interpreted and realised by their head of stage, video and lighting, Pieter Huijgen, and lighting manager / chief LX Cor van den Brink.
The primary need was for a quiet light source - less than 33 dBs - stipulated by Urs Schönebaum and Pierre Audi who are both leading international practitioners in the world of opera production. This was to provide the main general stage lighting required in the venue.
Pieter and Cor looked at what was available and
South Africa - Green Hippo will join its African distributor DWR Distribution at Mediatech Africa, taking place 17-19 July in Johannesburg.
Green Hippo and DWR will be highlighting how technology is changing the face of creative design and human experiences, and showcasing the Hippotizer Media Server range of solutions for real-time media playback and 3D mapping.
Visitors are invited to stand C20 to witness the creative possibilities that the powerful new features of the latest Hippotizer software, V4.5. The team will be demonstrating the most recent software features developed in response to end-user feedback, including Object to Output, a new output mapping workflow.
Created as an invaluable live events tool, Object to Output ensures users can directly map content to outputs inside Hippotizer’s 3D workspace, ingeniously simplifying the management of large numbers of displays. It also allows users to seamlessly integrate multiple moving set elements, map a single video across numerous displays or dynamically adjust the perspective of the content.
Another feature designed to augment the creative user’s artistic expression is Hippotizer’s BeatBridge feature, which allows Hippotizer parameters to respond, in real time, to an audio input, via MIDI or DMX, be it the beat of the music or the intensity of a crowd.
In addition, on 17 July at Zone 3, stand C30, Green Hippo’s product specialist Suzy Stenning will present an introduction to Media Servers for Live Production. Visitors will be able to learn about real-time output conf
Russia - EM Acoustics has sealed an exclusive distribution agreement for Russia with AV equipment supplier Hi-Tech Media.
The Moscow company was founded in 2011 and focused on the congress, conferencing and public address markets but has since expanded into the AV market and is positioned among the leading suppliers, representing over 40 brands and working closely with over 600 dealers throughout Russia and CIS.
“We are proud to start our collaboration with EM Acoustics,” says Pavel Shemiakin, professional audio systems brand manager at Hi-Tech Media. “Their systems sound amazing! Incredibly accurate, responsive, and natural with excellent dynamics and great headroom. With EM Acoustics, we can supply our partners with high-performance line array elements that are capable of covering five-digit capacity venues. In addition to their excellent line array solutions, EM Acoustics also has a range of compact systems suitable for everything from small huddle rooms to theatres and congress halls.”
EM Acoustics’ Mike Wheeler adds: “We’ve been working hard on strengthening our distribution network, and Russia is potentially a huge market, so we’re thrilled to be working with Hi-Tech Media who are already very strong in the corporate market and fast gaining traction on the rental and live entertainment side. The timing is perfect for us as a brand, and gives HTM the tools they need to address new markets.”
UAE - The Pakistan Cricket Board - the body that organises the Pakistan national cricket team’s tours and matches - marked the start of the 2019 season with an awe-inspiring opening ceremony at the Dubai International Cricket Stadium.
Broadcast to over 50 million people worldwide, the 60-minute Pakistan Super League opening ceremony combined AR graphics with live performances from the likes of Boney M, Pakistan’s Junoon and solo stars Fawad Khan, Young Desi, Aima Baig and Shuja Haider.
Event management company ITW Trans Group collaborated with The Musketeers, specialists in large-scale opening ceremonies, concerts, and events. Having coordinated the creative vision behind the last three Pakistan Super League opening ceremonies, creative director Samer Feghali wanted to push the envelope of live entertainment boundaries.
“With an annual global audience of 50m people, our goal each year is to keep this an exciting and engaging component of the tournament, and to push the creative vision for both the television audience, and those in the stadium,” states Samer. “AR was something that we had wanted to try for this event, but it was always going to be a risk - this duration of real-time AR rendering had never been done before. We worked with ITW, explaining they would be the first hosts ever to orchestrate an opening ceremony of this kind, and once they gave the green light, it was all systems go.”
The opening ceremony featured eye-catching elements of AR throughout the live broadcast. Bringing the event to life and working in collabo
UK - ROE Visual Europe has appointed David Morris to lead business development in the UK and Ireland region.
“Having worked in the AV market for several years and with a broad experience in the live events market, Morris is the perfect candidate to support our current client base on the one hand and open up different market segments on the other,” comments ROE’s operations and sales director, Auke Meijer. “For ROE Visual Europe Morris is a good addition to the sales team, which is now covering key countries in the European and Middle East region. We’re happy to have him joining our team.
“Following our continued growth, recently spiked with the introduction of our LED line for fixed installation and AV integrators, an expansion of our sales team was high on the wish list. We like to keep our customer support at 200% and with David located in the UK, we’re able to address client queries directly.”
Morris has worked in the field of major live events throughout the UK and Europe for the past five years, delivering large-scale projects from concept to completion. Prior to entering into the events industry, he spent 10 years in the Royal Air Force as an IT specialist working on a wide array of IT and telecommunication systems.
Italy - Prase Media Technologies is the latest addition to Absen’s value added distributor (VAD) network. Prase will promote Absen LED products in Italy and provide training for local end users as well as building showrooms, exhibiting at relevant trade fairs and organising roadshows.
The company joins a list of Midwich Group plc group members from France, the UK, the Netherlands, Germany and Spain. The agreement, which is already into effect, will also strengthen the growing video portfolio of the Veneto-based distributor.
“Prase started life as an audio distributor, setting very high standards for ourselves along the way,” comments Ennio Prase, managing director and BDM at Prase Media Technologies. “Recently, we have been working hard to build our video portfolio up to meet those same levels and have identified Absen as a perfect partner in this process.”
He adds: “Absen is one of the industry leaders in LED technology and they share our vison about the market potential of Italy. We fully intend to contribute to the growth of it, not only by responding to demand, but by creating new opportunities via Absen’s innovative technologies.”
Davide Buonasorte, sales retail, rental and broadcasting manager at Prase, says: "We are very excited to embark on this new chapter in the company’s story. In the rental sector in particular, a channel that I personally deal with, our portfolio showed a substantial technological gap. We lacked high quality and technologically advanced solutions: we soon realised Absen was the thing that was mis
Spain - Midwich has announced its Spanish subsidiary Earpro S.A has acquired the entire issued share capital of value-added lighting solutions distributor Entertainment Equipment Supplies S.L (EES).
Based near San Sebastian and founded in 2004 by Nacho Acha-Orbea, EES distributes products from key vendors including Robe Lighting, Verlinde and Prolyte on an exclusive basis to the Spanish market with a focus on the live events and rental sectors.
The acquisition will strengthen Midwich’s position in the Spanish and Portuguese markets, particularly in relation to lighting.
Miguel Mezquita, MD of Earpro, comments: "Having known Nacho and his team for a number of years, I am confident that we can look forward to a successful partnership between Earpro and EES. I believe we will now be able to provide customers of both companies with an even higher level of service, whilst continuing to strengthen relationships with our vendor partners."
Nacho Acha-Orbea, MD of EES, adds: "I am excited at the opportunity to work with my new colleagues at Earpro and the Midwich Group. I am confident that by becoming part of the Group we can continue to build on the strong platform and market leading position we already hold in the Iberian lighting market.”
El Salvador - Atlona has appointed TelNet S.A. as its distribution partner for El Salvador, Guatemala, Honduras and Nicaragua.
TelNet will focus on growing Atlona’s presence throughout the region’s community of IT and networking integrators. A long-time Panduit representative, TelNet has built a large customer base in the telecom and datacom markets, where the company regularly supplies and designs network infrastructure and protection systems. TelNet has also fielded inquiries from integrators active in AV-leaning verticials such as higher education.
Sylvia Sierra, regional manager at TelNet S.A., comments: “We are hearing from many integrators and end users in schools and universities that want to manage their AV signals over the network, and our long-term relationship with Panduit makes Atlona a perfect fit for our business strategy. Atlona’s OmniStream AV over IP family is particularly compelling to TelNet and our client base as it offers a full range of video, audio and USB solutions to manage signal routing and distribution within the network infrastructure.”
Esteban Perez, Atlona director of business development - Latin America, adds: “TelNet is the first of several new partner appointments we anticipate throughout Latin America as we continue to strengthen our regional presence and visibility. We are particularly inspired about TelNet’s depth of IT expertise, which will without question comprise a large part of our commercial growth strategy for years to come. We look forward to a strong collaborative relationship.”
UK - Arcadia’s Pangea, described as “a primordial world of infinite possibility” promised the latest immersive AV, lighting, sonic and pyro adventure created by Arcadia Spectacular under the artistic direction of Pip Rush and Bert Cole.
Technical production specialist CPL continued its working relationship with Arcadia by supplying six Barco UDX-4K32 projectors with fibre optic signal and control infrastructure for 360° projections that were integral to the show based around the 140t centrepiece of Pangea.
Arcadia celebrated its 10th year at Glastonbury, having previously implanted their 50t spider stage in the hearts and minds of fans for the best part of a decade.
Arcadia’s structures are built entirely in scrapped and repurposed materials. The crane, a graceful artefact of industrial architecture, was transplanted from Avonmouth Docks in Bristol, just 30 miles down the road, sourced after Pip, Bertie and the team scoured scrapyards worldwide for suitable materials.
Constructed in Somerset, it had resided and worked at Avonmouth since its installation in 1975, more recently rendered obsolete by larger capacity lifting kit. The ley lines of Worthy Farm will be its new home for at least the next four years.
Below the crane control room - which moves the jib - a reconditioned radar dome has been added to the massive steel legs of the structure, and the DJ booth is below that, about 10ft above crowd level.
The projectors were positioned on six 10m-high purpose-built towers located 40 metres away from the radar dome in weath
Spain - London and Dubai-based event design, technical and scenic production company Maestra Group is opening an office in Barcelona this September.
The new base is being launched in response to Maestra’s increased involvement in live events across Europe, particularly in key areas of Spain, the South of France and the Italian Riviera. Maestra Barcelona will be located 20 minutes from the city centre and 10 minutes from El Prat International Airport.
Company directors Tom Clements and Justin Hammond will oversee the launch. Clements comments: “Strategically, it’s a great base for servicing events across the whole of Europe and ensuring that we stay competitive and dynamic in a fast-moving world of product launches, conferences and events.”
A multilingual team of seven experienced live events professionals will work across all departments at the Barcelona office, which will also have equipment from brands including d&b audiotechnik, Robe Lighting, Analog Way, Sennheiser and Yamaha.
As well as being able to supply design services and technical production for international clients more efficiently throughout Europe, Maestra Group will also be expanding its general European business from the Barcelona office.
UK - The PLASA Awards for Innovation 2019 are now open for entries from PLASA Show exhibitors. Products from all sectors of the entertainment technology industry are invited to be entered for the awards by 16 August.
Judged independently by a panel of industry experts, the Awards for Innovation are respected throughout the industry for recognising innovative new product design. All successful nominees will feature in the Innovation Gallery during PLASA Show from 15-17 September at London Olympia, culminating in a ceremony at the show on 16 September where the winner will be announced.
Product entries must demonstrate a new style of thinking, improve technical practice and safety, introduce new technology, materials or techniques, or offer new commercial advantages. Furthermore, an Award for Sustainability is reserved for products which achieve a significant reduction of power, utilise renewable energy or have a positive impact on the environment.
Awards set to be presented at PLASA Show not only celebrate innovative products - they also recognise the people who have led the way. Each year, the prestigious Gottelier Award, named after industry innovator Tony Gottelier, is presented to a pioneering product developer, with the winner voted for by PLASA members and registered PLASA Show visitors.
The 2018 recipient of the Gottelier Award was Unusual Rigging’s Alan Jacobi, with past winners including Wayne Howell, Anne Valentino, David Cunningham, Pasquale Quadri, Jim Bornhorst, John Meyer, Terry Clarke, Fred Foster, Alex Cooper, John Stadius
South Africa - DWR Distribution will have a major presence at Mediatech Africa, the largest media and entertainment technology trade show in Africa, to be hosted from 17-19 July at the Ticketpro Dome in Johannesburg.
With a list of international guests attending, the exhibition will see some of the world’s leading equipment manufacturers, distributed by DWR, hosting stands at this year’s exhibition, including Robe, Claypaky, Absen, Prolyte, Visual Productions and Quest.
“We wanted to make DWR a central hub for people to unwind, meet up with our team and catch up with our international suppliers,” says Robert Izzett from DWR.
On the DWR stand, visitors will be able to have a drink or enjoy a cup of coffee. Then, a few steps away, they will have the opportunity to see the latest products being demonstrated. “Our suppliers have jumped on board with great enthusiasm, and we know their passion will contribute to creating a fantastic vibe at Mediatech Africa,” says Robert.
Mediatech Africa plans to host three presentation zones, where discussions and training sessions will be held. “This is a great initiative by Mediatech, and DWR along with our suppliers, are glad to contribute to the conversation,” he ends.
UK - Production company SFL has just completed the AV requirements for Christopher Wheeldon’s staging of Cinderella by the English National Ballet (ENB) and The Royal Albert Hall, staged at the RAH.
“The project was 18 months in the planning,” explains SFL director, Craig Lawrence. “ENB’s technical director, George Thomson, was looking to stage a large-scale production in-the-round. The production required many different changes of scene and the use of projection seemed the obvious answer. English National Ballet had never worked with projection on such a large scale before so turned to SFL to provide that experience.”
In the early planning stages, SFL was appointed as technical provider, tasked with designing and installing the AV infrastructure, utilising content provided by projection designer Daniel Brodie, which not only created incredible atmosphere, but the set itself.
The ambitious design involved multiple projection points, including the floor and sky wall at the rear of the stage and it became apparent that a detailed projection study was required. SFL devised the 3D modelling and collated the rig plans, also making amendments to incorporate the RAH’s newly installed audio system, which did not yet exist in the modelling software being used. SFL also took on project management of all of the AV elements of the show during this pre-production stage, liaising with lighting, video, audio and set/costume designers to ensure the smooth delivery of the plan across all the different technical elements.
A Barco projectio
UK - Brompton Technology has relaunched its website (www.bromptontech.com) which has “a new, modern look, an easy-to-navigate menu structure and extra features that provide a better overall user experience”.
“We wanted to ensure that the website reflects the easy to use, intuitive nature of Brompton’s LED processors and provides both useful and essential information in a much more user-friendly format than we had previously,” explains Brompton’s managing director, Richard Mead. “For example, in the 'Support' area, as well as the latest product information and downloads of the latest software, we have added a sign up page for our increasingly popular training programme, making it quick and simple to find out where and when courses are happening and reserve a place.
“This update is just the first phase, and we expect to add additional pages and functionality in the coming months, including a lot more video to help users of our processors really understand the full potential of our latest features. We will also be creating a Chinese version of the site, especially to help support our partners and customers in Asia.”
Other new features include a product comparison chart, making it quick and simple to determine which product is best suited to the needs of any project, a list of Brompton’s manufacturer and rental partners which will soon be expanded to include what Brompton products they have, and access to the latest news about the company.
UK - Creative Technology Group (CT) has acquired Ion Solutions, a provider of professional audio visual and broadcast technology systems in Ireland.
Dublin-based Ion Solutions will become part of the CT Europe & Middle East group and will be rebranded as Creative Technology (CT) Ireland after a transition period. The existing management team of Ion Solutions will continue to run the day-to-day business.
Dave Crump, president and CEO of CT Europe & Middle East, comments: “The addition of Ion Solutions strengthens the CT organisation, increasing our full range of services and rentals we can provide to our clients, especially in an increasingly significant business hub like Dublin.”
Ion Solutions was founded in 1967 as a technology engineering specialist and has since added broadcast and AV systems integration, AV rental, facilities management and content creation capabilities to its portfolio of services. The business also offers a range of managed audio-visual services, ranging from maintenance contracts to on-site AV technician services.
John Roche, CEO of Ion Solutions, adds: “From our earliest beginnings in 1967, Ion Solutions has always sought to innovate in the market, and to offer our unique experience in broadcast systems, coupled with the best of AV technology to our clients.
“We were looking for the next step in our evolution and becoming part of Creative Technology and the global NEP Worldwide Network - working alongside our existing partners on the NEP Ireland, Screen Scene and NEP Connect teams - will be a tre
China - Powersoft has entered into a strategic alliance with Chinese audio manufacturer and rental house Reyn Audio.
the pro audio arm of Foshan YiFeng Electric Industrial Co, Reyn Audio has an established presence in China and, through its sister brand ACME, has been able to supply many of the region’s most important local and visiting artists with full production for shows that draw fans in their thousands.
Massimo Minardi, Powersoft’s APAC account manager - OEM solutions, comments: “As their business has grown, Reyn Audio has started to get requests for systems that are comparable with the big players in the market, and with a similar level of usability. Considering the high profile and the size of the events that they are catering for, our ArmoníaPlus software and the X4 amplifier models have been the best choice for them. As they are a manufacturer with specific needs, the best solution was to create a business alliance with the opportunity of direct support from our headquarters in Italy.”
Tommy Su, Reyn Audio consultant, adds: “Co-operation with Powersoft is a well thought-out choice for us. Although other manufacturers in the industry are using similar platforms, we were concerned about the integration between the speaker system and the DSP amplifier. The intuitive system design of ArmoníaPlus is very efficient and perfect for our needs.
“We hope that, through our co-operation with Powersoft, Reyn Audio users will be able to enjoy a more powerful and convenient operating environment. At the same time, we hope to take adva
UK - Since their initial investment in Outline point source systems in 2017, growing rental and installation company Novum AV has been deploying its Vegas 12CX and 8CX inventory in a wide range of work around the UK from their base in Tamworth, Staffordshire.
Tim Jacques, managing director of Novum AV, explains the reasons for that investment: “Back in 2017, Outline was very new to us and a surprise choice. We ran blind tests with seven different manufacturers and Outline was unanimously chosen by our six technicians who all thought they had selected their preferred brands. The system has changed how we operate and design certain jobs as not only is there a like-for-like weight saving compared to our previous point source enclosures, but the HF throw is so great and the sound quality so clear that we have often needed fewer speakers to achieve the required results. The purchase made sense technically, but on reflection has also given us commercial benefits.”
With an eye firmly fixed on the future success and expansion of the company’s capabilities, the next step was to replace Novum’s existing line array system with a new solution. All options were on the table and after exhaustive research, Outline was again under consideration.
James Lawford of Outline’s UK and Ireland distributor, CUK Audio, proposed a system based around the Mantas 28 array; a proven design featuring two 8” drivers with a 3” HF driver coupled to the patented DPRWG waveguide which is common to Outline’s large format GTO family as well as the recently launched med
UK - Technical event specialists Light Fantastic Production Services partnered with FUTR Summit to produce its recent event at London’s Business Design Centre.
Billed as Europe's only annual summit focused on fresh thinking and progressive change in the future of retail, marketing and commerce, FUTR brings together a diverse mixture of international brands and retailers.
Featuring over 200 guest speakers, this high-profile event required planning and delivery of a comprehensive audio, video, scenic and technical support solution, to create the perfect environment in which to welcome both presenters and delegates.
Keeping the main stage presentations crystal clear within the venue’s bright central atrium, LFPS deployed their new Panasonic RZ 12K laser projectors.
In tandem with a main stage auditorium, the company also created a pair of ancillary stages. Located on the venue’s lower level surrounded by highly reflective glass on all sides, these secondary stages presented a number of acoustic challenges requiring a cautious approach to the design and installation of the audio system. With the sound taken care of LFPS designed a further two stage sets featuring large format branding, with inset 98” LED displays for added visual impact.
To assist in the smooth running of the event, LFPS also handled all content management, liaising with the large roster of guest speakers, providing them the opportunity to preview and amend their presentations prior to taking the stage. In facilitating this, LFPS installed a networked solution betwe
Europe - Following the success of two acclaimed, chart topping albums, singer-songwriter George Ezra continues the momentum with a sold-out UK and European arena tour (see LSi May 2019).
Created around a concept devised by Ezra himself, the aim of the production was to bring an intimacy to arenas, as if inviting the audience into the artist’s living room, with the show tracking his day from sunrise to sunset.
Translating Ezra’s vision into a workable touring solution, show designers Bryte Design developed the idea, applying their creativity across all aspects of the lighting, staging and visual content to deliver a stunning, immersive audience experience.
Central to the design, three giant upstage LED ‘windows’ displayed a vibrant mix of custom created animations interspersed with live footage. In powering this eclectic blend of imagery, the production team utilised two Hippotizer Boreal+ Media Servers paired with a rack mounted PC running ZooKeeper, all programmed and operated via a grandMA2 Lite.
Speaking about the application of Hippotizer to help build the show, Bryte Design’s video design and production manager, Simon Harris says, “Hippotizer’s functionality is the reason we use it time and time again. On this production we made great use of FX, VideoMapper and ColourBlocks, amongst others, to give us the ability to fin
Europe - Muse have embarked on their Simulation Theory’ World Tour in support of their eighth studio album. The tour began in February 2019 in Houston, Texas, playing 53 dates across North America, Europe, Asia and South America before concluding in Santiago, Chile in October 2019. A disguise gx 2 media server, provided by PRG, drives video and real-time Notch content for the show, which is currently on its European leg, playing at stadium venues.
Creative director Jesse Lee Stout of Metaform Studio partnered with the band, and Muse’s frontman and lead vocalist, Matt Bellamy, on the concept and style of the tour based on the recent album. Sooner Routhier and Robert Long are the show’s lighting designers, Aaron Luke the lighting director, and George Reeves the production manager, with Tom Kirk as the video director.
“Creatively, this show is a world of retro-futuristic design, a sort of blend between Close Encounters of the Third Kind and something in the future that doesn’t exist yet,” says screen producer J.T. Rooney of Silent Partners Studio. “Muse has done just about everything possible in the past with their massive technologically-advanced shows, so this one is themed more about experience and environment with performers, special effects, and a giant inflatable robot.”
Rooney explains: “Most scenes feature a combination of Notch generative content, or effects, paired and composited with real-time elements to allow for some really interesting moments.”
Stout approached Silent Partners Studio for most of t
UK - Registration is now open for PLASA Show 2019, which returns from 15-17 September to bring over 200 brands lighting, audio, AV, rigging and staging brands to Olympia London.
Mirroring the growth of the AV sector, this year’s show will present an array of next-generation LED screen technology from major players such as Canon and Midwich. Furthermore, Netgear will share its networking and integration solutions.
The audio presence at the show has been growing rapidly over the last few years and in 2019, the show will welcome Void Acoustics and CUK Audio in addition to Bose, d&b audiotechnik, Yamaha and Adam Hall among others.
Meanwhile, live audio demos will double this year, with L-Acoustics taking a dedicated demo space and KV2 Audio demo'ing its products, which feature across various West End and Broadway productions. There will also be back-to-back speaker demos from Adam Hall, Shermann Audio, Ohm, Aura Audio, RCF and Void Acoustics.
New for 2019 will be Stage To Studio, an initiative organised in association with Sound On Sound and Headliner magazines, which will see a band being recorded live and mixed by a professional engineer. Following this, a competition will launch, inviting people to submit their own mixes of the band performance for a chance to win a pro audio prize.
Lighting industry professionals will once again be able to see products from global industry leaders, including Claypaky, Elation, ETC and Robe. Joining the
USA - ADJ Lighting has planned a two-day summer ADJ road tour event at Soundcheck Nashville to demo its latest lighting, audio, and video technologies and offer informative tech sessions on a variety of lighting and video control solutions.
On 16-17 July, ADJ Lighting will be in Nashville, Tennessee, at Soundcheck Nashville studios, 750 Cowan Street, where the company will spotlight its latest lighting, audio, and video technologies recently shown at InfoComm tradeshow. The showcase will include ADJ’s IP65 outdoor rated lighting solutions.
“Nashville is of my favourite ADJ road tour dates because we always have a strong turnout of lighting professionals. In fact, this is our fifth year in a row at Soundcheck Nashville,” comments Alfred Gonzales, national sales manager of ADJ USA. “ADJ is coming off a very successful InfoComm show. We’re looking forward to talking to installers and production companies about our wide range of IP65 outdoor rated lighting, plus all of our other professional lighting, video and Avante Audio solutions.”
ADJ will offer hands-on demos of the AV2 high resolution video panels, plus the recent debut of the Hydro Wash X7 IP65 rated moving head beam, the Hydro Beam X2, and Hydro Beam X1 IP65 rated beam moving heads; Vizi Wash Z19, Vizi Wash Z37, and Par Z Move zoomable moving heads; Entour Ice low-lying fog machine, and the Encore Burst Series of blinders; as well as other pro-line products for professionals looking for lighting solutions for event production, houses of worship, nightclubs, bars and lounges, fun cen
France - Whatsit, the French video mapping consultant and events specialist, has announced the launch of Lumings - a plug-in for the 3D design and modelling software application Sketchup, whose purpose is to simulate the technical rendering side of video mapping in the most realistic way possible.
The video projection design tool is set to save valuable time and substantially reduce technical costs for technical videographers, scenographers and project managers alike, says the company.
Lumings makes it possible to design an entire scenography before setting foot on site, thanks to its accurate and precise models and information. Another advantage, and what makes it unique to the market, is its comprehensive database, which integrates the technical characteristics of all existing professional projectors.
Working closely with manufacturers, and following a thorough in-house development period, Whatsit has gathered, tested and measured the necessary data to allow a show designer to precisely simulate a variety of factors, for any set of projectors. The projector’s illuminance, positioning, energy consumption and heat release can all be monitored, as well as wider concerns such as pixel size / distortion, or the impact of shadows on projection surfaces.
Pierre-Yves Toulot, managing director of Whatsit, comments: “In our job, speed of execution is a key factor, and we were looking for a reliable plug-in that would allow us to be more efficient. So we started working on a plugin which would feel familiar to users, and we wanted to make it availa
UK - Production AV hotfooted it to Wembley in May to provide the camera, projection and IMAG screens for Jack Savoretti’s flagship show.
“We had just a seven-day turnaround to design and deliver the camera and screens package to Savoretti’s tour team, managed by production manager Neil Anderson,” explains Pete McCrea, Production AV MD. “As this was the big one - Wembley - they wanted to ramp up the production and include video to enhance the audience experience. David McIntyre had created a real visual spectacular with the lighting, and they wanted to enhance this by relaying live on-stage footage as well as pre-recorded content to two large IMAG screens.”
Production AV supplied a pair of 11ft x 20ft (3.35m x 6m) portrait screens for IMAG, with 20,000 lumen Barco projectors. Switching was achieved using their Blackmagic ATEM 4k PPU, with a pair of Sony HDC1500 studio cameras on 95x lens at FOH and second camera on stage, Agile Arc360 PTZ heads and Marshall minicams. There was a requirement for black and white effects for the first song, as well as the playback of a show opener VT.
Pete McCrea served as project manager and racks engineer for the show, alongside his colleagues Anna Sadler as vision director, and Ste Webster and John Bowdler-Thompson as camera operators.
“It’s testament to our talented team at Production AV that we managed to put together such a strong kit package and creative solution in such a short amount of time - I’m very proud of them all and the results were fantastic. Anna, Ste and John made it look real