USA - ADJ has introduced the Vision Series of LED video panels. The new range offers a versatile modular system, with features including front serviceability, magnet-aided rigging, and fold-out corner protectors.
The ‘VS’ Vision Series of LED video panels offers a versatile modular solution that has been developed to make life easier for video professionals installing LED walls on either a temporary or permanent basis.
Each panel in the range features four individual modules, which are front serviceable, making it ideal for temporary hanging as well as permanent installation. Across the range, the modules are all mounted to the same frame, allowing panels of different resolutions to be used together and meaning that the same rigging bar and other accessories can be used for all VS models.
The VS5 offers a 5.95mm pixel pitch (84 x 84 pixel density), the VS3 has a 3.91mm pixel pitch (128 x 128 pixel density) and the VS2 offers the highest resolution in the range with a 2.97mm pixel pitch (168 x 168 pixel density). All three panels utilize 3-in-1 RGB SMD2121 LEDs with a brightness of 1000 NITS and a very high refresh rate of 3840Hz. They offer a wide viewing angle of 160° (horizontal) / 140° (vertical) and a high contrast ratio of 5000:1, allowing for the delivery of exceptionally vibrant video reproduction.
Every panel in the range is equipped with a Novastar A5s data receiving card and features DataLock securely-locking ethernet input and output sockets that allow the signal from a compatible video processor) to be linked from panel to pa
Europe - The list of exhibitors to withdraw from the postponed Prolight+Sound tradeshow has continued to grow today, with Artistic Licence, Ayrton, Chauvet Professional, Robe Lighting, Robert Juliat, CLF Lighting, and Roe Visual among those who have cancelled their plans to attend the fair.
“The latest Covid-19 developments in Europe and the potential threat for those travelling to Frankfurt from around the world have led us to take a sensible and measured decision after considering the current facts and the dramatic spread of the virus,” commented Robe CEO, Josef Valchar. “I am sure that the industry will pull together to get through these challenging times. Prolight+Sound is the busiest and most important European trade show for us in terms of the rental and staging sectors, and an important showcase for new and emerging technology. We look forward to being back in 2021 to enjoy the dynamic mix and positive energy once again!”
Meanwhile, Chauvet Professional will focus on the European leg of its planned Force of Nature road show. The decision to skip PL+S is due to scheduling conflicts, said Michael Brooksbank, general manager of Chauvet Europe: “We will miss connecting with our friends and industry peers at PL+S, and certainly wish we could have accommodated the change in schedule, but have decided to forge ahead with ongoing commitments to more intimate and targeted outreach efforts in Europe.”
Robert Juliat said in a statement: "Robert Juliat has taken the decision to withdraw from
The Netherlands - A prominent player in the world of LED displays and audio-visual productions as well as part of the NEP Worldwide Network, Faber Audiovisuals, hosted a virtual production demo at Amsterdam Studios at the end of February.
As part of the event, Brompton Technology was invited to present its HDR (High Dynamic Range) solution on LED screens set up as greenscreen replacements for film and TV. Enabled by Brompton’s Dynamic Calibration technology, HDR delivers images that appear ‘perceptibly sharper, more vivid, detailed and lifelike’.
Though the use of LED screens in film has been slowly increasing over the past decade, the advances in resolution, brightness and colour range (HDR) coupled with the growing affordability of these technologies in the last couple of years have made LED screens an increasingly attractive option for both high profile productions and more budget conscious applications alike. LED screens on camera can now provide immersive, realistic backdrops to filming. Shooting sets “live” in this way can also help to lessen the cost and time previously dedicated to post-production VFX work.
As part of their event, Faber Audiovisuals demonstrated Virtual Production (VP) as a new production process that merges physical objects, such as actors and real-world camera movements, into real-time CGI. They also showcased rendering solutions and the process of VP to create a digital world: beginning with the inception of the idea and ending with the final visual effects (VFX), centred around the real-time interaction on set.
UK - Solotech has expanded its global operation by extending its video department into the UK and has opened new offices in central London.
As part of Solotech’s expansion strategy in the UK, the company has appointed Ian Woodall as director of video, and Paul McCauley as video business development manager in the UK and European markets.
Ian ‘Woody’ Woodall has worked at XL Video as sales director and has also been a freelancer, designing and building AV systems in European venues and as a touring video engineer on projects including Nile Rodgers and Chic who have been with Cher for the past year.
Meanwhile, Paul ‘Macca’ McCauley has extensive experience in the both the live events and integration industries.
Woody comments: “We decided that it was important to build on the huge reputation of Solotech for video in Canada and the US and therefore necessary to start organically, building it from a clean slate so that we can maintain the same Solotech service across the UK and Europe.
“We will bring our new offering of video services to the project delivery teams and existing customer base, alongside the development of new business that Macca and myself can introduce under the banner of the new Solotech UK Video department.”
Mickey Curbishley, president live productions division at Solotech adds: “Projects across the board now increasingly call for a 360° service, where a single vendor supplies sound, lights and video. This is equally applicable in both live production touring and the sales and integration market
USA - Italian luxury brand Bulgari, known for its shimmering diamonds and daring design, recently held the B.zero1 Rock event to roll out the brand’s newest rendition of its B.zero1 collection, with Brompton Technology’s LED processing ensuring captivating visual experiences at the event.
Hosted by group CEO Jean-Christophe Babin, the party brought Rome’s sensual and exuberant style to the heart of New York Fashion Week. Full-service event-technology and video-production company Essay Video, that was subcontracted by KCD.INC for to run the production side of the event, chose Brompton Technology’s Tessera SX40 LED processor and two XD 10G data distribution units to deliver Bulgari’s vision on LED screens.
Held at Duggal Greenhouse in Brooklyn, guests were led through an entrance tunnel and into a featured concept room entitled ‘Exuberance Room’ where 36 ROE 2.8mm Black Pearl LED panels were placed on each side of an elevated corridor (72 tiles in total). The room was also filled with neon lights and 3-D cut outs of the word ‘Unapologetic’. Guests proceeded to don headphones and watch a series of videos on the screens, with the video and audio elements working together to create the feeling of being truly immersed in and inspired by Bulgari’s sense of style and spirit.
“Colour adjustment was key in making the content work on the LED screens and the XD units were imperative for the data connections,” says Sean Heiligenthaler, Essay Video project manager. “Having native 4K canvases on the SX40s, combined with the 10G capacity
UK - Marking the 15th year of Christie’s partnership with the National Film and Television School (NFTS), this year’s Christie prize for Most Promising Student was awarded to Michael Pearce, NFTS graduate in digital effects. Michael received a monetary prize, a certificate, and a crystal trophy to celebrate the win at the NFTS Graduation Ceremony. Already employed as a colourist, Michael has already gained vital experience having worked on numerous short films, music videos, commercials, documentaries and feature film credits.
John Rowe, head of digital effects at NFTS said of the win: “Michael has earned his reputation as a diligent and trustworthy ally, working tirelessly across every genre to help finish projects to the highest possible standards. His determination to succeed and his resourceful nature have resulted in him earning a full-time contract at world-leading postproduction house, Company 3. It can be no surprise that someone so universally liked and trusted has won this prestigious award. Michael has a positive approach to every aspect of life and fully deserves this accolade.”
“We’re once again delighted to recognise outstanding talent in the industry, and we’d like to congratulate Michael on his outstanding achievement,” commented Brant Eckett, marketing director (cinema) at Christie. “In our 15-year partnership with NFTS, we have seen the school continue to grow and enhance its offering, with courses such as digital effects, and it has been an honour to support an array of initiatives, including its shift from film to dig
Europe - Brompton Technology has hailed ISE 2020 as “a resounding success” after showing its Dynamic Calibration technology in Europe for the first time and launching its latest LED processor, Tessera S8.
“Our demonstration stations were a big draw and the reaction to the Tessera S8 has been very encouraging,” comments Brompton’s senior business development manager, Rob Fowler. “But the reactions to our presentations of Dynamic Calibration, the enabling technology for Brompton’s HDR solution, were truly astounding.”
The Tessera S8 is a “cost-effective solution for high profile projects that do not require the large output capacity of the award-winning Tessera SX40 processor, but still want to benefit from the flexibility of Brompton’s Tessera feature set and easy-to-use software to produce stunning results”.
“HDR is what everyone wanted to see,” concludes Dan Hamill, director of UK video rental company 80six, whose LED screens also graced Brompton’s ISE stand. “When it comes to image quality, our clients are always looking for the best and they are now able to experience the benefits of viewing HDR content on our rental LED rental products.”
UK - A.C. Entertainment Technologies (AC-ET) has supplied two Green Hippo Hippotizer V4 Karst+ Display Port media servers to full-service event production agency, T.H.Collective, to provide flexible, high-resolution video playback for a myriad of client events.
T.H.Collective was looking to invest in a robust system for large-format video playback on high resolution LED walls and edge-blended projection. These applications required the screen content to be displayed at a higher pixel count than a single video port could carry.
Matt Emmerson, head of video at T.H.Collective approached AC-ET to recommend a suitable playback solution to meet the company’s technically demanding requirements.
He comments: “The decision to use Hippotizer media servers came down to the flexibility in operating them. Triggers can be run using programmed timelines, individual DMX channels, midi signals, stream decks, directly with the Zookeeper control software or as a fixture from a lighting console. In addition, we often use LED and pixel tape in our backdrops. The PixelMapper component has an intuitive, user friendly interface, enabling pixel maps to be programmed quickly and easily.”
Chris Beardwell, technical sales executive in AC-ET’s dedicated video sales division, recommended the Green Hippo Hippotizer Karst+ Display Port Media Server, with its two display port 1.2 outputs and genlock sync. T.H.Collective purchased two units, giving it the option to run them as either a main and back up, or linked together to handle any larger canvases.
So far T
UK - Hundreds of television buyers from across the globe headed to ACC Liverpool on 9-11 February for BBC Studios Showcase 2020 international television market. For the 14th year running, creative technical event production company Hawthorn supported the distributor to showcase its premium programmes, delivering two evening events.
The events previewed some of the BBC’s top programmes including Doctor Who, A Perfect Planet and The Watch. Led by the BBC Studios team, Hawthorn’s head of creative technical Peter Harding helped to produce and deliver a production design for the two evenings.
This year’s format saw a considerable shake-up with the construction of a curve-fronted 1000sqm 5m-high platform over a section of the arena’s tiered seating and floor. Hawthorn worked with specialists Acorn Event Structures and Steeldeck to create the structure which took 36 hours to complete. Created in two pieces, Acorn Event Structures built the semi-circular platform on the arena floor whilst Steeldeck created the structure that connected this to the higher concourse level. Providing a completely level walk through for guests, the infill section met seamlessly with the platform and as no seats had to be removed, it caused minimal disruption to the venue or overall build.
Night One kicked off with a drinks reception celebrating Doctor Who. Guests entered the event via the platform, located at concourse level, and were transported to the interior of the latest reincarnation of the TARDIS, with Oods, Judoons and Cyberman keepin
Denmark - Car manufacturer Porsche launched its new electric Taycan Turbo S sports car for the Danish market at the Porsche Centre Copenhagen in January. In keeping with the electric theme, Hippotizer Media Servers powered the electrifying video-mapping of the car’s exterior at the special event, which was produced for Porsche by Capital Events.
Copenhagen-based projection specialist 4K Projects, brought in by technical supplier Nordic Rentals, were responsible for the visuals. They supplied a Hippotizer Boreal+ for the playback, along with a second unit as backup. The graphics and video content was fed from a single 4K output, through a Datapath FX4, which split the output into four HD feeds.
4K Project’s production team was made up of Mikkel Samuelsen, Balder Thorrud and Rasmus Linck, who designed the video content to complement a soundtrack created by Porsche especially for the launch. The projectors covering the left and right sides of the car were rigged to cover the roof as well, while those aimed at the front and back of the car were masked in that area to avoid overlapping pixels.
“The car was positioned in the middle of the exhibition room with four projectors, one aimed at each side of the car - front, back, left and right,” explains Samuelsen. “The projectors were flown about five metres above the ground and angled at around 35° so that they could hit the roof of the car as well as the sides.”
Samuelsen used Hippotizer’s SHAPE 3D projection mapping toolkit for all alignment, warping, blending and masking tasks.
UK - Green Hippo has announced that David March and Ryan Brown are to take on new directorship roles at the company.
Meanwhile, business unit director and former CEO Emma Marlow is to leave the company after almost seven years at the helm. During her stint, Marlow expanded the company’s international operations and oversaw the 2018 acquisition of the company by US-based Spitfire Creative Technologies.
The company says in a statement: “Now that Marlow has successfully overseen the integration of Green Hippo into the Spitfire group of specialist AV brands, she will not be directly replaced. Instead, her responsibilities are being split across new roles shared by staff across the family of companies.”
David March, a 30-year veteran of the entertainment lighting and video market, expands the sales and marketing role he took on last year, with his promotion to sales and marketing director. March will work alongside Ryan Brown, previously product manager, who is now appointed operations and product director. Both will report to Denise Nemchev, president and CEO of Spitfire Creative Technologies, and be based in Green Hippo’s new London office, in Camden.
“I’m thrilled to take on this new role and with Ryan’s help spearhead Green Hippo’s future at such an exciting time,” says March. “This is a landmark year for Green Hippo, as we strengthen our foundations and move into new territories. On behalf of everyone at Green Hippo, I’d like to say a massive thank you to Emma, who has been an inspirational and greatly-respected director
Canada - Frédéric Sujobert has been appointed as general manager of Solotech’s Quebec City office, effective 9 March.
Under the joint leadership of Martin Chouinard, president of the live productions division, Canada, and Philip Giffard, president of the sales and systems integration division, Frédéric Sujobert will supervise operational and sales performance for the Quebec City/Saguenay region. He will also oversee the development of new business opportunities while promoting synergy across the company's two divisions.
Sujobert has held various management positions over the course of his career, notably as vice-president of operations and general manager at Groupe Le Massif.
“Mr Sujobert's versatility, leadership and management skills are clear assets for Solotech. We are eager to leverage his in-depth knowledge of the Quebec City area business community,” says Martin Tremblay, president and CEO of Solotech.
USA - Rosco Laboratories was Behind the Scenes’ first Pledge-a-Product Partner and they continued their support with a cheque presentation by Chad Tiller, Rosco's vice president of global live entertainment, to executive director Lori Rubinstein in the BTS office.
“Behind the Scenes goes above and beyond to help our colleagues and industry professionals in need and Rosco is proud to give back and support this outstanding charity,” comments Tiller. "This marks our 11th year of donating proceeds from Roscolux 359 Medium Violet, and we are thankful to Behind the Scenes for their commitment to the entertainment technology industry."
Rubinstein gratefully accepted the cheque, saying: “We continue to be extremely grateful to Rosco for having led the way in our Pledge-of-Support programme and, particularly, for their long-term commitment to the charity. While some other companies come and go from the programme, Rosco understands it is this steadfast support that allows us to plan ahead with the confidence we will be able to fulfil our mission and to undertake expanding our services where we see the need, such as with our new Mental Health and Suicide Prevention initiative.”
The Behind the Scenes charity provides entertainment technology industry professionals who are ill or injured with grants that may be used for basic living and medical expenses. For more information about Behind the Scenes, to donate, or to apply for a grant, visit www.behindthescenescharity.org. For information about becoming a Behind the Scenes Pledge-of-Support Partner emai
South Africa - Multi-Media AV has recently taken delivery of 480 Absen Polaris 2.9mm LED panels, increasing the company’s inhouse LED inventory up to 220m2 (880 panels) of 2.9mm LED screen. The purchase is the largest single order of Absen’s Polaris LED series that local distributor, DWR Distribution has delivered on to date.
“We have had Absen’s now discontinued D2V series LED screens in our inventory for a number of years and have been very impressed with the quality and performance of the units,” says Chris de Lancey, director of innovation at Multi-Media. “When looking ahead at bookings for the month of March, we realised that we would need to hire in an enormous amount of LED panels to meet demand. After analysing the cost of renting versus purchasing additional gear, we decided that it would be a good business decision to increase our inhouse LED offering, as there is no indication of demand for LED slowing in the future.”
Chris goes on to state that the demand for LED screens is on the increase in South Africa, largely because clients have come to rely on the enormous advantages that LED screens offer over alternatives such as projection. “While projection technology is still very popular in Europe, the South African market has embraced the creativity and flexibility that modular LED displays bring to the table,” says Chris. “When using a LED panel, you are not restricted to darkened indoor venues or standardised aspect ratios to display your content.”
“We look forward to deploying our new Absen Polaris LED screens at
UAE - For a recent concert performance by Indian singer, composer, actor and all-round megastar, Sonu Nigam, event production specialist Lightech AV turned again to their go-to media server solution from Green Hippo to drive the high-definition screen visuals. The show, designed in collaboration between Lightech AV and Nigam’s own team, was staged at Dubai’s World Trade Centre Arena in January.
Lightech AV’s head of video Yevgeniy Karyagin chose to use two Hippotizer Boreal+ media servers as his main and backup systems. Each had a Lightware 16x16 Matrix Switcher with 4K DP Datapath capture card. “For this production, 4K input was very important,” he says.
Working in conjunction with Sonu Nigam’s visual specialist and VJ, Arveen Sabharwal, Yevgeniy used the Hippotizer Boreal+ to feed a mix of custom graphics and live Imag footage, triggered from a MIDI controller, to the five large, portrait-format LED screens that formed a striking backdrop to the stage.
An experienced practitioner who has mastered his toolkit, Yevgeniy took the whole project in his stride. “There were no real challenges for us on this show,” he says, “because Hippotizer media servers give us so many possibilities and features that help us to quickly solve any difficulties that may arise - with picture mapping, or with the signal distribution, for example. Also, the efficiency and stability of Hippotizer machines gives you that extra confidence at show time. Thanks to the developers!”
UK - Green Hippo has further strengthened its London team by appointing Abi Roberts as project and marketing coordinator.
Roberts joins from the legal world, where her attention to detail and communication skills led to a role liaising, and maintaining relationships, with a range of clients. She is now channelling this experience into managing a range of Green Hippo marketing, including digital and social media, trade shows and providing marketing support for the distribution network.
“I’m thrilled to join such a vibrant company with a clear vision for growth in 2020,” says Roberts. “The AV industry presents an exciting change of direction for my career where I can apply my experience to create some exciting new materials for our customers. I look forward to working with you all in the near future.”
Roberts joins Green Hippo as the company moves its London office to Camden and releases two new products for live entertainment and 3D mapping installations. Roberts will be working closely with Green Hippo’s head of marketing, Mercedes Stevão Boase.
Europe - Chinese LED manufacturer Absen has moved to allay any concerns caused by the global outbreak of Covid-19 by stocking more than 5,000sq.m of LED product ready for shipping, with further 27,000 sq.m in production covering the company’s array of indoor, outdoor and rental display products.
The stock comes from the company’s manufacturing base in Huizhou as well as Absen’s European headquarters in Frankfurt, Germany, and across the regions covered by its network of distributors.
Absen is also planning to move its European offices into larger premises by 30 March. The new warehouse is expected to provide the capacity to hold twice the amount of stock than the company’s current one.
The manufacturer has also reported that its factory has been “working at full capacity to meet high demand - with orders up in Europe by 128% when compared to the same period last year”. Leads were also up by 20% versus 2019.
Tania Zhao, managing director of Absen Europe, comments: “We would like to reassure our customers and the market that our company is in a very strong position. We have a vast array of products in stock, which can be shipped directly, or collected from our European warehouse in Germany or our regional distribution partners. Our priority is to ensure our customers and our partners continue to have access to the latest LED products.”
Europe - Ed Sheeran wrapped his 260-show Divide Tour last year, which featured a large complement of Claypaky Mythos 2 and Scenius Unico lighting fixtures. Mark Cunniffe was the lighting designer for Divide.
Cunniffe created a set piece for the tour comprised of LED tiles and lighting with a massive curved crown above the stage and tall columnar centre piece. The elements at times resembled a goblet and a tree. Four automated triangular pods resided in the underside of the LED structure; each pod was on three variable speed motors controlled by Kinesys.
Cunniffe used 118 Mythos 2 spot and beam fixtures in the crown, base and across the front of Sheeran’s riser; 10 Mythos 2 were mounted inside each triangular pod.
“One of the driving factors behind choosing Mythos 2 was the size,” says Cunniffe. “I knew I could hang it on its side, it’s relatively light and it could fit through an aperture. I could hide 30 to 40 percent of the unit behind the structure, and you just saw the aperture and the lens: It looked as though it was built into the production, as opposed to being hung on it.”
Cunniffe also mounted 24 Scenius Unicos, versatile spot, wash and beam lights, on four linear trusses upstage of the lighting pods. “They shone through the holes, but you couldn’t see the source, only the beams of light,” he recalls. “Unicos are much bigger and brighter units, but because they were hidden by the production, the eye was not drawn to them but to what they were doing.”
He likens Mythos to a “rock’n’roll unit' while Unic
The Netherlands - AV technology tradeshow Integrated Systems Europe (ISE) 2020 completed a 15-year residency at the Amsterdam RAI expo centre with a special event held on the show’s last day, 14 February (Friday).
Politicians and executives saluted the venue and the city of Amsterdam while looking ahead to the future, with the tradeshow set to move to the Fira de Barcelona for its 2021 edition.
Despite health concerns brought about by the coronavirus outbreak and major travel disruption caused by Storm Ciara, ISE 2020 took place as planned, but with markedly lower attendance of 52,128 unique visitors compared to 81,268 in 2019.
Mike Blackman, MD of Integrated Systems Events, comments: “This year’s show demonstrated to us just how determined our attendees were to come to ISE. Many of our exhibitors exceeded their targets for customer engagement and lead generation. The show has delivered on all fronts: as the global industry’s biggest annual forum, as a launchpad for new solutions, as a place to do business, and as a source of professional development and education.”
On the Main Stage, jointly organised by ISE, AVIXA, CEDIA and AV Magazine, expert speakers offered thought leadership on a wide range of topics. The largest AV Career Day ever also took place at the show, with over 170 students and faculty from 12 different universities across five countries taking part in the event, organised by AVIXA and CEDIA. Presentations, discussions and show floor visits gave participants a real flavour of the wide variety of career paths that th
Italy - The Leonardo Da Vinci National Museum of Science and Technology in Milan has recently inaugurated the Leonardo Da Vinci Galleries, the largest permanent exhibition in the world entirely dedicated to the Italian scientist and artist.
The 1,300sq.m exhibition area takes visitors on an interactive multimedia journey through the life and masterpieces of one of the most important artists of the Renaissance.
The lighting installation, which contributes to give value to Leonardo’s inventions and works of art, has been set up by Sater 4.0 using more than 140 Prolights MiniEclipse.
Fabio Carolis, who works in the logistics department at Sater 4.0 says: “We chose MiniEclipse because of their extremely interesting features in terms of light output, power and colour reproduction.
“We mounted the fixtures on trusses using different optical solutions. In this way we’ve been able to create an impactful illumination in order to enhance paintings and artworks.
Deciding to use Prolights MiniEclipse was a no brainer: the product’s high flexibility, together with the Prolights team’s professionalism and reliability, have always been a guarantee of success in all our projects.”
UK - Northern Light was commissioned to design, supply and install a new lighting and AV system by The Robertson Trust for Stirling.
They were asked to provide systems which were as flexible as possible and allow the room to be used in many different configurations as the final configuration of the rooms was yet to be determined.
The proposed systems included: overhead suspension bars and lighting grids, power distribution, LED fixtures, projection, installed sound, fixed control rack, facility the new conference space within the Barracks Conference Centre, panels with cable infrastructure and a lectern.
Northern Light was also asked to provide video conferencing and presentation systems for the meeting rooms within the barracks building. The systems had to be capable of interoperability between the systems as the room will be hired out for many different client needs. Northern Light worked alongside Blackstar solutions to provide a Starleaf solution which is able to communicate between all different video conferencing systems.
“We worked with the client to produce an end result that provides the room with a user-friendly conference presentation system with additional control for larger different events and the additional challenge of an infrastructure to meet any unknown requirements in the future,” comments project manager Steve Dick.
Saudi Arabia - Diriyah Gate is the birthplace of the Saudi Kingdom and was the original home of the Saudi Royal Family. Today, it is a 19th-century UNESCO World Heritage site which is set to attract thousands of tourists as part of Saudi Arabia’s vision 2030. King Salman Bin Abdulaziz Al Saud and HRH Crown Prince Mohammed Bin Salman Al Saud launched the opening ceremony of Diriyah Gate with a visual spectacular show.
CT was called upon by Executive Visions (EVI) to deliver the technical implementation of the striking cinematic projection mapping on the historic site to tell the visual story of the kingdom’s history.
The ancient ruins ‘mud city’ of Diriyah has been restored over the years by the Saudi Royal Family, enabling it to be the centre stage for the production. CT provided 170 Panasonic RZ31 and 21k projectors span across the 350m+ wide projection canvas.
CT were tasked to ensure all visible surfaces across the 350m+ wide canvas was covered to enable content to run smoothly across six content zones.
“We carried out various site visits during the planning phase so we could strategically plan where the projectors would be located. This enabled us to avoid any potential issues early,” says Dan Hughes, CT’s project manager. “As this was a UNESCO world heritage site, we needed to carefully asses where the projector locations could be positioned. We worked closely with our client EVI and the Diriyah Gate Development Authority (DGDA) to ensure all locations were approved by the DGDA ahead of time.”
CT was tasked to e
UK - Green Hippo’s Hippotizer media servers were chosen by video director Jay Baker of Creative Video Design to drive the visuals for Spotify Presents: Who We Be Live 2019. Performed live at the O2 Victoria Warehouse in Manchester, the Spotify show was part of its series of events featuring the UK and Ireland’s leading Rap, Grime, R&B and Afrobeat line-ups.
Creative design and production was by UK marketing agency Amplify, working closely with event promoter, SJM Concerts. Creative Video Design was brought into the project by Production Box, led by Mike Oates.
While the venue’s exterior was used as a projection surface on which lighting designer Jon Trincas created some suitably grungy looks, the stage set inside was designed with a grunge/grime warehouse theme. “Our main challenge,” Baker explains, “was to create multiple different looks for the many artists performing, including mapping their own 16:9 format content to screens that were in no way 16:9!”
Baker used Hippotizer Karst+ media servers, supplied by 80Six Ltd, as the main playback and backup devices, with timecode playback rig provided by SFL. Baker had real-time access to parameters via Green Hippo’s ZooKeeper interface from front-of-house. “Before the event, we also made use of the Hippotizer PREP dongle at our studio,” says Baker, “which enabled us to prepare the pixelmap setup before we arrived on site.”
For the performance, Baker and his Karst+ delivered visuals designed in-house by Creative Video Design, as well as stings and ident content fr
UK - Penn Elcom has announced that RGB Communications will be distributing its full range of 19-inch racking enclosures and associated accessories.
The move is in line with RGB’s goal of being a one-stop shop for AV racking solutions. In addition Penn Elcom’s various products for the AV market, along with its 19” ranges, complement, RGB’s existing product portfolios in the residential and commercial sectors.
Caroline Britt, RGB Communications MD, comments: “As a high-quality UK-based manufacturer with great support and a reputation for quick turnarounds on bespoke projects, as well as its practical off-the-shelf ranges, we are a good match.”
Penn’s sales director Rob Platt, adds: “We look forward to a busy and proactive working relationship with RGB. With 29 years’ experience in the pro AV industry built on understanding the products they distribute, we think RGB will be great Penn Elcom brand ambassadors and a solid partner for the continuous development of our various 19-inch ranges.”
Highlights from Penn Elcom’s range of 19” rack enclosures and accessories include free-standing and wall racks, rack panels with assorted CNC machined magnetic faceplates, and wall-mounted media device brackets, ideal for home audio and cinema installations.
In the last 12 months, new Penn 19” racking innovations have included the R6400-RHF Double Hinged Wall Mount Rack enclosure and several new 19” products, scheduled for launch in the coming months.