UK - A.C. Entertainment Technologies (AC-ET) provided the Welsh National Opera with a new surtitling system utilising AlphaPIX2 by Prolights LED video panels.
Welsh National Opera (WNO) was founded 75 years ago by a group of people from South Wales as an opera company that represented Wales as the ‘land of song’. With over 120 performances a year, the company now tours across Wales, England and internationally, with the aim to open up the world of opera to everyone. A key part of this is with the use of surtitles.
Ian Jones, head of lighting and sound for WNO explains: “Surtitling has become a very important part of an opera performance. It provides an easy way for the audience to follow the libretto whilst enjoying the music and dramatic performance.”
Ian was looking to upgrade the existing surtitling system; and after speaking with Chris Beardwell, technical sales executive in AC-ET's specialist video sales division, he chose to invest in AlphaPIX2 LED Panels controlled by Novastar MCTRL660 processors. This consisted of two main screens, made up of six side-by-side AlphaPIX2 LED panels each, one surtitling in English, and the other in Welsh.
Ian commented: “A number of other opera companies such as Glyndebourne and Scottish National Opera use AlphaPIX2, so it made sense to have the same type of system, especially when it comes to supporting each other.”
In addition to the main screens, Ian required two smaller ‘repeater’ screens. For these Chris created bespoke panels in a custom metal housing that was 1m by 250mm, wit
Mexico - The 17th edition of Sound:Check XPO, Mexico’s leading music industry show, is taking place on 28-30 April at the Mexico City’s World Trade Centre, with the latest developments in audio, video, lighting and staging set to be showcased across more than 13,000sq.m of exhibition space.
Over 22,000 attendees are expected to visit the show, which will also include a programme of masterclasses, with musician Simon Phillips, Mimi Fox and Camilo Laro from Instituto Mexicano del Sonido/Mexican Institute of Sound, the AES Mexico Annual Conference and the Tendencias (Trends) sessions.
The Harman Auditorium will be the stage for product presentations that can be heard and seen in full operation, accompanied by technical talks with leading industry professionals.
The AES Annual Conference will feature Sergio Molho (Waters-Storyk Design Group), Jonathan Wyner (mastering engineer, education director and Izotope chief studio engineer), Lenise Bent (engineer and producer), Bruce C. Olson (Olson Sound Design founder), John La Grou (Millenia Media founder), Merlijn van Even (Meyer Sound senior technical support and education specialist), Mark Drink (audio engineer for Suzanne Vega, Boston Pops Orchestra, Tony Bennet and KD Lang), Sergio Díaz (sound designer of the movie Roma), and AES global president, Nadja Wallaszkovits.
Germany - Calibre’s new HQPro1000 4K/UltraHD scaler/switcher is receiving its first public showing at Prolight + Sound (4-B35). The first in the company’s HQPro series along with the new HQPro1050 remote controller will be available for Q2/2019 delivery.
“The HQPro1000 is the result of an extensive market research effort that revealed a real need for higher performance at lower price points,” said Willy Tsai, managing director at Calibre UK. “There is a whole market segment that is not being catered for - and we believe the HQPro1000 responds to what those customers are looking for by setting a new level of price/performance. It features extensive functionality that has traditionally been associated with a high price - and delivers it at a much more affordable level.”
Designed for professional AV and LED large venue applications, the HQPro1000 features a modular architecture composed of the base unit, two optional input cards and one optional output card.
The base unit includes two 4K HDMI 2.0 inputs, one 4K HDMI 2.0 output plus a confidence monitor output and genlock connectors.
The initial release also includes an input card featuring a 4K HDMI 2.0, 4K Display Port 1.2 and a 3G-SDI interfaces greatly expanding the number of supported sources. The initial release also includes a card with four 2K HDMI 1.4 outputs allowing for splicing up-to four LED walls. Future releases will include 12G-SDI and HDBT input and output cards.
The optional cards allow customers to configure the unit according to their specific requirements
USA - Established almost four decades ago, event technology specialist WorldStage makes a practice of investing in equipment that matches its goal of supplying top of the line technology to its clients. With that in mind, WorldStage has made a major commitment to Brompton Technology’s Tessera LED processors.
WorldStage operates in multiple markets throughout the US. The company’s projects include Broadway productions, art installations, television shows, touring productions and high-end corporate meetings.
“The past three years have been a period of significant growth for us, and whenever we make large investments in technology we partner with the best players in the market,” explains WorldStage CEO, Gary Standard. “Our high-level engineering staff always looks at technology from that viewpoint.
“We understand the importance of good processing and wanted to partner with Brompton because we recognise its superior product line: That’s what sets Brompton apart.”
Brompton’s SX40 high capacity processor and Tessera XD distribution unit offers a multitude of features, such as support for full 4K screens at 60Hz with 12 bits per colour output, a zero-latency up/down scaler that matches the source to the screen, plus all of Tessera’s industry-leading processing features such as ChromaTune colour correction and On Screen Colour Adjustment (OSCA).
Combined with the Tessera XD distribution unit, a sophisticated single box solution designed to manage the complications of mass cabling that can arise with large LED display systems
The Netherlands - Integrated Systems Events, the organiser of Integrated Systems Europe (ISE), has issued a clarification as it seeks to differentiate its flagship trade show from industry events with similar monikers.
The organisation says in a statement: “There are some events in the pro AV and systems integration field with which [ISE] has no connection, including the AV Integrated Systems Expo Mumbai, or AV-ISE in a shortened format. ISE wishes to make this fact clear to its exhibitors and attendees to ensure that there is no confusion.
Mike Blackman, managing director of Integrated Systems Events, comments: “We put a lot of time, resource and effort into creating a show experience at Integrated Systems Europe that is second to none. We trust that, when deciding whether to attend any given show, AV and systems integration professionals will look beyond the chosen name and make their own judgements.”
As well as the main ISE show each February, Integrated Systems Events also organises Integrated Systems Russia and the Digital Signage Summit series of events. In addition, Integrated Systems Events produces a number of the conferences that take place during ISE. Integrated Systems Events also participates with the numerous exhibitions and events produced by its co-owners AVIXA and CEDIA.
Saudi Arabia - AV equipment supplier Production Technology (Protec) has reported that, thanks to recent purchases, it now offers the same brands and services from its new warehouse in Riyadh that it does from its Dubai HQ.
The company has already been involved in a string of major events, including Formula E. Saudi Arabia, one of the first major international sporting events ever staged in the country.
For this project, Protec’s audio team chose a range of L-Acoustics to cover an extensive area across six grandstand viewing areas, two hospitality areas, the podium, a gaming area and the e-village stage. Video turned to Barco’s S3 and Luminex networking to livestream to 140 screens across the venue which required 19km of fibre to ensure 4K video with less than one frame of delay. Lighting used their new SGM P-10 and Claypaky lights for the E-Motion club and hospitality village.
Another major event in Saudi Arabia that Protec provided a complete package for was the new tourism destination, Al Qiddiya, planned to be the world’s largest entertainment destination. Based in the desert with no infrastructure in place, Protec was invited to supply the temporary structure including a 36m x 88m Supa Dome with full technical support inside the auditorium as well as scenic, staging and automation for the ceremony attended by royalty and VVIPs to celebrate the beginning of an estimated two-year build project.
Following Saudi’s successful expansion, focus is moving to the UK based Protec European Events. New premises have been acquired, more than do
USA - Reflect, an award-winning provider of retail digital signage programmes and long-time digital partner to Levi Strauss & Co, has teamed up with D3 and BrightSign to create a striking visual experience at the recently opened Levi’s flagship store in Times Square. At nearly 17,000sq.ft, it is the largest Levi’s flagship store in the world. The multi-level location employs AV treatments that create striking visual interest throughout the store.
Originally established in 1853, Levi Strauss & Co. is one of the world’s largest apparel companies with 500 stores worldwide, and products available in over 100 countries.
When tasked with creating a modern environment that was not only welcoming, but also told the story of the brand, Levi’s turned to Reflect. Reflect - which also oversaw the digital design and integration of the San Francisco Levi’s store - leaned heavily on the use of LED panels to create large-scale vignettes in prominent, high-traffic areas. In total, 10 million LED pixels blanket more than 1,000sq.ft of prime wall space located on both levels of the store. The full array of LEDs - supplied by D3 LED - are powered by just two BrightSign XT1144 media players. The inclusion of two additional BrightSign XT1144 media players ensures a high degree of redundancy.
“Times Square stores are among the highest-visibility retail establishments in the world. Delivering a brand-right digital experience was our goal,” says Brandie Perkins, senior account manager at Reflect. “We entrusted BrightSign media players to deliver a f
UK - Each year the Strictly Come Dancing Live show gets that bit more glitzy and that bit more glamourous.
Now in its 12th year, the live production of the TV show has gone from strength to strength, playing arenas around the country. Each year the show specification is revisited and refreshed with each set piece and prop given a re-evaluation. This year, one of the recipients of a revamp were the chandeliers.
Production manager Andy Gibbs reports: “We had maintained the chandeliers for 11 years, bringing them out of storage annually to add that extra dressing to the set look. Our tour director is Craig Revel Horwood and during the initial discussions about this year’s show, he was keen to include fountains and waterfalls. Clearly, with 1,200 panels of wooden dancefloor that gets loaded in and out and carefully laid at every venue, this was never going to happen. I suggested we go down the LED route and approached Specialz to come up with a proposal. The resulting design and fabrication produced four chandeliers which proved to provide effects far beyond the original expectation.”
Specialz MD Dave Smith comments: “We exchanged various ideas and settled on a concept using programmable node RGBW LEDs and based around three half circle mirror balls on a tier. They had to be the same size as the old chandeliers to maintain the truck pack, they had to be battery powered, WiFi controlled, needed to rotate and descend from a winch. Our SPI cards have a unique programmable animation capability which allowed us to essentially group the 12,0
UK - Adlib supplied a Coda sound system, video equipment and crew to the recent UK leg of punk folk singer-songwriter Frank Turner’s on-going world tour. Adlib worked closely with production designer Ali Pike, FOH engineer Luke Buckbee and Johnny Stephenson on monitors.
Taking on the full production designer role was an exciting prospect for Ali Pike who initially chatted with Frank about what he wanted video-wise, and had a very clear overall perspective of what she wanted to create. The focus was to bring something fresh and different to the visual mix.
Assisting Ali to get all the kit and the effects she wanted on the road was Adlib’s Matt Hopwood.
The white backdrop for the lighting and video projections was 18 ft high, and Panasonic RZ21K laser projectors were selected for their power and relatively compact size. These were fitted with short throw lenses and run as an overlaid pair, flown on their own dedicated mid stage truss.
Adlib supplied a fully redundant Catalyst V5 Pro Media server that came complete with 6 channel Active Silicon Camera Inputs. The servers were operated via Ali’s grandMA2 lighting console, where she also added effects and treatments to the content that she had compiled for the show.
Adlib provided six POV cameras, a combination of rackable Marshalls, 2 x CV350 10x zoom ‘block’ and 4 x CV225 ‘lipstick’ units. Three of the lipstick cameras used their standard lenses and one was modified with a fisheye lens.
James Coghlan was the audio systems tech, working with Adlib’s Alan Harrison to e
Germany - At Prolight + Sound, Calibre (Hall 4, Stand B35) will be presenting two new products for the first time in a global launch.
The HQPro1000 is the first product to be announced in Calibre’s new HQPro 4K scaler-switcher range of high-performance solutions. It features a modular architecture for optimum upgradability, tseamless switching and support for multiple sources and layers. Scaling is provided by Calibre’s low-latency proprietary HQUltra technology supporting 4K50/60 4:4:4 RGB formats.
Also on show for the first time will be the new AIO LED display. Recognising the growing popularity of LED technology but the challenge of deploying LED-based screens, the AIO (All-In-One) is designed to be lighter and easier to install – typically, less than one hour - than competing solutions. The QUAD Series FHDQ130, targeted at demanding applications, features 4K resolution and is a 130-inch display with 1.5mm pixel pitch; the A118-18 118-inch model, which is designed for digital signage, features a 1.8mm pixel pitch.
Willy Tsai, MD, comments: “We’re embarking on a global growth strategy that, in the first place, will see us become a provider of complete solutions, rather than just a manufacturer of the constituent elements of those solutions. We’ll be entering new geographic and vertical markets, and substantially expanding our worldwide partner network in order to enhance our service and support, wherever our customers may be. The next 12 months promises to be a very exciting time for Calibre.
“These two new products are represe
Germany - As part of its Fine Pixel Generation campaign, Absen will give centre stage to its headline touring product - the Aries Series - at Prolight + Sound 2019.
The tradeshow will also allow the company to exhibit the capabilities of its award-winning Polaris Series. These products, and more, can be found on Absen’s stand in Hall 4.0, E35.
Absen recently celebrated its 10th straight year as the #1 Chinese export brand for LED displays - a feat that was thanks in no small part to the strength of its rental products - and intends to retain this title with the help of the Fine Pixel Generation’s newest members.
Absen’s new Aries Series is the company’s first NPP range that has been specially designed to meet the growing demand for sub-2mm fine pitch LED in rental staging applications such as auto shows, high-end conferences and live broadcasts. Supporting HDR10 (high-dynamic-range) standard, the new AX1.5 model allows for a much broader range of colours, while being road-rugged thanks to its corner edge protection.
Featuring the latest in Integrated Matrix Device (IMD) and Common Cathode (CC) technologies, the new Aries Series (featuring the 1.5mm pixel pitch AX1.5) provides over three times the strength as traditional LED screens whilst consuming 20% less power. CC technology in particular allows improved contrast ratio and brightness, as well as helping to reduce heat generation, thus ensuring a longer lifespan.
As well as the Aries Series, Absen will also use Prolight+Sound to demonstrate the staying power of its Polaris S
UK - Pearce Hire has claimed the Best Power Supplier Award at the recent Event Production Awards (EPAs), held at Novotel London West on 19 March.
The company provides production services and dry hire to over 2,000 events each year and is set to work on projects including Lovebox, Forest Live series, Classic Ibiza, Detonate Festival, Cambridge Folk Festival and Equifest in 2019.
“It is a huge accolade to have even been shortlisted for an Event Production Award, as we have also been a finalist for a TPI Award and a Festival Supplier Award this season. But to actually win the EPA for Best Power Supplier was really the icing on the cake,” says Shaun Pearce, managing director, Pearce Hire.
“I am extremely proud of the hard work and commitment our dedicated staff and crew put into our projects throughout the year, and a big thank you goes to every one of them. As well, of course, as our loyal customer base who have really put us in the position to win this award.”
The team has now returned to their HQ in Peterborough where they are busy preparing for what they anticipate will be their busiest spring and summer season to date.
The Pearce Hire team will be available to meet on stand RA-05 at the upcoming PLASA Focus Leeds trade show, taking place at the Royal Armouries on 14-15 May.
Belgium - Fisheye, Painting with Light, PRG Belgium and WIcreations - four of the technical partners involved in the 40-45 Spektakel Musical production - have been featured in a behind-the-scenes film.
40-45 Spektakel Musical is being staged at the Pop-Up Theatre in Puurs by Studio 100.
The short film, available for free on YouTube, was shot during the set up and first weeks of the production and features clips from the show as well as exclusive interviews with director Frank van Laecke, technical director Bart Caels from B-Art Production Design, creative lighting expert and video designer Luc Peumans, innovative entertainment engineering specialist Hans Willems, Fisheye director Stijn Slabbinck - in charge of several scenic masterpieces - and Tom van Hemelryck from PRG, who provided lighting and rigging equipment.
It gives viewers a technical and creative insight into the meticulous planning and challenges of producing this ambitious show set during World War II, the vision and foresight of Studio 100 and the strong teamwork, standards of excellence and innovative solutions that are making it happen.
A team from Painting with Light led by Luc Peumans crafted the lighting design and undertook the programming and operating. They also produced the bespoke video content and designed the video control system complete with its programming and ope
UK - A.C. Entertainment Technologies (AC-ET) hosted a Seeing is Believing event featuring leading video brands NovaStar, Prolights and Green Hippo, with nearly 80 delegates attending the training and demonstration day on 6 March.
Held at Production Park in Wakefield, the day provided specialist training for professional video users on NovaStar's award-winning LED display processing solutions, to get the optimum picture results out of video screens.
The products were demonstrated using Prolights' flagship OmegaPIX LED displays, which feature NovaStar's A8s card to deliver stunning image quality. Content was fed from a Green Hippo Hippotizer V4+ Boreal media server.
The event was geared for all levels of video user, from novices through to highly experienced professionals, and attended by rental companies, designers and AV installers from a wide range of sectors.
John Harrison, entertainment manager for Brittany Ferries, comments: "I was interested to attend as video is an increasingly important creative element of our ships' entertainment production. It was very well organised, and easy to understand as a video novice."
James Voakes, senior AV technician at Paragon Creative, adds: "The event made excellent practical use of the products to aid the training, and I was impressed by the flexibility of the NovaStar and Prolights system."
Stuart Burdett, video sales manager for A.C. Entertainment Technologies, says: "We are delighted with attendees' feedback. Those new to NovaStar's products, as well as experienced users, found th
Germany - Malte Polli-Holstein, key account manager for maritime projects at Hamburg-based system integrator Amptown System Company (ASC), and his team have recently finished integrating media technology into the entertainment surfaces on the AIDAnova, the first cruise ship in AIDA Cruises’ Helios class.
The ship was put into service in Santa Cruz de Tenerife in December 2018. It has more than 2,600 cabins, and is the first cruise ship to be run entirely on liquefied natural gas (LNG) in keeping with the concept of green cruising.
“In the highly competitive cruise market, it’s important for a shipping company to set itself apart from its competitors. A great deal has been done with the entertainment offerings and the restaurants on the AIDAnova to wow the guests even more,” explains Polli-Holstein. “We and the shipping company literally started with a blank sheet of paper and began to develop tailored and innovative technical concepts. These were then fine-tuned in the engineering process together with the shipping company’s designers and planners and the Meyer Werft shipyard, and were realized together with renowned manufacturers using state-of-the-art technology. We were able to take the experience we gained with previous new buildings, for example in the areas of videos and projection or in the transmission of all multimedia signals in a fiber-optic network, and apply it to the AIDAnova spectacularly and in new forms.”
“The guests can therefore look forward to sensational shows performed on a 360° stage in the Theatrium,” Po
China - LED video processors manufacturer Brompton Technology has opened a new China office.
Based in High Tech Industrial Park, Nanshan, in Shenzhen, the new office was opened in response to customer requests.
“At the first few meetings I had with potential customers in China, there were two immediate comments made,” explains Elijah Ebo, Brompton’s general manager (China). “I was told, ‘It’s nice to meet you, but we don’t speak English, so you’ll struggle to deal with us,’ and ‘London [where Brompton’s head office is located] is a long way away and the time difference is considerable. But if you had an office here . . .’”
In response, Brompton had employed two Chinese speaking field application engineers (FAEs) to help its customers with system design and technical support, whilst Elijah, who is also learning Mandarin, started to travel to China more regularly.
“We acquired the office space in August last year and we’ve already seen a considerable benefit,” Elijah adds. “And in addition to being on hand in Shenzhen we have recently added Chinese language support to all our processors, which can be accessed via the Language section of the Preferences menu, and are in the process of updating all our technical and marketing literature into Chinese as well as working on a new Chinese website.”
Both the new office and Chinese language support have had a big impact on how quickly and how many people the team can see, says the company.
“Our panel manufacturer partners and customers appreciate the fa
UK - Hundreds of television buyers from across the globe headed to ACC Liverpool for BBC Studios Showcase 2019. Taking place on 17-20 February, the event brought together producers, talent and BBC executives as well as Britain’s most successful creatives. For the 13th year running, creative technical event production company Hawthorn supported BBC Studios to showcase its premium programmes, delivering two hotly-anticipated evening events.
Previously known as BBC Worldwide Showcase, the 2019 event marked a new chapter for Showcase, the first year under the Studios banner. Celebrating British creativity, the exclusive events previewed some of the BBC’s new programmes including Top Gear, The Planets and One Planet: Seven Worlds. Led by the BBC Studios team, Hawthorn’s group creative director Peter Harding helped to produce and deliver a production design for the two evenings.
Night One saw the M&S Bank Arena transformed into a glamourous gala dinner, with top BBC talent including Brian Cox and Sir David Attenborough taking to the stage. The dining space was surrounded with 12 large LED screens, created using 576 panels of ROE CB3 3.75mm LED supplied by 80-Six. A striking LED strip chandelier, designed by Hawthorn’s head of lighting Jack Sayer and created by the team at Light Initiative, formed the dramatic centrepiece. Created using 70 intelligent pixel mapped tubes, the custom-made chandelier worked alongside the lighting and video content to create a striking focal point in the space.
Hawthorn created bespoke LED tabl
Europe - ROE Visual Europe has appointed Erik Baum to lead business development in the DACH region.
“Having worked in the AV market for several notable partners in various sales roles, Baum is the perfect candidate to further grow our brand in the German speaking region” comments Roelof Bouwman, “We’re delighted to have him joining our team.”
Operating from the Munich area, Baum is close to the market and able to react swift whenever product or sales support is needed.
“Combining his likeable personality with great commercial skills, Baum offers the perfect support for our German speaking clientele, catering for their commercial needs as well as growing our business in the region,” continues Bouwman.
“Working with ROE Visual products for a long time, I have experienced what a great product it is. I’m very pleased to join the professional team at ROE Visual Europe and I’m happy to lend my market knowledge and expertise. ROE Visual is a well-recognized brand and has an excellent potential to sustain and grow the DACH market region with superior products,” comments Baum.
Europe - AVIXA reports that there are now 1,000 AV professionals with a Certified Technology Specialist (CTS) certification in Europe.
“This marks a significant milestone in AVIXA’s development in the European market,” said Chris Lavelle, senior director of development Europe, AVIXA. “The AV market is flourishing in the region, and we are thrilled that many industry members are committing to professional development. CTS holders across Europe are reaping the benefits of their hard work, with the programme allowing dedicated AV professionals to stand out from the crowd and prove their expertise.
“We would like to congratulate all our CTS holders for achieving this hard-earned credential, and we look forward to seeing them utilize their knowledge to deliver outstanding integrated experiences.”
Germany - The Fraunhofer Institute for Digital Media Technology (IDMT) has upgraded the highly specialised audio setup at its Ilmenau headquarters with the installation of Powersoft’s Ottocanali 4K4 DSP+D amplifier platforms.
Fraunhofer IDMT - which focuses on applied research in the field of audiovisual media - is widely known for developing technologies for the digital media industry.
The institute has made the decision to invest in a new range of Powersoft Ottocanali 4k4 DSP+D amplifier platforms, further strengthening its long-standing relationship with the manufacturer.
René Rodigast, business manager in the acoustics department at Fraunhofer IDMT, commented: “We have a long story with Powersoft and have developed a good understanding of their systems over the years. Back when we installed our first Powersoft amplifiers here, we had direct contact to the guys in Italy as well as their German distributor, Laauser & Vohl GmbH. Normally we know very well what gear we want and in this most recent case the choice was easy. We ordered the amps without delay and received great support throughout.”
A total of 29 Ottocanali 4k4 DSP+D amplifier platforms were required to meet the institute’s grand aspirations, with 16 of those units being installed in the building’s 3D Presentation Room alone.
“This room is one of our biggest experimental rooms,” says Rodigast. “The goal when we created it was to have an efficient and flexible setup. The room is equipped with 117 loudspeakers and is able to accommodate a small number o
France - The Fête des Lumières in Lyon is a regular event in the French city’s calendar, taking place annually in early December.
Having first participated in the festival in 2017 with the show Guignol Sur La Colline presented on the facade of the Collège Jean Moulin, Portuguese creative studio and multimedia company OCUBO returned in 2018 to work on a projection on the façade of the Saint-Jean Cathedral. Pigments de Lumière was the recipient of the Trophée des Partenaires awarded each year by the festival’s partners to the best artistic showcase.
Inspired by a quote from author Goethe, who says "colours are actions from light”, Pigments de Lumière was conceived as an abstract tribute to and celebration of all the colours that make up light, represented one by one through an exciting succession of different effects.
Nuno Maya, CEO, artistic director and co-founder of OCUBO, reports: “We knew that creating a show for such a special site was a great responsibility and that the project had to be extraordinary – which is what inspired a departure from the classic scheme of our projects down the analogue route. What unfolded is an experimental show with videomapping techniques that explore the aesthetics of two beautiful elements of nature – colour pigments and flowers.
“Throughout the centuries, flowers have taken on many meanings – symbols of friendship, love, vitality, revolution and freedom for example – with many still holding these symbolic connotations today. The history of pigments can also be
The Netherlands - Creative design practice Painting with Light was behind the delivery of the live performance show on the Panasonic stand at the 2019 Integrated Systems Europe (ISE) expo in Amsterdam.
Under the creative direction of Luc Peumans, for the third consecutive year, the Painting with Light team presented a specially-choreographed five-minute dance show, complete with bespoke video content and a special soundtrack for which they commissioned Frank de Wulf to direct - and sourced two dancers from the Véronique Lenaers school of ballet.
This showcased some of Panasonic’s latest technologies, including the new ET-D3LEF70 high resolution fisheye lenses for immersive projection applications and a new technical collaboration between Panasonic and AV Stumpfl, which has resulted in the development of their Pixera media server.
The fast-paced, colourful and eye-catching show was based around projecting onto an inflatable dome structure, to show the flexibility and mapping and shaping capabilities of the kit.
The video content produced by Painting with Light illustrated the strength of Panasonic’s video technology in various sectors, from stages, live events, sporting fixtures to theatre and television and performance shows.
Five projectors covered the full inside area of the Dome’s concave roof, two more did the exterior ‘lip’ of the arch and the two dancers who wore flesh costumes which were video mapped with content from another machine positioned in front of the performance area.
Five Panasonic PT-RQ22K 20,000lm pr
Poland - Intel Extreme Masters - one of the largest e-sports events in the world - features a multimedia stage that has become synonymous with the event.
The structure of the stage with its distinctive scaffolding was originally introduced in 2015, and the look has since become a signature feature of IEM Katowice.
For the 2019 edition, the design features large automated LED screens on the central part of main stage, from which pro gamers enter the stage. The catwalk where the IEM trophy is located, has been completely reworked and combined with the rest of the stage.
Despite set changes the lighting design has been completely renewed, featuring new lighting fixtures and LED bar frames built around the screens behind the teams. Almost 400sq.m of LED screens were used and 650 lighting units.
“Every year we are trying to introduce something new to the stage look, so the audience both online and at the venue will be amazed and will have a great experience while watching. We put a high bar at the year before already but we hear both from our client ESL and while reading assessments I believe we managed to meet expectations. No doubts, that having a major rank of the event these were set very high,” comments Michal Mrzyglocki, COO and set designer from Aram.
This year, 2km of trussing, almost 1,800 lighting fixtures and more than 100 motors, were utilised, whilst 20 trucks and 160 crew members were also involved.
“We started our cooperation with ESL on Intel Extreme Masters Katowice back in the days in 2014. So much has changed fr
UK - A.C. Entertainment Technologies (AC-ET) has launched a new website to showcase its portfolio of technologies.
Created to deliver a better overall user experience, www.ac-et.com features a cleaner design, improved menu functionality with faster navigation, and is now fully responsive, adapting to the best layout for viewing on mobile, tablet and desktop.
The website also reflects AC-ET's position as a one-stop supplier of lighting, rigging, video, audio and related technologies.
AC-ET's UK sales and purchasing director, Jonathan Walters comments: "We are delighted to share our new website with you. The team have been working tirelessly to create a high-quality website, which reflects our (AC-ET’s) world-class products and services. We are confident that the smarter, slicker design will enable easier and quicker browsing to ensure you find the right products and information, even with the huge number of brands available."