Australia - Playing bars and clubs in their native Des Moines, Iowa in the 1990s, Stone Sour got their name from a popular drink that mixed one-part whiskey with one-part orange juice and a splash of sour mix. In the years that followed, the Grammy-nominated multi-platinum band has attracted a global fan base with its own cocktail mix of metal and alternate rock sounds.
The band’s performance revolves around a simple concept: rock hard, rock loud and be ferocious. This nonstop intensity led Scott Warner to feature the high-output Nexus Aw 7x7 in the first lightshow he designed for Stone Sour in 2017. This December, he went back to the same fiery well again, using the warm white LED panels for his client’s co-headline appearance with The Offspring at Australia’s Good Things Festival.
“I really liked the way these panels worked on my last tour with Stone Sour,” said Warner. “So, when I learned that they were available for this festival run, I didn’t hesitate to add them.”
The Good Things Festival takes place on consecutive days in three cities: Sydney, Melbourne and Brisbane. A leading hard rock and metal event in Australia, the festival draws passionately dedicated fans that come seeking intense sounds and sights. Stone Sour and Warner didn’t disappoint. Along with the band’s heavy guitar riffs, double bass drums and growling vocals by frontman Corey Taylor was a bright, searing and punchy lightshow with plenty of audience lighting from the Nexus Aw 7x7 fixtures.
“I focused the Nexus units so they would punch up the inc
Australia - Pro AV Solutions Queensland and avt installed AMX SVSI Networked Media Solution at The University of Southern Queensland (USQ) to create flexible teaching spaces leveraging the university’s standard network infrastructure.
With campuses in Toowoomba, Springfield and Ipswich, USQ offers courses in law, health, engineering, business, education, arts and the sciences. USQ recently deployed a series of POD-based learning and teaching techniques to facilitate interconnectivity both within and between campuses. USQ turned Pro AV Solutions Queensland and avt to design an affordable and easy-to-use AV solution. Pro AV Solutions Queensland suggested the AMX SVSI networked media solution, capable of delivering high-definition audio and video with minimal latency across a variety of end-points on multiple campuses.
"We realised that we couldn’t approach this project with a traditional AV technology platform due to the scope of the network,” says Marc Braganza, sales & business development manager, pro AV solutions Queensland. “USQ wanted to bring content closer to students across three campuses. We needed a unique solution that could distribute massive amounts of audio and video over several devices using standard network cabling and IP technology. We chose the AMX SVSI networked media solution because of its flexible, affordable, and it distributes content over the entire network without instantaneously.”
The AMX SVSI network media solution enables USQ to create a complete digital media distribution solution. Students and staff can q
UK - Lighting and visuals rental specialist Colour Sound Experiment supplied lighting and LED screens for the recent tour by UK rockers You Me At Six, which promoted their latest album VI. The tour also celebrated 10 years since their first album Take Off Your Colours catapulted them to the top of the charts.
Haydn Cruickshank (H) and the team at Colour Sound worked with Jamie Thompson from MIRRAD who co-designed set, lighting and video together with Dave Cohen, with Cohen directing lighting and visuals on the road.
Thompson explains that the design brief was to create “something big, epic, memorable . . . and cost effective”. Additionally, the band wanted to play two completely different sets - one comprising music from the first album, and the second featuring songs from the latest one and the other four in between. So, the idea was that the show would alternate between these, each with its own look and style.
Taking the Roman ‘VI’ from the album artwork was a visual starting point, Thompson and Cohen wanted to introduce some V-shapes to the stage architecture and accentuate the perspective and depth of the space.
The proposed multi-layered V-shaped risers fronted with LED video panels set the tone with a look that was both striking and practical to tour and build each day. “They are an energetic band, so we wanted to offer them lots of layers and levels to jump and run around on during the performance,” explains Thompson.
Upstage of the set risers were four tall portrait format video screens, hung on angles m
The Netherlands - Marking its 10th year as a major LED exhibitor at ISE, Absen will celebrate its 10th straight year as ta leading Chinese export brand for LED displays. In Amsterdam, ISE attendees will experience Absen’s largest ever stand, covering an impressive 264sqm.
This year, Absen will focus on the Fine Pixel Generation - the company’s new line of narrow pixel pitch displays. During ISE, Absen will launch a number of indoor and outdoor LED solutions that are sure to satisfy all manners of fixed installation, rental & staging, control room and corporate applications.
The company will also showcase its latest LED solutions for retail, live events and entertainment, as well as OOH and sports venues. This inventory will include the successful Polaris and N-Plus ranges; ensuring that the company’s regional partners and global BUs are up-to-date on Absen’s full LED solution offerings.
Lastly, Absen is also due to partner with a number of leading providers within its ISE booth and beyond. The company will use PIXERA media servers from AV Stumpfl on its LED displays, as well as collaborating with Green Hippo / Notch on an interactive LED archway. Absen will also enjoy product sponsorship placements with Peerless-AV and RAI Amsterdam itself.
UK - Sister companies Shooting Partners and Anna Valley have merged under the Anna Valley brand, which has been redesigned to represent a broader service offering and modern style. A new, responsive website has also been created to support the new brand.
The two companies were subsidiaries of the Shooting Partners Group, which launched in 1989 as a camera-hire business and expanded to include AV technology, with the acquisition of Anna Valley in 2000. This announcement comes three years after the Shooting Partners Group underwent a management buyout and follows considerable business growth in existing and new markets. As well as establishing a new AV integration business unit and significantly increasing their rental business year-on-year, in 2017 the group also purchased live event specialists, Matrix UK Solutions which remains unaffected by this re-brand.
The decision to bring Shooting Partners into the Anna Valley stable is motivated by a number of factors, including the convergence of the audio-visual and broadcast sectors and the increasing use of professional camera equipment in the events and corporate markets.
Anna Valley will now offer an end-to-end, production-to-presentation service, providing the expertise and technology for innovative video projects.
“2019 marks our 30th year of operation in the video production and AV sectors,” says Anna Valley managing director Steve Jones. “The company has grown significantly over the last three decades and it’s appropriate for the brand to be updated to reflect our current state, f
USA - Panduit Corp has acquired global AV manufacturer Atlona.
As part of the acquisition, the Atlona team will join Panduit’s Enterprise business group. Atlona will continue to serve its customers from its global headquarters in San Jose, California for all sales, customer support, and training related inquiries.
“Atlona has been at the forefront in developing cutting-edge AV technology that embraces the full potential of the convergence of AV and network infrastructure,” explains Dennis Renaud, president and CEO of Panduit. “Their industry-leading solutions complement Panduit’s extensive physical infrastructure portfolio, which will allow us to offer customers a quality end-to-end solution as they move to increasingly complex network infrastructure systems.”
Ilya Khayn, Atlona CEO adds, “There are strong synergies between our companies including a culture of providing innovative, high-quality, customer-driven products, along with outstanding customer support capabilities. This partnership will ultimately provide our market channels with a single-source solution and expand our footprint globally.”
Panduit Corp. develops physical infrastructure management solutions. The company serves education, computing, network, operations, storage, healthcare, government, energy, machine building, and shipbuilding industries through a network of electrical, electronic, network, and industrial automation distributors worldwide. Panduit Corp. has strategic alliances with Cisco Systems, EMC, IBM, and Rockwell Automation. The company was foun
UK - Billed as the glorious finale to the Flat Season, QIPCO British Champions Day brings together leading jockeys, horses, trainers and owners from Europe and beyond for one of the most prestigious fixtures in the UK sporting calendar.
As a grand finale to the proceedings, the 2018 event closed with a suitably grand after party for over 5000 guests. The event was staged within a giant Igloo domed roof structure provided by Fews Marquees which was built on the lawn directly adjacent to the main grandstand at Ascot Racecourse. The party featured performances from House of Angels, Ella Eyre and culminated in an epic DJ set from Jax Jones.
Working on behalf of clients Generate Events, Light Fantastic provided full technical support to the show, including lighting, audio, video, staging and rigging along with design and fabrication of a host of bespoke scenic elements.
Andrew Maxted, project manager at LFPS remarked, “Our clients presented us with a really exciting brief for the event, which included a giant ‘boom box’ as the central theme. With this in mind, we created a high impact stage and lighting design to look like a huge ‘retro portable stereo’ incorporating all the old-school controls you’d expect, plus the all-important client branding.”
The team installed a number of overhead trusses to support all production elements including lighting, audio, LED wall and scenic elements. Lighting trusses housed a mixture of the company’s Robe MegaPointe, LEDBeam 150 and LEDWash 600 fixtures, plus Clay Paky Stormy strobes for added spa
Ireland - Thousands of people witnessed Dublin’s New Year Festival with a light show that illuminated the landmark Custom House and River Liffey. Lighting designer Matthew Kilmurry, of Kilmurry Design, controlled the spectacular effects using two Avolites Tiger Touch II consoles.
More than 40,000 people enjoyed the New Year’s celebrations in Dublin, with millions watching live TV coverage of the ‘Midnight Moment’. This was billed as a ‘dazzling lighting spectacle’ featuring a ‘thrilling choreography of lasers and aqua beams’.
“My brief for the event was to light up the sky and surrounding areas of Custom House Quay in Dublin city centre. The lighting needed to be dynamic, original and totally in-sync with the six-minute music piece that played at midnight,” says Kilmurry. “I pre-programmed to timecode, using Capture and a Tiger Touch II at home before the event - there were about 300 cues in six minutes.
“I was really impressed with the timecode features in Avolites’ Titan operating system - the timecode learning really saved me so much time, and the fact you can run infinite cue lists from the same timecode input. I had around eight cue lists running consecutively and over 300 cues and every time the timecode playback system triggered the show ran flawlessly.
“The Key Frame Shape generator is also incredibly powerful, especially when you have 80 movers lined up along a river, you can get some really beautiful effects.”
Both Tiger Touch II consoles were supplied by Production Services Ireland, with Ciaran
UAE - Protec was called upon by Envie Events to provide full AV support for Bao: The Final Frontier EDM festival at Meydan Racecourse, Dubai.
Bao attracted large crowds to the theatrical display and line-up of world class DJs. Artistes included the top 2 DJs of the DJ Mag top 100 Martin Garrix, and Dimitri Vegas & Like Mike as well as heavyweights Afrojack, Don Diablo, Nervo, R3hab and more.
Mel Deighton, Protec’s project manager, worked closely with other suppliers to make sure the show was delivered beyond expectation and on time. Faced with considerable challenges along the way, he credits his team on delivering under pressure.
“Due to the complexity of the production we were on-site 11 days for set-up, two days for the show and we were fully loaded out two days later. It was a challenging build which required cooperation with the staging company. Our LED and lighting needed to be rigged intermittently and built into the structure which took some extra time and careful planning. Unfortunately, we got unlucky with the weather as a thunderstorm hit us a few days before show meaning our timeline was significantly affected. Thankfully we had ample resources and a committed team to ensure we delivered on time and as promised.”
Protec’s Chris McAleese operated audio at FOH and he gave us an insight into what he used to deliver sound that had both the crowd and DJs completely immersed in the moment.
“We used 32 of the powerful L-Acoustics K1 line array (16 a side) and 30 of the classic but phenomenal L-Acoustics V-DOSC (15 a
USA - ARRI Rental has announced two additions to the team at its Atlanta facility. Peter Fodero, who has joined as operations manager, will oversee day-to-day management of the rental operation, while new client contact Kyle Baggett will focus on excellence in customer service.
Fodero began his career as a production freelancer before joining another equipment rental house in 2011 where he held many roles, most recently as general manager.
“I’m delighted to welcome Peter and Kyle to the team,” says Peter Crithary, President ARRI Rental US Camera. “Their extensive knowledge and close connections within the creative community are a tremendous asset.”
Regional marketing executive Kelli Bingham will continue to focus on managing the company’s relationships with production and crew in Atlanta, as well as seeking new business opportunities. Working alongside her, senior field support technician Mike Sippel is part of the location support team and responsible for all camera-related products, including the ALEXA 65.
USA - California based pro-AV technology distributor Allied ProTech has appointed Jeff Miranda to the role of sales manager.
Miranda brings near 15 years of experience in the professional audio industry having previously run his own integration company, and having worked in positions at TOA Electronics, Adobe systems, and most recently at Pacific AV as vice president of sales. Previous roles have included product management, applications engineering, system design, system sales, Miranda also has nearly two decades of experience as a live sound engineer mixing at many worship and entertainment venues.
“Jeff’s broad experience, not just in professional AV sales, but also as an integrator, design engineer and mixing engineer, makes him the perfect choice to join us in this new role,” explains Rik Kirby, founder of Allied ProTech. “Over the last two years our business has been growing extremely quickly, both with Linea Research amplifiers and with Luminex network switches, and we’re confident Jeff will be instrumental in continuing this growth. Having known and worked with him for many years I have firsthand knowledge and confidence that his experience will be invaluable to our partners and customers.”
Miranda will be starting with Allied ProTech immediately and will be based out of their offices in Orange County, California.
“I am absolutely thrilled to be joining Allied ProTech and starting this next chapter in my career. Having worked with their innovative brands for the last two years I’m really looking forward to getting more
The Netherlands - Highlite International BV will be present during Integrated Systems Europe 2019, hall 7, stand Y190. At the Highlite stand various installation solutions from DAP Audio, visuals from DMT Premiere LED screens, effect lighting from Showtec and Infinity with the Furion and Signature series will be showcased.
DAP Audio supplies an array of installation mixers equipped for zone control with multiple inputs. Amplifiers, like the analogue HP-series, the digital QI-Series or the 100V PA- or ZA-series offer possibilities for multi-roomed venues. In combination with the Celestion-powered new XI-MKII installation speaker series are ideal for fixed installations.
Infinity will show the Furion Series, very fast and powerful LED-based moving heads, equipped with Wireless DMX. The Infinity washlight iW-720, the pixel controlled washlight iW-1915 Pixel RGBW Wash and the Infinity Chimp light controller will also be on show along with the Infinity Signature LED based theatre spots, a Robert Juliat collaboration.
DMT Premiere LED screens with pixel pitches ranging from 5.9mm to 2.9mm will also feature.
Showtec offers a very powerful outdoor wash - the IP65 rated Showtec Helix S5000 Q4 with 40 Prolight Opto RGBW 4-in-1 10W LEDs and WDMX. WDMX is also present in the Showtec Eventspot 1600Q4, a very interesting battery light with up to 15 hours battery lifetime per charge.
The Netherlands - At this year's ISE show in Amsterdam, Kramer Electronics will its software-centric ecosystem, management solutions, intuitive meeting space automation, elevated audio and connectivity solutions, and more.
Kramer Platforms consist of hardware devices that are software-driven so one box serves multiple functions. It’s an innovative new way to lead AV designs with software and maximizing return on investment and customization options. With Kramer Platforms, AV professionals can combine best-in-class solutions, such as Kramer’s VIA collaboration system with a Kramer Control brain.
On display at ISE will be next-generation Kramer Control, a code-free, cloud-based control platform.
Kramer Network 3.0, an enterprise management platform enables IT/AV professionals to easily configure and manage their entire Kramer product range, Dante devices and third-party devices from anywhere in the world.
Kramer is investing heavily in sharing UX best practices in the AV industry. At ISE, the company will discuss how UX is a catalyst for new technologies.
Kramer will also carry out AVoIP and Kramer Control courses through its Kramer Academy at the show.
UK - At the recent double premiere of the 2018 post-apocalyptic adventure films Mortal Engines and Aquaman in London’s Leicester Square, the red carpet was suitably soaked in a fittingly post-apocalyptic two-day torrential rainstorm.
Fortunately, for movie fans who had turned up in droves to take selfies with stars like Hugo Weaving, Hera Hilmar and Robert Sheehan, the atmosphere on both nights was not dampened in the slightest, thanks in part to a large multimedia installation showing film snippets, custom created content and live action. IPS created the crowd-pleasing video screens with 106 PVP X6IP LED panels from Chauvet Professional.
“The most complicated aspect of this particular project was that there were two different premieres on consecutive days,” explains Ian Brown, project coordinator at IPS. “Understandably, the designer and IPS client Limited Edition Event Design wanted to create two completely different looks to ensure there was a different feel to each premiere, while working within the logistical constraints of the site and shows.”
For the first show, the premiere of Aquaman, IPS supplied seven rigging towers, each supporting a 1.5m high by 2.5m wide screen made from X6IP panels. For the next day’s premiere of Mortal Engines, three of the towers were removed and the screens reconfigured so the four remaining towers each supported a 1m wide by 5m high screen, also made from the repurposed X6IP panels.
“The 6.9mm pixel pitch of the PVP panels provided us with an exceptionally sharp canvas
UK - Stage Electrics has announced it has won a £2m contract for the supply and installation of specialist production lighting and audio-visual infrastructure for Riverside Studios, Hammersmith.
The broadcast, arts and entertainment venue closed in 2014 for demolition and redevelopment and is scheduled to fully reopen its doors again in 2019. The new 90,000 sq. ft. Riverside Studios will comprise three studios, small, medium and large, as well as public and community spaces including a two-screen cinema, rehearsal space and a number of restaurants and bars.
The design of the medium studio is particularly flexible allowing for the easy alternation between theatre, music, events and television. During the consultancy phase of the project, Stage Electrics advised on the supporting infrastructure to allow it to function as a multipurpose space. The smaller studio is intended to be mainly used as a theatrical space, with broadcast facilities being integrated into the audio-visual facility panels.
The package also includes a high-quality PA system for the public areas of the building, rigging systems for the smaller studio & the Cinema.
Starting on site in early 2019, working for main contractor, Mount Anvil, Stage Electrics’ work will facilitate the installations of the broadcast systems integrator, ATG Danmon and TV lighting hoist integrator, DeSisti.
UK - The future of DJ exhibition BPM has been secured with the launch of a new limited company, BPM Shows Ltd.
The show, previously organised by Marked Events as BPM | PRO, was initially cancelled following Marked Events' liquidation in the summer of 2018.
But a joint effort led by some of the affected companies who worked closely with Pete Williams of Mobile DJ Network (MDJN) ensured BPM 2018 took place last October in a less costly, more business-friendly environment at Cranmore Park, Solihull.
BPM Shows Ltd is led by show directors Steven Boys, an experienced mobile DJ/sound and lighting engineer with a background in weddings and events organising, and Jack Wilson (Kent Media Group). They will be supported by a team of well-known industry figures including Mark Parkhouse (FBT Audio) and Kris Dawber.
Wilson comments: “We are very proud to officially announce the return of BPM, not as a last-minute rescue plan but as an exhibition with a future and a strategy for supporting the industry.
“Our plan is rooted in the success of 2018 - an affordable annual event that offers true return on investment and which grows at the rate the industry needs. I’m delighted to say that the 2019 show is already almost entirely sold out. That’s a huge vote of confidence and we take that support very seriously.”
Boys adds: “We also want our visitors and the wider industry to let us know what they want from BPM. Those opinions are at the heart of making BPM a success and we would love to hear from you.”
BPM 2019 will take place at
The Netherlands - Modulo Pi has announced a new version of Modulo Kinetic, the media server designed for the most challenging projects. The all-in-one toolbox takes real-time simulation, interactivity, and tracking to the next level with a new upgrade that will be introduced at ISE 2019 in booth K135, Hall 14.
Modulo Kinetic is a fully integrated real-time media server solution that can be used across the complete workflow including show study, simulation, encoding, playback and show control. Modulo Kinetic features a user-friendly 2D compositing tool with non-linear timelines, a low-latency live mixer, and a powerful 3D engine and show controller, all brought into one consistent environment. It handles the most advanced formats including Apple ProRes, HAP up to 8K+, and uncompressed still sequence TGA or 10-bit DPX.
Through Modulo Kinetic’s intuitive and collaborative user interface, one can easily simulate and visualize a show in 3D. Modulo Kinetic’s new version makes real-time VR easy for improved show study and simulation: one single button in Modulo Kinetic’s software allows to visualize a show scene from any angle with a VR headset. No coding is needed to enjoy all the benefits of Modulo Kinetic’s real-time interactive VR.
To optimize performance and usability, Modulo Pi has developed its own tracking system. Available in Modulo Kinetic’s new version, the optical tracking module allows real-time projection on moving objects, as well as video-projectors auto-calibration. Modulo Kinetic is also compatible with other tracking and moti
The Netherlands - LED video processor manufacturer Brompton Technology will return ISE on stand 12-C105.
The company will showcase its new Tessera processor software 2.2.0 for the 4K SX40 processor, to deliver an enhanced feature set that follows the easy-to-use style of its intuitive user interface.
The SX40 is Brompton Technology’s highest-ever capacity processor and offers support for full 4K screens at 60Hz with 12 bits per colour output, a zero-latency up/down scaler that matches the source to the screen, plus all of Tessera’s industry-leading processing features such as ChromaTune colour correction, On Screen Colour Adjustment (OSCA), and more.
Used in combination with the Tessera XD distribution unit, which is a sophisticated single box solution designed to manage the complications of mass cabling that can arise with large LED display systems, the SX40 provides a cost-effective yet powerful system that will support the biggest, brightest and boldest LED projects.
By updating the SX40 to the latest 2.2.0 software, users can now access a suite of handy new features such as Panel On Screen Display (OSD), Processor Redundancy, 90 degree rotation and Chinese language support in the user interface.
The new Panel OSD provides detailed status information right on your panels, enabling sections to be quickly cycled through to access Panel Information, Module Information, Ethernet Information, Video Status, Calibration Information, I/O Status, Temperature plots and Error plots, giving engineers a quick and easy way of identifying issu
The Netherlands - Green Hippo, the manufacturer of multi award-winning Hippotizer media servers, is set for an all-embracing ISE 2019. The company will operate its own stand (Hall 5, stand W100) where visitors will receive a comprehensive introduction and demonstration of the latest software and hardware development. Attendees can also understand more about Green Hippo’s 3D mapping workflow, demonstrated at numerous global events and projects such as Eurovision Song Contest 2018 and Energy City at the Houston Museum of Natural Science.
Green Hippo will also be on show on the stand of its sister company, tvONE (Hall 1, stand M140). Paired together, Hippotizer Media Servers and CORIOmaster offer a unique control solution, delivering high-resolution, media manipulation with super-low latency, live capture compositing for a wider range of corporate markets and installations.
Flawless integration has always been a key aspect of the Green Hippo proposition and the company’s ISE team will be demonstrating the power of interactivity and generative content, working with Notch, the real-time visual creation tool on the Green Hippo stand.
Green Hippo’s creative partnerships also extend to Absen, (Hall 12, stand C60) the integrated service provider and manufacturer, showcasing premium-quality turnkey LED display solutions with media manipulation and control delivered by Hippotizer V4+.
Green Hippo’s impact on ISE 2019 will also extend beyond the halls and stands of ISE 2019. Working in collaboration with Integrated Systems Events and Tenfeet, the
India - Genelec is set to greatly expand its presence within the flourishing AV and home audio markets of Asia and the Middle East, following the high-profile appointment of Arun Kumar to the post of regional business manager.
A respected audio industry veteran whose depth of experience stretches back more than 20 years, Kumar has already played a key role in the development of markets in the region. He is perhaps best known for the many years he spent successfully establishing and driving one of the subcontinent’s leading systems integration companies, eventually growing his team to more than 70 people. Later, he assumed responsibility for sales, marketing and operations for the Bose brand across the entire SAARC region.
Reporting directly to sales director Ole Jensen, he will be based in Delhi, while his work will complement that of long-standing sales & support engineer Clifford Pereira, who will continue to build Genelec’s studio business in India and beyond.
“Few members of our industry possess the level of knowledge, experience and commitment that Arun brings to his work and I fully expect him to create great opportunities for Genelec,” comments Jensen. “Asia and the Middle East are both extremely important markets for Genelec - in India alone the potential is huge. Arun will play a key role as we continue our efforts to develop our share of the international AV and home audio sectors.”
“We are delighted to welcome Arun to the Genelec family,” adds Genelec managing director, Siamäk Naghian. “During his career, Ar
The new Christie APS Series of 3LCD laser projectors, now shipping, deliver up to 6,500 ISO lumens, which is among the brightest in the industry for this class of projector. The Christie LWU650-APS and Christie LWU530-APS have a five-year or 10,000 Hour warranty (whichever occurs first) and 3,000,000:1 contrast ratio, creating an unmatched combination of contrast ratio, brightness, warranty, durability and affordability.
The Christie APS Series are designed for classrooms, boardrooms, and other small-space environments. Combining the affordability of 3LCD technology with the reliability, performance and operational life of laser illumination, the omnidirectional APS Series offers customers tremendous value without sacrificing quality.
Featuring an efficient laser illumination system and patented optical light path design that uses only one motor, the APS Series provides up to 20,000 hours of reliable, maintenance-free operation for an extremely low cost of ownership. Backed by an unmatched five-year/10,000-hour warranty and a price-point that beats the competition, the APS Series is the class-leader for 5,000-6,500lm projectors.
“Proving low-cost projectors don’t need to sacrifice quality, the Christie APS Series is a robust platform that stands-up to the demands of professional applications. The patented optical light pass design changes the excitation light spot shape from a round spot to a rectangular shape and disperses the energy on the phosphor wheel, which improves the reliability of the phosphor wheel,” says Jim Hall, senior product manage
UK - Stage Electrics has been appointed to supply film and TV studio lighting hoists, production lighting, sound, video and comms infrastructure and motorised grid systems to Leeds Beckett’s new Creative Arts building.
The scope of the contract covers five film & TV studios, three performing arts studios, music studios and mixing & screening rooms, a 180-seat theatre, an 80-seat studio theatre and a 230-seat cinema for film screenings. The building, currently under construction and due to complete in 2020, will house the university’s School of Film and Music & Performing Arts department.
Engaged by SES Engineering Services, on behalf of the main contractor, Downing Construction, Stage Electrics is set to begin on site in June of 2019, with the company’s Matthew Addison assigned as project manager for the development.
He comments: “The term ‘state of the art’ gets thrown around a lot, but this project is a true reflection of a state-of-the-art development. The Leeds Beckett Creative Arts Building is a professional standard of specification that students will benefit from for years to come. We are excited to begin this project next year knowing that, along with drawing on Leeds Beckett’s strong heritage for diverse learning skills and opportunities, we’re playing our part in providing a new city landmark.”
Due to the scale and differing nature of spaces within the project, the client appointed two venue consultants: Arup Venues, responsible for the design of five film & TV studios, three performing arts studios,
USA - Located on the campus of the University of North Carolina, the Carolina Basketball Museum originally opened in 2008 and chronicles the history of the UNC basketball programme.
Highlighting Carolina’s numerous NCAA and ACC Championships, along with the players, coaches and staff members that made it all possible, the interactive museum recently underwent a renovation on the heels of its 7th National Championship. Working with the experiential brand specialists at Advent, the museum wanted to update their main video display as part of the branding refresh, and they did so using a 2.8mm FLEXTour LED video solution from PixelFLEX.
“We had previously worked with the University of North Carolina on an update for the Smith Centre locker room that went really well, so they asked us to come back and take a look at the Carolina Basketball Museum,” began Davy Fisher, Advent design principal. “It was a great project because they were fresh off the excitement of their latest National Championship and they wanted us to update the storytelling, freshen up the branding, and reframe the experience through the use of more current technology.”
Fisher continued: “The old space was a little bit off-brand with different blues and varying signage headers over elements that were needing to be related to each other. Our main goal was to make it a cleaner branding experience and simplify the story, so a good portion of the project was replacing and upgrading all of the digital surfaces and get it on-brand, through colour and language consistency.”
USA - Atlona has promoted industry veteran Blake Jochum to the role of territory manager for Florida effective immediately, following a very successful period as an inside sales representative. Jochum will represent Atlona’s commercial and residential AV product lines, and support David Pendleton, Southeast regional manager, to cover the many business opportunities that exist state-wide.
Jochum will also work closely with Atlona’s state-wide partner network to drive sales and business development. He reports to Scott Ettinger, director of sales, Eastern region.
Jochum has spent the majority of his career in Florida, and has developed a strong network of industry relationships along the way. Following six years as an AV programmer and lighting technician for Pensacola-area nightclubs, Jochum joined All Pro Sound as corporate sales manager, integrated systems.
He spent 25 years at All Pro Sound before moving onto a senior systems designer role at Tampa-based Synergy.